Interior mina

La llama interior, 2020

Meditación personal sobre fe y esperanza

Revista Eviterna, 2024

Recensión de la muestra "Interior Berlanga" celebrada en el CaixaForum Valencia comisariada por XXXX Y XXXX

Prueba de disparo, cumpla con los requisitos técnicos y de seguridad para su realización y puesta en marcha del centinela.

This book chapter is part of a book I edited and co-wrote in 2009 on the Colombian painter Cecilia Porras, who was active between 1950 and 1970. This period corresponds to a phase of transformation of Colombian art to modernist expressions such as abstract and expressionist painting and later expressions. Porras, as many women artists from the period has largely been unacknowledged in Colombian art history, and this book (which is a companion to an anthological exhibition of the artist) is an attempt to revisit her work and reassess her importance in the historic processes of art in the country. (Article available only in Spanish)

Sanidad Interior (Basado en la enseñanza del Ministerio Internacional Rey Jesús) Pastor: E. Fernel Rodríguez M mqshekinah@gmailcom Page1 SANIDAD INTERIOR INTRODUCCION "A quien dé cierto es necesario que el cielo reciba hasta los tiempos de la restauración de todas las cosas, de que habló Dios por boca de sus santos profetas que han sido desde tiempo antiguo." Hechos 3:21 EL NUEVO NACIMIENTO

La música como arte y ciencia, su relación con la tecnología, y los aspectos creativos de una composición actual conforman la temática de este artículo. Interiores (2004) es una pieza de cámara con procesamiento electrónico del sonido en tiempo real, escrita en el marco de la Tesis de Doctorado Un modelo para la simulación del Espacio en Música. En esta obra se plantea una fuerte integración de los parámetros musicales con el espacio virtual que rodea al oyente, simulado a través de ocho parlantes dispuestos en los vértices de un cubo imaginario, ubicado en una sala de conciertos.

Actas Congreso Internacional de Estudios Fenicios y Púnicos. Modelos Culturais462-470, 2013

The findings of the first southwestern warrior stelae and other treasures like the one from Aliseda, the bronze jugs or the orientalazing jewellery, have emphasize the importance of the Phoenician presence inside the Iberian Peninsula. The appearance of cemeteries with elements of the Phoenician world, such as Medellín, as well as the proliferation of singular buildings of eastern plant, has increased this idea. However, a greater interest offers the change of economic strategy that is appraised in this ample territory in the Orientalizing Period, where is evident the development of agriculture and the detriment of the cattle economical base of the Final Bronze Age. These circumstances have allowed elaborating some hypotheses that assert land colonization by Phoenician agents. Nevertheless, it has been impossible to ratify this fact in any case, that rather seems to respond to a Tartesic colonization of the inland territories that would contribute with manpower bringing the inherited cultural features of the Phoenician colonization within the Tartesic nucleus. Therefore, it will be through the Tartesic culture when objects or techniques of Eastern origin are introduced in inland Iberia, attached to a change in the social, religious or economic organization that would alter the system implanted since the beginnings of the Bronze Age, that at the end would determine a change in the commercial relations around the Guadiana river.

2018