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Nirvana Silnović
Relief of a Cautopates from Carnuntum
Plate XVII–XX
A relief depicting Cautopates, reportedly found in the
civilian settlement in Carnuntum, was acquired by the
Museum Carnuntinum in 1970. Both the execution
and the distorted proportions show typical provincial
characteristics observable in numerous other sculptures from Carnuntum, and based on its stylistic characteristics, the relief is approximately dated to the
second half of the 2nd cent. AD. The comparative analysis of similar types of sculptures with depictions of
torchbearers from Mithraeum I and III from Carnuntum, as well as from elsewhere, allows its possible
original function to be deduced. It is assumed that the
relief was most likely installed at the end of the left
podium, close to the entrance to the cella of a
Mithraeum. Since the relief was not found in situ, it is
not possible to associate it with absolute certainty
with any of the known Mithraea from Carnuntum.
Thus, the relief is possibly evidence of another, as yet
unknown, Mithraeum in the civilian settlement.
In the Archaeological Museum Carnuntinum, a relief
depicting Cautopates is preserved, with the inventory
number CAR-S-1454 (pl. XVII, figs. 1 a–d)1. The relief
was acquired in 1970 from a private owner, and,
according to the museum’s inventory book, it was
found in the civilian settlement, possibly close to
Petronell Castle; however, no further details about
the circumstances of its find are known2. Since the
monument was not found in situ, its original context
is unfortunately unknown. Nevertheless, the sculpture belongs to the large corpus of monuments associated with the cult of Mithras, and this text aims to
examine and contextualise the sculpture against this
background. Based on the comparative analysis with
sculptures bearing similar depictions, a possible function of the relief is assumed here. Moreover, since
several Mithraic sanctuaries are known from Carnuntum, a potential original location of the relief will be
considered as well. The stylistic features of the relief
1
2
Old inventory number 22739/429; lupa.at/28719. Previously
unpublished.
I would like to thank Eduard Pollhammer, Archaeological Museum Carnuntinum, for providing me with the necessary information about the relief and Gabrielle Kremer for turning my attention to this monument and for her invaluable advice during the
writing of this paper.
will also be analysed and the approximate dating of
the sculpture will be proposed.
The relief is made of regional calcarenite3. The figure
of Cautopates, rendered in high-relief, is less than lifesize (max. 45 cm high × 31 cm wide × max. 14.5 cm
deep). The rectangular background plate is broken off
at the top and bottom, while on the right and left
rims, tool marks are visible4. Cautopates’ head and
neck are missing, as well as his feet and the lower part
of the torch. The relief probably stood on the plinth,
which is not preserved either. The surface of the relief
is damaged on Cautopates’ shoulder, arm, legs, tunic,
and torch. Some of the left-hand fingers holding the
torch are chipped off too.
Cautopates is wearing a short belted tunic with
sleeves, trousers, and a cloak. He is standing with his
legs set parallel to each other, in a three-quarter view
to the right. With his right hand, he is holding the lowered torch in front of his body, with the palm of his
right hand set above the smaller left-hand one. The
rest of the left hand is somewhat clumsily hidden
under the cloak and appears to be larger than the
right hand.
The cloak, tied at the right shoulder, falls over the
upper part of the left hand in wide pleats, falling over
the left hand behind the torch in less pronounced
folds (pl. XVII, fig. 1 b). The inner part of the cloak is
rendered smoothly and falls behind Cautopates’ back
to his knees, with a round hem indicated behind the
right leg. The background is smooth and unframed.
The back of the plate is only roughly worked (pl. XVII,
fig. 1 c).
Extensive remains of a dark-red colour, observable
with the naked eye, indicate that the figure was wearing a dark-red cloak, with traces of red observable
both on the outer and the inner side of the cloak
(pl. XVII, figs. 1 b. d)5. Traces of red are also visible on
his fingers and along the torch. Further remains of a
lighter red colour are preserved on the tunic, on the
right shoulder, below the right armpit, on the sleeve,
and above the left knee. The trousers were also
3
4
5
Courtesy of Beatrix Moshammer and Andreas Rohatsch.
Possibly from the secondary use.
The visibility of the remains of the colour is reduced on the
photographs due to the layer of dirt that covers most of the
monument. However, traces of colour are clearly visible when
examining the relief with a naked eye.
CARNUNTUM JAHRBUCH 2022, 33–42
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34
Nirvana Silnović
painted in lighter red, as indicated by the red colour
observable on the right knee. Remains of the green
colour are visible on the lower sections of the plate,
meaning that the background was painted in this
colour6.
Despite the damage and the missing parts, especially
of the head, one recognises the originally fine modelling of Cautopates’ figure, particularly noticeable in
the fingers and muscular legs, and in the rendering of
folds. Both the execution and the distorted proportions show typical provincial characteristics, observable in numerous other sculptures dated to the
2nd cent. AD in Carnuntum7.
Who is Cautopates?
The posture of the figure, the clothes and the attribute in its hands immediately reveals its identity as
one of the attendants of the god Mithras. Cautopates,
together with his counterpart Cautes, is among the
most frequently depicted deities within the Mithraic
pantheon8. The twin brothers are distinguished from
each other only by the direction of the torch they are
holding: Cautopates holds a downward-pointing and
Cautes an upward-pointing torch9.
They are usually depicted as young unbearded men,
wearing oriental costumes identical to that worn by
Mithras: a Phrygian cap, a long-sleeved tunic (tunica
manicata), long close-fitting trousers (anaxyrides),
and a cape fastened on the shoulder. They are shown
standing in a relaxed pose with their legs crossed, carrying the torch in one of their hands. Some variations
in their posture can be encountered, as, e.g., on the
Cautopates relief from Carnuntum, on which the
torchbearer’s legs are set parallel to each other10.
Otherwise, differences may exist in the way they hold
their torches (with two hands, as shown on the Cautopates relief from Carnuntum) or even in the number of torches held by each figure11. A number of
6
7
8
9
10
11
The colours will be analysed separately within the framework of
the project “Colours Revealed – Polychromy of Roman Monuments of the Danube Provinces (PolychroMon),” led by
Dr. Gabrielle Kremer (2021–2025). The project is funded by the
Austrian Academy of Sciences/Heritage Science Austria.
Kremer 2012, 404–406; Kremer 2014a, 81–86.
On the origin of their names see Schwartz 1975, 406–423.
Their identity as brothers is known from several inscriptions;
see, e.g., an inscription from Ostia (CIL XIV, 4315 = AE 1911, 63 =
CIMRM 308 = EDH028740). One of the lines of the inscription in
the Santa Prisca Mithraeum in Rome identifies them as twin
brothers, see Vermaseren – Van Essen 1965, 193.
Analysis of the different stances of the torchbearers in Hinnells
1976, 38 f.
E.g., some reliefs from the Danubian provinces show either
Cautes or Cautopates or sometimes both holding two torches,
see Sicoe 2014, 56–69; Pavel 2019, 175.
additional attributes can appear associated with the
torchbearers as well12.
They are rarely omitted from the tauroctony scenes,
in which they are depicted flanking the two main protagonists of the bull-slaying scene. On the monuments from the Italian peninsula, Cautes is usually
depicted on the left-hand side and Cautopates on the
right13. In the Danubian provinces, their position is
often reversed, with Cautopates standing to the left
and Cautes to the right of the bull-slaying scene14.
Apart from the tauroctony, the torchbearers appear
in other scenes as well, e.g. attending Mithras’ rockbirth, the so-called taurophory (bull-hauling), a banqueting scene, or the water miracle15. Other than
that, they are also encountered installed as free-standing sculptures at various places inside the Mithraea
and are mentioned in a number of inscriptions16.
The torchbearers are often interpreted as a set of
paired opposites, related to a range of astronomical
and astrological phenomena17. Their symbolism is primarily associated with the identification of the tauroctony as a map of a solar journey18. First and foremost, they are identified as the two luminaries,
Cautes as the sun and Cautopates as the moon, and
as such they represent day and night, respectively.
Furthermore, they symbolise the daily motion of the
sun, in which Cautes with his raised torch represents
the rising sun and Cautopates with his lowered torch
the setting sun, with Mithras in the middle symbolising the culminating noon-sun.
In the context of the sun’s annual journey, Cautes
symbolises the arrival of spring and Cautopates of the
autumn (the seasons of the two equinoxes), while
Mithras represents the summer sun at the zenith of
its annual course, where it reaches its strongest influence and greatest power19. Cautes is further associated with the zodiacal sign of spring, Taurus (indicated
by the bull’s head sometimes carried by the torchbearer), and Cautopates with the sign of autumn,
Scorpio (indicated by a scorpion he sometimes carries
in his hands)20. In light of their seasonal symbolism,
they are further associated with heat and cold,
12
13
14
15
16
17
18
19
20
For the survey of the attributes associated with torchbearers
see Hinnells 1976, 43–45.
Hinnells 1976, 38–40.
Hinnells 1976, 38–40.
Hinnells 1976, 45–47.
See below.
Gordon 1976, 127–130; Beck 1977, 1–17; Beck 1982, 126–140;
Clauss 2012, 93–95.
Beck 2004, 235–249, with an overview of previous astronomical identifications.
Beck 1994, 45.
See, e.g., two statues from Sarmizegetusa, CIMRM 2120, 2122;
also Szabó 2015, 237–247.
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Relief of a Cautopates from Carnuntum
growth and decay, fertility and sterility, sprouting and
harvest21. Furthermore, Cautes, with his upwardpointed torch, symbolises the soul’s ascent (apogenesis) into immortality, while Cautopates, with his
downward-pointed torch, symbolises the soul’s
descent (genesis) into mortality, i.e. (re)birth and life
vs. death22.
Carnuntum – the supraregional centre
of the cult of Mithras
Considering their omnipresence in almost every
Mithraeum, it is not surprising that several sculptures
and epigraphic monuments related to Cautes and
Cautopates are preserved from Carnuntum. The capital of Pannonia superior was, as presumed, one of the
earliest centres of the cult of Mithras in the western
provinces, as indicated by inscriptions and monuments dated to the late 1st and early 2nd cent.23. Among
the five24 so far presumed sanctuaries (pl. XVIII, fig. 2),
the so-called Mithraeum III is one of the largest sanctuaries of Mithras known in the western provinces,
measuring 23 metres in length (excluding the two
anterooms) (pl. XVIII, fig. 3)25.
The importance of the cult of Mithras for Carnuntum
is further attested by the famous inscription on the
so-called Altar of the four Emperors, rededicated by
the tetrarchs to D(eus) S(ol) I(invictus) M(ithras), fautor imperii sui, on the occasion of the imperial conference which took place on 11 November, AD 30826.
The inscription is the sole written evidence of an
emperor’s official support for the cult of Mithras and
the fact that the cult received such a formal recognition as late as in the 4th cent. shows the long-lasting
importance of the cult for Carnuntum27.
The capital city had an important role in the spread of
the cult in its hinterland as well. Several monuments
confirm the direct links between the individuals from
Carnuntum and the establishment of Mithraic com-
21
22
23
24
25
26
27
Gordon 1976, 127–129.
Beck 1977, 2; Beck 2006, 107–112.
On the early date of C. Sacidius Barbarus’ altar see Kremer
2012, 180 f. no. 352 pl. 108 (with previous lit.); 382–384; Kremer
2021b, 419. Also see the discussion by Gordon 2009, 393–395.
Jobst 1998, 37. Only Mithraeum I and III are, for now, identified
as such with certainty. On the so-called Mithraeum II see
Kremer 2012, 331 f. (with previous lit.); Kremer 2021a, 255. On
the so-called Mithraeum IV see Kremer 2012, 334 (with previous lit.); Kremer 2021a, 256. On the so-called Mithraeum V see
Kremer 2012, 335; Kremer 2021a, 256.
Kremer 2012, 332–334 (with previous lit.); Kremer 2021a, 251–
256.
Kremer 2012, 179 f. no. 351 pls. 106. 107 (with previous lit.) =
lupa.at/4951 = EDH023078.
Kremer 2021b, 419.
35
munities in its environs28. In Stixneusiedl, a smaller
settlement located some 20 km southwest of Carnuntum, two seviri of the Colonia Carnuntum dedicated a
large tauroctony relief pro salute Augustorum to deus
invictus Mithras29. A decurio coloniae Karnunti and
custos legionis of the legio XIV Gemina appear as dedicators in the Mithraeum in Fertörákos (Hungary), situated on the western shore of the Neusiedlersee, on
the border between the territories of Carnuntum and
Scarbantia30.
The relief of Cautopates analysed in this text thus
adds to the rich body of evidence of the cult of
Mithras in Carnuntum, a supraregional centre of the
cult.
Torchbearers in Carnuntum
Among the sculptural and epigraphic monuments
related to the two torchbearers, two reliefs bear certain resemblances to the Cautopates relief which
might help understand the original function of this
relief. Apart from these two monuments, several
other sculptures and dedications associated with
Cautes and Cautopates are known from Carnuntum
and will be considered here.
Among the stone monuments recovered from Carnuntum’s first Mithraeum is a relief showing Cautopates (55 cm high × 32 cm wide × 21.1 cm deep)
(pl. XIX, fig. 4)31. The Mithraeum I was located on the
eastern edge of the canabae at the foot of Kirchenberg Hill, at the place called “am Stein” (pl. XVIII,
fig. 2). The site, discovered in 1853, was unfortunately
destroyed by modern quarrying activities, but,
according to preserved descriptions, it was set up
inside a rocky cave while some parts were constructed using brick32. It is presumed that the Mithraeum
was already in use at the turn of the 1st and 2nd cent.
and that it remained accessible up to the first half of
the 4th cent.33.
The relief shows some similarities to the Cautopates
relief analysed in this text. The figure of the torchbearer is also rendered in high-relief and it is set
against the smooth background plate. The torchbearer is missing his head, along with the neck, feet, and
28
29
30
31
32
33
Kremer 2021b, 419.
Schön 1988, 67–71; CIL III, 4539 = CIMRM 1658. 1659 =
EDH071894 = lupa.at/8902.
CIL III, 4236 = CIMRM 1637 = EDH036755 = lupa.at/9294; CIL III,
4238 = CIMRM 1638 = EDH037301 = lupa.at/9295. On the
Mithraeum from Fertörákos see Tóth 2007.
Kremer 2012, 64 f. no. 81 pl. 30 (with previous lit.).
Arneth 1853, 331–334; von Sacken 1853, 336–364; Kremer
2012, 330 f. (with previous lit.); Kremer 2021a, 251 f.
See n. 19; Kremer 2012, 331.
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Nirvana Silnović
the lower part of the torch. He is likewise dressed in a
belted tunic with sleeves, trousers, and a cloak, and
has an analogous posture, save for the crossed legs.
The relief is dated to the first half to mid-2nd cent.34.
The exact find spot of the relief is unknown, as the
excavation report was never published, but the similarities (here excluding the stylistic differences)
between the two reliefs (size, type of the relief) point
to their having a similar purpose.
Apart from the sculptural monuments, six altars
arranged in a semicircle were found inside Mithraeum I as well35. One of the altars has reliefs showing
Cautopates and Cautes, set on the left and right sides
of the shaft, respectively36. Both figures are wearing
their usual attire and are shown in their characteristic
posture with crossed legs, holding an uplifted (Cautes) and inverted (Cautopates) torch. The front of the
altar bears an inscription that presumably mentions
one of the torchbearers:
D(eo) I(nvicto) M(ithrae) C(?)
T(itus) Flavius
Verecundus
Cl(audia) Savaria
>(centurio) leg(ionis) XIIII
G(eminae) M(artiae) v(ictricis)
v(otum) s(olvit) l(ibens) l(aetus) m(erito)
The final word in the first line was variously interpreted as C(autopati), C(auti), C(aute) or as C(onservatori)37. The latter version, C(onservatori), an epithet
which one could imagine being associated with
Mithras, creator, and protector of all living things, is
actually unattested in the corpus of Mithraic inscriptions38. The epithet was previously identified on an
altar from the Mithraeum “am Ballplatz” from
Mainz39. However, the altar is preserved in a highly
fragmented state and both the first and last parts of
the word are missing ([conser]vato/[ri?); thus the
proposed interpretation remains only a guess40. That
34
35
36
37
38
39
40
Kremer 2012, 65.
Arneth 1853, 333 no. 2; von Sacken 1853, 345 pl. I, 1; Kremer
2012.
CIL III, 4416 = CIMRM 1671 = EDH071904 = lupa.at/8904 =
Kremer 2012, 182 no. 354 pl. 110 (with previous lit.).
C(autopati) in CIL III, 04416 and Kremer 2012, 182 no. 354
pl. 110; C(auti) in EDH071904; C(aute) in CIMRM 1671 =
lupa.at/8904; C(onservatori) in von Sacken – Kenner 1866, 56 f.
no. 26a.
Gordon 1998, 230. A recent search of the Epigraphic Database
Heidelberg yielded no results (15.04.2023).
AE 1979, 0426 = AE 1994, 1310 = AE 2008, 0968 = EDH008179 =
lupa.at/16758 = Huld-Zetsche 2008, 83 no. 566 pl. 76.
Gordon further suggested that the word should be reconstructed as impera]tor[i, which does not match the legible letters preserved on the monument, on which vato is clearly visible, see
being said, the solution C(onservatori) seems like the
least probable one.
Analogous examples for the first three interpretations
are not easy to find either, despite the relatively large
number of dedications associated with the torchbearers41. All three proposals referring to only one of the
torchbearers seem like an odd choice as the altar
bears relief depictions of both Cautes and Cautopates
on its sides, and there seems to be no obvious reason
why it would ultimately be dedicated to only one of
them.
The dedicatory formula D(eo) I(nvicto) M(ithrae) /
Cautopati is encountered on an inscription from the
Mithraeum in Friedberg (Germania superior)42. However, the inscription is set up on a base of a relief
showing Cautopates, thus complementing the sculptural depiction43. Following this argument, a more
suitable solution for the inscription on the altar from
Carnuntum would be a word that complements a
dedicatory formula to Mithras. Without obvious analogies, it is hard to offer a more suitable solution at
this point.
Inside the previously mentioned Mithraeum III, several monuments associated with torchbearers were discovered as well. This Mithraeum was located at the
eastern end of the civilian settlement and a ground
plan detailing all the finds was published along with
the excavation report from 1895 (pl. XVIII, fig. 3)44.
One of the important monuments from this Mithraeum, the previously mentioned Altar of the four
Emperors, is not included in this report, but it is nevertheless assumed that it belonged to this sanctuary45.
On the sides of this altar, there are reliefs showing
Cautes and Cautopates. They are shown wearing the
typical dress, standing with their legs set parallel to
each other, and holding a lowered and a raised torch,
respectively. The representation is interesting for an
41
42
43
44
45
Gordon 1998, 230. However, he is correct in stating that the
epithet is not attested for Mithras.
An altar from Lanchaster (Longovicium, Britannia), apparently
bearing a dedication Deo M(ithrae)/C(auto)p(ati) S(oli) I(nvicto)
is often cited as an analogy, see CIL VII, 00650 = CIMRM 836 =
RIB 1082 = EDH070311; Kremer 2012, 182. However, the monument’s Mithraic character was long doubted and it was recently suggested that it bears a dedication to Mars instead; see
<https://collectionssearchtwmuseums.org.uk/#details=
ecatalogue.517930> (15.04.2023).
CIL XIII, 07297 = CIMRM 1056 = EDH041961 = lupa.at/8585.
This relief was found together with another relief depicting
Cautes, which is missing its base, CIMRM 1056 = lupa.at/8586.
It is, however, highly possible that the relief contained a similar
dedication to Cautes on its lost base.
Reichel et al. 1895, 19–51 fig. A1.
Kremer 2012, 179 f. no. 351 pls. 106. 107 (with previous lit.) =
lupa.at/4951 = EDH023078.
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Relief of a Cautopates from Carnuntum
additional attribute associated with Cautes. Besides
the torch, in his lowered left hand he is holding three
ears of corn46. Cautopates does not have any additional attribute in his left hand.
Ears of corn are not a distinctive attribute for Cautes
but appear associated with both torchbearers47. They
also often appear in tauroctony scenes, sprouting
from a dying bull’s tail or emerging from the wound
on his neck, symbolising the (re)birth of life after
death and the fecundity of the earth secured by the
creative sacrifice performed by Mithras48. As such,
they announce the resurgence of spring and the
beginning of the creative period of nature49.
The altar was rededicated on the occasion of the
imperial conference in which the future of the Tetrarchy was decided50. The inscription indicates the restoration of a sanctuary (most probably of Mithraeum III)
and names Mithras as a protector of endangered
state order51. The bundle of ears of corn held by Cautes can thus be interpreted as signalling the period of
growth and renewal procured by the tetrarchs.
From the same Mithraeum comes another interesting
monument, analogous to the Cautopates relief analysed in this text. A relief showing Cautes (82 cm high ×
51 cm wide × max. 33 cm deep, pl. XIX, fig. 5) was discovered in the area of the right podium wall, close to
the entrance to the cella (pl. XVIII, fig. 3, marked with
the letter p)52. Aside from the stylistic differences and
the fact it shows Cautes instead of Cautopates; the
relief bears strong resemblances to the Cautes relief
from Mithraeum I and to the Cautopates relief discussed in this text.
A high-relief depiction of the torchbearer is placed
against the smooth background plate, and despite
the missing parts (head and neck, parts of the legs
and feet, parts of the hands and the torch), the recognisable dress and posture reveal it depicts Cautes. His
legs were probably crossed and the figure is set in a
three-quarter view to the left. Thus, all three reliefs
belong to the same type of sculpture, showing one of
the torchbearers in high-relief set against the smooth
relief plate in a three-quarter view either to the left or
to the right. Moreover, they are all of similar size,
wherein the Cautopates (max. 45 cm high) and the
Cautes from Mithraeum I (max. 55 cm high) are most
46
47
48
49
50
51
52
Or a twig with three pointed ends, see Kremer 2012, 180.
Hinnells 1976, 44 f.
Gordon 2017, 118 f.
Insler 1978, 535.
Kremer 2021a, 254.
Kremer 2012, 179 f. no. 351.
Kremer 2012, 64 no. 80 pl. 30 (with previous lit.) = lupa.at/
22606.
37
similar, while the Cautes from Mithraeum III is somewhat taller (max. 82 cm high).
The Mithraeum III was, according to the excavation
report from 1895, violently destroyed and the original
placement of some of the sculptures must be taken
with caution53. Nevertheless, based on several comparative finds, it is highly probable that the relief was
found close to its original placement. Inside Mithraeum I from Poetovio, a pair of altars dedicated to the
torchbearers were discovered near the entrance to
the cella54. An altar dedicated to Cautopates was
installed against the podium wall to the left of the
entrance, while Cautes’ altar was placed on the opposite side, set against the right podium wall, facing the
aisle55. The altars are accompanied by the smaller
altars which carried the statuettes of Cautopates and
Cautes, unfortunately no longer preserved56.
The two reliefs depicting Cautes and Cautopates from
the Mithraeum in Friedberg belong to a similar type
as well. They were found at the south corner of the
sanctuary, where they were probably installed against
the podia walls, close to the entrance to the cella57. A
similar arrangement of torchbearers reliefs was
reconstructed at Mithraeum II from Güglingen (Germania superior) too, where they were placed at the
beginning of the podia, Cautopates to the left of the
entrance and Cautes to the right, facing the aisle of
the cella58. Moreover, it seems they were installed
leaning against the podium wall, as indicated by their
roughly processed reverses (similar to the back of the
Cautopates relief from Carnuntum, see pl. XVII,
fig. 1 c)59.
A similar arrangement can be reconstructed in
Mithraeum III in Carnuntum as well. Besides the relief
showing Cautes, two altars were discovered near the
entrance to the cella, set against the left and right
53
54
55
56
57
58
59
Reichel et al. 1895, 19–51; Kremer 2012, 332–334 fig. 15;
Kremer 2021a, 252–254.
Cautes: Vomer Gojkovič – Djurić – Lovenjak 2011, 44 f. no. 8 =
CIL III, 14354, 31 = CIMRM 1499 = EDH068775 = lupa.at/9328.
Cautopates: Vomer Gojkovič – Djurić – Lovenjak 2011, 46 f.
no. 9 = CIL III, 14354, 32 = CIMRM 1505 = EDH068776 = lupa.at/
9239.
Vomer Gojkovič – Djurić – Lovenjak 2011, 45. 47.
Cautes: Vomer Gojkovič – Djurić – Lovenjak 2011, 48 f. no. 10 =
CIL III, 14354, 33 = CIMRM 1501 = EDH068777 = lupa.at/9330.
Cautopates: Vomer Gojkovič – Djurić – Lovenjak 2011, 50 f.
no. 11 = CIL III, 14354, 34 = CIMRM 1503 = EDH068778 =
lupa.at/9331.
CIMRM 1055. Such reliefs were also installed against the back
wall of the cella, flanking the cult image, see, e.g., Mithraeum I
in Stockstadt, CIMRM 1158; CIMRM 1163 = lupa.at/23719;
CIMRM 1164. 1165 = EDH042523 = lupa.at/23718. Also in the
Mithraeum in Saarburg (Pons Saravi, Gallia), CIMRM 968. 969.
Siemers-Klenner 2020, 146 f.
Siemers-Klenner 2020, 146 f.
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38
Nirvana Silnović
podium walls and facing the central aisle (pl. XVIII,
figs. 3 i. n)60. Furthermore, a statuette showing Cautopates (max. 72 cm high × max. 35 cm wide × 32 cm
deep) was found close to the altar on the left side
podium (pl. XVIII, fig. 3 l; pl. XX, fig. 6)61. Although the
statuette seems to correspond in size and style to the
figure of Cautes found on the opposite side, in contrast to the Cautes relief, it is apparently a full sculpture without a continuous background plate62. The
statuette could have been installed on the left podium wall, above the altar, analogous to the arrangement in Mithareum I in Poetovio. If the symmetrical
arrangement is presumed for the left and right podia,
then the relief plate depicting Cautes could have been
installed on the front wall of the podium, facing the
entrance to the cella.
The two reliefs showing torchbearers from Güglingen
bear some similarities to the three reliefs from Carnuntum (Cautopates, Cautes from Mithraeum I and
Cautes from Mithraeum III): both figures, here rendered in semi-plastic, are set against a smooth relief
plate and stand on small plinths. Based on the analogies with the Güglingen reliefs, a similar function and
placement of the three reliefs from Carnuntum can
be assumed as well. As illustrated by the previously
discussed examples, the arrangement of the torchbearers at the ends of the side podia, close to the
entrance to the cella, appears to follow a fixed positioning of Cautopates on the left and Cautes on the
right, irrespective of their positions on the cult images63.
According to Richard Gordon’s analysis of the sacred
topography of a Mithraeum, the side podia correspond to the north (left-hand bench) and south (righthand bench)64. Within this grid, Mithras is set on the
line of equinoxes (Porphyry, De Antro, 24–25), with
north on his right and south on his left65. The association of the left podium (north) with Cautopates thus
corresponds with the side of the Mithraeum in which
the soul descends into the genesis, while the right
podium (south) is associated with Cautes and corresponds to the side in which the soul ascends into apogenesis66. Thus, following the sacred geography of a
Mithraeum, the Cautopates relief from Carnuntum
would have been placed against the left podium,
60
61
62
63
64
65
66
Kremer 2012, 188 f. nos. 369. 370 pl. 116 (with previous lit.).
Kremer 2012, 63 f. no. 79 pl. 30 (with previous lit.).
Kremer 2012, 63 f.
Examples of Mithraea where the torchbearers are installed at
the beginning of podia in Campbell 1968, 42. See the discussion
by Gordon 1976, 127–129.
Gordon 1976, 127 f.
Gordon 1976, 127.
Gordon 1976, 128.
while the two Cautes reliefs from Mithraeum I and
Mithraeum III would have been placed against the
right podium, as additionally indicated by the find
spot of the relief from Mithraeum III.
The two reliefs depicting Cautes and Cautopates from
Mithraeum II in Güglingen are further interesting
because of the peculiar mode of their representation.
While the torchbearers are generally depicted
dressed, on these two reliefs they are shown naked.
Siemers-Klenner, however, assumes that their original
impression might have been slightly different, due to
the traces of stucco that once carried a layer of paint.
Still, the fact that the reliefs were painted does not
mean that the paint was used to imitate their clothes,
as Siemers-Klenner implies. The two figures have
their genitals exposed, indicating that the original
intention was indeed to depict them naked, and the
paint was most probably used to imitate the skin
tones.
Another naked depiction of one of the torchbearers,
Cautes, was found in Carnuntum (pl. XX, fig. 7)67. A
frontal view of the figure, preserved only to its chest,
is set inside a shallow rectangular niche with its head
tilted slightly to the left (40 cm high × max. 49.8 cm
wide × 14.3 cm deep). In front of the lowered upper
right arm, there is an upright torch, and the torchbearer wears a Phrygian cap on his head. However,
such a frontal depiction of a naked male figure wearing a Phrygian cap and holding an upright torch is possibly more reminiscent of the scene of Mithras’ rockbirth. In the majority of the representations, Mithras
is depicted nude, wearing only a Phrygian cap and
usually holding an uplifted torch and a knife in his
arms68.
If it were not for the naked torchbearers from
Mithraeum II in Güglingen, the figure on the relief
from Carnuntum would have been hard to identify as
Cautes, as analogies for nude depictions of the torchbearers are few in number. The statue of Cautes from
the Mithraeum at S. Prisca in Rome is in fact a
reworked statue of Mercury and shows the naked
torchbearer wearing only a shoulder cape (the head is
missing)69. The position of its hands indicates that the
figure once held a now missing upward-facing torch.
Although the statue was not originally intended as a
nude depiction of Cautes, the fact that the stucco
additions on this statue did not include the characteristic clothes means that such a naked representation
67
68
69
Kremer 2012, 110 f. no. 201 pl. 58.
On the iconography of Mithras’ rock birth see Vermaseren
1951, 285–301; Clauss 2012, 65–72. For a comparison see, e.g.,
lupa.at/24767 or lupa.at/22046.
Vermaseren – Van Essen 1965, 133 pl. LXXVI.
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Relief of a Cautopates from Carnuntum
was imaginable and acceptable for the Mithraic community70.
Since, however, the naked torchbearers from Mithraeum II in Güglingen open up the possibility of identifying the figure from Carnuntum as Cautes as well, it
raises an interesting question of how to interpret
such depictions of the torchbearers. In her analysis,
Siemers-Klenner raises a compelling analogy with the
Dioscuri, Castor, and Pollux71. The twin half-brothers
are usually depicted as nude youths, save for the
cloaks and conical caps (piloi), carrying spears in their
hands and are often accompanied by their horses72.
Piloi, the vestige of the eggs from which the Dioscuri
hatched, symbolise the two celestial spheres, Olympus and Hades73. The dual nature of the Dioscuri,
alternating between life and death, mortality and
immortality, day and night, etc., can be compared to
the transitory nature of the Mithraic torchbearers,
who are similarly perceived as mediators between
the two worlds74.
The two piloi topped with stars can be recognised on
the mosaic floor in the Mithraeum of Felicissimus in
Ostia, where they are depicted at the beginning of the
podia75. The placement of the hats thus overlaps with
the placement of the two torchbearers, here depicted
in mosaic at the ends of the side podia76. Since the
Dioscuri shared important properties with the torchbearers, they could easily have been associated with
each other by the followers of Mithras and integrated
into the iconographic programme of the mosaic floor.
A similar association with one of the Dioscuri might
have been expressed by the relief of Cautes from Carnuntum as well. Besides its nudity, the figure wears a
hat that reminds us more of a conical pilos than of the
70
71
72
73
74
75
76
Two statues supposedly depicting naked torchbearers were
found in Mérida, at the so-called Cerro de San Albín (Augusta
Emerita, Hispania). However, the statues were found together
with a large number of heterogeneous sculptures whose
Mithraic character is not ascertained, see Alvar 2018, 99 f. no.
1.01.02.11 = CIMRM 775; 107–109 no. 1.01.02.17 = CIMRM
788; on the circumstances of the finding of the sculpture see
the discussion by Romero Mayorga 2018, 176–178. The Mithraic character of the two statuettes presumably showing naked
torchbearers from Boulogne-sur-Mer (Gesoriacum, Gallia Belgica) cannot be ascertained either, see CIMRM 951; SiemersKlenner 2020, 148.
Siemers-Klenner 2020, 149 f.
Gartell 2021, 6–8. Cautes and Cautopates are depicted holding
a spear (attribute of the Dioscuri) along with their torches on a
tauroctony relief from Syria, see De Jong 1997, 57. This is a
unique depiction of the Mithraic torchbearers holding a spear.
Gartell 2021, 102.
For a detailed survey of the iconographic similarities between
the Dioscuri and the Mithraic torchbearers see Blakely 2018,
427–463; also Siemers-Klenner 2020, 149 f.
CIMRM 299.
CIMRM 299.
39
Phrygian hat (pl. XX, fig. 7). On a relief found in Vienna
(Vienna Allobrogum, Gallia), the Dioscuri seem to
assume the position of the torchbearers (only the
Dioscuri on the left-hand side is preserved) as they
are depicted flanking the standing figure of Aion77.
Another instance of the presence of the Dioscuri in
the Mithraic context is a relief found in the Mithraeum in Ober-Florstadt (Germania superior) with a
depiction of naked twin brothers, wearing shouldercapes and piloi, with spears and shields in their
hands78.
The exact circumstances of the discovery of the relief
showing naked Cautes from Carnuntum are not
known and it was suggested that it might have been
linked to the so-called Mithraeum II (pl. XVIII, fig. 2)79.
However, it was recently suggested that this complex,
located at the western end of the canabae, within a
sacred area in the vicinity of a temple of Jupiter Dolichenus, might have served as a meeting and banqueting room associated with this sanctuary80. Thus, the
original context of this relief remains unknown for
now.
The original context of the Cautopates relief discussed
in this text is not easy to guess either. Since the relief
was reportedly found in the civilian settlement, near
Petronell Castle, the only possible sanctuary here that
it could have been associated with is the so-called
Mithraeum IV (pl. XVIII, fig. 2)81. The room with side
podia was discovered in 1891, linked to a larger complex in which a number of votive inscriptions dedicated to Silvanus and the Quadriviae were found82. However, due to the lack of Mithraic finds from the site,
the three-aisled room was most likely a banqueting
room, rather than a Mithraeum83.
The second closest option is Mithraeum III, located
just outside the walls of the civilian settlement
(pl. XVIII, fig. 2). The sculptural equipment of this
Mithraeum belongs to at least two phases. A bulk of
the sculptures, including the large tauroctony relief
and the so-called Four Seasons altar, seem to be products of the same workshop and, based on their style
and iconography, can be dated to the Severan period84. The sanctuary underwent another renovation
phase at the beginning of the 4th cent. (see earlier in
77
78
79
80
81
82
83
84
CIMRM 902; Walters 1974, 76–78 no. 16.
CIMRM 1079; Schwertheim 1974, 55 no. 50. e.
Kremer 2012, 111. 331 f.; Kremer 2021a, 255.
Gassner 2005, 70–90; Kandler 2011; Kremer 2012, 331 f.;
Kremer 2021a, 255.
See note 24; Kandler 1986, 143–168; Kremer 2012, 334; Kremer
2014b, 121–136.
Kremer 2012, 341–344 (with previous lit.).
Kremer 2021a, 255 f.
Kremer 2012, 405; Kremer 2014a, 85.
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40
Nirvana Silnović
the text), which, however, seems too late for the Cautopates relief.
While it is not easy to assess the stylistic characteristic
of the Cautopates relief without its head and feet, the
relief does not seem to fit into the Severan period
either. This sculpture is characterised by plump body
shapes, with faces with soft cheeks, bulging lips, and
large eyes85. Cautopates’ slim fingers differ from these
seemingly inflated body parts, while his legs appear
muscular. If the logic of proximity is followed and it is
assumed that the relief comes from Mithraeum III,
then it is certainly earlier than the Severan period,
when the Mithraeum was renovated. Mithraeum III
was presumably already built in the 1st or around the
turn of the 2nd cent., which is too early for the Cautopates relief. The only possibility would be that it was
part of the sculptural decoration before the renovations in the Severan period, but, due to the lack of
comparative material from the sanctuary, this remains
only a vague guess.
Another possibility is that the relief is proof of another Mithraeum that existed in the civilian settlement,
whose exact location is unknown at the moment.
Apart from the Cautopates relief, it is not possible to
associate a number of Mithraic monuments from Carnuntum with the Mithraea confirmed to date, thus
indicating that other Mithraic temples existed here as
well86. The new Cautopates relief thus adds to the rich
material evidence of the cult in Carnuntum and shows
that it is for future discoveries to broaden our understanding of the cult in the Pannonian capital.
Summary
A new relief showing Cautopates is published here.
The sculpture belongs to the large corpus of monuments associated with the cult of Mithras in Carnuntum, and the aim of the text was to examine and contextualise the sculpture against this background. The
iconography of the Mithraic torchbearers, Cautes and
Cautopates, is briefly discussed, based on which it
was possible to identify the figure on the relief. Based
on its stylistic characteristics, an approximate dating
to the second half of the 2nd cent. AD is proposed. The
text further examined all the relevant monuments
associated with the Cautes and Cautopates from Carnuntum. The comparative analysis with sculptures
bearing similar depictions allowed the possible function of the relief to be deduced. It was most likely
installed at the end of the left podium, close to the
entrance to the cella. Since the relief was not found in
situ, it is not possible to associate it with absolute certainty with any of the known Mithraea from Carnuntum. Therefore, the possibility of another Mithraeum
in the civilian settlement is raised.
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42
Nirvana Silnović
List of illustrations pl. XVII–XX
Figs. 1 a–d: Courtesy of G. Kremer, photos edited by E. Profant; fig. 2: Kremer 2012, fig. 13; edited by N. Silnović; fig. 3: Reichel et al. 1895,
fig. A1; figs. 4–7: Courtesy of G. Kremer.
Address: Nirvana Silnović, Austrian Academy of Sciences, Austrian Archaeological Institute, Dominikanerbastei 16, A-1010 Vienna,
[email protected]
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TAFELN
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Julia Klammer
TAFEL I
Abb. 1: Das Untersuchungsgebiet im nördlichen Teil des Dunkelsteinerwaldes, südwestlich von Krems an der Donau in
Niederösterreich
Abb. 2: Das Untersuchungsgebiet mit Kartierungen des Kastells Favianis, der Burgi, römischer Fundpunkte und in einem Teilbereich auch von im Relief erhaltenen Wegstrukturen, die auf Basis von flugzeuggetragenen Laserscandaten (hier ca. 570 km
an Wegen) kartiert wurden.
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TAFEL II
Julia Klammer
Abb. 3: Weg-Gehzeit-Funktionsgrafik
Abb. 4: Gehzeitraster in Minuten pro Meter
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Julia Klammer
TAFEL III
Abb. 5: Detailansicht der Abflusseigenschaften des Geländes südwestlich von Mauternbach: blau = Akkumulation des Oberflächenwassers; rot = Bereiche eigentlicher Fehlleitungen des Oberflächenwassers (Wasserrohre unter Überführungen konnten nicht berücksichtigt werden).
Abb. 6: Detailansicht der Berechnung der Abflusslinien (dunkelblau) inklusive Pufferumgebung (hellblau) für die Feuchtgebietsabgrenzung und damit schwieriger zu betretendes Gelände südwestlich von Mauternbach (rot = tatsächlicher Abflussverlauf, der aufgrund der Höheninformationen im DGM nicht erhoben werden konnte).
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TAFEL IV
Julia Klammer
Abb. 7: Berechnung der Abflusslinien (dunkelblau) inklusive Pufferumgebung (hellblau) für die Erhebung von Feuchtzonen
im Untersuchungsgebiet
Abb. 8: Kostenentfernungsraster vom Quellpunkt Kastell Favianis
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 106. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 107. oldal
Julia Klammer
TAFEL V
Abb. 9: Kostenrückverknüpfungsraster vom Quellpunkt Kastell Favianis
Abb. 10: Ergebnisse der Kostenpfadberechnungen auf Basis des generierten Kostenentfernungs- und Kostenrückverknüpfungsrasters
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 107. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 108. oldal
TAFEL VI
Julia Klammer
Abb. 11: Profildiagramm der Kostenpfade ausgehend vom Kastell Favianis (0 m) zu den Burgi: Bacharnsdorf (blau),
St. Lorenz (rot) und Windstallgraben (grün)
Abb. 12: Kostenpfade mit Markierungen von archäologisch relevanten Fundstellen
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 108. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 109. oldal
Julia Klammer
TAFEL VII
Abb. 13: Reliefschummerung des Detailbereiches bei der Fundstelle Nr. 3; ohne kartierte Wege (o.) und mit kartierten
Wegen (u.)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 109. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 110. oldal
TAFEL VIII
Julia Klammer
Abb. 14: Geleisstraße auf der Flur Steinplatte (Aufnahmedatum: 18.04.2012)
Abb. 15: l.: Norisch-pannonische Grabhügelgruppe; r.: Geleisspur auf der Flur „Zu den Sieben Gräbern“
(Aufnahmedatum: 27.03.2012)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 110. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 111. oldal
TAFEL IX
Fig. 1: Distribution map of the find objects at the site of Lauriacum/Enns
Barbara Kainrath – Eva Thysell
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 111. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 112. oldal
TAFEL X
Barbara Kainrath – Eva Thysell
Fig. 2: Alternative fixing methods: a) rivet holes in the corners, b) still preserved iron rivets
Fig. 4: Fitting, originally form 3, reworked by inserting a hole
to create form 2
Fig. 3: Schematic illustration of the
different forms
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 112. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 113. oldal
Barbara Kainrath – Eva Thysell
Fig. 5: Reconstruction drawing of a local variant of the military belt from Lauriacum/Enns
Fig. 6: Fitting, originally form 1, trimmed for conversion to fitting form 2
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 113. oldal
TAFEL XI
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 114. oldal
TAFEL XII
Barbara Kainrath – Eva Thysell
Fig. 7: Found object of a fitting together with buckle.
The trimming of the fitting to create the lug is clearly visible.
Fig. 8: Detailed view of the corner formation of the beaded rim fittings
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 114. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 115. oldal
Barbara Kainrath – Eva Thysell
Fig. 9: Distribution map of previously known finds of beaded rim fittings
Fig. 10: Photo and drawing of the decoration
of a fitting with the Dioscuri
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 115. oldal
TAFEL XIII
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 116. oldal
TAFEL XIV
Barbara Kainrath – Eva Thysell
Fig. 11: Find objects from Lauriacum/Enns, form 1
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 116. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 117. oldal
Barbara Kainrath – Eva Thysell
Fig. 12: Find objects from Lauriacum/Enns, forms 2–4
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 117. oldal
TAFEL XV
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 118. oldal
TAFEL XVI
Barbara Kainrath – Eva Thysell
Fig. 13: Find objects from other find sites, different form variations
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 118. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 119. oldal
TAFEL XVII
Nirvana Silnović
a
b
c
d
Fig. 1 a–d: A new relief showing Cautopates from Carnuntum
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 119. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 120. oldal
TAFEL XVIII
Nirvana Silnović
Fig. 2: Plan of the city of Carnuntum with the locations of its Mithraea
Fig. 3: Ground plan of Mithraeum III with the find spots of the monuments indicated
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 120. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 121. oldal
Nirvana Silnović
Fig. 4: Relief showing Cautopates, Mithraeum I
Fig. 5: Relief showing Cautes, Mithraeum III
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 121. oldal
TAFEL XIX
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 122. oldal
TAFEL XX
Nirvana Silnović
Fig. 6: Statuette of Cautopates, Mithraeum III
Fig. 7: Relief showing Cautes
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 122. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 123. oldal
Gabrielle Kremer et al.
Abb. 1: Blick in das Lapidarium des Museums Carnuntinum (2023)
Abb. 2: Löwenaufsatz, Landessammlungen NÖ Inv.-Nr. CAR-S-907
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 123. oldal
TAFEL XXI
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 124. oldal
TAFEL XXII
Gabrielle Kremer et al.
Abb. 3: Blick in die „Mithrasgrotte“ des Museums Carnuntinum mit Farbprojektion auf das Mithrasrelief (2013)
Abb. 4: Objekte der Sammlung Abensperg-Traun in der Sala Terrena des Schlosses Petronell (um 1900)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 124. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 125. oldal
Gabrielle Kremer et al.
Abb. 5: Löwenaufsatz in der Sala Terrena des Schlosses Petronell (um 1900)
Abb. 6: Linke vordere Ecke des Löwenaufsatzes,
Landessammlungen NÖ Inv.-Nr. CAR-S-907
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 125. oldal
TAFEL XXIII
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 126. oldal
TAFEL XXIV
Gabrielle Kremer et al.
Abb. 7: Zerstörungsfreie Messung der Oberfläche mittels portabler Röntgenfluoreszenz-Analyse
aufbauend auf den Daten der Multispektraluntersuchungen
Abb. 8: Multispektralaufnahmen des Löwenaufsatzes Inv.-Nr. CAR-S-907: a) sichtbares (VIS), b) nahinfrarotes (IRR) und
c) ultraviolettes reflektiertes Licht (UVR), d) mit sichtbarem Licht induzierte sichtbare Lumineszenz (VIVL) höherer Intensität
als jene am 99 % Reflexions-Standard, e) Infrarot- (IRFC) und f) Ultraviolett-Falschfarbenbild, g) sichtbar induzierte Infrarot(IRL) und h) ultraviolett-induzierte sichtbare Lumineszenz (UVL) mit geringer Verunreinigung durch reflektiertes Licht
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 126. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 127. oldal
Gabrielle Kremer et al.
TAFEL XXV
Abb. 9: Multispektralaufnahmen der Augen der zentralen Figur: a) sichtbares (VIS), b) ultraviolettes reflektiertes Licht (UVR),
c) sichtbar induzierte Infrarot- (IRL) und d) ultraviolett-induzierte sichtbare Lumineszenz (UVL)
Abb. 10: Ein mittels p-RFA erhaltenes Spektrum charakteristischer Röntgenstrahlung an einer mittels MSI lokalisierten
Retuschestelle zeigt ein deutliches Signal des Elements Titan (Ti).
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 127. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 128. oldal
TAFEL XXVI
Gabrielle Kremer et al.
Abb. 11: Querschliffe im LM- (l.) und REM-Bild (r.) entnommener Proben – a) im äußeren Winkel des linken Auges des linken
Löwen: helle Kalkglätte als Grundierung, 50 μm Rotocker, etwas Gelbocker und Grüne Erde in Kalkbindung, 5 µm Retusche
mit u. a. Schwerspat und Titanweiß; b) in der Mähne des linken Löwen: helle Kalkschlämme, 50 µm Gelbocker in Kalkbindung;
c) im Bart der Figur: zwei- bis dreilagig aufgetragene Kalkglätte, 50 μm Rot- und Gelbocker sowie etwas Grüne Erde in Kalkbindung; d) im Rücken des rechten Löwen: Reste einer ockerfarbigen Kalkfassung; e) an der Vorderseite des rechten Löwen:
Kalkglätte, 100 µm Gelbocker in versinterter Kalkbindung; f) in der Mähne des rechten Löwen: Kalkglätte/
-tünche, 30 µm Gelbocker in Kalkbindung, leichte Vergipsung; g) in der roten Kopfbedeckung: zweilagige Kalkglätte, 10 µm
Rotocker in vergipster Kalkbindung; h) Mähne an der Pranke des linken Löwen: Kalkglätte, 100 µm Gelb- und Rotocker in
Kalkbindung, 100 µm Abtönung mit Kohlenschwarz in Kalkbindung; i) im rechten Auge des linken Löwen: Kalkschlämme/
-tünche, 50 µm Rot- und Gelbocker in Kalkbindung; j) in der Mähne des rechten Löwen: 200 µm Kittung mit Kreide, diversen
Silikaten; leicht abgetönt mit Ruß- oder Kohlepartikeln, dünne Übermalung mit Titanweiß und Schwerspat sowie diversen
Ockertönen.
Abb. 12: Übersicht über die am Löwenaufsatz entnommenen Proben
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 128. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 129. oldal
Gabrielle Kremer et al.
Abb. 13: Verbreitungskarte der gesondert gearbeiteten Löwenaufsätze (basierend auf der
Bilddatenbank „Ubi erat Lupa“ und der in diesem Beitrag zitierten Literatur)
Abb. 14: Grabstele eines decurio und IIvir iure dicundo
aus Poetovio, sog. Pettauer Pranger
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 129. oldal
TAFEL XXVII
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 130. oldal
TAFEL XXVIII
Gabrielle Kremer et al.
Abb. 15: Zwei Löwen von einem Stelenaufsatz aus der Gräberstraße südlich der Zivilstadt von Carnuntum (Grabung BDA),
derzeit im Museum Carnuntinum
Abb. 16: Grabstele des L. Aurelius Celer aus Carnuntum
im KHM Wien, Inv.-Nr. III 34
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 130. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 131. oldal
Gabrielle Kremer et al.
Abb. 17: Detail des Löwenaufsatzes Inv.-Nr. CAR-S-907 aus Carnuntum
Abb. 18: Löwenaufsatz aus Bad Waltersdorf
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 131. oldal
TAFEL XXIX
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 132. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
Abb. 1: Carnuntum, Zivilstadt: Interpretation der geophysikalischen Messergebnisse und Verlauf der Notgrabung 1976 mit Markierung der Befundbereiche ZivSt1–ZivSt5
TAFEL XXX
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 132. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 133. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
TAFEL XXXI
Abb. 2: Carnuntum, Zivilstadt, Befundbereich ZivSt3 (Sektor 5/6, lfm 0–10, Sektor 6/7, lfm 40–50): Darstellung von unterschiedlichen Tiefenbereichen der Bodenradarmessung (l.) und deren archäologische Interpretation (r.). Deutlich zu erkennen
sind die durch die Baukünette zerstörten Befunde (Mitte), die Leitung (o.) und die Sohle der Künette (u.).
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 133. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 134. oldal
TAFEL XXXII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
Abb. 3: Carnuntum, Zivilstadt, Befundbereiche ZivSt2–ZivSt5: Interpretation der geophysikalischen Messungen (GPR) und
Grabungsergebnisse. Die Punkte P1–P9 entsprechen den Messpunkten der Notgrabung 1976 (Sektoren 0/1–8/9).
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 134. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 135. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
TAFEL XXXIII
Abb. 4: Carnuntum, Zivilstadt, Befundbereiche ZivSt2–ZivSt5: Interpretation der geophysikalischen Messungen (GPR) und
Grabungsergebnisse. Mit Zahlencodes hervorgehoben sind die im Text erwähnten (Wohn-)Einheiten.
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 135. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 136. oldal
TAFEL XXXIV
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
Abb. 5: Carnuntum, Zivilstadt, Befundbereiche ZivSt2–ZivSt5: Graustufendarstellung der Ergebnisse des Bodenradars in
einem Tiefenbereich von 80 bis 140 cm
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 136. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 137. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 137. oldal
TAFEL XXXV
Abb. 6: Carnuntum, Zivilstadt, Befundbereich ZivSt1: Interpretation der geophysikalischen Messungen (GPR) und Grabungsergebnisse. Die Punkte P10–P19 entsprechen den
Messpunkten der Notgrabung 1976 (Sektoren 9/10–19/20).
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 138. oldal
TAFEL XXXVI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$#%&'()#*+#,-'#.&'/012134/15
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Abb. 7: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 138. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 139. oldal
TAFEL XXXVII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
GSTC0&.#$#%&.OO.@#9U#,VOL&?.43
GSTC0&.#$#U.@L&'4#8G;D.@?RC.L#=9
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Abb. 8: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 139. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 140. oldal
TAFEL XXXVIII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$%&'#(#!)**+,-#.%5
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.565#;)$<#/1%6
+#0#4
=)>?,#(#=&,*@A@B,#C
DE&->#F%GH
=)>?,#(#=&,*@A@B,#CI
+#0#4
+#0#3
!9)*#(#C*L+M*#K4
+#0#J
N#.O.2
Abb. 9: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 140. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 141. oldal
TAFEL XXXIX
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$%&'(#)#*'+,-'.#606
!"#$%&'(#)#*'+,-'.#601
!"#$%&'(#)#*'+,-'.#/01
!"#$%&'(#)#*'+,-'.#/05
-#2#34
-#2#63
-#2#6
-#2#:
!"#$%&'(#)#*'+,-'.#/03
!"#$%&'(#)#*'+,-'.#906
!"#$%&'(#)#*'+,-'.#905
!"#$%&'(#)#*'+,-'.#903
!"#$%&'(#)#*'+,-'.#4704
!
"
#
-#2#5
-#2#8
!"#$%&'(#)#*'+,-'.#4901
!"#$%&'(#)#*'+,-'.#4905
-#2#43
-#2#5
-#2#14
!"#$%&'(#)#*'+,-'.#4701
-#2#85
-#2#5
-#2#:
!"#$%&'(#)#*'+,-'.#4903
!"#$%&'(#)#*'+,-'.#4908
!"#$%&'(#)#*'+,-'.#4906
-#2#55
-#2#56
-#2#:5
-#2#5
!"#$%&'(#)#*'+,-'.#4505
!"#$%&'(#)#*'+,-'.#4508
!"#$%&'(#)#*'+,-'.#4501
-#2#44
-#2#47
!"#$%&'(#)#*'+,-'.#4909
!"#$%&'(#)#*'+,-'.#4801
-#2#1
-#2#/
!"#$%;<#)#='(>?@A'۫
"-JK.H@-(LKMGLL'>#4#CD@E+'&-F
!"#$%&'(#)#!&G-'H@>(
4:9:#B@I0#58%4
!"#$%&'(#)#*'+,-'.#1401
-#2#1/
-#2#1
-#2#1
!"#$%&'(#)#*'+,-'.#18
!"#$%&'(#)#*'+,-'.#15
!"#$%&'(#)#*'+,-'.#13
-#2#5
-#2#/
-#2#55
!"#$%&'(#)#*'+,-'.#16
!"#$%&'(#)#!&G-'H@>(
4:9:#B@I0#8:%6
!"#$%&'(#)#!&G-'H@>(
4:9:#B@I0#8:%46
-#2#49
-#2#1
-#2#5
!"#$%;<#)#='(>?@A'&
1776#B;40405#CD@E+'&-F
-#2#1
D#4N47
Abb. 10: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 141. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 142. oldal
TAFEL XL
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
45#(#6-)78#9H#:;<,=+>)?,-+@
45#(#6-)78#99
:;<,=+>)?,-+@
45#(#6-)78#.0
:;<,=+>)?,-+@
45#(#6-)78#9B#:;<,=+>)?,-+@
45#(#CDE8#5FG#:;<,=+>)?,-+@
+#1#A
+#1#/
+#1#90
+#1#/
+#1#30.
45#(#6-)78#A.
:;<,=+>)?,-+@
45#(#6-)78#.9#:;<,=+>)?,-+@
45#(#6-)78#93#:;<,=+>)?,-+@
+#1#/
45#(#6-)78#9/#:;<,=+>)?,-+@
+#1#A3
+#1#/A
45#(#CDE8#4?#:;<,=+>)?,-+@
45#(#CDE8#4MW#:;<,=+>)?,-+@
+#1#9
+#1#9
+#1#/
45#(#6-)78#9H#:I,*J,-+E&-$@
45#(#6-)78#93#:I,*J,-+E&-$@
+#1#/9
+#1#9
UI#$%&'#(#!-O+,[)ME
32H2#4)$8#//%H
45#(#6-)78#9H#:K$)$$,+<&$,+@
+#1#H
!
"
#
UI#$%&'#(#K,J>+,P
/000#4)$8#30%3Q0.
45#(#6-)78#93
:K$)$$,+<&$,+@
45#(#X)Y,*#A0L#:Z&-E)$-=P)@
+#1#/
+#1#9
+#1#/
UI#$%&'#(#K,J>+,P
3222#4)$8#30%3Q/3
!!#$%-,E#(#K,J>+,P
4)$8#/3%3B29
UI#$%&'#(#K,J>+,P
/000#4)$8#30%3Q3Q
+#1#Q
+#1#/
+#1#9
+#1#/
K!I#(#LEM,-(INM$M#5O#H%3
!!#$%-,E#(#K,J>+,P
/000#4)$8#/3%3203
!!#$%-,E#(#K,J>+,P
4)$8#/0%3B/3
!!#$%-,E#(#K,J>+,P
4)$8#/0%3B//
+#1#/
+#1#B
+#1#3A
K!I#(#LEM,-(INM$M#5O#H%/
!!#$%-,E#(#K,J>+,P
4)$8#/0%3B.3
+#1#/
+#1#/
!!#$%-,E#(#K,J>+,P
4)$8#/0%3BAQ
!!#$%-,E#(#K,J>+,P
4)$8#/0%3B.2
+#1#/
+#1#.
!!#$%-,E#(#K,J>+,P
4)$8#/0%3BA2
!!#$%-,E#(#K,J>+,P
4)$8#/0%3BQ/
+#1#2
+#1#93
+#1#9
C)RS,#(#C&,*G<GP,#T
#:U&-R#V@
C)RS,#(#C&,*G<GP,#T
!"#$%&'#(
!)**+,-#.%/0
!"#$%&'#(
!)**+,-#.%/3
+#1#3H
+#1#30
+#1#2
+#1#2
F#3\30
Abb. 11: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 142. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 143. oldal
TAFEL XLI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$%&'#(#!)**+,-#:%0
!"#$%&'#(#!)**+,-#:%2
+#1#:3
+#1#/;
!"#$%&'#(#!)**+,-#:%;
!"#$%&'#(#!)**+,-#:%::
!"#$%&'#(#!)**+,-#:%:0
+#1#:.
+#1#4
+#1#0
!"#$%&'#(#!)**+,-#:%:>
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#/3%:5
!"#$%&'#(#!)**+,-#:%:5
!"#$%&'#(#!)**+,-#:%/5
!
"
#
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#/3%0
+#1#/:
+#1#;
+#1#2
+#1#/
!"#$%&'#(#!)**+,-#/%.
!"#$%&'#(#!)**+,-#0%2
!"#$%&'#(#!)**+,-#0%4
!"#$%&'#(#!)**+,-#0%;
+#1#/
+#1#.
+#1#/
+#1#/
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#/.%::
!"#$%&'#(#!)**+,-#0%0
!"#$%&'#(#!)**+,-#0%:2
!"#$%&'#(#!)**+,-#0%::
+#1#:0
+#1#/
+#1#/
+#1#/
!"#$%&'#(#!)**+,-#.%.
!"#$%&'#(#!)**+,-#.%0
!"#$%&'#(#!)**+,-#.%::
+#1#:4
+#1#.2.
+#1#/
!"#$%&'#(#!)**+,-#.%:/
!"#$%&'#(#!)**+,-#.%:3
+#1#:2
+#1#0
+#1#:/
!"#$%&'#(#!)**+,-#.%/3
!"#$%&'#(#!)**+,-#.%/;
+#1#2
+#1#4
+#1#4
!"#$%&'#(#!)**+,-#2%0
!"#$%&'#(#!)**+,-#2%2
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#..%2
+#1#/5
+#1#0
+#1#:5
+#1#/3
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#/0%4
!"#$%&'#(#!)**+,-#2%:.
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#:/%4
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#..%4
+#1#/
+#1#4
+#1#/
+#1#;
!"#$%&'#(#!)**+,-#.%/0
!"#$%&'#(#!)**+,-#.%/2
+#1#2
!"#$%&'#(#!)**+,-#2%.
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#..%::
+#1#/
!"#$%&'#(#!-6+,7)89
:4;4#<)$=#..%/
+#1#/:
?#:@:5
Abb. 12: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 143. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 144. oldal
TAFEL XLII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$%&'#(#!)**+,-#.%:8
!"#$%&'#(#!)**+,-#.%:=
!"#$%&'#(#!)**+,-#.%/0
+#1#/
+#1#<
+#1#/
!"#2%-,3#(#4,56+,7#..;:
!"#2%-,3#(#4,56+,7#..;/
+#1#:/
+#1#=
!"#2%-,3#(#4,56+,7#.9
!"#2%-,3#(#4,56+,7#.8
+#1#<
+#1#9
!"#2%-,3#(#4,56+,7#.<
!"#2%-,3#(#4,56+,7#.=
+#1#?
!"#2%-,3#(#4,56+,7#:/;/
!"#2%-,3#(#4,56+,7#.>
+#1#/.
+#1#:/
+#1#.
!"#2%-,3#(#4,56+,7#8;<
!"#2%-,3#(#4,56+,7#:/;:
!"#2%-,3#(#4,56+,7#:/;.
+#1#/<
+#1#.9
+#1#90
+#1#::
!"#2%-,3#(#4,56+,7#:=;/
!"#2%-,3#(#4,56+,7#:=;.
+#1#8:
+#1#?:
!
"
#
!"#2%-,3#(#4,56+,7#:/;>
!"#2%-,3#(4,56+,7#:8;:
!"#2%-,3#(#4,56+,7#:=;:
+#1#>
+#1#/:
!"#2%-,3#(#4,56+,7#/0;/
!"#2%-,3#(#4,56+,7#/0;.
+#1#>
+#1#<
!"#2%-,3#(#4,56+,7#/0;>
+#1#:.
@#:A:0
Abb. 13: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 144. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 145. oldal
TAFEL XLIII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
!"#$%&'(#)#*'+,-'.#/354
!"#$%&'(#)#*'+,-'.#/356
!"#$%&'(#)#*'+,-'.#/357
!"#$%&'(#)#*'+,-'.#/352
-#1#6/
-#1#//
-#1#60
-#1#4?
!"#$%&'(#)#*'+,-'.#4?
!"#$%&'(#)#!&@-'A98(
30B0#C9D5#70%4
-#1#34
-#1#/
!"#$%&'(#)#!&@-'A98(
30B0#C9D5#42%2
EFGHI&'#)#"9G<+J-#/
KL$9<:M
!"#$%&'(#)#*'+,-'.#/=
!"#$%&'(#)#*'+,-'.#/0
-#1#20
-#1#23
!"#$%&'(#)#!&@-'A98(
30B0#C9D5#70%3=
!"#$%&'(#)#!&@-'A98(
30B0#C9D5#70%3?
-#1#7
-#1#6
-#1#2
!89:<'&+'#!"#D%IN#)
!9::-'&#)#O<8'.#3000#E>>5#0%0
!"#$%&'(#)#!&@-'A98(
30B0#C9D5#42%6
-#1#6
-#1#6
!"#$%&'(#)#*'+,-'.#45/
!89:#)#;:<-$:#337
!89:<'&+'#!"#D%IN#)
!9::-'&#)#O<8'.#3000#E>>5#0%33
!
"
#
!89:#)#;:<-$:#7?
-#1#/
!89:#)#;:<-$:#=7>
-#1#6
-#1#3/
-#1#4
-#1#/
-#1#/
!"#$%&'(#)#*'+,-'.#454
!"#$%&'(#)#*'+,-'.#456
-#1#/
-#1#33
P#3Q3?
Abb. 14: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 145. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 146. oldal
TAFEL XLIV
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
./"0123"4"567894:;707"&,#,
<=0>")&1/?&%#,
./"0123"4"567894:;707"&,#,
<=0>"*&1/?&,++
./"0123"4"567894:;707"&,#,
<=0>"-+1/?&*-&
&
./"0123"4"567894:;707"&,#,
<=0>"-+1/?&*)-
%
@"A"#
@"A"#
#
'
@"A"#
@"A"#
./"0123"4"567894:;707"&,#,
<=0>"-+1/?&*-,
./"0123"4"567894:;707"&,#,
<=0>"-'1/?&*&,
./"0123"4"B867C=D89"&,#&
5EE>"#%&1++-"FGCHI=IH2@"J=D8K"(&5L
*
@"A"#
(
+
@"A"#
@"A"&
./"0123"4"567894:;707"&,#,
<=0>")(1/?&'%("FGCHI=IH2@"J=D8K"'(5L
)
@"A")
./"0123"4"567894:;707"&,#,
<=0>"**1/?&&,)"FGCHI=IH2@"J=D8K"(,L
./"0123"4"567894:;707"&,#,
<=0>"#,,1/?&-,+"FGCHI=IH2@"J=D8K"()L
#,
-
@"A"&
@"A"./"0123"4"567894:;707"&,#,
<=0>")(1/?&'%+"FGCHI=IH2@"J=D8K"+#ML
./"0123"4"567894:;707"&,#,
<=0>"#,#1/?&-&("FGCHI=IH2@"J=D8K"+#ML
##
@"A"#
#&
@"A"&
./"N1986"4"567894:;707"&,#,
<=0>"-+1/?&*-#
./"N1986"4"567894:;707"&,#,
<=0>")#1/?&&-+
./"N1986"4"567894:;707"&,#,
<=0>"-)1/?&)()
@"A"#
#'
#(
@"A"&
#%
@"A"#
./"N1986"4"567894:;707"&,#,
<=0>"(&1/?#'&+
./"N1986"4".9O@8P=76"#-*-"<=0>"(+1*
#+
./"N1986"4"J29QRIS"&,##"5EE>")1+
#*
@"A"&
@"A"&,
./"N1986"4".9O@8P=76
#-*-"<=0>"(+1+
./"N1986"4".9O@8P=76"#-*-"<=0>"(+1'
&,
#-
@"A"%,
@"A"#'
#)
@"A"#
./"N1986"4".9O@8P=76"#-*-"<=0>"(+1-
&&
@"A"'
!"#$%
Abb. 15: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 146. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 147. oldal
TAFEL XLV
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
01"23456"7"048.59:;6"#-+-"<:=>"((3-
01"23456"7"?@4ABCD"&,##"EFF>"*3*
01"23456"7"048.59:;6"#-+-"<:=>"()3#,
&
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%
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01"23456"7"?@4ABCD"&,##"EFF>"*3(
01"23456"7"048.59:;6"#-+-"<:=>"()3%
)
'
."/"%
."/"#*
(
."/"#(
01"23456"7"E6;547GH;=;"&,#,
<:=>"-)31I&+-,
01"23456"7"E6;547GH;=;"&,#,
<:=>"-)31I&+-,:
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<:=>"--31I&*+'
+
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#,
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01"23456"7"?@4ABCD"&,##"EFF>"*3#,
#'
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#*
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."/"*
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&,
."/"*
#."/"&,
01"23456"7"E6;547GH;=;"&,#,"<:=>"-,31I&(-(
01"23456"7"E6;547GH;=;"&,#,"<:=>"-*31I&*'&
&#
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01"23456"7"E6;547GH;=;"&,#,"<:=>"-*31I&*'+
&&
."/"-
&%
."/"&
!"#$%
Abb. 16: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 147. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 148. oldal
TAFEL XLVI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
01"23456"7"048.59:;6"#+-+"<:=>"()3#'
01"23456"7"048.59:;6"#+-+"<:=>"()3#)
#
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."/",
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01"23456"7"048.59:;6"#+-+"<:=>"()3%
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)
."/"&
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01"23456"7"048.59:;6"#+-+"<:=>"()3#-
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'
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."/",
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01"23456"7"048.59:;6"#+-+"<:=>"((3)
,
-
."/"#
."/"01"23456"7"?@4ABCD"&*##"EFF>"#*3#
01"23456"7"?@4ABCD"&*##"EFF>"##3(
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+
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[email protected]"7"N@OPC:4MCO"#++,"EFF>"&3#
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<:=>"+'31I&,-'
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#)
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[email protected]"7"N@OPC:4MCO"#++,"EFF>"&3-
01"23456"7"JCC@K:.LM"7"N@OPC:4MCO"#++,"EFF>"&3#*
#,
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!"#$%
Abb. 17: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 148. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 149. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
01"23456"7"899:;<.=>"7"?:@A9B4>9@"#**-"CDDE"&3*
TAFEL XLVII
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Abb. 18: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 149. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 150. oldal
TAFEL XLVIII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
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01"23456"7"869547:;9<9"&(#("=><?"#((31@&-()
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Abb. 19: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 150. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 151. oldal
TAFEL XLIX
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
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Abb. 20: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 151. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 152. oldal
TAFEL L
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
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Abb. 21: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 152. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 153. oldal
TAFEL LI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
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Abb. 22: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 153. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 154. oldal
TAFEL LII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
./"01234"5"627839:;4
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Abb. 23: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 154. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 155. oldal
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
./"01234"5"627839:;4"#-+-"<:0="+%1&
TAFEL LIII
./"01234"5"627839:;4"#-+-"<:0="+%1#
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./"01234"5"627839:;4"#-+-"<:0="+&1*
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8">"&
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./"01234"5"627839:;4"#-+-"<:0="+(1&
./"01234"5"GCC@HB8IJ"&,&,"<:0="#%1'
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Abb. 24: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 155. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 156. oldal
TAFEL LIV
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
./"01234"5"627839:;4"#+*+"<:0="*#1*
./"01234"5"627839:;4"#+*+"<:0="*#1'
8">"-
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./"01234"5"627839:;4"#+*+"<:0="*&1#
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./"01234"5"627839:;4"#+*+"<:0="*&1-
&
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./"01234"5"627839:;4"#+*+"<:0="*(1-
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./"01234"5"MJENN832"#++*"<:0="+-1##
*
8">"#
./"01234"5"627839:;4"#+*+"<:0="&+1--
./"01234"5"MJENN832"#++*"<:0="+-1#-
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6?"@12345AB"CDA223EFG32:FHGI"5
6:JJ2H8@32"5"627839:;4"#+)#"KLL="#1#
6?"@12345AB"CDA223EFG32:FHGI"5
6:JJ2H8@32"5"627839:;4"#+)#"KLL="#1(
##
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6:JJ2H8@32"5"627839:;4"#+)#"KLL="-1-
6?"@12345AB"CDA223EFG32:FHGI"5
6:JJ2H8@32"5"627839:;4"#+)#"KLL="-1#
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!"#$%
Abb. 25: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 156. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 157. oldal
TAFEL LV
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
01"23456789":;8445<=>54?=@>A"7
[email protected]"7"04C.5D?E6"#-+#"FGGH"*3#
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[email protected]"7"04C.5D?E6"#-+#"FGGH"&3%
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01"23456789":;8445<=>54?=@>A"7
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)
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01"23456789":;8445<=>54?=@>A"7
[email protected]"7"04C.5D?E6"#-+#"FGGH"#3'
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Abb. 26: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 157. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 158. oldal
TAFEL LVI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
./0123456783(9:(2;631(<
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./0123456783(9:(2;631(<
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./0123456783(9:(2;631(<
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Abb. 27: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Funde (Typenvertreter) aus der Notgrabung 1976
(Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 158. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 159. oldal
TAFEL LVII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
0123,4,536.73,!*&2,89:,&$;
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Abb. 28: Carnuntum, Zivilstadt, Befundbereiche ZivSt1–ZivSt5: spätantike Glasfunde und Kleinfunde aus der Notgrabung
1976 (Sektor 1/2–18/19)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 159. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 160. oldal
TAFEL LVIII
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
−
Palmwedellampe
Schalenlampe
1
Firmalampe
4
Bildlampe
1
1
5
1
1
1
49
18
3
Amphore
2
5
1
1
1
Sparbüchse
Räuchergefäß
1
1
1
5
1
2
4
2
12
5
7
1
16
2
15
4
140
30
11
145
41
16
Nachttopf
Waschschüssel
Käseform/Sieb
6
Fläschchen/Flasche
Vorratsgefäß
Deckel
Teller
3
Mortarium
1
1
33
14
9
12
2
2
26
14
9
20
30
5
6
6
4
1
1
3
Reibschüssel
Schüssel
6
1
Schale
2
236
86
26
30
7
3
Becher
2
17
3
4
4
1
64
14
3
Topf
5
49
29
6
11
1
204
70
13
Krug/Kanne
3
14
4
4
20
1
156
34
14
SKZ
Anzahl
100
200
SPA
1
Palmwedellampe
1
Schalenlampe
20
Firmalampe
10
Bildlampe
1
Amphore
2
1
300
4
Sparbüchse
23
8
3
Nachttopf
6
2
1
Waschschüssel
2
1
Räuchergefäß
3
Käseform/Sieb
1
7
8
Fläschchen/Flasche
1
4
6
3
1
Vorratsgefäß
6
157
Deckel
9
1
74
10
3
3
1
195
94
49
8
20
11
231
135
58
3
53
63
21
2
23
2
Reibschüssel
10
2
28
14
10
1
55
33
22
Schüssel
10
1
270
341
241
2
37
56
8
21
17
5
10
8
4
120
63
23
1
16
4
3
224
128
67
4
3
127
176
72
Teller
Mortarium
Topf
16
Krug/Kanne
54
6
286
150
46
4
1
136
119
40
ZivSt5
ZivSt1
ZivSt2
ZivSt3
ZivSt4
ZivSt5
1
ZivSt4
4
ZivSt3
Becher
1
ZivSt2
5
ZivSt1
Schale
Abb. 29: Lampen- und gefäßkeramische Grundformen, aufgeschlüsselt nach den Befundbereichen ZivSt1–ZivSt5 und den
chronologischen Gruppen (vgl. Kap. Methodische Vorgehensweise)
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 160. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 161. oldal
TAFEL LIX
Ende: spätes 4. Jh./um 400
Beginn: um 70/100
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
Befundbereich ZivSt3
Befundbereich ZivSt4
Befundbereich ZivSt5
Abb. 30: Carnuntum, Zivilstadt, Befundbereiche ZivSt3–ZivSt5: aoristische Verteilung des Fundmaterials aus der
Notgrabung 1976
Befundbereiche ZivSt3, ZivSt4 und ZivSt5: blau = FKZ/FMKZ (n = 348), rot = SPA (n = 1.119)
0,4
0,5
0,55
0,6
0,65
0,7
0,75
0,8
0,85
0,9
0,95
1
1,05
Tiefe bis ... (m)
1,1
1,2
1,25
Anzahl
1,3
2.5
1,35
5.0
1,4
7.5
1,45
1,5
1,55
1,6
1,65
1,7
1,75
1,8
1,9
1,95
2
2,1
2,3
2,45
2,8
2,9
2,4
2,3 2,10 1,9
1,8 1,75 1,7 1,68 1,6 1,55 1,5
1,4 1,35 1,3 1,25 1,2
1,1 1,05
1
0,95 0,9 0,88 0,85 0,8 0,75 0,7 0,65 0,6 0,55 0,5
0,4
0,3
0
Tiefe ab ... (m)
Abb. 31: Carnuntum, Zivilstadt, Befundbereiche ZivSt3–ZivSt5: Verteilung der früh- und frühmittelkaiserzeitlichen sowie der
spätantiken Funde hinsichtlich ihrer (angeblichen) Fundtiefen
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 161. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 162. oldal
TAFEL LX
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
20
580−600
560−580
540−560
520−540
500−520
480−500
460−480
440−460
420−440
400−420
380−400
360−380
340−360
320−340
300−320
280−300
260−280
240−260
220−240
200−220
180−200
160−180
140−160
120−140
100−120
60−80
80−100
40−60
0−20
20−40
0
10
Total probability density
30
Befundbereich ZivSt3 (Sektor 5/6−6/ ): ehm ie elhau (n = 319)
Abb. 32: Carnuntum, Zivilstadt, Befundbereich ZivSt3: aoristische Verteilung des Fundmaterials aus dem Umfeld des
Lehmziegelgebäudes
1.5
1.0
580−600
560−580
540−560
520−540
500−520
480−500
460−480
440−460
420−440
400−420
380−400
360−380
340−360
320−340
300−320
280−300
260−280
240−260
220−240
200−220
180−200
160−180
140−160
120−140
100−120
80−100
60−80
40−60
0−20
20−40
0.0
0.5
Total probability density
2.0
2.5
Befundbereich ZivSt2 (Sektor 7/8): Forum (n = 26)
Abb. 33: Carnuntum, Zivilstadt, Befundbereich ZivSt2: aoristische Verteilung des Fundmaterials aus dem Umfeld des
Forums
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 162. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 163. oldal
TAFEL LXI
Christian Gugl – Silvia Radbauer – Mario Wallner – Eduard Pollhammer
20
15
580−600
560−580
540−560
520−540
500−520
480−500
460−480
440−460
420−440
400−420
380−400
360−380
340−360
320−340
300−320
280−300
260−280
240−260
220−240
200−220
180−200
160−180
140−160
120−140
100−120
60−80
80−100
40−60
0−20
20−40
0
5
10
Total probability density
25
30
Befundbereich ZivSt5 (Sektor 2/3, lfm 5−35): Einheit 65.139, Straße S184 (n = 288)
Abb. 34: Carnuntum, Zivilstadt, Befundbereich ZivSt5: aoristische Verteilung des Fundmaterials aus dem Umfeld von Einheit
65.139 und der Straße S184
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 163. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 164. oldal
NM007313-001-787630_Carnuntum Jahrbuch_Cerna Beliv.pdf / 164. oldal