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is a senior researcher with the Center for Regional Resources at the Indonesian Institute of Sciences in Jakarta. T he process of converting local religions to Islam in Indonesia involved the vital role of the Wali Songo (the nine Javanese Islamic saints), venerated religious figures who left a tangible legacy in Indonesia, including Lombok, in the form of sacred sites (keramat) and the creation of the new tradition of ziarah (paying homage). The early stage of conversion was marked by contextualizing Islam into local cultural symbols and cosmology. Embedded in this stage were sacred attributes given to the proselytizers, the Wali, in the form of karomah, ngalap berkah and wasilah. The Wali and their sacred attributes obviously represent localized Islam in Lombok.
Heritage of Nusantara: International Journal of Religious Literature and Heritage, 2015
This paper highlights specifically the inter-relationship amidst the Wali, ancient mosques and sacred tombs (makam) playing vital role in the process of Islamization in the Indonesian archipelago, and in Lombok in particular. The process of converting local religion to Islam involves Wali - a venerated religious figure coming from outside Lombok- and the tangible legacies that he left in the forms of keramat creating new tradition of ziarah. The early stage of conversion was strongly marked by contextualizing Islam into local cultural symbol and cosmology. Embedded in this stage is the development of venerated attributes attached to keWalian, in the forms of: karamah, ngalap berkah, and wasilah. These spiritual attributes are pinpointed to highlight a dis¬tinctive cultural variance of Sasak Muslims in Lombok.
Muslims believe that their religion is universal, suitable to all places and time. Consequently, in practice, Islam can be adapted to various situations and conditions. Therefore, the diversity in Islam is inevitable. Diversity is especially related to aspects of interpretation and religious branches, not things that are principle. This article is about the relationship between Islam and local culture. As recognized by many experts, Islam in Indonesia was spread by peaceful means. Local elements were used in the process of Islamization. As a result, Islam could be accepted by most of society of Indonesia. Islam expressed here shows a distinctive face. Islam can live hand in hand with local culture, especially the culture that is not incompatible with Islam.
Bijdragen tot de taal-, land- en volkenkunde, 2024
Bijdragen tot de taal-, land-en volkenkunde
Yale Journal of Music & Religion, 2016
Balinese spellings for these deities are normally Budha, Siwa (or Çiwa), and Wisnu. 9 Some Balinese intellectuals, for instance Wayan Juniarta, hold that Balinese still worship and pray to ancestors rather than Hindu deities despite the continued Hinduization of Balinese culture, including the glossing of temples, altars, deities, and religious practices as "Hindu." Nominal Muslims in Lombok still worship and pray to ancestors, rather than to Allah or His Prophet, Muhammad, though some of these ancestors helped spread Islam to the island.
Proceedings of the 5th International Conference on Community Development (AMCA 2018), 2018
Wali is a word that refers to the person who spreads Islam in the land of Java around the 13th and 14th centuries. The number of wali in the land of Java is nine, so they are well-known as Wali Sanga or Wali Sembilan. The word wali is an abbreviation of Waliullah (the trusted one or the saint) chosen by God to spread Islam in Java, which Hinduism and Buddhism were the main religions at that time. The Wali Sanga introduced and spread Islam peacefully called "Penetration de Pasifique", which spread Islam calmly. Their spreading method was the syncretization and acculturation of culture. The preserved cultural heritages are tombs, literary arts, music art, and art performance. The tombs of the nine saints in East Java are located Gresik, Surabaya, Lamongan, and Tuban. People in East Java periodically visit the tombs for spiritual pilgrimage. This has both religious and social values, which grow the economy of society around the tombs and tour agents that provide transportation. Thus, the tomb is as a sign of social culture of traditional Islamic society in East Java. Another oral tradition is the literary art, such as tembang Macapat (Macapat songs) and a traditional rhythm that depicts the religious syiar, like Ilir-ilir which gives the lesson of Pillars of Islam and the virtue of time, Dhandhanggula, and Kidung Rumeksa Ing Wengi, which describe the efficacy of Ayat Kursy. The songs now undergo cultural transformation in various forms, thus, bringing significant socio-cultural impact. In the art of music, Javanese gamelan for Karawitan, such as Bonang (derived from Sunan Bonang) which initially as a means of da'wah process of Islam in Java becomes a part of the Javanese cultural identities and economic values. Architectural arts, especially mosques that combine traditional elements, transformation of Hindu influences, and the Middle East, make the mosque in Java Indonesia become characteristic of art in the field of architecture and modern design. Similarly, wayang (puppet) first is a means of propagation of Hindu syncretic method with modification of form, function, and meaning. Wayang now has become the cultural identity of Indonesia, and it is one of the World Heritages launched by UNESCO.
Proceedings of the International Conference on Social Science 2019 (ICSS 2019), 2019
This article discusses the process of islamization in Bumi Sawerigading or better known as the Kingdom of Luwu. Luwu Kingdom was the kingdom that first accepted Islam in South Sulawesi. The existence of this kingdom is interesting to write because it does not escape the role of the king or datu in expediting the process of islamization. On the other hand before King Luwu accepted Islam as a royal religion, his people adhered to a belief that was animistic and dynamistic. A belief that worships on trees that are considered to have spirits and sacred objects. In addition, the process of islamization in the Kingdom of Luwu was marked by a fairly lengthy dialogue process between the king and an Islamic propagator named Datuk Sulaiman. Not only until the dialogue, but continued on a power struggle which in the end King Luwu acknowledged the greatness of Datuk Sulaiman and finally converted to Islam. This paper technically uses historical methods from the heuristic stage (data collection), criticism (data verification), interpretation (data interpretation), and historiography (writing into a complete story).
Tonan ajia kenkyu, 1999
One important aspect of globalisation is the process of Islamisation of Indonesia. For many centuries this precess consisted of a constant stream of ideas and practices from Mecca to Indonesia. fldjis and Arab traders were the carriers of this cultural flow, which was largely one-directional. Cultural practices originating frorn the Middle East were integrated into local custom and belief. Such well-known cultural and political eppositions as santri and abangan or shari`a and adat did not so much represent risk: the Arab traders and religious teachers <especially
Muslim World, 2001
V rounded by some of the preeminent spiritual pilgrimage sites of Central Java. To the south is the coast area of Parangtritis, the location of the mythical spirit Queen of the South (Ratu Kidul). Close to that is the mausoleum of Imogiri with the grave of Sultan Agung (1613-46), the third and greatest king of the Muslim empire of Mataram. To the north is the active volcano Merapi, while to the northeast is the grave of one of the founders of Islam in Central Java: Sunan Bayat. This landscape stiil invites pilgrims and it is thought that cosmic forces and legendary characters are constantly present.' Pilgrimage to a holy place in Indonesia is called zkzrah. Basically, sites for zkzrab on Java are the graves of Muslim saints or Muslim kings and nobles. For example, the graves of the wlisanga, the founders of Islam on Java, draw visitors from all over the archipelago, while many graves of Muslim leaders, mystics or initiators of p s a n m (Islamic boarding schools), the kzjwz; are of local importance, Pilgrimages are also made to sites situated in impressive natural landscapes such as mountaintops and caverns often considered to be holy places, loci of spiritual and magical forces. Popular belief holds that a grave on top of a mountain considerably adds to the atmosphere of holiness. Thus, several graves of Muslim saints are situated on tops of mountains. The Javanese people-Muslims, Christians, Hindus and Buddhists-like to spend the night in such places while holding vigils of fasting and meditating, or to give a sehmzkzn, a meal of blessing.* Zikznzb i n Java Undertaking a pilgrimage to a grave or an otherwise potent holy site is popular in Java. According to Franz Magnis-Suseno, "Faced with important
EL HARAKAH (TERAKREDITASI), 2020
This writing is motivated by a very abundant religious culture in Indonesia, including the phenomenon found in Lombok, West Nusa Tenggara which is famous for “Wetu Telu Islam”. It contains the religious system filled with ceremonies and rituals which are accompanied by special symbols that have certain meanings. The method used in this paper is historical descriptive, by systematically explaining the history of the people of Lombok, the cultural patterns of “Wetu Telu Islam”, including its historical figures, doctrine, development, and existence. Then the writer uses structural semiology in analyzing the meaning of symbol elements found in the religious rituals of “Wetu Telu Islam” in Lombok. “Wetu Telu Islam” according to the people of Lombok is a very perfect Islam as it is built from two solid dimensions, namely dzohir and ihsan. For that reason, “Wetu Telu Islam” for them is the teachings of Sufism which emphasize the spirit, and soul. It is the spirit of holistic Islamic teachi...
2020
This study aims to understand in-depth the representation of Coastal Javanese Islam in Pekalongan with cultural approach. This approach puts Pekalongan people onto its social world center, in order to understand how they identify and interpret the world, particularly the articulation of economic activity protected by culture and mediated by Islam tenet. The research method used was qualitative one. Data was obtained through observation and in-depth interview, and analyzed descriptively, by focusing on social practice of batik business performer as the basic vehicle, meaning competition place, and contributing to Islam. The result of research shows that the role of Islam in Pekalongan social life is very strong and dominant represented in dialectical Islam with the manifestation of symbolic spiritualism. Therefore, Islam functions not merely as an effective means of solving life problem, including batik business, confirming Geertz’s argument that religion serves not merely as ethical...
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