Joanne Weber
Joanne Weber, PhD is a sessional lecturer at the University of Regina and a Deaf teacher of the Deaf and Hard of Hearing at a midwestern Canada DHH resource program in a large city board. Her dissertation is titled: “Becoming deaf in the posthuman era: Posthumanism, arts-based research and deaf education”. Joanne is a published author. Her books, The Pear Orchard (poetry) and The Deaf House (creative non-fiction) were finalists in the Saskatchewan Book Awards (2007, 2013). Joanne is also a leader in the Deaf community at provincial and national levels. She is the co-founder of Deaf Crows Collective which aims to provide opportunities for theatre performance by d/Deaf, hard of hearing and hearing, late deafened actors of all ages to celebrate Deaf culture, encourage self-expression, and foster relationships between hearing and Deaf communities.
Phone: 3065869621
Address: Regina, Saskatchewan, Canada
Phone: 3065869621
Address: Regina, Saskatchewan, Canada
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Drafts by Joanne Weber
The paper is an arts based posthuman cartographic exploration of the processes involving the intra-actions between human and non human actors toward the creation of a theatrical play, Deaf Crows, which explores the experiences of deaf students in elementary school settings (Deleuze & Guattari, 1987; Crowley & Hickey-Moody, 2012; Hickey-Moody & Page, 2016; jagodzinski & Wallin, 2013). The narratives proved to be unsettling and challenged hegemonic beliefs concerning the acquisition of language in deaf students. Using nomadic ontology (Braidotti, 2011), the author also explores how nomadic zigzagging reveals the abject affects that are driven into the unconscious because of missing “obscene underside of the official narratives, the affect of life” (jagodzinski & Wallin, 2013, p. 73). For this reason, the “virtual real of the diasporic imagination is not approached”. Such affects provide a hidden narrative that enables resistance to normalizing discourses in deaf education.
Papers by Joanne Weber
The paper is an arts based posthuman cartographic exploration of the processes involving the intra-actions between human and non human actors toward the creation of a theatrical play, Deaf Crows, which explores the experiences of deaf students in elementary school settings (Deleuze & Guattari, 1987; Crowley & Hickey-Moody, 2012; Hickey-Moody & Page, 2016; jagodzinski & Wallin, 2013). The narratives proved to be unsettling and challenged hegemonic beliefs concerning the acquisition of language in deaf students. Using nomadic ontology (Braidotti, 2011), the author also explores how nomadic zigzagging reveals the abject affects that are driven into the unconscious because of missing “obscene underside of the official narratives, the affect of life” (jagodzinski & Wallin, 2013, p. 73). For this reason, the “virtual real of the diasporic imagination is not approached”. Such affects provide a hidden narrative that enables resistance to normalizing discourses in deaf education.