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R.K.Narayan is the most famous Indian novelist, his reputation as one of the founding figures of Indian writing in English. This paper attempts to explain the Educational view of R.K.Narayan as envisioned in his novels. He carried an untiring crusade against the memory based Indian System of Education throughout his writing career. Narayan was of the opinion that he resented anything that cramped the soul and believed in return to an educational system based not on rote learning but on story- telling, games for the young and appreciation of the Indian Culture. He did not fail to indicate his new notions of education. He aimed at an ideal education and it was possible only in a free atmosphere. Narayan was not only criticised the education system but also had given solution for the problem. He favoured the Gurugula System of learning, the age old system which gave opportunity to the students and teachers lived together, learning without books. It was sort of natural learning.
Abstract Krishna is an English Lecturer. He considers himself as a poet and plans to write an epic poem sometime in the future. He marries Sushila and Leela is born. Sushila dies after a prolonged illness. This changes the attitude and outlook of Krishna towards life. In the process he meets strangers and develops friendly relationship which transforms or moulds Krishna’s external behaviour. Finally, he resigns from the job of a Lecturer and joins a school as a teacher. Key Words: Poetry, Readings, Ghosts, Education, Values, Character
Journal for Research Scholars and Professionals of English Language Teaching, 2019
R. K. Narayan broke India's greatest English langua ge through with the help of Graham Greene, his mentor and friend. His themes in his stories and no vels find a vivid life from historical observation of common place incidents and humdrum life. Narayan i s considered the first and foremost an artist in hi s presentation of Indian life, culture and tradition. He covers the wide gamut of human experience from the innocent pranks of children to serious communal rio ts, misery of common man to filial relationship, superstitions and orthodox social traditions to the supernatural elements. Malgudi is a fictional town of R.K. Narayan, where his literary works take origin. The study of the family and various family relationships, the renunciation, generational disaf filiation, conflict between tradition and modernity , the East-West encounter, education, etc. are his other themes.
The Creative Launcher, 2021
M.K. Gandhi is a unique paradox. He has been sanctified and idolised for his beliefs and teachings and at the same time has been assumed as an impractical idealist. On the contrary his educational philosophy has been highly practical and in the ever-changing times and challenges of the 21st century, it becomes pertinent to explore it.Education is the facilitator of humanity. It is precisely this understanding of education that Gandhi propounds in his philosophical understanding of the same. The roots of all evils lie in ignorance of education and the roots of all virtuousness lies in adherence to it.R.K. Narayan (1906-2001) and M.K. Gandhi (1869-1948) were two major figures of the 20th century India, owing to the former’s literary and the latter’s political and philosophical sensibilities. Gandhi's ideas and ideals regarding education are multi-faceted. For him education has multiple aims and objectives. For him education is not only a means to serve an individual or a national ...
asiatic.iium.edu.my
The critical reception of R.K. Narayan's fourteen novels over a period of more than half a century has established him as the most popular of the three founding fathers of the modern Indian novel in English. Nearly 900 publications -monographs and essay collections, contributions to learned journals and magazines, reviews of single works in diverse media, and filmed versions of at least two works -exceed by far the attention paid to Mulk Raj Anand, or Raja Rao's achievement. They testify, besides, to the sustained interest in Narayan's narrative oeuvre that ranges from Swami and Friends (1935) to The World of Nagaraj (1989). An overview will give an idea of the number of critical responses during the periods 1935-1970, the 1970s, the 1980s, and 1990-2004. Besides, it will permit a close look at The Guide (1958), Narayan's most popular novel. Its literary innovative features will show that this story, though embedded in the intermediate period between the late colonial and the early independence years in India, is a forerunner of the post-1980s Indian novel in English.
R K Narayan is one of the best Indian writers in English sharing this status with Raja Rao and Mulkh Raj Anand. A highly acclaimed writer, master story teller, his characters and his portrayal of 'Malgudi' with coruscating virtuosity are testament to his enduring appeal to the readers and critics alike. He is one of the very few, writing in those times, who delved deep in the world of children to find his own childhood in them. His stories containing the child characters firmly establish his status as a writer with rare insight into child psychology. This insight, however, is rooted in Narayan's own experiences as a child. His ouvre can be read as an autobiography of the author himself. Although the autobiographical strain invests all his writings, the present article is an attempt to study his short stories as reflection of his own personal experiences, particularly with reference to his childhood. Reading his stories give the readers a peep into his own life as a child taking into consideration the adult world as viewed by the innocent eyes of a child. The present paper also focuses on the plight of the children which generally goes unnoticed by the so called wise adult world and how the pure uncorrupt mind has to face harshness on the part of the elders in order to carve out a gentleman out of them
JRSP-ELT (ISSN: 2456-8104), 2021
The narrative technique is an inseparable part of the novel. Narayan employed different narrative techniques in his fiction. Narayan writes about social issues and problems of south Indian especially common people in his novels and stories. Narayan has taken up social problems of day to day life; and he has attempted to solve the issues through the intellect of characters. He presents the traditional narrative technique of the storyteller effectively. Narayan is considered as a 'born story-teller' or 'a first-rate story-teller'. The wide variety of themes in Narayan's stories is paralleled by an equally satisfying variety of techniques.
Published in Critical Spectrum: Essays in Literary Culture in Honour of Professor C.D. Narasimhaiah, ed. Satish C. Aikant, New Delhi: Pencraft, 2004:172-91.
This essay considers the effect of Western publication on the fiction of R.K. Narayan, discussing the extent to which this influenced his treatment of his South Indian subject-matter. It examines the ways in which two of his novels, written a quarter of a century apart, Swami and Friends and The Man-Eater of Malgudi, fuse the Western and “Hindu” strands that have fed into their composition. It gives an account of the publication history of Swami, arguing that the novel was partly adapted to fit the conventions of English schoolboy fiction, but finally subverts this genre. It discusses The Man-Eater in relation to Narayan's self-portrayal of himself as a "reluctant guru", but contends that, paradoxically, the emerging American vogue for Indian mysticism at the time when the novel was written provided Narayan with more opportunities to draw on the Hindu myths that were one of the wellsprings of his imagination.
QUOTE UNQUOTE, 2020
All litterateurs articulate the spirit of time which is an accretion of all the political, social, cultural, and religious characteristics of a particular age. Great fiction transcends time and space and enjoys universal response, yet every major work of art and literature is rooted in the soil of a culture and is held, with pride, as one in its finest efflorescence. Every writer is the representative of his time as he gives an outlet to the fears, emotions, beliefs, customs, weaknesses, vices, morality, hopes, aspirations, fads, frivolities and enterprises of that particular era in which he lives and writes. A writer is the mouthpiece of the contemporary age. Indian ethos is reflected in various ways in the novels of R. K. Narayan. He has great regard for family ties and pities of the home and the family. Human relationship, particularly domestic relationship occupies a central place in his novels. In his novel, The Guide one can find the true representation of contemporary Indian life, traditions and culture in its vivid and realistic forms. The social realism is extensively and minutely described. This paper will discuss how tradition and modernity intersect with each other in The Guide.
IOSR Journal of Humanities and Social Science, 2014
R.K.Narayan"s My Days, published in 1974 is an autobiography with a difference. Ordinarily an autobiography is considered a piece of realistic writing true to the nuances of an individual"s life. On the contrary, at times, as in the case of V.S.Naipaul, a novel is attached the tag of "non-fiction writing". However, the truth of the matter is that every fiction has an element of non-fiction just as every non-fiction has an iota of fiction in it. It is worthwhile to mention here that just after the publication of Narayan"s memoir, the American University, Washington D.C. chose the same for the English-speaking Union"s Book Abroad Literary Award. Narayan"s autobiography, like his novels, is regional in that it conveys an intimate sense of a given place-in the novels, Malgudi; in My Days, Mysore-but it is not parochial or shuttered. The life in his memoir is that of Narayan"s own class, the Indian middle class, where people are not too well-off to be unperturbed about money or brutalized by the total lack of it. And above it Narayan, appears like the hero of one of his novels-sensitive, ardent, modest and wry about himself, and with a hidden resolute will. In the memoir we see, as we do in the novels, first the context of the town and the skills and problems of various kinds of work which fascinate Narayan; within this the subtler circle of the family; Narayan himself, another Narayan hero. The author as a hero can be characterised as a balanced combination of inherited tradition with a positive individual talent. Narayan"s novels are easily branded as "comedies of sadness", his autobiography, in the language of Krishna Pachegaonkar, "is both suffused with a pure and unaffected melancholy and also lighted with the glint of mockery of both self and others." (p.63) After going through a few pages, of My Days a serious reader gets the impression that in many ways it is very similar to a Narayan novel. It certainly brings home to one how much of his fiction and not only the strikingly personal The English Teacher is firmly entrenched in the details of his own experience. R.K.Narayan admits in My Days, The English Teacher is autobiographical in content, very little part of it being fiction. The English Teacher of the novel, Krishna, is a fictional character in the fictional city of Malgudi; but he calls his wife Susila, and the child is Leela instead of Hema. The toll that typhoid took and all the desolation that followed, with a child to look after, and the psychic adjustments, are based on my wife (Rajam) should to some extent give the reader a clue that the book may not be all fiction. (pp.150-1) The book appeared six years after the death of the author"s wife, in the year 1945. Hema, the little daughter made it possible for Narayan to recover from his wife"s death. She tethered him to life. Like Rajam, Susila was from Coimbatore and both of them suffered from the same royal fever, typhoid. And in a month or two they died leaving their daughter and husband all alone. Within five years of marriage Narayan lost his wife and the astrologer who had found the horoscopes of the couple not matching was proved right. This tragic experience left a void in his life and he never married to fill it. His daughter wanted his caresses and affection. This preoccupation of looking after a motherless child gradually moulded him and made him lead a sociable life. Hema"s thought and responsibility never allowed Narayan to escape. The result is The English Teacher and the gift of voluminous other works of the author for the society. Narayan"s protagonist, Krishnan followed the author"s footsteps in the novel The English Teacher. Even though he went for an arranged marriage and had to live a few years without his wife and daughter, his love for his wife is no less than Narayan. Like Narayan, his hero earned his livelihood from English literature, as he was a professor in English at Albert Mission College. He had to deal with Shakespeare, Carlyle, Milton and so on. As a professional, Krishnan was an able teacher and was loved by his students. The farewell speech of Mr Brown, the principal of Albert Mission College is an ample testimony to this. Krishnan was regular and punctual in his work even after his wife"s death. Being an affectionate and responsible husband and father, he shared his time with both of them. He prepared the sick room, maintained the chart of Susila"s temperature, pampered her to take medicine, and spent time with her. On the other hand, when he was freed from these responsibilities, he was back on his father"s role. Read stories to his daughter, Leela; played with her; took her for outing. He also looked after her cleanliness, food, etc. By now Krishnan had started playing the role of both father and mother to his child. Same must be the situation for Narayan himself. And very soon he had to take
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