Too Close to the Money
A Theory of Compulsive Gambling
Ole Bjerg
Abstract
This article explores the relationship between gambling and capitalism. The
subjective being of the compulsive gambler provides insight into the role of
money in capitalism. Using the Lacanian approach of Žižek, money is
analysed as a sublime object of capitalist ideology. In gambling, however,
the subject engages money in a very direct encounter with the Lacanian
‘Real’, circumventing the ordinary symbolic order of capitalism. This results
in a momentary de-sublimation of money, stripping it of the metaphysical
properties otherwise vested in it by capitalism. For the compulsive gambler,
the de-sublimation has become permanent, making it impossible for him to
function as an ordinary capitalist subject. He has come too close to money,
leaving him in a pathological state of being out of joint with capitalism.
Key words
addiction ■ capitalism
■
desire
■
Lacan
■
Marx
■
Žižek
In gambling money is seduced, deflected from its truth. Having been cut off
from the law of equivalences (it ‘burns’) and the law of representation, money
is no longer a sign or representation once transformed into a stake. And a
stake is not something one invests. As an investment money takes the form
of capital, but as a stake it appears in the form of a challenge. (Baudrillard,
1979: 139)
T
HE MOST obvious risk from gambling is losing one’s money. However,
when a gambler bets $1000 on the outcome of the roulette wheel, the
roll of a die or the result of a horserace, there is more to it than simply
putting a given amount of money at stake. In gambling, money is lifted out
of its ordinary circulation in the capitalist economy and led astray into a
■
Theory, Culture & Society 2009 (SAGE, Los Angeles, London, New Delhi, and Singapore),
Vol. 26(4): 47–66
DOI: 10.1177/0263276409104968
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Theory, Culture & Society 26(4)
universe of chance. Thus the very concept and meaning of money is challenged. For most people, gambling is just a curious diversion from everyday
life, a compartmentalized activity in their lives in capitalist society. But for
some people, the experience of winning or losing, seeing money ebb and
flow at the whims of chance, has such traumatizing effects that their very
being as subjects of capitalist society is distorted. They become compulsive
gamblers.
This article explores the role of money in gambling and in the development of compulsive gambling. It will be demonstrated that money serves
an ideological function as ‘the sublime object of capitalism’. What happens
in gambling is a form of de-sublimation of money. The status of money as a
bearer of special symbolic meaning is undermined, and the gambler’s entire
economy of desire, structured around money, implodes.
The argument of the article builds on the theories of Marx, Lacan and
Žižek, and the proposed theory of compulsive gambling is discussed in
relation to existing empirical studies of the disorder.
What Is Gambling?
Poker, black-jack, roulette, craps, slot machines, betting on horses, betting
on football, betting on dogs, bingo, lotteries, lotto. The list of forms of
gambling seems to be endless. We will start our analysis by identifying the
very basic components of gambling across its various forms. A crucial
distinction in the definition of gambling is the difference between games of
chance and games of skill (Reith, 1999: 93–4).
Roulette, for instance, is a game of pure chance. The likelihood of
winning is totally independent of the player’s skills. The gambler has no
influence on the outcome of the game, and he can have no prior knowledge
to optimize his betting strategy. Contrary to the belief of many gamblers –
problem gamblers in particular – there is no way of being a good or a bad
roulette player. You can be a lucky roulette player. But factually speaking
luck is only a post factum ascertainment that the round turned out to your
advantage. The next round is a new game and luck in the previous round
does not have any influence on the chances of winning this round. The same
goes for slot machines, bingo, lotto, lotteries and other games of pure chance.
While it is impossible to be a better or worse roulette player, it is
possible to be a good poker player. And it is possible to be a very bad one.
In poker, an element of chance is involved in dealing the cards. But once
the cards are dealt it is possible for the individual player to improve his
chances of winning by playing his hand optimally. ‘You have to know when
to hold ’em/Know when to fold ’em’, sings Kenny Rogers in his famous song
about ‘The Gambler’. But even the best poker player cannot eliminate the
element of chance in poker completely, hence it remains a gambling game
regardless of the player’s skills. Other games in this category are whist and
backgammon.
We may order the different forms of gambling in a continuum according to the degree of chance involved (Figure 1). At one end we have roulette,
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Bjerg – A Theory of Compulsive Gambling 49
Chance
Skill
Roulette
Fruit machine
Lottery
Lotto
Bingo
Sports betting
Black-jack
Craps
Poker
Whist
Backgammon
(Chess)
Figure 1 A continuum of gambling games
lotto, lotteries, gaming machines and other games of pure chance. At the
other end we find games that combine chance and skill, such as poker, whist
and backgammon. Between these two points we find sports betting, blackjack and craps. These games involve some degree of skill and knowledge
but they are played against ‘the house’, thus giving the player less possibility of being in control of the game than, for instance, in poker. At the very
end of Figure 1 we find chess. When chess is played by skilled players, the
degree of chance is reduced to such a minimum that we may no longer speak
of gambling.
Any type of gambling may lead to pathological problem gambling.
Still, there seems to be a tendency for problem gambling to occur in connection with games of pure chance rather than games involving skill. Several
research projects point to gaming machines as the most commonly preferred
form of gambling among pathological gamblers (Abbott and Volberg, 1996;
Becoña, 1993, 1996; Black and Moyer, 1998; Jørsel et al., 1996; Nielsen
and Røjskjær, 2005). In the following, I will primarily be considering games
of pure chance.
So the first criterion for gambling is for the game played to have an
element of chance that cannot be eliminated by possible player skills. But
gambling has a further and equally crucial element: money. Anyone who
has ever played roulette for matchsticks knows the difference money on the
table makes.
Money in gambling is a medium for registering the players’ involvement in the game (Reith, 1999: 146). Money ties the gambler to the game.
It is the money that puts the player at stake. In the Middle Ages we find
numerous examples of players continuing their gambling despite having lost
all their money. Instead they put themselves and their freedom at stake,
risking ending up as the winner’s slave (Jørsel, 2003: 28; Reith, 1999: 48).
The contemporary equivalent is the gambler who builds up gambling debts
with increasingly more dubious creditors, until he ends up in a slave-like
relationship to hard criminals, who force him to commit crimes to pay off
his debts. The money functions as the player’s representative in the game,
and when the money runs out, the player himself must take the place of the
representative.
We have now identified the two essential elements of gambling: chance
and money. In the following we will see, in accordance with the theoretical
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perspective of Lacan and Žižek, how money may be conceived of as part of
the symbolic order, while chance is a manifestation of the Real. Let’s take
the money first.
Money Is Never Just Money
Money is rarely just money. Money functions as measure for value, which
may be applied across various social and cultural settings. It is also ascribed
all different sorts of meaning in different contexts.
A crucial distinction in Marx is the distinction between money and
capital (Marx, 1867: 161–91). Money is the symbolic expression of the
commodity’s value. But money takes on a different character depending on
the form of circulation in which the money (M) and the commodity (C) enter.
The immediate circulation of commodities has the form C–M–C. I have a
sack of potatoes, sell it for $100, and for the $100 I purchase a sack of flour.
The circulation starts with a commodity, the potatoes, and ends with a
commodity, the flour, while the money is just a neutral intermediate for the
exchange.
However, another circulation, with the form M–C–M, is also possible.
I have $100. For this $100 I purchase a sack of potatoes, which I then sell
on for $110. Both the starting point and the ending point for this circulation is money, while the commodity is only an intermediate. The two points
are not qualitatively different but quantitatively different, since I have
increased my balance by $10. In this circulation, where the purpose is not
the use-value of the commodity (I need flour to make a bread) but the
increase of my balance, money has taken on the character of capital. In
contrast to money, capital is an active element, capable of generating value
from itself: ‘It brings forth living offspring, or, at the least, lays golden eggs’,
as Marx so vividly describes it (1861: 255).
Hidden in the circulation of capital lies a certain premise, which Marx
deserves credit for having revealed. Capital’s production of surplus-value is
possible only under the condition that we find on the market a commodity
whose use-value is to generate value. This commodity is of course labour. I
purchase five hours of labour from the baker for $100. During this time he
is able to convert my sack of flour into 100 loaves of bread that I may then
sell for $300. The baker has increased the value of my flour from $100 to
$300, and I have made $100 on my investment after the baker’s salary has
been paid. In this way, the surplus-value in the circulation of capital seems
to be coming from nowhere. It is produced by the baker (the worker), who
is then cunningly exploited by me (the capitalist).
If we apply the Lacanian distinction between the symbolic and the
Real, we may see both the immediate circulation of commodities (C–M–C)
and the circulation of capital (M–C–M) as taking place exclusively within
the symbolic order. Money and capital are in themselves symbols. And both
commodity and labour enter the circulation only insofar as they have been
ascribed a symbolic identity according to their place in the circulation. In
other words, they are only commodity and labour because they are socially
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Bjerg – A Theory of Compulsive Gambling 51
constructed as such. A commodity becomes a commodity only when it is
valued and offered on the market.
Lacan describes the relationship between the symbolic order and the
Real as one where the chaotic, meaningless and irregular Real is cancelled
out by the operation of symbolization. ‘The letter kills’ (Lacan, 1964: 848).
This is exactly what is happening in both circulations. The chaotic pulsation of the Real is substituted by symbolically recognizable entities, which
then circulate in a relatively structured and regular fashion. Lacan illustrates the move from the Real to the symbolic by means of a small game
(Lacan, 1966). By tossing a coin 10 times a random sequence of heads and
tails is produced. We may get the following result shown in Figure 2.
In the first instance this sequence is a purely chaotic, irregular and
meaningless manifestation of the Real. Now we organize the individual
tosses into overlapping units of three, i.e. numbers (1, 2, 3), (2, 3, 4), (3, 4,
5), etc. and these aggregate units are symbolized according to the following
rule: (HHH, TTT) = (a); (HTT, THH, TTH, HHT) = (b); (HTH, THT) = (c).
Hereby a new sequence is generated representing the original sequence of
heads and tails (Figure 3).
While the outcome in the sequence of individual tosses is, of course,
still completely random, the symbolization has introduced an element of
regularity and order in the symbolic chain. Certain successions have been
made impossible and others necessary. For instance, c cannot follow immediately after a since this would imply a shift in the row of tosses from heads
to tails or vice versa. And such a shift would generate the unit b between
the two other units. Another example is the fact that between two a-units,
there must necessarily be an even number of b-units. b symbolizes a shift
in the series from heads to tails or vice versa. If there have been three heads
in succession, there will have to be 0, 2, 4, 6, etc. such shifts before we can
come back to three heads in succession again. Lacan’s point with the model
is to show how order and regularity emerge ex nihilo from the symbolization of the pure randomness of the Real, even though the symbolization
might initially appear to be an ‘innocent’ recording of real events. ‘[W]e see
separate out from the real a symbolic determination which, as faithful as it
1
H
2
H
3
H
4
T
5
H
6
H
7
T
8
T
9
H
10
T
Toss no.
Heads/tails
5
H
c
6
H
b
7
T
b
8
T
b
9
H
b
10
T
c
Toss no.
Heads/tails
Symbolic chain
Figure 2 Series of tosses
1
H
2
H
3
H
a
4
T
b
Figure 3 Symbolic chain
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may be in recording any partiality of the real, merely produces all the more
clearly the disparities that it brings with it’ (Lacan, 1966: 51).
Is not this exactly what happens in the capitalist process of circulation? Cannot capitalism be described as an order symbolizing the Real in
a way that imposes a certain regularity with certain possibilities and impossibilities on reality? Something is defined as commodity, something as
labourer and something as capitalist. M–C–M is comparable to the symbolic
chain in the model above. Just as a and c could not stand next to each other,
certain impossibilities are inscribed in the circulation of capital. For
instance, the barter economic transaction C–C, trading one commodity for
another without money as an intermediate, is not possible within the capitalist circulation. If such transactions nevertheless take place in practice,
they happen outside of the institutionalized capitalist economy.
The capitalist symbolic order institutes certain regularities that are not
present in the Real beforehand. The regularities pass by names like ‘the law
of demand and supply’, ‘market forces’ or ‘the invisible hand of the market’.
On the basis of these regularities it may be calculated which sequences
follow from each other and which do not. The capitalist may calculate that
when he buys the labour of the worker at a price below the use-value of the
labour (M–C), he may sell his commodity at a profit (C–M’). However, the
worker, having nothing but his labour to sell, cannot generate any surplusvalue for himself as long as the exchange-value of his labour is below the
use-value. So C–M’–C is impossible. The capitalist can be relatively sure
that his investment will yield a profit, and the worker can be relatively sure
that he will be exploited.
However, the relationship between the Real and the symbolic also has
a dimension other than this operation of social construction. Parallel with
the Real being cancelled out in the process of symbolization, the Real
retains a crucial and constitutive function for the symbolic order. The
symbolic order is not able to sustain itself purely by its own means. In the
final instance, it is dependent on a ‘piece of the Real’:
For things to have meaning, this meaning must be confirmed by some contingent piece of the real that can be read as a ‘sign.’ The very word sign, in
opposition to the arbitrary mark, pertains to the ‘answer of the real’: the ‘sign’
is given by the thing itself, it indicates that at least at a certain point, the
abyss separating the real from the symbolic network has been crossed. (Žižek,
1991: 32)
This piece of the Real is produced within the symbolic order, but at
the same time incarnates a surplus of meaning not entirely reducible to
operations within the symbolic order. The Real appears as a form of
immanently produced transcendence, which, in an almost Gödelian sense,
is what makes the symbolic order possible. In the process of symbolization
something is ‘left behind’, only to be found again later as something
beyond symbolization guaranteeing the whole operation. The Real is highly
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Bjerg – A Theory of Compulsive Gambling 53
paradoxical insofar as it is simultaneously inside and outside of the symbolic
order. By being dependent on the Real, the symbolic order is in itself also
paradoxical. The relationship between the two, and the realization of both
of them, is secured by ideology. ‘“[I]deology” is the “self-evident” surface
structure whose function is to conceal the underlying “unbalanced”,
“uncanny” structure’ (Žižek, 1997: 82). We shall see how this applies in the
case of capitalism.
Profit appears as a special object in the circulation of capital insofar
as this is the object towards which the capitalist directs his desire. This is
the very object that determines him as a capitalist and a desiring subject at
all. In other words, profit is the sublime object of capitalism. At the same
time, it is also a dead spot in the capitalist symbolic order. To both the
capitalist and the worker (as well as the economists and philosophers Marx
is debating with) it is not apparent where profit is coming from. The worker
lives in a state of false consciousness. He hasn’t looked through the real
class relations and hasn’t realized that the capitalist’s profit is generated
through his own exploitation. But not even the capitalist is fully aware – as
conspiracy theorists like to think – that profit is produced through a simple
relationship of exploitation. The capitalist is as much inside ideology as the
worker. The argument for this is found not in Marx, but in Weber.
In his famous analysis, Weber (1905) shows how Protestantism and
capitalism converge in the belief that prosperity in economic life is a divine
sign of predestination for salvation. The Protestant (the capitalist in spe)
conceives of profit as an ‘answer of the Real’ (Žižek, 1991: 29–32) endowed
with a special meaning by far transcending the raw monetary value of profit.
In this way, profit not only determines the self as a particular being, a
capitalist, it is as if the profit bears a message that there is a higher power
able to see something in the self, which is more than itself. The capitalist
self gets the feeling that ‘God has spotted that very special thing about me
which makes me predestined for salvation. He has spotted that something
which I myself can hardly recognize!’
The conception of profit as an answer of the Real is not just reminiscent of Protestantism, from which capitalism over time has freed itself by
evolving into a purer and more complete form. The imaginary projection
does not have to have such explicit religious content as in Weber’s analysis,
but in the capitalist desire for profit there will always be more at stake than
a pure desire for money. Money is never just money. Even today we find
everywhere the idea of wealth as a sign that one is somehow a special person.
It may be on account of one’s merits, hard work, inventiveness, talent,
ancestry, etc. All these are qualities which distinguish you individually as
something special. The market is ascribed the ability to spot that in
ourselves which is more than ourselves, and which we can hardly spot
ourselves. The preservation of the belief that the market distributes the
goods of society on account of our real qualities as persons and not on behalf
of processes internal to the symbolic order is a necessary precondition for
the preservation and legitimization of capitalism as such.
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This kind of ideological manoeuvre presupposes that we keep a certain
distance from the object. Were the capitalist and the worker fully aware that
profit emerges from a structural imbalance in the circulation of capital
between the worker’s salary and the use-value of his labour, and that their
own position in the circulation as capitalist and worker respectively is more
or less coincidental, then the illusion of profit being a divine sign of eternal
salvation or some other kind of answer of the Real would not be possible.
In contemporary advanced capitalism, the belief in money as bearer
of special meaning may, as Žižek points out, assume the form of ‘cynical
distance’ (1989: 28–33). Even though we may on an intellectual, critical
level be aware that money is distributed in society according to structures
of unjust exploitation or other arbitrary principles, on the fundamental level
of fantasy, the illusion of money as an answer of the Real is still intact. Thus
cynical distance is not a deconstruction of ideology, but simply yet another
way of keeping the required distance from the object in order for the
fundamental illusions of ideology to be preserved.
Money and Gambling
Even though capitalist ideology is very inventive in developing new means
of self-preservation, it is possible to identify minor implosions in capitalism, where the sublime object of money is de-sublimated. Gambling is just
such an implosion. As we have seen, money changes its character according to the way it circulates. Hence the movement from the simple circulation of goods to the circulation of capital is a movement from money to
capital. Gambling is a third type of circulation in which money assumes a
wholly different third character.
What kind of a transaction is actually taking place when the roulette
player places $1000 on red? You might think he is buying a commodity in
the form of entertainment and excitement. In this way the transaction would
fit nicely into the general capitalist circulation with the consumer (the
gambler) purchasing a commodity (the gaming experience) from the capitalist (the casino). Within the general capitalist framework, one might also
think that the gambler is making an investment in the expectation of a future
profit, and in this way is almost acting as a capitalist. Although not entirely
invalid, neither of these conceptions seems to catch the very specific
character of gambling as a money transaction.
When the roulette player bets his $1000 on red, he buys absolutely
nothing. He does not buy no thing, but nothingness itself. What the roulette
wheel, the fruit machine or the dice do is to create an opening in the
symbolic order where the Real may be confronted directly. In this very
opening the gambler places his money.
In the construction of the Lacanian model above, the randomness of
the toss of the coin is transformed into regularity in the symbolic chain. This
construction is not a direct and immediate symbolization of the coin tosses.
It involves a number of intermediate calculations in which the tosses are
grouped into overlapping trios, and then grouped and symbolized as a, b
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Bjerg – A Theory of Compulsive Gambling 55
and c. It is these intermediate calculations that introduce the regularity.
They function as a membrane between the Real and the symbolic. A similar
procedure is at work in the symbolic order of capitalism, where certain regularities are also introduced via ingenious intermediate calculations, e.g. that
the worker is paid for the exchange-value and not the use-value of his
labour.
In gambling there are no intermediate calculations and therefore no
regularity. The circulation of money in gambling may be formalized M–R–M,
where R = the Real. The gambler buys a little piece of the Real, which in
itself is nothing but the hard rock of the Real,1 and therefore almost instantly
ricochets him back into the symbolic order as either winner or loser.
We saw how both the simple circulation of commodities and the
circulation of capital take place exclusively on the side of the symbolic
order. The characteristic of gambling as the circulation of money is that it
crosses this line (Figure 4). The circulation performs a small loop where it
connects to the Real in a very direct and obvious fashion. Money is not tied
to a symbolic entity in the form of a commodity, but directly to the Real in
the form of chance. At the same time, this means that there is no regularity in the way profit is generated and distributed. It can either emerge out
of nothing or disappear into nothing. And it is impossible to predict when
it will do one or the other.
Gambling is a direct confrontation with the Real, without the protective filter of regularity which the symbolic order of capitalism otherwise
provides. To gamble is to turn off the ‘social firewall’. The difference between
gambling and capitalism may be illustrated by the previous Lacanian model
(Figure 3). The capitalist’s investment in the workers’ labour is comparable
to a bet that c will not follow immediately after a in the symbolic chain in
the lower row. In contrast, the gambler’s bet on red at the roulette table is
like putting money directly on the outcome of the coin toss in the middle
row. In contemporary society, the difference between capitalism and
gambling is only one of degree, and this difference is often blurred. On the
stock market, for instance, chance obviously plays a significant role in the
circulation of money, and the outcome of certain investments is not
immediately predictable.
Commodity
Capital
Gambling
R
The Real
The Symbolic
C–M–C
M–C–M
M
Figure 4 Forms of circulation
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M?
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This is the basic structure of the circulation of money in gambling. In
the following we shall see how the gambler perceives and understands the
game.
When Dice Play God
Next to money, chance is the other fundamental component in gambling.
Even though we may treat it as a matter of course in our daily lives, once
we start contemplating it, it quickly ceases to be just that.
In a society where there is belief in an almighty God, or other
magical forces, there is no room for chance. Every event in the world is
perceived as an expression of the will of God and therefore contains a
meaning to be decoded as a message from the transcendent divinity
(Reith, 1999: 13). In societies without chance, ‘technologies of chance’
may be used as a means to communicate with the divine. Evans-Pritchard
reports how, in order to get guidance on an important decision, the
Azandes decapitate a chicken and then interpret messages in the pattern
drawn on the ground by the sprayed blood (Evans-Pritchard, 1937). We
also find numerous examples of priests or shamans throwing sticks or bones,
in order to then read answers from the gods in the way they land (Reith,
1999: 15). And the first gaming machines (one-armed bandits) were
constructed with inspiration from different devices used for fortune telling
(Costa, 1988).
With the development of causal deterministic science in Western
societies comes the Newtonian idea that physical reality may principally be
calculated down to the last little detail. When the world nevertheless
manages to surprise us, it is due to our own incomplete knowledge about
specific situations. In this way chance enters the world, but only as the name
for a practical lack of information about a reality acting in accordance with
absolutely given laws.
From the 1660s onwards, probability theory developed as a method to
close the gap between the actual and the possible calculability of reality
(Hacking, 1975). Probability theory makes it possible, on the basis of a
series of previous events, to calculate the chance or risk of the occurrence
of a certain event, e.g. a shipwreck, even if we have only incomplete knowledge of the complex causal relations actually determining the event, e.g.
weather conditions, state of the ship, reliability of the crew, etc. This
scientific and intellectual development is what Hacking (1990) refers to as
‘the taming of chance’.
The basic idea of probability theory, expressed, for example, in
Poisson’s law of great numbers, is that individual events are connected in
such a way that on an aggregate level they will be approaching a given norm.
However, the chance ‘tamed’ by probability theory is only generalized
chance. The law of great numbers only applies to ‘great numbers’, whereas
the ‘small numbers’ remain lawless. ‘The reality about which probability
theory speaks is always an abstracted real without compelling pertinence to
any specific moment or situation’ (Kavanagh, 1993: 14–15).
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Bjerg – A Theory of Compulsive Gambling 57
The gambler’s interest is characterized by being primarily directed
towards the individual outcome. Hence probability theory has only limited
relevance to him. ‘True, out of a hundred persons, only one can win’, says
Dostoyevsky’s famous gambler, but he continues: ‘yet what business is that
of yours or of mine?’ (Dostoyevsky, 2004 [1866]: 11). This is what distinguishes him from the casino, and this is what makes him play against the
casino in the first place, since the casino is destined to win insofar as the
game follows the law of great numbers. While the casino stays safely within
the symbolic order, certain in the knowledge that in the long run it will win,
the gambler interacts directly with the Real.
Calculations of probability are in a Lacanian sense symbolizations of
the Real. Like the model of coin tosses above, probability theory groups
individual events in larger units (great numbers), whereby certain regularity is introduced, making predictive calculations possible. Instead of a
meaningless and irregular chaos, we have a meaningful, probabilistic
order.
Lacan and Žižek point to the fact that any symbolization is structured
around its own impossibility, around some impossible kernel, stubbornly
resisting symbolization (Žižek, 1989: 122). ‘[Symbolic] reality itself is
nothing but an embodiment of a certain blockage in the process of symbolization. For reality to exist, something must be left unspoken’ (Žižek, 1991:
45). In probability theory, this kernel is the individual instance. We can
calculate the probability of a certain outcome for a certain situation, but
there will always be a minimal remnant of chance determining the situation
in the end. To assign a probability to an instance is to symbolize it. However,
the individual, random occurrence contains an irreducible element of the
Real.
By linking himself to chance, the gambler opens up the symbolic order
towards something beyond what may be symbolized. This is comparable to
the shaman communicating with the spirits by throwing bones. In gambling,
something also shows itself which is not otherwise visible. This something
is the Real, and the Real is nothing. And precisely because it is nothing, it
can be anything.
The Ideology of the Gambler
We have now seen how gambling consists of two basic elements: money and
chance. Money is part of the symbolic order, while chance is on the side of
the Real. What we need to look at more closely is the ideological dimension. With this dimension we will also be completing the Lacanian trinity
of imaginary, symbolic and Real. The Weberian analysis of Protestantism
and capitalism shows how lack of transparency in capitalist production and
distribution of value is exploited as a screen onto which divine meaning may
be projected. Profit is the sign of the predestination and salvation of the
capitalist. Today, profit is indeed no longer seen as a sign of divine salvation, but the idea that money is somehow a sign of individual excellence
seems to have survived intact.
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The non-transparency of the principles of value distribution is even
stronger in gambling than in capitalism. Thus the surface available for ideological projection is proportionally larger. At the same time as the gambler
ties himself to chance, he does not really acknowledge chance. For him,
chance becomes a blank screen available for different kinds of ideological
projections.
Some gambling research guided by cognitive psychology has investigated how pathological gamblers suffer from so called ‘cognitive distortions’
in their perceptions of the game and the game setting (Gaboury and
Ladouceur, 1989; Griffiths, 1994; Jørsel, 2003; Ladouceur et al., 2002;
Nielsen and Røjskjær, 2005; Toneatto et al., 1997). These distortions may
take on different forms:2 some gamblers believe themselves to possess a
special knowledge that allegedly enables them to ‘figure out the system’, e.g.
to calculate the numbers in a lotto draw based on the numbers drawn in
previous rounds. The gambler develops a kind of quasi logical system,
committing what is often referred to as ‘the gambler’s fallacy’ (Jørsel, 2003:
89; Ladouceur et al., 1998). At the roulette table, Dostoyevsky’s gambler
provides a classic example of this kind of reasoning:
I deduced from the scene one conclusion which seemed to me reliable –
namely, that in the flow of fortuitous chances there is, if not a system, at all
events a sort of order. This, of course, is a very strange thing. For instance,
after a dozen middle figures there would always occur a dozen or so outer
ones. Suppose the ball stopped twice at a dozen outer figures; it would then
pass to a dozen of the first ones, and then, again, to a dozen of the middle
ciphers, and fall upon them three or four times, and then revert to a dozen
outers; whence, after another couple of rounds, the ball would again pass to
the first figures, strike upon them once, and then return thrice to the middle
series – continuing thus for an hour and a half, or two hours. One, three, two:
one, three, two. It was all very curious. (Dostoyevsky, 2004 [1866]: 20)
In another version of such cognitive distortions, the gambler believes that
he possesses a special intuition or emotional perception by which he may
sense the game, i.e. sense whenever a gaming machine is about to make a
great payout. Jansbøl describes how one gambler compares the game with
playing in a musical session with other people. The gambler’s musical ability
to listen, be attentive and aware of the other musicians could, according to
him, be transferred to the gaming environment, where he would in a similar
fashion be able to sense the roulette game (Jansbøl, 2005: 136–8). Yet
another kind of cognitive distortion is of a magical kind, where the gambler
believes himself able to influence the outcome of the game by means of
different rituals, such as standing in a certain way at the roulette table or
bringing a mascot to bingo.
The gambler’s beliefs, that he may predict, influence or in other ways
improve his own chances in the game, are obviously contradictory to both
scientific probability theory and common sense. The cognitive psychology
approach to gambling does indeed view these beliefs as irrational, erroneous
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Bjerg – A Theory of Compulsive Gambling 59
perceptions of reality, which it is the object of therapeutic treatment to
correct (Ladouceur and Walker, 1998).
There is no reason to refute the findings of cognitive psychology.
However, we may translate them into a Lacanian perspective by understanding the ‘cognitive distortions’ as the gambler’s imaginary or ideological ideas
of how the game perceives him. In other words, he ascribes to the game a
certain gaze by which the world of objects looks back at him. In the expression, ‘fortune smiles at him’, there is the idea of a certain power (fortune)
addressing (smiling at) precisely me. In this way, the game sees something
special in the gambler, which is not otherwise visible. This is in principle
the same as what happens when the capitalist market allegedly sees something in the Protestant (his predestination) which is not otherwise visible.
In Auster’s novel The Music of Chance, two brothers experience great
fortune first by winning the lottery, and second on the markets of financial
speculation. One brother describes their feeling of luck:
[G]ood luck has continued to come our way. No matter what we do, everything seems to turn out right. So much money pours in now, we give half of
it to charity – and still we have more than we know what to do with. It’s as
though God has singled us out from other men. He’s showered us with good
fortune and lifted us to the heights of happiness. . . . at times I feel that we’ve
become immortal. (Auster, 1990: 95)
The gambler produces a fantasy that, in the game, there is a power that is
able to see in him that which is more than himself, and which no other,
including himself, is able to see. He produces a fantasy that the game
provides access to something more real than the immediately visible social
reality.
In playing . . . gamblers are doing more than simply engaging in a game, but
are, in a sense, questioning their destiny. The query ‘will I win?’ takes on
metaphysical significance, far transcending the outcome of the game and
amounting to the gamblers’ questioning of the basis of their very existence.
(Reith, 1999: 176)
‘The stake is a summons, the game a duel: chance is summoned to respond,
obliged by the player’s wager to declare itself either favourable or hostile’
(Baudrillard, 1979: 143). In short, the game provides what Žižek calls the
‘answer of the Real’ to the gambler’s question.
From Gambling to Problem Gambling
The Lacanian account of gambling presented here also redefines what is at
stake in pathological problem gambling. We have seen how gambling
consists of two components: money and chance. Within cognitive psychology, the basic pathology of the problem gambler is defined as the fact that
he has an unrealistic relation to chance, since he erroneously believes
himself able to control, influence or predict events that are objectively
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random (Ladouceur and Walker, 1998). Instead of this thesis, I will here
argue for an understanding of problem gambling which is almost its double
negation: the basic pathology of the problem gambler is not the fact that he
has an unrealistic relationship to chance, but on the contrary, that his
relationship to money is realistic, all too realistic.
It is true that the problem gambler does not behave fully rationally
in the game, insofar as he is not fully aware that the game is completely
random and hence cannot be predicted or influenced. The question is,
however, whether the problem gambler in this respect is so much different
from the ordinary gambler, or from people in general in the way they live
their lives.
Are we aware of the divorce statistics when we engage in marriage?
Do we think about cancer statistics when we start smoking? And do we have
traffic casualty statistics in the back of our minds when we get into our car?
In so many aspects of life we do things that are irrational or downright foolish
from a statistical point of view. So when the problem gambler denies chance,
he may not be so radically different from the rest of us. The crucial difference between problem gamblers and ordinary gamblers may rather lie in
their relationship to money.
In capitalist society, profit functions as the sublime object of ideology
by incarnating the answer of the Real. Strictly speaking, the worker has no
access to profit, so to him it represents a distant dream, something to read
about in magazines. But even the capitalist does not have unlimited access
to profit. He may very well let the worker work for him, but in practice this
also demands some managerial work from the capitalist to ‘make the wheels
turn’. Furthermore, the market sets certain limits to the amount of profit
even the most able and greedy capitalist can accumulate. It takes time and
effort to appropriate profit. In this way, work lies as a constant buffer
between profit and the subject of capitalist society. Thus a certain distance
between the desiring subject and the sublime object of this desire is maintained. As is continuously pointed out by both Lacan and Žižek, this
distance is a necessary precondition for the maintenance of the object as
sublime.
However, in gambling, the gambler does experience a kind of
unlimited access to profit. He bets $100 and wins $3500 with no actual
intermediate. What stands between the gambler and the unlimited win is
exactly nothing, in the form of chance. As an absence of regularity, the Real
of chance is a form of nothingness. A typical moment in the development
of a gambling addiction is the experience of a relatively high win on a
relatively low bet at an early stage in the gambling career. This phenomenon is referred to as ‘the big win’ (Walker, 1992). Even though far from
everyone who experiences a big win ends up developing an addiction, for
many problem gamblers the experience seems to have had a trigger effect
in relation to their compulsion to gamble. ‘Money won is twice as sweet as
money earned,’ says Fast Eddie Felson (Paul Newman) in the film The Color
of Money.
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Bjerg – A Theory of Compulsive Gambling 61
However, too much sweet can make you feel sick. To see money
coming to you practically out of the blue and seemingly without limitation
can be an exhilarating experience. But it also entails a kind of desublimation of money. In gambling, money is no longer something you have
to work hard to accumulate in even small amounts. It is rather something
you may win out of hand in unlimited amounts. According to Marx, the value
of a commodity equals the amount of work laid down in its production. This
may help to explain the gambler’s relationship to money. Since he has done
nothing to gain it, it also loses its value.
Hitting a jackpot is ridiculous, a joke, sense in nonsense. When people
hit jackpots, first they scream, then they laugh, then look around for
someone else to laugh along. It’s odd. You have just bet, say, $10 and got
$5000 back – 500 times your money. You just made two or three months’
salary in a breath, so you laugh. It must be at least partly relief, but mostly
you are laughing because this event is an echo of all that you know to be
so but in your everyday life have set aside for the more efficient functioning of social, political, and economic systems and the greater psychological
good of everybody. This money just fell on you and it makes no sense. It’s
as nonsensical as love or cancer (Barthelme and Barthelme, 1999: 92).
The gambler’s experience of hitting the jackpot is a borderline ideological phenomenon. It is, so to speak, a post-ideological phenomenon,
insofar as the money loses its ideological power. For a split second, it is
revealed to the gambler that all the meaning ordinarily projected onto money
is nothing but that, just a projection. He is staring directly into the Real,
realizing that ordinary reality is only a symbolically constructed illusion.
Thus money loses its function as a symbol. It loses its ability to represent
anything. It is very telling that, instead of playing with ordinary money in
casinos, you play with plastic chips (Kusyszyn, 1984). Even though ordinary
paper notes and coins do not look particularly sublime, plastic chips are a
downright parody of money. They look like play money, Monopoly money,
funny money, and this is exactly what they are to the gambler. ‘When you
had enough stacks of blacks, the idea that each one of them represented so
much food, so much rent, so much car payment, escaped along with the rest
of ordinary reality’ (Barthelme and Barthelme, 1999: 84).
As noted before, the difference between gambling and capitalism is a
matter of degree, rather than absolute. Dealing on the stock market may
result in a similar experience of money losing its value. This is especially
true when trading futures and options, where losses and gains may fluctuate exponentially compared to the amount invested. Hence it is noteworthy
how some stock traders may clinically be diagnosed as compulsive gamblers
(O’Brien, 1998; Pavalko, 2001: 33–6).
To the ordinary gambler the game, in which the money is de-sublimated, is a minor excursion from his general life. He has a fun night at the
casino, winning some, losing some, but the next day he is back at work in
the ordinary reality, and the experience at the casino has affected him no
more than a casual dream. The problem gambler, in contrast, is unable to
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return to daily life in capitalist society, which is in so many respects
structured around the illusion of money as a sublime object.
The pathological gambler’s problem is a kind of disillusionment with
money. He has experienced how money is just a symbolic construction,
distributed arbitrarily, and therefore not worthy of being taken as a sign of
predestination or some other form of individual distinction. However much
he may want to, he cannot forget what he has seen in the game, and therefore cannot recreate his ideological conception of money. This means that
his entire conception of the world disintegrates. The ordinary gambler may
employ his capacity for ‘cynical distance’ in order to integrate the gambling
experience into his ordinary world-view. But the problem gambler has had
an experience that distorts the very fundamental level of ideological fantasy,
throwing him permanently out of joint with capitalism.
‘[T]here is “reality” only in so far as there is an ontological gap, a
crack, at its very heart’ (Žižek, 1999: 60). It is the function of ideology to
conceal this gap. Gambling and, for some, specifically the experience of the
big win, has revealed this gap in the heart of the symbolic reality. The
problem gambler’s thoughts and his general urge to gamble emanate from
an acute urge to close the gap. That he is drawn to gambling is of course
paradoxical insofar as it is precisely in the game that the gap has been
revealed.
Apart from the big win, another typical phenomenon among problem
gamblers is chasing, where they keep returning to the game in order to win
back what they have lost (Lesieur, 1979, 1984). This is obviously a very
risky strategy. It is also paradoxical, since research shows that even when
the problem gambler actually wins by continuing his game, he rarely spends
the money to pay off his gambling debts, but typically just prolongs the
gambling (Nielsen and Røjskjær, 2005: 62).
However irrational chasing may seem it does have its own special
logic. When the problem gambler explains his continuous gambling as a
way to try to win back what he has lost, he is actually telling the truth. And
when he does not stop, even when he has won, it is because he has not won
back what he has lost. The real loss faced by the problem gambler is not
the actual amount of money as such. It is the loss of money as a sublime
object, as the structuring principle of his ordinary symbolic reality. The
problem gambler has lost his desire for money. When gambling is no longer
structured by the desire for money, another force takes over. ‘Once we move
beyond desire – that is to say, beyond the fantasy which sustains desire –
we enter the strange domain of drive: the domain of the closed circular
palpitation which finds satisfaction in endlessly repeating the same failed
gesture’ (Žižek, 1997: 30). The move from desire to drive is illustrated by
the following account:
Early on you notice that winning and losing are not so different. Both involve
this huge buildup of pressure; the higher the stakes, the greater the pressure,
the more intense the experience. This is one of the reasons you end up betting
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Bjerg – A Theory of Compulsive Gambling 63
two or four thousand dollars at a throw, because whether you win or lose, you
still have 85 percent of the experience, you still get 90 percent of the thrill.
The losing part is not fun, exactly. In fact, fun doesn’t come into it, but the
heat, the dizzying adrenal rush, is much the same whether the chips come
back to you or go in the dealer’s rack. . . . It’s not whether you win or lose,
it’s that you play. (Barthelme and Barthelme, 1999: 119–20)
At the same time as the problem gambler is driven by the satisfaction
of gambling as such, his compulsive behaviour may also hold the hope of
escaping the dead-lock. What he is trying to win back is not the lost money
as such (even though he may say so) but rather the lost desire for money.
He is hoping that another big win may re-awaken his desire. Perhaps he
even hopes that if he just loses a sufficiently large amount, in the very loss
he will again feel the desire for the money that he is now losing. The tragic
irony is of course that every time the gambler either wins or loses a large
amount, money will appear so much the more arbitrary and meaningless to
him. He has lost his desire by having come too close to the object, too close
to the money, and his problem is now that by staying in the game he is
staying close to the money.
Tellingly, one of the first steps in the therapeutic treatment of the
problem gambler is to cut off his access to money. He is told not to carry
cash around. His credit card is cancelled. He is told to make deals with
family and friends not to lend him any money, etc. Translating this therapeutic step into our Lacanian approach, it may be seen as a way to reestablish distance from money, the distance from the object necessary for
desire to be re-installed.
This is a direct attempt to re-sublimate money and re-establish the
problem gambler’s economy of desire.
Conclusion
It is said of bumble bees that from an aerodynamic point of view they should
not be able to fly. However, they are not aware of this and therefore fly around
happily in their ignorance. Like the bumble bee’s ability to fly, the functioning of money in capitalist society seems to rely on a certain amount of belief
and non-knowledge on the part of the capitalist subject. Social reality is ‘a
kind of reality whose very ontological consistency implies a certain nonknowledge of its participants – if we come to “know too much”, to pierce
the true functioning of social reality, this reality would dissolve itself’ (Žižek,
1989: 21).
In the game, the gambler has experienced how money changes hands
in a completely arbitrary and meaningless fashion. This experience has had
traumatic consequences for his illusion of money and his perception of capitalist reality. In the game, the problem gambler has had a traumatizing experience whereby his problem is now that he ‘knows too much’, and is no
longer able to maintain his ordinary capitalist reality based on the illusion
of money as a sublime object, distributed in society according to a higher
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meaningful principle. The problem gambler has come too close to the
sublime object of capitalism.
When, in therapy, he is cut off from money, it is comparable to being
captured in the board game of Ludo, and then having to move one’s piece
back to the beginning to start over again. Cutting him off from money is an
attempt to move the problem gambler back to a state of a pre-capitalist
barter economy. From there he has to start over again, and on an individual level, almost move through the historic evolution from barter economy
to fully developed capitalism. In this way it is hoped he will again be able
to handle money with the devoutness appropriate to capitalist society. The
precondition for this is that he is therapeutically or otherwise enabled to
‘forget’ his disillusioning knowledge about the true nature of money.
The compulsive gambler is like an unfortunate grounded bumble bee,
who, in order to fly again, has to regain its former ignorance of the fact that
it cannot really fly.
Notes
This article is part of a larger research project on pathology and capitalism. The
author is grateful to Veluxfonden and Sygekassernes Helsefond for providing the
financial support for this project. Kåre Jansbøl, Lene Koch, Uffe Lind, Magnus
Larusson, Per Nielsen and Steffen Røjskjær have generously contributed with
valuable comments on the work.
1. This metaphor for the Real is inspired by Wittgenstein’s famous passage on the
limits of language: ‘If I have exhausted the justifications I have reached bedrock,
and my spade is turned’ (Wittgenstein, 1945: §217).
2. The following list far from exhausts the possible distortions. For more detail see
Toneatto et al. (1997) or Ladouceur et al. (2002).
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Ole Bjerg is a postdoc at the Department of Management, Politics and
Philosophy, Copenhagen Business School. Recent publications include the
book For tæt på kapitalismen – Ludomani, narkomani og købemani [Too
Close to Capitalism – Compulsive Gambling, Drug Addiction and Compulsive Buying] (MTF, 2008) and the article ‘Drug Addiction and Capitalism:
Too Close to the Body’, Body & Society 14(1) 2008. He is currently working
on a sociological research project on poker and capitalism. [email:
[email protected]]
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