Academia.eduAcademia.edu

Queer Theologies-Playing with Theology

2015, in God’s image 34, no. 2 (December 2015): 1-4

It seems illogical, frivolous and even irreverent to grace the cover of a special issue of in God's image that focuses on Christian queer theologies with images of monkeys.

Queer Theologies-Playing with TheologytromlecbVNID It seems illogical, frivolous and even irreverent to grace the cover of a special issue ofywvutsrponmlihgfedcaTSRPMLIHGECA in God's image that focuses on Christian queer theologies with images of monkeys. We could never have predicted that our artist, Asian queer theologian Lai-shan Yip would contribute such an unexpected yet delightful original painting for this special issue.nIIn describing her artwork through an email, Yip notes how 'the monkeys of various bodily forms share food and plurality of sexualities freely, sumptuously, playfully and joyfully in a world that cherishes diversity, equality and bodily pleasure'. Thus, Yip's creative contribution depicts cherished values of sharing, plurality, freedom, lavishness, playfulness, joy, diversity, equality and physical pleasure. From this fertile litany of creative expressions, we find the notion of playfulness or playas particularly captivating symbols to enunciate the aims of this special issue. Yet, what is play? The cultural theorist Johan Huizinga identifies playas a form of activity that is common to both animals and the homo ludens (the human being who plays). Psychologist 1. Nina Lieberman explains playfulness among human beings as 'spontaneity, manifest joy, and sense of humor'.' The term 'play' also bears sexual connotations. 'Main' [play] is a colloquial term that is occasionally used by Bahasa Malaysia-speaking Malaysians to refer to sexual acts. In Hong Kong, the term ~~& is used to describe someone who 'plays' around in a sexual sense, while the term ~T5~ refers to someone who is actively involved in casual sex. Huizinga insists that 'in culture we find playas a given magnitude existing before culture itself existed, accompanying it and pervading it from the earliest beginnings right up to the phase of civilization we are now living in'.2 In other words, the location of play is paramount to the development of human cultural systems, which in turn give meaning to human existence. Playfulness becomes one avenue through which human beings construct and make meaning of their 'humanness'. It is from this perspective that Lieberman interprets Huizinga's vision of playas 'the matrix of culture[,] and the play spirit [as] the civilizing factor in human development'.' Therefore, play is the performance of pleasure on multiple levels, the recreational respite that upsets, subverts and informs the inflexible, unchanging and sullen dimensions of sense, meaning and purpose in human existence. The dynamism with which playfulness aids in constructing the sense, meaning and purpose of 'humanness' is reminiscent of the role of theology-or 'God-talk [or] discourse on God" -in the lives of billions who try to grasp sense, meaning and purpose in their lives as human beings. Notions of God may be treasured by some, but scoffed and rejected by others as a needless metaphysical conjuring that somehow eluded the scientific coercions of the Enlightenment. The mentality that believing in, relying on and engaging with God is trivial, illogical and fruitless parallels Lieberman's observation that 'play is usually regarded as a useless or, at best, inconsequential activity'.' I 2 3 4 5 J. Nina Lieberman, Playfulness: Its Relationship to Imagination and Creativity (New York: Academic Press, 1977),6. Johan Huizinga, Homo Ludens: A Study of the Play Element in Culture (London: Routledge and Kegan Paul, 1949),4. Lieberman, Playfulness, 11. Wati Longchar, "Unclean and Cornpassionate Hand of God," The Ecumenical Review 63, no. 4 (December 2011): 410. Longchar. "Unclean and Compassionate Hand of God," 14. Vol. 34, No.2, December 2015