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The Jolly Awareness: Confucius in the face of Death

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This paper explores the philosophical perspectives of Confucius, particularly in relation to death, through the lens of the Axial Age and contrasting traditions like Daoism. The work highlights the interconnection between the master's thoughts and his existence by analyzing the Analects and examining archaic funerary practices, ultimately defining the concept of 'jolly awareness' as a unique approach to understanding and confronting mortality. Confucius is portrayed as a figure who harmonizes the sacred and secular, reflecting both human essence and moral challenges.

UNIVERSITA' VITA-SALUTE SAN RAFFAELE Facoltà di Filosofia Corso di Laurea in Scienze Filosofiche Tesi di laurea di: Antonio De Caro Relatore: Giuseppe Girgenti Correlatore: Attilio Andreini The Jolly Awareness: Confucius in the face of Death Confucius (551- 479 a. C. ca.), a Chinese thinker, is considered, by both the imperial and the contemporary Chinese society, one of the most important symbols of China. In the Analects (Lunyu), a collection of sentences, metaphors and gestures ascribed to the Master by his scholars, Confucius’ deep character and his attention for the rites (li, 禮) and the benevolence/humanity (ren,仁), that are the main topics of Confucian thought, arises. However, in the latter topics we can see a deep attention to the topic of death, which is the center of my research, through Chinese Master’s way of thinking. In order to focus my attention on him, I tried to show, firstly, the main interpretations that influenced the philosophy of many Western thinkers. Particularly, in the first part of the XVI century, Jesuit priests, evangelists in China, focused their attention on Confucian thought and were able to transmit his doctrines and his biography, written by the Chinese historian Szu-ma Ch’ein, to European intellectuals. One of the most important interpreters of this tradition was Matteo Ricci, a Jesuit priest from Macerata, who translated the most important Christian precepts into Chinese and, at the same time, focused his attention on Confucius’ thought in order to transmit, subsequently, the message of Jesus Christ’s to Chinese society,. On one hand, to me, Ricci’s interpretation is wholly spiritualistic because he shows Confucius as a prophet of Christian doctrine and one of the most important Chinese philosophers interested in natural reason. On the other hand, first Gottfried Wilhelm von Leibniz and later Voltaire argued something wholly new and different about Confucius. To them, in fact, the Chinese thinker shows a wholly rationalist moral, denying every kind of superstition and spirituality. Thus, to me, their interpretation of Confucius, totally rationalistic, is quite the opposite of Matteo Ricci’s totally spiritualistic one. However, Carl Gustav Jung showed, through the spiritualistic interpretation in a psychological view, an archetypical interpretation of Confucian thinking in which the Master personifies a side of the human soul that Western thinking, in his opinion, dismissed. The sinologist Marcel Granet, in a different way, took apart the categories of Reason and Spirit, and Confucius, to him, was a complex thinker able to stay in both hermeneutical categories without a precise standpoint. To the sinologist Heiner Roetz, however, the only way to take away these categories is to put Confucius into the context of the Axial Age, theorized by Karl Jaspers. To the philosopher Herbert Fingarette, the Chinese thinker embodies both interpretations, in a different sense from the classical ones, unifying both sacred and secular dimensions. In the end, for the sinologist François Jullien, Confucius is the figure of a different awareness, radically different from the philosophical one, without history, neither skeptical nor relativistic, which is in opposition to the Western tradition. After this genealogy, in the second chapter, I show, firstly, Daoism and Confucianism in a general sense, in order to understand the historical context in which Confucius, first, and later his students, tested themselves. From the analysis of Daoism few images of death emerge, and they seem to be the radical opposite of Confucian ones; from the analysis of Confucianism, however, the difficulty of a precise characterization of a historical description appears. Later, I analyze in the detail the Analects, showing the link between the Master’s thought and his own existence. Lastly, in the third chapter, I show, first, a few general images of death and then, I use the metaphor of death as the last journey in order to retrace, with the funerary shroud discovered in the archeological site of Mawangdui, the peculiar conception of death in classical China. Thus, I display the specific link between Confucius’ existential condition, in the face of death, and his own tradition, showing his deep humanity and, at the same time, the capacity to test his morality through the ritual dimension. In this topic lies what I have defined the jolly awareness, embodied by Confucius, capable of understanding and, at the same time, fighting death, depicting it in a theatrical dimension.