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Syllabus: Race, Class and Gender

This class will explore questions around the intersections between gender, race, ethnicity, and politics in the U.S and abroad. The course will use various theoretical lenses to ground the study of race, class and gender. The theme we will address this quarter is that of violence against women, in particular, we will explore state violence via the police. In this class, you will become media producers. You will be responsible for the complete production and design of either a do-it-yourself magazine, often referred to as a Zine or a DIY podcast. You are the sole content creator of your zine or podcast

Race, Class and Gender (ETST 131) Winter 2018 Instructor: Mzilikazi Koné, PhD TA: Loubna Qutami Class: Sproul Hall 1102 Office: INTN 2012 [email protected] [email protected] Meets M/W, 6:10-7:30pm Office Hours W 4:00-5:30 pm or by appointment Class Description: This class will explore questions around the intersections between gender, race, ethnicity, and politics in the U.S and abroad. The course will use various theoretical lenses to ground the study of race, class and gender. The theme we will address this quarter is that of violence against women, in particular, we will explore state violence via the police. In this class, you will become media producers. You will be responsible for the complete production and design of either a do-it-yourself magazine, often referred to as a Zine or a DIY podcast. You are the sole content creator of your zine or podcast Requirements and Grading: 20% Discussion Section Grade (Participation & Attendance) 15% Cultural Commentary Review Due Week 3 15% Interview Due Week 5 20% Investigative Research Story Due Week 7 25% Completed Zine/Podcast Due Week 9 5% Peer Reviews (10) & Personal Reflection Due Week 10 Course Objectives: Students will: 1 Have a new command of the language for discussing the race, class and gender; Increased familiarity with issues related to violence, policing, prisons and the politics of the intersections. 2. Create a do-it-yourself Zine or podcast, a creative project allowing for both creativity and research. 3. Develop research and interviewing skills. 4. Engage with academics, activists and artists on course themes Required Readings: Invisible No More: Police Violence Against Black Women and Women of Color (2017) – by Andrea Ritchie ISBN-13: 978-0807088982 Color of Violence: The Incite Anthology (2016) – by INCITE! Women of Color Against Violence ISBN-13: 978-0822362951 Syllabus Subject to Change 1 Course Expectations: Please be on time. Mutual respect is a critical component of the course. Refrain from demeaning or shaming commentary. All students should feel comfortable expressing themselves and expect to be heard. If you are having difficulty with any aspect of the course, I am available to assist you and discuss your concerns. Email correspondence: I prefer to discuss substantive questions in person but please feel free to email me to discuss class issues. I will try to respond within 48 hours of receiving the message. Please update your email online so that you can receive all relevant class emails. Plagiarism and Academic Dishonesty **Policy against plagiarism: Please keep careful records of where you got materials and what you used from those sources. Use of written or other materials without quotes and due credit (such as a bibliography) is grounds for failing the assignment and other disciplinary measures. If you have any questions as to what constitutes plagiarism, please contact the Instructor. You can also become more informed through the Student Judicial Affairs, located at 133 Costo Hall, (951) 827-4208, or at www.conduct.ucr.edu. Students with Disabilities Please contact the Student Disability Resource Center (SDRC) for any academic support services. They are available to students with permanent and temporary disabilities. http://sdrc.ucr.edu/disabilities/ . Please inform me if you qualify for Note Sharing. Requirements and Grading: Discussion Attendance and Participation 20% Attendance will be taken at every discussion meeting. TA will ask students questions in class, and will ask for students to actively participate in the classroom. Students will need to have completed the reading in order to have active participation in the course. Zine or Podcast Project 80% The bulk of the course grade is base around the completion of a zine/podcast focusing on one aspect of the course themes. The mandatory aspects of the project are that zines/podcasts must 1) explore an aspect or expression related to course themes of the race, class, gender and violence, 2) Engage with critical thinking, social justice and empowerment concepts Syllabus Subject to Change 2 The final project grade will be broken down into the various related assignments that will need to be turned during the course of the class. Each student will produce either 6 copies of their zine or 1 MP3 Podcast Project components are to broken down as follows: 1. Cultural Commentary Review – (15%) 2-3 pages. Written as an article for your zine. Must be based on a feature film, documentary film, song (or another artistic intervention) that you select that has political or social implications for the study of race, class and gender and violence. Explore the connection. How does the piece deal with violence, broadly construed? What kind of light is it shown in? Focus on engaging and informing readers with your personal experience in viewing the film or experiencing the work. What is the message taken away from this work? (Format: Editorial). See music, cultural or artistic magazine for examples. Include a title. (Due Week 3) 2. Interview (15%) Minimum: 10 questions; Include an introductory paragraph/verbal commentary setting the scene of your interview. Conduct the interview whomever you want about in issue connected to the themes of the course. Examples of potential interviewees include a person who is personally familiar with an aspect of the criminal justice system, a community organizer, professor, public intellectual, scholar, peer, another UCR student, law enforcement, a family member, friend, etc. Interview must include at least 10 questions and must be recorded/transcribed for your zine. The interview must be directly related to course themes. Interviews must be transcribed for your zine and may be conducted over email. Inform interviewee about the nature of your zine or podcast (that interview will be published & distributed). If necessary, your interview may be conducted via email. Upload complete interview for assignment. Include a title. (Due Week 5). 3. One Research Article (20%) - 3-4 pages, on a topic related to the course material. Include a works cited and use at least 3 outside resources. Include a title. (Due Week 7) 5. Personal Reflection and Peer Reviews (5%) – Reflection is 2 pages. Reflect on your experience as a zine or podcast maker and cultural producer. Address any take away lesson(s) learned from course materials/ and or project production, how you view issues related to course themes. (Due week 10). Peer reviews: Complete 10 peer reviews of zines/podcasts by week 10. 7. Completed Zine/Podcast (25%) – Final zine or podcast grade based overall artistic, visual presentation of the work, cohesiveness between project parts. A completed zine has a title, includes a table of contents, page numbers, a works cited page, and also includes month and year of the zines completion. Final zine grade also reflects student’s in class presentation of zine, and participation in the class zine read, including the peer review of Syllabus Subject to Change 3 at least 10 other zines. (Due in class, Week 9). A completed podcast is saved as the title of the project along with your name. Send to the professor as a MP3. *** Additional Notes about the Zine***** Project must include a project title (independent from the titles from the separate pieces). Zine should include page numbers, table of contents, & works cited. Other citable sources including pop culture, blogs, newspapers, & magazines may be referenced. You may include your personal photography, collage, personal art, or other creative expression in your work. Cite work that is not your own. Zines are produced in paper format to create a tactile object. Final submission includes meeting with our class during week 10 to present zines. Students must submit written feedback to peers in written comment form with constructive notes on their projects. Last class session devoted to discussing, reading, and sharing zines. Each student will produce 6 copies of their zine. For the sake of this assignment, consider your audience to be other UCR students. READINGS (To be completed before class the start of each class) Course Readings: Introduction and History Week 1 – 1/8 & 1/10 Ritchie- Introduction & Chapter 1 Theoretical Frameworks: Policing Paradigms Week 2 1/15 (No Class) & 1/17 Ritchie – Chapter 2 INCITE Chapter 3, 6, 8, 19 Policing Girls Week 3 1/22 & 1/24 Ritchie – Chapter 3 Incite Chapters 1, 4, 7, 17 Syllabus Subject to Change 4 Policing (Dis)ability Week 4 - 1/29 & 1/31 Ritchie – Chapter 4 INCITE Chapter 2, 18, 28 1/31- Visit Andrea Smith's Guest Speaker: Frank Wilderson III (UC Irvine) “Theorizing Anti-Blackness” Police Sexual Violence Week 5 -2/5 & 2/7 Ritchie – Chapter 5 INCITE Chapter 14, 15 &16, 22 2/5: Guest Speaker: Rahki ‘Hyp’ Holman “Restorative Justice, Gender and the Criminal Justice System” 2/7: Visit Andrea Smith’s Class Guest Speaker: Andrea Ritchie, author of class book: Invisible No More Policing Gender Lines Week 6 – 2/12 & 2/14 Ritchie – Chapter 6 INCITE – Ch 20, 21, 26 2/14 - Guest Speaker: Loubna Qutami, ABD “Palestine, Refugees and the Intersection of Global Struggle Policing Sex Week 7- 2/19 (No Class) & 2/21 Ritchie – Chapter 7 INCITE – 23, 24, 25 Policing Motherhood Week 8 - 2/26 & 2/28 Ritchie – Chapter 8 INCITE – Chapter 5, 27, 29 2/28 – Guest Speaker: Dr. Olivia Garcia “Violence Against Immigrant Women” Syllabus Subject to Change 5 Police Responses to Violence Week 9 - 3/5 & 3/7 Ritchie – Chapter 9 INCITE 9, 10, 11, 12, 13 3/5 – Guest Speaker: Dr. Susila Gurusami “Motherwork Under the State” Resistance Week 10 – 3/12 & 3/14 Ritchie – Chapter 10 INCITE 30 3/12 & 3/14 Zine Share and Peer Reviews! Open Classes! Syllabus Subject to Change 6