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2019, Journal of Contemporary Religion
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4 pages
1 file
AI-generated Abstract
The paper reviews the edited volume 'Pilgrimage and Ambiguity: Sharing the Sacred,' exploring the intersection of religious practices in shared spaces. It examines the complex dynamics of multicultural pilgrimage sites where diverse religious groups converge, and assesses the implications of such interactions for religious identity and practice. Through a critical lens, it highlights the challenges in conceptualizing shared sanctuaries and raises questions about syncretism and the nature of the sacred within ambiguous religious contexts.
Pneuma: Journal of the Society for Pentecostal Studies, 2017
While Judith Casselberry is an outsider to Black Apostolic Pentecostalism, the anthropologist and Africana studies scholar demonstrates the same attentive and caring labor she narrates and theorizes among women in the Church of Our Lord Jesus Christ of the Apostolic Faith (or cooljc) in her new study, The Labor of Faith. Set in a converted, storefront church in the New York borough of Queens, Casselberry's ethnography traces the transnational and multi-generational women in a local cooljc affiliate church, True Deliverance Church of the Apostolic Faith. Casselberry's project distinguishes itself from a variety of studies on both Pentecostal women and/or black and African diasporic women by paying attention to conceptions of labor. There have been many studies on Pentecostal women both in the u.s. (Elaine Lawless, R. Marie Griffith), and globally (Diane Austin-Broos, John Burdick). Moreover, black Pentecostal women have started to receive more scholarly attention, after the pathbreaking, but Baptist-dominated scholarship of historian Evelyn Brooks Higginbotham. The work of sociologist Cheryl Townsend-Gilkes, and much later historian Anthea Butler, who both studied Pentecostal women in the predominantly black Church of God in Christ are valuable interlocutors for Casselberry. But by paying attention to labor, Casselberry is able to shine light on practices that construct raced and gendered identities of the women in cooljc, while eschewing theoretical concepts like "agency," which often produce an all or nothing at all approach for women's empowerment or autonomy. Moreover , labor enables Casselberry to articulate the deeply embodied and affective work women do to fashion themselves as saints. For Casselberry, labor is articulated in three distinct ways: emotional labor, intimate labor and aesthetic labor. Importantly, through concepts of labor, the hard work of the women is neither interpreted primarily as exploited by men, nor reduced to how these women are situated within the so-called secular world. Casselberry writes, "This study is … set apart from earlier works because my interest lies more in the circumstances of producing a holy Black female per-sonhood within faith communities and less in the connection of the religious worlds of Black women to social, civic, and political activism." (5) This approach is not "otherworldly," however, as Casselberry immediately opens the book with a group of women doing deep cleaning at the home of one of their church sisters , a younger saint, who has just died of a brain tumor. The physical labor of sweeping, and mopping, cooking and sanitizing the home of this single mom,
we didn't want to miss any of the ritual. Our house was the base for Thursday breakfast, supper, late night talk and a kind of gathering of spirit that I didn't understand then, but respected (or feared, or envied) for the strength that was obviously a part of these women's meetings.'
Transforming Anthropology, 2013
In this paper, performance theory, augmented with both feminist and queer theory critiques and ideas, help analyze the various aspects of Black Pentecostal experience. This paper is primarily concerned with the rhetorics of the Black Church and how these rhetorical strategies can immure congregants to abject embodied experience. I use the Black Pentecostal church tradition as a site that both consolidates and disrupts binary, heteronormative, heterosexist and homoracist gender systems, analyzing a sermon titled "Let's Get It On* by Bishop Iona Locke to demonstrate this.
2021
This paper investigates the performances members of the Moments of Glory Prayer Army (MOGPA), a Pentecostal church in Ghana, display at meetings and how such performances are gendered. Using gender performativity theory and ethnographic design anchored on participant observations, interviews and focus group discussions, the paper reveals that members displayed gendered performances during MOGPA meetings through the frames of prayer, exorcism, testimonies and oblation. However, there were also instances during which individuals engaged in performances that seemed to subvert the normal gender roles regularly subscribed to and acknowledged by society. The study concludes that the performances displayed by social actors at MOGPA meetings were highly gendered and, subsequently, reinforces the gender roles and performances in the church in particular and the society in general.
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