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Melt with us
duskin drum and Sarah Lewison
“The refuse between mind and matter is a mine of information” Robert Smithson
One of the key concepts conveyed by permacultural practice is the reimagining of that which is
in-between the barriers of a human built world: roads, fences, buildings. In permaculture, borders and
edges are encounter sites where translation and adaptation between species encourages diversity
and resiliency.
We humans also have edges. ( 1 ) We participate in multiple encounters and translations with the
edges of other bodies within context-suffused mediums called “environments.”
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The seed bomb is a permacultural meme that intensifies awareness of this participation. Popularized
by microbiologist and farmer Yasunobu Fukuoka ( 2 ) and the New Yorkʼs Urban Guerillas circa 1973,
seed bombs, a mix of seeds and compost rolled into damp mud balls, were also used by prehistoric
farmers. Because seeds are lightweight, their mix facilitates distribution and germination by providing
weight and protective cover; tossed over a border or fence, the ball, grenade, or bomb waits until rain
melts it into the ground. As the seeds swell and cotyledons emerge, seedlings are supported by
microbes and the chemistry of root and soil. ( 3 ) An amalgam of seeds, fungi, microbe and ground
becomes a manifesto for the fullness of in-between.
Here we (duskin and Sarah) attempt to draw on what we have heard about co-inhabitants outside
and inside the boundary of the self to better tune ourselves toward their presence. What if the
seedling does not survive? The seed bomb shares the uncertainties of all entities who depend on
wind, bird, bear or other organisms to assist in reproduction. The seed bomb invites humans to get
over themselves and into not-human affinities by sharing these risks, by tuning to worlds of
unknowable relations. It disturbs ontologies of ownership through its occupation of spaces subjected
to capitalist property regimes. In repopulating sites with robust uninvited species, it generates
resistance to the biological colonization of monocultures. And throwing is thus an act of militancy that
takes one beyond the boundary of self, off balance, extending, coming apart, making room to
think/feel differently about death, including the death of the economy, body, home, city, nation, globe
and the catastrophe of a climate changed. A seed bomb demonstrates at a distance how reciprocities
of being involve changing and being changed in relation to and with non-humans.
Non-humans are tied intimately to humans. Critters germinate and are harbored within our human
animal; millions of arthropods, fungi and bacteria territorializing, grooming and terraforming humananimals through vertiginous relationships with semi-permeable surfaces. ( 4 ) Like the gut bacteria
governing digestion, these life forms long ago organized with other organisms to create something
multiple that we call a human-self, but which is in fact only barely human. ( 5 ) We writers are also
multiple: mother and son, a relation, a calving of one by another. We are entangled with each other
and probably ventriloquising the ideas of those who have challenged us, and to whom we draw the
reader.
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Claire Pentecost, "Lynn Margulis"
We are “walking, talking minerals,”; redistributions of “oxygen, hydrogen, nitrogen, carbon, sulfur,
phosphorous, and other elements of Earthʼs crust into two-legged, upright forms.” ( 6 )
The evolutionary microbiologist Lynn Margulis demonstrated the centrality of symbiosis to the
development of complex organisms. Energy-producing gut mitochondria and most cells in tissues,
organs and even the brain have evolved through processes of convergence, in which larger cells
enveloped and incorporated smaller invading cells, often for mutual benefit. Plants, animals, fungi
and humans are literally assemblages; aggregates of single-celled organisms that coordinate
mechanical, affective and neuronal activities. Even infectious cells might have been absorbed and
re-tuned to work with or for their hosts. It becomes increasingly evident that bacteria have kinds of
intelligence. Because bacteria dominate human-animal cell populations by a factor 10:1, one can
enjoy the idea that oneʼs thoughts and feelings might not be oneʼs own. ( 7 ) Enmeshed in interobjective relations, we co-constitute with and in a conglomeration of objects living along and inside
each other that process and signal memories, histories and modalities reflecting their various
material constitutions. ( 8 ) Communication among these intertwined objects drowns out
anthropocentric autonomy with a cacophony ( 9 ) of transversal and non-linguistic relays circulating
among the multitudes of arthropods, bacteria, plastids and other organisms that add up to be us. ( 10 )
Pause. Breathe.
To recognize ones self as an aggregation is to open to the risks and intimacy of ecological
interdependency and the edge of our only-human (in)abilities to discern the not-us within and without.
To be terraformed and permacultured by others for whom you constitute a world means that, in
contradistinction to being autonomous or free, you are only a stakeholder. Borellia burgdorferii is the
bacterium that causes Lyme disease in humans; tracing its lifecycle offers a meditation on human as
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world.
duskin drum, "Exotic fluids for everyday desires," 2013
Borellia travels through the vector of a tick that needs blood to reproduce. When a tick finds a
warm-blooded creature, the spiral-shaped bacteria penetrates the skin and spins toward the viscous
tissues surrounding the joints and eyes. These tissues resemble the bacteriaʼs own ancient mud
origins. Borrelia often escapes detection by medical tests because it customizes its genetic markers
to match antibodies of its host: dog, mouse, deer or human. The bacterium translates its genetic
code to vanish within, a morphological transformation like improvisational concrete poetry- an act of
creativity. People infected with Lyme experience pain, fatigue, eyesight and joint degeneration and
the mental unease of not “feeling” oneself. The invasive infectiousness of Borellia is not so different
from how human oil burning, (coal, gas) leads to the corrosion of glaciers, which soften until their
undersides collapse. Lyme carriers do however experience remissions from the dis-ease. We might
dream an evolutionary symbiotic merger in-process between cells (in the) human, and an invader
Borellia co-evolving with an (in)human aggregation. Maybe there are “green” Borellia that strive to
reduce the harm they cause their host, to be sensitive. Cultivating sense-ability ( 11 ) is to become a
comrade in vulnerability with co-evals.
In ʻTestimony of a Spore,ʼ anthropologist Anna Tsing employs Marilyn Strathernʼs method of critical
cultural comparison in narrating the lifeworld of a dessicated spore that floats freely until a downdraft
blows it into another mushroom. ( 12 ) Tsing mobilizes an anthropomorphized sense-ability to convey
the sporeʼs experience of space and time. She describes a journey full of encounters- with air as
force, direction, clarity and aridity, with the edges of unreceptive bodies and ultimately,
consummation in a reproductive fungal mass. Tsingʼs speculative storytelling offers portraits of
organisms as transforming conglomerates by pointing out common material patterns. These include
principles from physics, like mobility, mass, and resistance, chemical and semiotic signaling, and
biological imperatives like nutrition and reproduction. We are interested in these registers of senseability for the way they expose the risks of provisional commensality, provoking a partial-human
sensibility of a non-human media for non-humans. ( 13 ) This essay is a seed bomb that disseminates
objects so they move around and into the edges of each other, sometimes invisibly, sometimes
forming alliances.
There is a need for aesthetic perspectives and practices that imagine entities as elemental
assemblages, and that especially disable human expectations of agency and agentic freedom.
Response-ability is a speculative ethico-aesthetic that draws a different outline around the boundary
of the self to let in the materialities and worldings of other interobjects. ( 14 ) Response-ability could
counter the one-directional neuro-infection of modernity that has destroyed the capacity to perceive
non-human rhetorics. ( 15 ) Why not inquire whether our “human” is riddled with pathogenic invasives
that generate perversely destructive behaviors of marking, mining, burning and accumulation. How
could another sense-ability make the edges of others, and the accumulating damages caused by
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carbon overloads more voluble to humans, more insistent?
Consider the glacier, which has permacultured most of the Northern Hemisphere, communicating
about and with weather and climate. Glaciers archive air samples from every season of their frozen
lives in laminated ice layers, literal memory banks of spores, pollen, castings, bacteria, protists,
seeds, mud, gravel, and minerals, an assembly of time. The Tlingit and Athapaskan lawgivers have
long recognized that glaciers do not like people speaking about them disrespectfully. Within
oral-historical records, frying with grease on or near glaciers has provoked them to surge down
valleys and fjords, wiping out entire villages. ( 16 ) Climate scientists find that burning forest and fossil
fuels causes glaciers and snowfields to melt ( 17 ) through the albedo effect. Empirical science looks
for evidence in photographs and ice cores to make climate change sensible to human people,
reinscribing human glacier relations as if they occupied two different categories of life, as if the
glacier was marked and excoriated, but the human wasnʼt. A melting glacier is a seed bomb that stirs
up the edges and unknowable relations of the organismic multitudes. An ethico-aesthetic of
response-ability attends to unknowability, acknowledging fields of vulnerability that are tied to the
invisibility of other beingsʼ intelligence and experience. Perhaps the glacier has a mind who
increases the rhetorical force of its geological form of communication as sea levels rise, just as a
seed bomb draws attention to the inhuman registers of being. ( 18 )
Janet Silk, from series, "Is there love in the telematic embrace?" 2013
Endnotes
1 . For an interesting account of the enactment of this boundary engaging with Lacanʼs conception of
the mirror stage see, Lynn Margulis, Slanted Truths: Essays on Gaia, Symbiosis, and Evolution (New
York: Copernicus, 1997), 59. For an another kind of account of blurred body boundaries and realities
see the work of Annemarie Mol. Georg Forster Lecture 2013 - Annemarie Mol, 2013,
http://www.youtube.com/watch?v=B09oi0Gyw08&feature=youtube_gdata_player. Also:
Donna J Haraway, When Species Meet (Minneapolis; London: University of Minnesota Press, 2008).
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2 . Masanobu Fukuoka, One straw revolution (New York; London: New York Review?; Frances Lincoln
[distributor], 2009). For a video of Fukouka making seed balls http://www.youtube.com
/watch?v=ptIttqU1H8Y
3 . Soil here is engendered and in conversation with Claire Pentecost, “Notes from Underground,”
Scapegoat Journal no. 04 (2013): 277–280.
4 . Donna J Haraway, When Species Meet (Minneapolis; London: University of Minnesota Press,
2008), 3; Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham: Duke University
Press, 2010); Margulis, Slanted Truths; Timothy Morton, The Ecological Thought (Harvard University
Press, 2010).
5 . Scott F. Gilbert, Jan Sapp, and Alfred I. Tauber, “A Symbiotic View of Life: We Have Never Been
Individuals,” The Quarterly Review of Biology 87, no. 4 (December 2012): 325–341; Anna Tsing,
“Unruly Edges: Mushrooms as Companion,” Environmental Humanities 1 (2012): 141–54; Donna
Haraway, Playing Catʼs Cradle with Companion Species, The Welleck Lectures, Lecture (Critical
Theory Institute, UC Irvine, 2011), http://people.ucsc.edu/~haraway/.
6 . Russian scientist Vladimir Ivanovich Vernadsky, quoted in Lynn Margulis and Dorion Sagan, What
is Life? (Berkeley: University of California Press, 1995), 49. Cited by Bennett, Earthling, Now and
forever? in Ellsworth and Kruse, “Making the Geologic Now” (Brooklyn: Punctum), 2012, p. 244
7 . Recent research confirms neuronal connectivity between gut and brain.
8 . Timothy Morton, Realist Magic. Objects, Ontology, Causality. Open Humanities Press, (Ann
Arbor: University of Michigan Library, 2013), 141. Morton uses perceptual reciprocity interobjective
space- say optical illusionism.
9 . Our use of cacophony is distinct, but diffractively in-formed by, from other recent uses in critical
theory. Jodi Byrd, The Transit of Empire, First Peoples: New Directions in Indigenous Studies
(Minneapolis London: University of Minnesota Press, 2011), 18; Jasbir K Puar, Terrorist
Assemblages: Homonationalism in Queer Times (Durham: Duke University Press, 2007).
10 . Biosemiotics, an emerging field, can be thought to trace the signs that life uses to communicate
itself. See Jesper Hoffmeyer, “A biosemiotic approach to the question of meaning”[Zygon, vol. 45, no.
2 (June 2010)]; “MicroCorrespondence- Do bacteria sing?” in Molecular Microbiology (1997) 24(4),
879–883, and the work of Bonnie Bassler on bacterial crowd density-sensing.
11 . Our sense-ability is riffing with “response-ability” in Haraway, When Species Meet.
12 . Anna Tsing, “Testimony of a Spore, Or, Strathern beyond the Human Fence” (Matsutake Worlds
Research Group, 2013).
13 . Marilyn Strathern, Partial Connections (Walnut Creek, CA: AltaMira Press, 2004).
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14 . Haraway, When Species Meet; Donna Haraway, “Sowing Worlds: A Seed Bag for Terraforming
with Earth Others,” in Beyond the Cyborg: Adventures with Donna Haraway (New York: Columbia
University Press, 2013).
15 . Richard Dawkins and D. C Dennett, The Extended Phenotype: The Long Reach of the Gene
(Oxford; New York: Oxford University Press, 1999).
16 . Julie Cruikshank, Do Glaciers Listen?: Local Knowledge, Colonial Encounters, and Social
Imagination (Vancouver: Seattle: UBC Press?; University of Washington Press, 2005).
17 . IPCC, 2013: Summary for Policymakers. In: Climate Change 2013: The Physical Science Basis.
Contribution of Working Group I to the Fifth Assessment Report of the Intergovernmental Panel on
Climate Change [Stocker, T.F., D. Qin, G.-K. Plattner, M. Tignor, S. K. Allen, J. Boschung, A. Nauels,
Y. Xia, V. Bex and P.M. Midgley (eds.)]. Cambridge University Press, Cambridge, United Kingdom
and New York, NY, USA.
J. Morgan Puett, "MoMA Mold" Courtesy of Mildred's Lane, 2012
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