THE JOURNAL OF
Egyptian
Archaeology
VOLUME 97
2011
PUBLISHED BY
THE EGYPT EXPLORATION SOCIETY
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ISSN 0307–5133
The Journal of Egyptian Archaeology
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The chronological gap of roughly 160 years between the Palaikastro rhyta and the reign of
Amenhotep III can be filled by the tomb paintings from the time of Thutmosis III. It seems
that during his reign Minoan metal vases were known in Egypt. Between Thutmosis III
and Amenhotep III is a gap of less than half a century. This raises the possibility that the
Egyptian potter who procuced this rhyton was inspired by Aegean (metal) vases. On the
other hand, it has been suggested that it may be a case of Hittite inspiration. At the very
least, the animal head just above the spout is not attested on Minoan rhyta. Egypt and Hatti
were in contact from the time of Thutmosis III. Perhaps the long-known Minoan vessels
with their animal decoration and the Hittite rhyton both inspired the Egyptians to create
their own variant — especially the solution of the spout, which has no counterpart in the
Aegean or Hittite area. This vessel could thus be regarded as an interfusion of different
foreign artistic traditions by the Egyptians.
Geoffrey Metz and Birgit Schiller
The heart scarab of King Shoshenq III (Brooklyn Museum 61.10) *
Publication of the heart scarab of King Shoshenq III, now in the collection of the Brooklyn Museum (inv. 61.10).
Although its original context is unknown, the scarab was almost certainly robbed from the king’s tomb at Tanis
(NRT 5), perhaps during World War II when archaeological work at the site was suspended. Another heart scarab
from NTR 5, that of Shoshenq IV and likewise stolen before it could be formally published by Pierre Montet, is
also discussed.
Inscribed heart scarabs associated with the rulers of the Third Intermediate Period and
their immediate family are relatively common. They include: Psusennes I,1 Overseer of
Troops Wen-djebau-en-djed,2 and Amenemope 3 (Twenty-first Dynasty); Shoshenq IIa,4
Takelot I,5 Osorkon II,6 and Crown Prince Shoshenq D 7 (Twenty-second Dynasty); Divine
*
The author would like to thank Edward Bleiberg and Yekaterina Barbash of the Department of Egyptian,
Classical, and Ancient Middle Eastern Art of the Brooklyn Museum, New York, for permission to publish the
scarab and discuss the Bothmer–Montet correspondence. Brooklyn Museum photographer Kathy Zurek-Doule
provided photographs of the scarab, and Richard Fazzini is to be thanked for discussing the object with the author.
John Gee, as well as the two anonymous JEA referees, are to be thanked for discussing a draft of the article.
1
Two pectorals set with heart scarabs (Egyptian Museum, Cairo JE 85788 and JE 85799); see P. Montet, Les
constructions et le tombeau de Psousennès à Tanis (Fouilles de Tanis: La nécropole royale de Tanis 2; Paris, 1951),
145 (doc. 507), 146 (doc. 510; fig. 53); E. Feucht-Putz, Die königlichen Pektorale: Motive, Sinngehalt und Zweck
(Bamberg, 1967), 144 (no. 41), 176 (no. 38); M. Malaise, Les scarabées de cœur dans l’Égypte ancienne, avec un
appendice sur les scarabées de cœur des Musées royaux d’art et d’histoire de Bruxelles (MRE 4; Brussels, 1978), 68;
Association française d’action artistique, Tanis: L’Or des pharaons (Paris, 1987), 236–7; H. Stierlin and C. Ziegler,
Tanis: Trésors des pharaons (Fribourg, 1987), figs 23–5, 28, 29; K. Jansen-Winkeln, Inschriften der Spätzeit, I: Die
21. Dynastie (Wiesbaden, 2007), 55 (doc. 4.61), 56 (doc. 4.64).
2
A necklace with a pendant heart scarab (JE 87711), and a pectoral set with a heart scarab (JE 87710); see
Montet, Constructions et tombeau de Psousennès, 75 (doc. 718; fig. 28), 76 (doc. 719), pl. 49; Feucht-Putz, Königlichen
Pektorale, 177–8 (doc. 42), pl. 13; Malaise, Scarabées, 68, 72–73; Association française d’Action artistique, Tanis,
234–5; Jansen-Winkeln, Inschriften I, 66 (doc. 4.123).
3
Amenemope possessed two heart scarabs set into pectorals (JE 86041 and 86042); see Montet, Constructions et
tombeau de Psousennès, 169 (docs 648 and 649; fig. 62), pl. 36; Malaise, Scarabées, 68; Jansen-Winkeln, Inschriften
I, 97 (docs 7.10 and 7.11).
4
JE 72171: Montet, Constructions et tombeau de Psousennès, 42–3 (doc. 218; fig. 28), 75, pls 26–7; FeuchtPutz, Königlichen Pektorale, 181 (doc. 51), pl. 15; Malaise, Scarabées, 68, pl. 4; K. Jansen-Winkeln, Inschriften
der Spätzeit, II: Die 22.–24. Dynastie (Wiesbaden, 2007), 74 (doc. 14.5). For the current convention regarding
the numbering of the kings Shoshenq, the existence of whom in several cases is not entirely certain, see G. P. F.
Broekman, R. J. Demarée, and O. E. Kaper, ‘The Numbering of the Kings Called Shoshenq’, GM 216 (2008),
and O. E. Kaper, ‘The Libyan Period in Egypt’, EA 32 (2008), 39.
5
JE 86964: P. Montet, Les constructions et le tombeau d’Osorkon II à Tanis (Fouilles de Tanis: La nécropole
royale de Tanis 1; Paris, 1947), 59, 65 (doc. 57, fig. 20), pl. 58; Malaise, Scarabées, 69 n. 6.
6
Osorkon II had at least two inscribed heart scarabs: Montet, Osorkon II, 58–9, 65 (doc. 57; fig. 20); Malaise,
Scarabées, 69; E. Hornung and E. Staehelin (eds), Skarabäen und andere Siegelamulette aus Basler Sammlungen
(Ägyptische Denkmäler in der Schweiz 1; Mainz am Rhein, 1976), 184; Jansen-Winkeln, Inschriften II, 111–12
(doc. 18.11), 123 (doc. 18.40 = Brooklyn 86.226.22).
7
JE 86779: A. M. Badawi, ‘Das Grab des Kronprinzen Scheschonk, Sohnes Osorkons II. und Hohenpriester
von Memphis’, ASAE 54 (1956), 177, pl. 15d; Jansen-Winkeln, Inschriften II, 185 (doc. 22.18).
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Adoratrice Amenirdis I,8 Shabaqo,9 and Tanwetamani 10 (Twenty-fifth Dynasty). From the
slightly later Twenty-Sixth Dynasty, the heart scarab of Nekau II was once known, but is
now again lost.11 One other inscribed heart scarab, which was discovered in the tomb of
Shoshenq III (NTR 5) at San al-Hagar (Tanis) by Pierre Montet in 1940, was thought to
be that of Hedjkheperre Shoshenq I; unfortunately it was stolen before Montet was able to
publish it (see discussion below).12
This article publishes an additional heart scarab, belonging to Shoshenq III, which has
only previously been briefly noted (figs 1 and 2).13 The heart scarab of Shoshenq III is
presently in the collection of the Department of Egyptian, Classical, and Ancient Middle
Eastern Art of the Brooklyn Museum, Brooklyn, New York (Charles Edwin Wilbour Fund
61.10). It is carved of green stone, most probably serpentinite.14 This is typical for heart
scarabs, since the directive of Spell 30B of the Book of the Dead calls for the use of green
stone.15 The scarab is 80 × 50 × 18 mm, and the surface is finely polished. It is inscribed with
Fig. 1. Heart scarab of King Shoshenq III (courtesy of the Brooklyn Museum).
8
New York MMA 15.6.38: C. L. Ransom, ‘Heart Scarab of Queen Amenardis’, BMMA 10 (1915), 116–17;
K. Jansen-Winkeln, Inschriften der Spätzeit, III: Die 25. Dynastie (Wiesbaden, 2009), 276 (doc. 51.18).
9
Boston MFA 21.301: G. A. Reisner, ‘The Royal Family of Ethiopia’, Bulletin of the Museum of Fine Arts 19
(1921), 37; D. Dunham, The Royal Cemeteries of Kush, I: El Kurru (Cambridge, 1950), 62, pl. 48g–i; Malaise,
Scarabées, 69, 76; Jansen-Winkeln, Inschriften III, 23 (doc. 46.48).
10
Boston MFA 21.302: Reisner, Bulletin of the Museum of Fine Arts 19, 38; Dunham, Royal Cemeteries of Kush
I, 62, pl. 48d–f; Malaise, Scarabées, 69, 76; Jansen-Winkeln, Inschriften III, 244 (doc. 49.16).
11
A.-C. de Caylus, Recueil d’antiquités Égyptiennes, Étrusques, Grecques, Romaines, et Gauloises 7 (supplément)
(Paris, 1767), pl. 10.4.
12
P. Montet, Les constructions et le tombeau de Chechanq III à Tanis (Fouilles de Tanis: La nécropole royale de
Tanis 3; Paris, 1960), 76.
13
See previous citations in J. Yoyotte, ‘À propos de Psousennes II’, Bulletin de la Société des fouilles françaises
de Tanis 1 (1988), 47 n. 11; T. L. Sagrillo, ‘The Geographic Origins of the “Bubastite” Dynasty and Possible
Locations for the Royal Residence and Burial Place of Shoshenq I’, in G. P. F. Broekman, R. J. Demarée, and
O. E. Kaper (eds), The Libyan Period in Egypt: Historical and Cultural Studies into the 21st–24th Dynasties:
Proceedings of a Conference at Leiden University, 25–27 October 2007 (EU 23; Leiden and Leuven, 2009), 354–5.
14
See T. De Putter and C. Karlshausen, Les pierres utilisées dans la sculpture et l’architecture de l’Égypte
pharaonique: Guide pratique illustré (Connaissance de l’Égypte ancienne: Étude 4; Brussels, 1992), 136–39, pl. 54
h.30.
15
The text of Spell 30B of the Book of the Dead specifies that nmHf stone is to be utilized; for its identification,
see J. R. Harris, Lexicographical Studies in Ancient Egyptian Minerals (VIO 54; Berlin, 1961), 113–15; Malaise,
Scarabées, 45–9; De Putter and Karlshausen, Les pierres, 136.
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JEA 97
Fig. 2. Heart scarab of King Shoshenq III (Brooklyn Museum 61.10) (drawing by author).
eight lines of hieroglyphic text consisting of a variant form of Spell 30B. The pronotum and
elytra are divided by a single line; the elytra have lightly inscribed humeral callosities.16 The
rectangular head is large, approximately as wide as the clypeus, and flanked by mediumsized eyes. The clypeus is large and fan shaped, and has four lobes.
Text and translation
k
1
Ý
v a! a r
vK “ ⁄
2
J a N ! ! r
v “¿“
3
Æ
ª ⁄Arrrav
r =
!
rfi a a 4
N !ar }s
0 J“
ª =¼
a
=
„
)Ér
n Íð
n Í
ç(
( )Ã
k
ª !s9
9̇º⁄⁄
“ ª 6
v
⁄
⁄ u6 "⁄ s
“
ñ⁄
„ ! ⁄d r 7
+s
rº s
5
A
8
16
For the morphology of scarabs, see W. A. Ward, ‘Beetles in Stone: The Egyptian Scarab’, The Biblical
Archaeologist 57 (1994), 194; R. H. Wilkinson, Egyptian Scarabs (SE 30; Oxford, 2008), 8.
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243
Transliteration
[1]
[2]
[3]
[4]
[5]
[6]
[7]
[8]
jb‹=j› n mwt=j 17 HAty
=j n xpr‹w›18=j m Xnm nxt [sic] ‹r=j m› DADt wsjr 19
jrj nTrw <m ‹jr› ro20=k ‹r=j›> 21 m-bAH jj22-mxAt
ntk kAw‹=j›23 jmj Xt=j xnmw swDA
Haw24=j pr=k r b‹w›-nfr Hn{t}
=n jm ‹m› sXnS rn‹=j› ‹n›25 Sny‹t›26 jr{r}jw27
rmTw m aHa‹w›28=f r b‹w›-nfr 29 ‹n› sDm‹w›30
nTr‹y› n (wsr-mAa‹t›-ra stp·n-jmn)| sA ra (SS‹n›o mrj-jmn)|
Translation
[1]
<My> heart (jb) for my balance weight (mwt),31 my heart (HAty)
This is most often followed by sp-sn ‘two times’; see Malaise, Scarabées, 19.
For discussion regarding the use of xprw vs. xpr, see Malaise, Scarabées, 22–3; see also H. Buchberger,
Transformation und Transformat (ÄA 52; Wiesbaden, 1993), 340–2. For the entire phrase jb‹=j› n mwt=j HAty=j n
Xpr‹w›=j, see J. L. Gee, ‘Of Heart Scarabs and Balance Weights: A New Interpretation of Book of the Dead 30B’,
JSSEA 36 (2009), 1–4.
19
If the text is taken at face value, it might be read as m Xnm ‹m› nxt ‹r=j m› DADt wsjr ‘do not unite <in> strength
<against me in> the tribunal of Osiris’. However the N Xnm is probably a misinterpretation of the hieratic form
of è Xsf ‘oppose’; cf. G. Möller, Hieratische Paläographie, III: Von der Zweiundzwanzigsten Dynastie bis zum
dritten Jahrhundert nach Chr. (Leipzig, 1936), nos 473 and 508; U. Verhoeven, Untersuchungen zur späthieratischen
Buchschrift (OLA 99; Leuven, 2001), nos U35 and W9. This would give a more conventional reading m xsf ‹r=j m›
DADAt wsjr ‘do not oppose <me in> the tribunal of Osiris’; see Malaise, Scarabées, 19, 23 n. h. For further examples
of the conventional text, see E. Teeter and T. G. Wilfong, Scarabs, Scaraboids, Seals, and Seal Impressions from
Medinet Habu, Based on the Field Notes of Uvo Hölscher and Rudolf Anthes (OIC 118; Chicago, 2003), 124–8,
131.
20
At first glance the o of ro strongly resembles the t loaf (Gardiner Sign List X1), but elsewhere in this text
genuine t-bread loaves are much more distinct and open.
21
The text is garbled at this point, with m jrj ro=k r=j ‘do not oppose me’ being expected: see Malaise,
Scarabées, 19–20, 23; M. C. Pérez Die and P. Vernus, Excavaciones en Ehnasya el Medina (Heracleópolis Magna),
I: Introducción general y inscripciones (Informes arqueológicos, Egipto 1; Madrid, 1992), 138 (doc. 46), 140 (docs
55 and 56); Teeter and Wilfong, Scarabs, Scaraboids, 124–7.
22
For jry ‘keeper’. This orthography is due to confusion between the hieriatc Q and Œ: cf. Möller, Hieratische
Paläographie III, nos 47 and 284; Verhoeven, Späthieratischen Buchschrift, nos A47 and M18. See also K. JansenWinkeln, Spätmittelägyptische Grammatik der Texte der 3. Zwischenzeit (ÄAT 34; Wiesbaden, 1996), § 42.
23
Probably to be read as kAw=j ‘my kas’: Malaise, Scarabées, 19. The ª ‘determinative’ may be due to the
influence of hieratic forms of ! =j ‘my’; cf. Möller, Hieratische Paläographie III, nos 33 and 119; Verhoeven,
Späthieratischen Buchschrift, nos A1 and D54.
24
More typically awt=j ‘my limbs’: Malaise, Scarabées, 19; for further examples see Teeter and Wilfong, Scarabs,
Scaraboids, 124–7. The writing is not entirely certain; it is possible that there is a t-bread loaf present.
25
After Malaise, Scarabées, 20, although m is also possible; cf. Oriental Institute Museum 15020: Teeter and
Wilfong, Scarabs, Scaraboids, 124–5, line 10. The missing hieroglyphs may be due to homoioteleuton caused by
the n of rn and its determinative.
26
# Sn ‘tree’: Wb. IV, 498.6–499.4; P. Wilson, A
This orthography is likely due to contamination from ð
Ptolemaic Lexikon: A Lexicographical Study of the Texts in the Temple of Edfu (OLA 78; Leuven, 1997), 1014.
27
Note the determinative, perhaps indicating contamination from jryw ‘produce’: Wilson, Ptolemaic Lexikon,
94. The sign at the beginning of line 7 is apparently a superfluous stroke.
28
Typical Late Period orthography; see Malaise, Scarabées, 27.
29
In earlier periods more commonly jrjw rmTw m aHaw ‘who create mankind in (this) place’; for discussion
regarding the development of the later variant used here, see Malaise, Scarabées, 26–8; Ransom, BMMA 10,
116–17, and de Caylus, Recueil d’antiquités, pl. 10.4.
30
The text is garbled, likely due to homoioteleuton with b‹w›-nfr, while the sign following the nfr is apparently
intended for ñ. Preferably the text should read nfr ‹n› sDmw ‘(It will be) good <for> the Hearer’: Malaise,
Scarabées, 220; cf. JE 72171 (note 4 above), and Teeter and Wilfong, Scarabs, Scaraboids, 124–7. The nTr-sign at
the beginning line 8 is to be taken as either as a non-phonetic determinative of sDm‹w› ‘(divine) judge’ (Malaise,
Scarabées, 28 n. o), or as an abbreviated form of nTry ‘divine’.
31
Conventionally ‘my heart of my mother’: Malaise, Scarabées, 20. The translation here follows the suggestion
of Gee, JSSEA 36, 8, that mwt means ‘balance weight’ (Wb. II, 55.3–5). He observes that among the heart scarabs
17
18
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[2] of my transformation<s>! 32 Do not <oppose me in>33 the tribunal of Osiris,
[3] creator of the gods.34 <Do not <make> your opposition <against me>> 35 in the presence of
the Keeper of the Balance.
[4] You are <my> kas within my body, (and) Khnum who makes sound
[5] my limbs. (When) you go forth to the Perfect Pla[ce] wherein we are equipped,
[6] <do not> cause <my> name to stink <to> the courtiers (who) make
[7] mankind in his lifetime <in> the Perfect Pl[ace] <of> the <divine> judge
[8] of (Usermae<t>re, Chosen of Amun), Son of Re, (Shoshe<n>q, Beloved of Amun) (III).36
Commentary
The precise origin and history of this heart scarab are unclear, but a number of reasonable
suppositions are possible. The scarab was clearly intended for use on the mummy of King
Usermaetre chosen of Amun, Shoshenq. While there are two kings known as Usermaetre
Shoshenq, namely Shoshenq III and Shoshenq VI,37 the epithets that each of the kings
employ are distinct from one another: Shoshenq VI, an ephemeral Upper Egyptian king
assigned to the Twenty-third Dynasty, exclusively used the epithet mrj-jmn ‘beloved of Amun’
in his prænomen, but never the stp.n-jmn ‘chosen of Amun’ favored by Shoshenq III.38 The
scarab’s owner was, therefore, Shoshenq III.
Given this identification, it is almost certain that the scarab was originally part of the
burial of Shoshenq III in NRT 5 at San al-Hagar (Tanis).39 Exactly when this scarab
was discovered and removed from the tomb, which had been plundered before its official
excavation by Pierre Montet in March 1940, is unknown. Montet made no mention of it
in his publications, indicating that the scarab — assuming it was originally buried with the
king — was probably removed at some period prior to his work. However, Montet was forced
to suspend work on the tomb between 1940 and 1951;40 it is possible that the scarab, an
object that is small and easy to transport, was removed during the war or its immediate
aftermath.
Confusingly, Montet did make mention of the discovery of a different heart scarab in
NRT 5. Of this, he wrote ‘j’avais cependant déjà reconnu sur le plat du scarabée le chapitre
XXXB du Livre des Morts et le nom de l’Osiris-roi Hedjkheperrê Sotepenrê’;41 he also
noted that the scarab, along with the bronze figurine of a cat, was stolen before a proper
study could be undertaken by him.42 Based upon his recollection of the titulary present on
the missing scarab, Montet and later authors have quite naturally assigned its ownership to
in the British Museum where the weight is known, four out of five correspond to units of weight in the Egyptian
metrical system; a small number that do not correspond to the Egyptian system seem to be tied to the Phœnician
standard of weight. In the case of Brooklyn 61.10, the scarab weighs 168.9 g, which is broadly in the range of
20 qedet-weights, where 1 qedet-weight = 8.4 g. Actual scale weights in the collection of the Egyptian Museum
indicate a qedet-weight may vary from 7.92–10 g; see A. Weigall, Weights and Balances: Nos 31271–31670 (CGC
42; Cairo, 1908), 9–56.
32
Gee, JSSEA 36, 14–15, argues that the text is better translated as ‘my heart for the events (xprw) of my
life’.
33
See n. 19 above.
34
LGG I, 468.
35
See n. 21 above.
36
M.-A. Bonhême, Les noms royaux dans l’Égypte de la Troisième Période Intermédiaire (BdE 98; Cairo, 1987),
112–24; J. von Beckerath, Handbuch der ägyptischen Königsnamen (2nd edn; MÄS 49; Mainz am Rhein, 1999),
188–9.
37
Formerly known as Shoshenq IV. See above, n. 4.
38
Bonhême, Les noms royaux, 127–8; see Jansen-Winkeln, Inschriften II, 219–21 (docs 24.1–24.8). Both
Bonhême and Jansen-Winkeln number this king as ‘Shoshenq IV’ according to the older system.
39
For which, see Montet, Chechanq III.
40
Montet, Chechanq III, 19.
41
Montet, Chechanq III, 76. See also Yoyotte, Bulletin de la Société des fouilles françaises de Tanis 1, 47 n. 11.
42
Montet, Chechanq III, 76.
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Hedjkheperre, chosen of Amun, Shoshenq I, and argued that the founder of the Twentysecond Dynasty had been buried (at least secondarily) in NRT 5.43
The identification of the heart scarab stolen from NRT 5 with Shoshenq I was bolstered
by the discovery of two canopic jar fragments that were also found in the same tomb,44 and
which were put forth as evidence for the presence of a (re)burial of Shoshenq I in the tomb
of Shoshenq III. However, it is now known that this is not the case, as the two canopic
jar fragments are recognized as belonging to Shoshenq IV,45 an obscure Tanite ruler who
followed Shoshenq III on the throne, ruling for at least ten, and no more than thirteen,
years.46 One fragment is labeled with the name (HD-xpr-ra stp.n-ra)| (SSnq mrj-jmn sA bstt nTr
HqA jwnw)| ‘(Hedjkheperre, chosen of Re)|, (Shoshenq, beloved of Amun, son of Bastet, god,
ruler of Iunu)|’, that is, Shoshenq IV and not Shoshenq I.47 The second fragment no longer
preserves the king’s name,48 but it was found in association with the first, and certainly
originated from one of the other canopic jars in the set.
Given that the canopic jar fragment refers to Hedjkheperre, chosen of Re, Shoshenq,
beloved of Amun, son of Bastet, god, ruler of Iunu (= Shoshenq IV), and the stolen scarab
seen by Montet naming a ‘Hedjkheperre Shoshenq’ were both discovered in NTR 5, the
most economical conclusion is that the pillaged scarab likewise referred to Shoshenq IV, the
immediate follower of Shoshenq III.49
It is tempting to speculate that Montet might have been confused in his later recollection
of the heart scarab stolen from him before he could adequately publish it, particularly since
both the missing scarab from NRT 5 and Brooklyn Museum 61.10 were made for a King
Shoshenq, and each is inscribed with Spell 30B of the Book of the Dead. However, Montet
was later made aware of the existence of the Brooklyn heart scarab by Bernard V. Bothmer
and recognized that it was not the one he had seen in the 1940s (the museum had purchased
the scarab from a New Jersey antiquities dealer in 1961). In a letter dated 12 March 1962,
Bothmer, at the time an Associate Curator in the Brooklyn Museum, enquired of Montet if
the scarab in the museum’s collections had come from the excavations at San al-Hagar. He
specifically identified it in his letter as belonging to Shoshenq III, and provided photographs
43
For example, see H. Jacquet-Gordon, review of K. A. Kitchen, The Third Intermediate Period in Egypt
(1100–650 B.C.) (Warminster, 1973), BiOr 32 (1975), 259; A. M. Dodson, ‘Some Notes Concerning the Royal
Tombs at Tanis’, CdE 63 (1988), 229; K. A. Kitchen, The Third Intermediate Period in Egypt (1100–650 BC) (3rd
edn; Warminster, 1996), § 93 n. 167, § 452.
44
Montet, Chechanq III, 76; see also Montet, Osorkon II, 59.
45
Not to be confused with the ‘old’ Shoshenq IV, who is now enumerated as Shoshenq VI; see above, nn. 4
and 38.
46
K. Jansen-Winkeln, ‘The Chronology of the Third Intermediate Period: Dyns. 22–24’, in E. Hornung,
R. Krauß, and D. A. Warburton (eds), Ancient Egyptian Chronology (HdO 1/83; Leiden, 2006), 244. The
existence of this king was first suggested by D. Rohl, ‘The Early Third Intermediate Period: Some Chronological
Considerations’, Journal of the Ancient Chronology Forum 3 (1989/1990), 66–7; id. Pharaohs and Kings: A Biblical
Quest (New York, 1995), 378; see also A. Dodson, ‘A New King Shoshenq Confirmed?’, GM 137 (1993); this has
now generally been accepted: see, for example, T. Schneider, Lexikon der Pharaonen: Die altägyptischen Könige
von der Frühzeit bis der Römerherrschaft (2nd edn; Zürich, 1994), 393; Kitchen, Third Intermediate Period 3, § yy;
J. von Beckerath, Chronologie des pharaonischen Ägypten (MÄS 46; Mainz am Rhein, 1997), 94 n. 387, 191; von
Beckerath, Königsnamen 2, 190, 191; D. A. Aston, ‘Takelot II, a King of the Herakleopolitan/Theban Twentythird Dynasty Revisited: The Chronology of Dynasties 22 and 23’, in Broekman et al. (eds), Libyan Period in
Egypt, 3–4; K. A. Kitchen, ‘The Third Intermediate Period in Egypt: An Overview of Fact and Fiction’, in
Broekman et al. (eds), Libyan Period in Egypt, 166 § 12.
47
For a discussion of the chronological and historical issues involved, see Montet, Osorkon II, 59; Rohl, Journal
of the Ancient Chronology Forum 3, 66–7; Dodson, GM 137; A. M. Dodson, The Canopic Equipment of the Kings
of Egypt (London, 1994), 93–4, 178/50:2, pl. 43b; M.-A. Bonhême, ‘Les chechanquides: Qui, combien?’, BSFE
134 (1995), 54–5; Rohl, Pharaohs and Kings, 378; Jansen-Winkeln, in Hornung et al. (eds), Ancient Egyptian
Chronology, 244. As the earliest king holding this name, Shoshenq I did not have any special need to utilize the
epithets sA bstt nTr HqA jwnw ‘son of Bastet, god, ruler of Iunu’ in his titulary, in contrast to those who followed
after him.
48
Montet, Osorkon II, 59; Dodson, Canopic Equipment, 93–4, 178/50:1, pl. 43b; Jansen-Winkeln, in Hornung
et al. (eds), Ancient Egyptian Chronology, 244.
49
As argued by Jansen-Winkeln, Inschriften II, 256 (doc. 26.2).
246
BRIEF COMMUNICATIONS
JEA 97
of the object.50 Montet replied from Paris on 10 April 1962, stating that ‘this scarab could
very well have come from the tomb of [Shoshenq III] at Tanis, but I have never seen it’.
He then explained how the scarab he discovered in Egypt had been stolen with ‘incredible
effrontery’ while the local police did little to recover it.51 Clearly Montet’s memory was
indeed sound and it must therefore be concluded that there were two royal heart scarabs in
existence, both likely originally interred in NRT 5. The one seen by Montet but which was
later stolen formed part of the intrusive burial of Shoshenq IV, while Brooklyn 61.10 was
originally part of the primary burial of Shoshenq III, but stolen before or during Montet’s
work on the tomb in 1940. Alternately, it might have gone unnoticed by Montet during his
initial work on the tomb, and was robbed at some point during World War II when work was
halted.
Troy Leiland Sagrillo
Userkaf ’s birds unmasked*
A pair of birds represented on a relief fragment from the Fifth Dynasty mortuary complex of Userkaf is identified
as masked shrikes, a species only otherwise attested in Egyptian art from the Middle Kingdom.
In 1928, Cecil Firth uncovered a large number of relief fragments at the site of Userkaf’s
funerary temple at Saqqara.1 Among these was a small section (c.14 cm high), now housed
in the Cairo Museum (temp. 6–9–32–1), upon which is depicted a pair of birds (fig. 1). The
scene is notable not only for the exceptional quality of its carving, but also for the unusual
behaviour exhibited by the animals.
Fig. 1. Relief fragment from the mortuary complex of Userkaf, Saqqara (temp. 6–9–32–1, Cairo Museum).
Drawing: Mary Hartley. Reproduced with permission.
50
The correspondence in question is in the archives of the Brooklyn Museum.
Yoyotte, Bulletin de la Société des fouilles françaises de Tanis 1 (1988), 42, 47 n. 11, also discusses this
correspondence between Bothmer and Montet, although he believed the scarab seen by Montet to perhaps be
that of Shoshenq I.
51
*
This study was undertaken as part of a Macquarie University Research Fellowship in the Ancient Cultures
Research Centre (MQACRC), Department of Ancient History, Macquarie University, Sydney. I thank the two
anonymous referees for their thoughtful comments on this paper.
1
C. M. Firth, ‘Excavations of the Department of Antiquities at Saqqara (October 1928 to March 1929)’,
ASAE 29 (1929), 65–6.