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Todd Gitlin's The Intellectuals and the Flag is an important and thoughtful essay-style book organized around a tragic event, three heroes and a political message directed at fellow Americans and egalitarian academics of good faith. Gitlin is a prominent sociologist of media who now teaches at Columbia University; before this academic career he was during the 1960s one of the most visible leaders of the student radical and anti-war organization Students for a Democratic Society (SDS). In the fall of 2001, Gitlin was writing a book on the various intellectual influences in his political and scholarly career, when two jet planes slammed into the World Trade Center about a mile from his Manhattan home. Like many New Yorkers and citizens of the world, he was moved by the courage and solidarity of average American citizens that terrible September morning. He put up an American flag on his balcony for a time, something unusual for a left intellectual and sociologist of his generation who had come to political maturity fighting against racism during the civil rights movement and protesting the brutal violence of the war in Vietnam. This small act provides the title for the book, and helps anchor Gitlin's political and intellectual reflections in a very personal way while leading us towards a discussion of global issues of common concern. After the solidarity and emotion of the immediate aftermath of 9/11 had subsided, however, Gitlin and his wife took down the American flag since American solidarity with the 9/11 victims had morphed into nationalist fervor over George W. Bush's war on terror. As a result, Gitlin's deeply felt American patriotism came into conflict, once again, with the politics and morality of American militarism and the blinders that distort this great nation's understanding of the world outside of its borders. Five years later, Gitlin produced this pithy little book of essays that discuss the sociology of David Riesman and C. Wright Mills, the literary and political insights of Irving Howe, and the political implications of patriotism, post-modernism and higher education. The book is largely focused around American political and academic debates, but the analysis holds many insights for Canadian sociologists and the general public. It is a serious intervention, worth thoughtful consideration.
The Teachers College Record, 2002
Undoubtedly, the terrorist attacks and the U.S. retaliatory strikes have brought to the surface a variety of feelings, some latent, some unfamiliar, for the United States. In many ways, the new " patriotism " that emerged sparked old debates about the meaning and value of " patriotism " as well as the emotions involved. What is the role of educators in helping students to deal with these emotions and face the challenges of critical emotional literacy? We begin by defining how a " pedagogy of discomfort " engages students in facing the contradictory and emotionally complex dimensions of patriotism. We then outline the challenges faced by educators who wish to engage students in learning to " see beyond nationalism, " given that the American mass media has systematically enacted a " media blackout " with respect to media coverage of peace protests and dissent that have occurred within the U.S. and internationally. Third, we describe how a pedagogy of discomfort can resituate emotions of patriotism in the aftermath of 9/11 within the context of what Walter Mignolo calls " critical cosmopolitanism. " The terrorist attacks of September 11 and the U.S. retaliatory strikes have brought to the surface a variety of feelings, some latent, some unfamiliar, for people around the globe. After the attacks in New York and Washington, Americans were moved to spontaneous displays of " patriotism " and solidarity. Flags were hoisted along roadways around the country, cars and trucks sported flags attached to their antennas, while individuals and businesses used the flag to identify their " American " solidarity. Flying on US Airways, one of the us recently heard the pilot on the intercom demarcate a bizarre confluence of economic and nationalistic " class " : " A special welcome to our First Class, Premiere, Dividend Miles, and fellow Americans. " The loud silence of exclusion is blatant and represents the power of an emotion like patriotism to define not only policy but everyday life and identities. For some, the ubiquitous patriotism visible in the aftermath of September 11 may represent a nationalist outbreak and a show of chauvinistic military power. As Arundhati Roy comments, " what we're witnessing here is the spectacle of the world's most powerful country reaching reflexively, angrily, for an old instinct to fight a new kind of war. " [1] For others this represents an incredible feeling of sorrow over the loss of innocent people and a need to create solidarity, compassion and support for those affected by the attacks. In many ways, this new " patriotism " sparks old debates about the meaning and value of " patriotism " as well as the emotions that underlie this complex ideological phenomenon. As Roy urges,
As an intellectual project rather than a fixed, static academic field, American Studies has been at the forefront of advancing theories, methods, and orientations that nuance analyses of global political economy, racial capitalism, uneven power dynamics, differential unfreedoms, the politics of culture, social movements, as well as academic and activist organizing toward social justice. Accordingly, rather than providing a prescriptive map that charts a coherent sense of what American Studies is, this course introduces us to some of its key discussions and debates to consider the ways in which this interdisciplinary formation might enrich, complicate, and re-orientate the conventional assumptions, practices, and values of our respective disciplinary homes. The wide range of multidisciplinary Americanist scholarship considered throughout the semester will thus elucidate alternative orientations, theories, and methods that work to disrupt and reimagine the intimate relationship between knowledge production and violent projects of settler colonialism, incarceration, empire, war, and militarization. Collectively, the readings compel us to foreground the centrality of difference, power, and non-normativity underwriting the histories, cultures, socialities, and politics of "America."
RISE. International Journal of Sociology of …, 2012
This article argues that the values of militarization are no longer restricted to foreign policy ventures; the ideals of war in a post-9/11 America have become normalized, serving as a powerful educational force that shapes everyday lives, memories, and daily experiences. The military has become a way of life, producing modes of education, goods, jobs, communication, and institutions that transcend traditional understandings of the role, territory, and place of the military in American society. Military values, social relations, and practices now bleed into every aspect of American life. What is distinctive about the militarization of the social order is that war becomes a source of pride rather than alarm, a powerful cultural and pedagogical force in which organized violence is elevated to a place of national honor, recycled endlessly through a screen culture that bathes in blood, death, and war porn. A primitive tribalism now grips American society as its democratic institutions and public spheres become inseparable from the military. The article analyzes how militarization has furthered in the U.S. both an aesthetics of depravity and a culture of cruelty, influencing spheres as seemingly remote from each other as higher education and the broader cultural apparatuses of popular and media culture. The article concludes by pointing to a number of struggles both inside and outside of higher education that need to address the threat of the new militarism.
Faculty Publications-English, 2006
recounts a story, told to him by the eminent British literary historian Richard Haggart, of an encounter with a young Fulbright scholar who identified himself as a teacher of American Studies. "And what is than" Haggart had asked. "An exciting new field of interdiscIplinary teaching and research." "What is new about that?" "It combines the study of history and literature." "In England we've been doing that for a long time," Haggart protests. "Yes," said the eager Americanist, "but we look at American society as a whole-the entire culture, at all levels, high and low." But Haggart, who was about to publish his groundbreaking study of British working-class culture-The Uses of Literacy (1957)-remained unimpressed. After a moment, in a fit of exasperation, his informant blurted out: "But you don't understand, I believe in America'"
Communication and Critical/Cultural Studies, 2004
This essay critiques the main responses to 9/11 by US intellectuals and analyzes how these reactions reinforced a determined ignorance of the consequences of US economic, foreign, and military policy and a further depoliticization of the culture in general. As a class, faculty have the resources-material and intellectual-to make a serious contribution to progressive political and social change in the world. They need to start putting those resources to work.
In a deliciously polemical article published last year in The New Republic, sociologist Alan Wolfe tore into a spate of new books by "New Americanist'' scholars debating the direction of American Studies. In the piece, entitled "The Difference between Hatred and Criticism," Wolfe-a Boston University sociologist-accuses leading American Studies scholars of carrying the antifoundationalist assumptions of poststructuralism to the point of absurdity: defining away the object of their scorn, America itself. "Revealing America as non-existent," Wolfe tells us, "is supposed to ease the task of those oppressed groups that are struggling to overcome its hegemony. " Citing variou s articles and talks, Wolfe reveals, and revels in, the spectacle of a coterie of bright, young scholars whose misplaced political agenda has lead them to the brink of defining away the topical and even the physical boundaries of the very society they purport to be studying. Although one may well choose to take strong exception to Wolfe's patriotism (Americanist scholars, he demands, should undertake a certain "responsibility" in depicting the USA and show a " willingness to convey both its possibilities and its pitfalls."), he nonetheless succeeds admirably in calling into question the spirit of contemporary American Studies as practiced in the USA, and does us a service by suggesting that it is actually foreign programs of American Studies that are more representative of its true purpose-the study of the
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