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2015, Art Monthly
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Upon entrance to the screening space, the first thing one encounters after the bench and the large projection is a well-modulated,soothing voice relaying mild aggrievement that plays over a closely framed shot of a letter writer seated at a desk, somewhere in the act of penning the eponymous epistle. The writer and her or his setting are depicted in the style of an advertisement from the halcyon era for paper and ink correspondence, that is, sometime between the birth of mass advertising in the 1890s and the mid-20 th century domestication of the typewriter. Which is to say, from an era when letter-writing shifted status for the majority of people from an instrumental task to a leisure-time activity. Following the trend of an emerging consumer society, letter-writing went from being an aristrocratic hobby to a being an accessible, and accessorisable, luxury for the mainstream. That is, the letter-writer confronts us as modish, and thereby, perhaps, to follow Walter Benjamin, having the jarring potential of all that is outmoded.
Bodhi: An Interdisciplinary Journal, 2010
Oxford Bibliographies in Renaissance and Reformation. Edited by Margaret King, 2013
Early modern letter writing spanned literary and nonliterary, public and private, elite and popular culture as no other scriptural practice did. As documents, letters record both historical and linguistic data. In form and function, they bridge to modern journalistic media, and to literary genres like essays, diaries, and novels. The letter is also peculiarly related to oral discourse. The ancients theorized letters in works on rhetoric. Medieval letter writers drew upon theories of oratory, establishing in the late 11th century a standardized, five-part letter structure that endured well into early modernity. And humanists cast letters as conversations between absent friends. An explosive growth in letter writing and a rethinking of epistolary practices took place in Europe between the 14th and the 16th centuries, due to four contributing factors: (1) Banking, industry, and trade networks intensified exchanges of goods and information among increasingly global markets. Merchants' practical needs spurred a significant rise in literacy (and letter writing), for the first time realized in vernaculars, rather than Latin.
This article suggests that in the early American novel, the letter served as a kind of paper body, a contested space where women writers and their readers vied for control over the female form, symbolizing the broader cultural struggle in which women were enmeshed during and shortly after the American Revolution. Using Susanna Rowson's Charlotte Temple, Hannah Webster Foster's The Coquette, William Hill Brown's The Power of Sympathy, Tabitha Gilman Tenney's Female Quixotism, and the letter-writing manuals that informed these novels, the article argues that epistles in early American fiction function less like scenery and more like characters with rules of propriety governing their construction, delivery, reception, and response. While letters offered a certain amount of agency to women, as paper bodies that could travel long distances unaccompanied into the private rooms of men, they could also pass out of their writers' control. Men and women could intercept, change, misinterpret, redirect, and generally manipulate epistles as they saw fit. In these novels, no matter what choice a woman makes-write or avoid writing, read or avoid reading-her agency is as easily destroyed as the paper on which her words are written.
Cultural Sociology
Is the letter now 'dead', in terminal decline because of the impact of new digital technologies? Such arguments raise important points. However, they fail to distinguish between prevailing genre conventions for letter-writing in different time periods and the underlying 'epistolary intent' and 'letterness' involved, and so overstate the newness of the changes discussed. Examples of overtime departures from 'the letter' but which display clear epistolary intent and deploy inventive forms of letterness are discussed, including the letters of Olive Schreiner, St Paul's epistles, communications between Roman legionaries, Second World War love letters, an exchange involving mathematicians, and student emails.
Bloomsbury History: Theory and Method Engaging with Sources, 2021
Introduction Personal letters provide a wealth of insight in narrating the social and emotional world of ordinary people, for they contain the unspoken thoughts and feelings that remain hidden and locked away from the public to hear and see. As private and intimate forms of communication, notes are most often exchanged among family members, friends, and lovers, and used in maintaining relations, marriage, and courtships, among other consensual relationships. People are frequently moved to write when they find themselves across a divide or distance from individuals with whom they wish to exchange information and have no other means to do so because of technological, geographic, and economic difficulties. In producing the correspondence, letter writers often use the opportunity to reflect on their lived experiences and account for their hopes and dreams as well as their failures. The utility of correspondence makes it a versatile form of communication and, in the process, open to multiple interpretations and applications. While letters are most readily utilized to nurture and sustain relationships, they are employed, too, to destroy or end those same unions, especially when those relations have become strained over the course of weeks, months, or years without contact or because of waning interest or some other circumstance. At times, authors stop writing altogether, providing little explanation for failing to respond, effectively ending the epistolary relationship. More than intimate, emotional, and individual expressions of love and desire, personal letters provide a window onto the social, economic, cultural, and political developments of the day. Unlike professional correspondence, which focuses primarily on official or businessrelated information connected with public and private entities, personal correspondence lends accounts of the latest news on individual and collective lives as well as broader currents. References to political debates, financial affairs, cultural events, or technological advances have the power to reveal how macro-level trends intersect with people's lives on a micro scale. Equally important to what is said is how is it said, for language is a powerful mode of communicating the social and cultural milieu of a particular moment and place in time. To understand the significance of personal letters, researchers must analyse them within the historical context in which they are produced. Failing to do so renders the letters anecdotal, irrelevant, and cut off from the ebbs and flows of the particular corner of the globe. Personal letters share many distinctive features. The vast majority contain a salutation, which can be lengthy and formal at times, yet it is, nevertheless, an intimate and emotional expression, setting the context for the reader. Notes also contain closing refrains, with the author sending greetings, love, or remembrances to the reader and any related family or friends. Final words, too, bring closure to the communication. Depending on the individual's economic and social circumstances, the correspondence is usually written on paper, usually on full or sometimes half-sheets to save resources, though, occasionally, authors-in their haste to communicate-scribble off notes on scraps of paper and send those as their communication. Letters written prior to the invention of the typewriter in the 1870s were normally handwritten. Yet, even after the appearance of movable type, authors preferred to handwrite their communication. The pen nib, ink, and paper, however, were not always available, forcing them to find alternative means to communicate. Even those without literacy or limited education had the ability to craft missives. They did so by hiring a scribe or finding an intermediary who was willing to write the letters for them. Scribes, particularly family members, however, could not always be trusted to write verbatim or interpret the accurate meaning of a message, leaving the author vulnerable to the whims of unruly writer. Like all sources, letters have biases, for they are inconsistent, manipulative, and formulaic. Sometimes, too, they go missing, are undated, illegible, incomplete, mundane, or are penned sporadically. Despite their shortcomings, as is common to all source materials, they provide a once-in-a-lifetime opportunity for a glimpse into the intimate, emotional, and social lives of ordinary men and women. In addition to confronting the challenges of interpreting, producing, and procuring the supplies to produce letters, letter writers need to know or learn how to navigate the mail system. To do so, authors must figure out addresses and postage as well as the frequency of mail pickup and delivery, especially for national and international letters, which took much longer than regional routes. While the upper classes likely had employees or servants take care of the details of such labor, they nevertheless had some working knowledge of the nature of the postal service. Understanding the mail system likely insured some level of privacy in corresponding but did not always guarantee against prying eyes or hands from intercepting letters meant for another. The personal letters of people from diverse social classes, genders, and racial and ethnic backgrounds in the Americas and Europe have been used by scholars, novelists, and artists to reconstruct the popular and less well-known or hidden histories of the modern period, from the 1800s to the present. Scholars such as historians and literary critics have turned to letters seeking to understand the personal and social circumstances of ordinary as well as extraordinary individuals. Immigration historians have employed them to recreate the lives of migrants-men and women-who risked their lives and left everything they knew behind in immigrating across the Atlantic and Pacific Oceans as well as U.S.-Mexico borderlands to establish new lives and find means of survival (Gerber 2006; Cancian 2010, 2013, Chávez-García 2008; Thomas 1996), while literature specialists have relied on them to understand the personal and professional challenges of famed activists, poets, playwrights, and columnists such as Langston Hughes (Roessel 2000; Hughes et al. 2001; Hughes 2016, 2013). Writers (Mailer 1979) have also studied them to create fictional accounts grounded in history, while biographers (Griffith 1982) have trusted them to recreate the life of wellknown or even lesser known people who made an impact on society. As writers, novelists, and scholars have learned, personal letters provide unparalleled tools for recreating narratives with all the immediacy and vibrancy as it was being lived, allowing for richly textured, vivid and detailed, intimate accounts of the past. Encounters Historians encounter letters in almost any field of research in modern history in the Americas and Europe. Most commonly, correspondence is found among settled and literate communities, among upper-and middle-class families, though poor, working class, and unlettered people sent, received, and kept them as well. Anthropologist Manuel Gamio's interviews (2002) with Mexican immigrants in the U.S. Southwest in 1926 and 1927 indicate that expatriates regularly wrote home to family members and friends with news about their travel in el norte (literally, the north). That form of exchange, as well as word of mouth, was central to motivating scores of Mexicans in the early twentieth century to try their luck in the United States. Letter writing was also not a purview solely of men. Women, as those in Gamio's study, were just as likely as men to produce and exchange cartas (letters).
College & Research Libraries, 2002
English Studies, 2010
Johan Jarlbrink & Charlie Järpvall (eds.), Deskbound Cultures: Media and materialities at work (Lund: Mediehistoriskt arkiv/Media History Archives), 2022
Give me silence only, a desk, books, And solitude and undivided time, And like a lark cheering towards the heights My mind swings on a liberated wing, And the present, the ancient and the future, earth and heaven, And everything I touch will resound in verse. 1 Anders Robert von Kraemer, Diamanter i stenkol (1857) My energy derives from movement-from the shuddering of buses, the rumble of planes, trains' and ferries' rocking. [-] I've learned to write on trains and in hotels and waiting rooms. On the tray tables on planes. I take notes at lunch, under the table, or in the bathroom. I write in museum stairwells, in cafés, in the car on the shoulder of the motorway. 2 Olga Tokarczuk, Flights (2007) "The desk as we know it, is as good as dead," Dutch designer Frans Willigers claimed as he was presenting his new design, the Last Writing Desk, in 2016. According to Willigers, the traditional, heavy, and capacious desk with drawers had become useless in face of new ways of working and the general use of laptops. Work and writing, obviously, could be performed anywhere and on any imaginable surface. As noted by media scholar José van Dijck, writing has become an increasingly social venture that "happens everywhere" and "fills all pockets of time and space." 3 The Last Writing Desk, a streamlined hybrid between chair and table, embodied this transition from sedentary and place-bound work to a situation increasingly marked by mobility, movement, and spatial flexibility. Simultaneously challenging long-standing notions about writing as a solitary, private, and domestic activity, the Last Writing Desk was "ready for departure" and custom-made for momentary work in semi-public spaces such as the airport. 4
Nadzieje upadającego świata: nadzieja w chrześcijańskiej epistolografii łacińskiej IV i V wieku, 2019
The chapter concerns letter-writing from a theoretical per- spective. It dwells upon the book by the Polish literary theorist Stefania Skwarczyńska. Skwarczyńska’s book "Teoria listu" ["Letter Theory"] was published in Polish in 1937 and has not been translated into English. The book was a very modern take on letter-writing at the time it was published, and even now it can still be considered a milestone in epistolary theory, and a gold mine of ideas for systematic research in and sustained critical scrutiny of letter-writing from philosophical, historical, and cultural perspective(s).
International Journal for the Semiotics of Law, 2024
This article highlights certain aspects of Rodolfo Sacco's theoretical work on comparative law. Rather than offering an exhaustive discussion, it outlines key points in his intellectual journey to help the reader understand how certain themes gained prominence in his work. An outstanding figure in the comparative law community since the 1970s, he remained active until the end of his life, well into the twentyfirst century. Through his many contributions to the field, Sacco took comparative law research in new directions. He developed a more nuanced and complex analysis of the tasks of the comparative lawyer, elaborating an approach to comparison that does justice to the multiple components of all legal systems ("legal formants") and their dynamics. We owe him a fine study of the silent, implicit dimensions of law that have a major impact on its application ("cryptotypes"), and a reflection on the relationship between law and language that shows how comparative law is deeply implicated in the process of translation.
Journal of Oriental Numismatic Society No. 239, 2020
New Perspectives on Academic Writing: The Thing That Wouldn't Die
SCIENCE, 2022
Progressive Neoliberalism in Education, 2022
Mediterranean Journal of Clinical Psychology, 2021
Advances in Materials and Processing Technologies, 2020
Quaternary International, 2014
Cell Death & Differentiation, 2014
Insect Biochemistry and Molecular Biology, 2001
Marine Environmental Research, 1995
Nucleic Acids Research
Journal of the International AIDS Society, 2014