THEODORE JOSEPH ZIOLKOWSKI
Author(s): Jan M. Ziolkowski
Source: Proceedings of the American Philosophical Society , DECEMBER 2023, Vol. 164, No.
3/4 (DECEMBER 2023), pp. 355-360
Published by: American Philosophical Society
Stable URL: https://www.jstor.org/stable/10.2307/48757434
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Photo by Denise Applewhite, Princeton University.
THEODORE JOSEPH ZIOLKOWSKI
30 September 1932 . 5 December 2020
PROCEEDINGS OF THE AMERICAN PHILOSOPHICAL SOCIETY
VOL. 164, NOS. 3–4, DECEMBER 2023
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356
biographical memoirs
T
heodore Joseph Ziolkowski, renowned American Germanist,
comparatist, and humanist and a prolific writer of thirty-five
books on literature, religion, and culture, died in the early evening of December 5, 2020, in Bethlehem, Pennsylvania. Known as Professor Ziolkowski to thousands of students in his undergraduate lecture
courses and graduate seminars at Princeton University, and as Dean
Ziolkowski from his thirteen years at the helm of the Graduate School
there, he was Ted to close friends and acquaintances.
Ziolkowski was born on September 30, 1932, in Birmingham,
Alabama. His mother, Cecilia Ziolkowski (née Jankowski), a secondgeneration Polish American from the Chicago area, taught piano. His
father immigrated to the United States from Poland. A composer and
concert pianist who trained at Berlin’s Stern Conservatory and ultimately
in Switzerland with the Polish patriot Ignacy Jan Paderewski, he found
security and happiness during the Great Depression on the music faculty
of what eventually became the University of Montevallo. In his Americanization, Mieczysław Ziółkowski shed the accents in the spelling of his
names and came to be routinely called “Professor Z.” for short.
As a boy, Theodore Ziolkowski (in those days “Teddy” to almost
everyone) excelled scholastically, completing his secondary education
at age fifteen. In addition, he starred in high school football and thanks
to his feats on the gridiron was even offered a scholarship to the University of Alabama. For all his enthusiasm for sports, his main extracurricular passion was the trumpet: he acquired local fame for running in
his athletic gear (minus the helmet) to join the marching band on the
field at halftime.
From his mid-teens he played jazz. For many years, he performed
professionally on the brass instrument. In fact, weekend gigs later provided a major source of income for his own household until he set the
horn aside in his early thirties. Around the time he became a full professor, he realized that the rock and roll of Elvis Presley was ringing the
death knell for his style of trumpeting. Accordingly, he resolved to direct
his energies outside the classroom and office ever more to his research.
Theodore’s father brought with him to the Deep South many exotic
trappings of an Old World intellectual formation. Notably, he peppered
his thickly accented and colorfully formulated English with proverbs in
Latin, German, Russian, and Polish, to mention only four tongues. The
lush linguistic texture of the home inspired both his children, Theodore
and his younger brother and future classicist John, to immerse themselves in languages.
Theodore Ziolkowski received his AB from Duke University at age
eighteen in 1951 and married Yetta Goldstein, his partner for life and
fellow Alabamian whose father had likewise emigrated from Poland.
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theodore joseph ziolkowski
357
A year later Ziolkowski earned his AM from the same institution, and
the young couple had their eldest child, a daughter. In 1957, he was
awarded a PhD from Yale University under the supervision of Hermann
Weigand, Sterling Professor of German Literature. These busy years
witnessed the birth of a first son in 1956, followed by a second in 1958.
Also in 1958, he and Yetta forged a friendship in Cologne with Heinrich Böll, a future Nobel laureate, that would endure until the close of
the German novelist’s lifetime.
Ziolkowski’s master’s thesis, focused on the Romantic poet Friedrich Hölderlin’s German translation of the Iliad, was early evidence of
his lifelong preoccupation with the impact of the classics on later literature. His dissertation, on Hermann Hesse and the eighteenth-century
German polymath known as Novalis, displayed his fascination with
the continued vitality of Romanticism in what was, at that point, still
relatively recent German prose.
After holding short-term postdoctoral appointments at Yale University, Ziolkowski moved to Columbia University in 1962; but he first
attained real permanency when recruited as a full professor at Princeton
University in 1964. From the start he taught high-enrollment introductory courses, above all a perennially popular one on the development of
the European novel. In acknowledgment of his teaching and scholarship,
he was named the Class of 1900 Professor of German and Comparative
Literature in 1969. In administration, his highest and most demanding
service extended from 1979 to 1992 as dean of the Graduate School.
During this long spell, he was invited more than once to Washington,
DC to testify before the Senate on issues relating to the humanities.
His two full-length books from the 1960s were The Novels of Hermann Hesse (1965) and Dimensions of the Modern Novel: German
Texts and European Contexts (1969). In the 1970s and 1980s, he delved
ever more into the analysis of literary themes. His most innovative title
from this phase may well have been Fictional Transfigurations of Jesus
(1972). The 1990s saw his range expand yet again, with the far-reaching
German Romanticism and Its Institutions (1990), the now-classic Virgil
and the Moderns (1993), an exploration entitled The Mirror of Justice
(1997) on literary treatments of legal crises, a study of towers as an
image in literature (winner of the Christian Gauss Award from the Phi
Beta Kappa Society), and, lastly, in German, the first in a series of monographs about the cultural roles filled by specific cities in late eighteenthand early nineteenth-century Germany.
Long before retirement, Ziolkowski had acquired many distinctions, including two Fulbrights, a Guggenheim, and the James Russell
Lowell Prize. He was also elected president of the Modern Language
Association. Later in his career, his center of gravity shifted partly to
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358
biographical memoirs
Europe. He and Yetta spent at least a few months each year in Berlin,
where they put down deep roots.
His devotion to Germany was reciprocated. In due course, he was
singled out for tribute by his peers there with the honor of the GoetheMedaille, Jacob-und-Wilhelm-Grimm Preis, Forschungspreis from the
Alexander von Humboldt Foundation, and Bundesverdienstkreuz 1.
Klasse. On a personal level, he treasured the connections he and his wife
forged through regular participation in such organizations as the Deutsche
Akademie für Sprache und Dichtung in Darmstadt and the Akademie der
Wissenschaften zu Göttingen. On the western side of the Atlantic, they
participated fondly in the American Philosophical Society whenever circumstances allowed.
After supposedly retiring from active duty in 2001, Ziolkowski embarked upon what proved to be his most remarkably productive period
of book writing, at the unbroken tempo of one annually over two entire
decades. As an emeritus, he was kidded affectionately and admiringly
by his nearest relatives for behaving like a junior colleague bucking for
tenure. The score of books, mostly in English but now and again in
German, that he published over his last twenty years covers a breathtaking gamut. The culminating one, just released in 2020, Roman Poets
in Modern Guise: The Reception of Roman Poetry since World War I,
caps his numerous investigations into the afterlives of Greek and Roman classics from the late eighteenth century on. Other volumes attest to his deepening and widening attraction to a host of other topics,
especially involving religion and myth, from Gilgamesh down to the
present. Three examples out of many are The Sin of Knowledge (2000),
Modes of Faith: Secular Surrogates for Lost Religious Belief (2007),
and Uses and Abuses of Moses: Literary Representations since the Enlightenment (2016).
Shortly after turning eighty-eight, Theodore Ziolkowski succumbed
to the terminal stages of heart failure. The disease ruled out the jogging
that he had relished through his mid-eighties, on a route along Lake
Carnegie that he made an opportunity for counting turtles and cormorants. Eventually his condition likewise ruled out his daily piano sessions, which he had taken up again at age seventy after a half-century
hiatus. Still, to the very end he retained his gusto for music and poetry.
He rhapsodized about Bach and recited from memory German lyrics
by Goethe, Hölderlin, and Novalis. His favorite verses related to sites,
from the tops of mountains to the bottoms of mines, that he had visited with Yetta, his constant companion of nearly seventy years. Frequently the pair would take turns reciting poems, with the hands-down
favorite being Goethe’s “Wanderer’s Nightsong II,” with its final two
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theodore joseph ziolkowski
359
lines “Warte nur, balde / Ruhest du auch,” translated by Longfellow as
“Wait; soon like these / Thou too shalt rest.”
No further new books will appear with Theodore Ziolkowski as author on the dustjacket. No fourth dozen will spill onto another shelf of
the bookcase. In the stock formulation of “publish or perish,” he took
care to fulfill the first verb before falling prey to the second. That thought
would make him happy, since he liked to finish well and to meet deadlines. As a beloved relic from his stint of deaning, he displayed in the
living room of his home a slate with the same Latin inscription found
on the mantelpiece of Princeton Graduate College’s Procter Hall. The
motto, which reads “Bonus intra, melior exi,” signifies “Enter good,
depart better.” The first phrase contains a tacit assumption about the
innate goodness of people, the second about the necessity of improving
upon that quality in living. He has honored the aphorism, since his exit
was even better than his entrance—and thanks to his unfailing grace,
the lives of those near and dear to him will have been enhanced too.
Despite a phenomenal zeal for reading, learning, and writing, and
a legendary work ethic that kept him spot welded to typewriters and
keyboards, Theodore Ziolkowski had a joie de vivre inseparable from
his joie de travailler. In that living he cared deeply about those he loved.
As a richly rounded human being, he put into practice his bedrock values as a humanist. One of his favorite mantras was “all together, all the
time,” and loss of him has grieved his family, just as vivid memories
have brought solace. He is survived by brother John Ziolkowski, of
Arlington, Virginia; daughter Margaret Ziolkowski and her husband
Robert Thurston, of Oxford, Ohio; elder son Jan and his wife Elizabeth Ziolkowski, of Newton, Massachusetts; and younger son Eric Ziolkowski and his wife Lee Upton, of Easton, Pennsylvania. In successive
generations are a grandson and six granddaughters, along with three
great-granddaughters and three great-grandsons. His beloved wife
Yetta Ziolkowski, of Princeton, New Jersey, and Bethlehem, Pennsylvania, died on January 10, 2023.
Elected to the American Philosophical Society in 1984
Jan M. Ziolkowski
Arthur Kingsley Porter Professor of Medieval Latin
Harvard University
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