Andrei Kozovoi
Professeur des universités / Full professor
Address: https://sites.google.com/view/lerussedunord/home
Address: https://sites.google.com/view/lerussedunord/home
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Papers by Andrei Kozovoi
Bob de Graaff, editor
https://www.rienner.com/title/Intelligence_Communities_and_Cultures_in_Asia_and_the_Middle_East_A_Comprehensive_Reference
Film played an important role during the Cold War, but certain aspects of the “cinematic
Cold War” remain to be explored, especially on the Soviet side. This article shows
how, at the beginning of the seventies, during the so-called “détente” era, the Kremlin has
used two American actors, Dean Reed and Chuck Connors. Reed was a singer and an actor who has been a champion of the communist cause for several years, but his cinematic ambitions were shelved; whereas Connors, a conservative artist, became “Brezhnev’s friend”, helping him to get through the crisis of the Yom Kippur war.
specifically with foreign youth. During the years of East/West competition in the
consumer sphere, the provision of food and drink played an important part in the
Soviet tourist industry. The two were symbolic, a reflection of the state of the economy
and therefore closely tied to Khrushchev’s desire ‘to catch and overtake America’.
Actually implementing this goal, however, was no easy task. When it came to feeding
tourists, Sputnik faced challenges in two areas: the acquisition of quality food and the
provision of service. If unsuccessful in either realm the implications for the group’s
propagandistic effectiveness could be profound. The agency hoped that young Western
tourists, if content with the service, would return home to dispel negative images of
Soviet Russia. During its formative years (1958–1964), Sputnik benefited from the
unprecedented nationwide campaign intended to improve the dining service and
prefabricated food industry, and the agency could claim some tangible results.
Nevertheless, a complete success was never achieved because of economic,
technological, and motivational issues, as well as the influence of Cold War tensions
on Sputnik’s negotiations with its Western partners.
Keywords: food and drink; visitors; youth; Soviet Union; Cold War; propaganda
Bob de Graaff, editor
https://www.rienner.com/title/Intelligence_Communities_and_Cultures_in_Asia_and_the_Middle_East_A_Comprehensive_Reference
Film played an important role during the Cold War, but certain aspects of the “cinematic
Cold War” remain to be explored, especially on the Soviet side. This article shows
how, at the beginning of the seventies, during the so-called “détente” era, the Kremlin has
used two American actors, Dean Reed and Chuck Connors. Reed was a singer and an actor who has been a champion of the communist cause for several years, but his cinematic ambitions were shelved; whereas Connors, a conservative artist, became “Brezhnev’s friend”, helping him to get through the crisis of the Yom Kippur war.
specifically with foreign youth. During the years of East/West competition in the
consumer sphere, the provision of food and drink played an important part in the
Soviet tourist industry. The two were symbolic, a reflection of the state of the economy
and therefore closely tied to Khrushchev’s desire ‘to catch and overtake America’.
Actually implementing this goal, however, was no easy task. When it came to feeding
tourists, Sputnik faced challenges in two areas: the acquisition of quality food and the
provision of service. If unsuccessful in either realm the implications for the group’s
propagandistic effectiveness could be profound. The agency hoped that young Western
tourists, if content with the service, would return home to dispel negative images of
Soviet Russia. During its formative years (1958–1964), Sputnik benefited from the
unprecedented nationwide campaign intended to improve the dining service and
prefabricated food industry, and the agency could claim some tangible results.
Nevertheless, a complete success was never achieved because of economic,
technological, and motivational issues, as well as the influence of Cold War tensions
on Sputnik’s negotiations with its Western partners.
Keywords: food and drink; visitors; youth; Soviet Union; Cold War; propaganda
The main topic here is "Soviet Cold War culture", as seen through the lens of "presences" of the U.S. in the Soviet Union during the years 1975-1985. So this is not only the story of anti-American propaganda machine, but of the manifestations of all things American in the public sphere. To put it in a nutshell, this is a story of a love-hate relationship of Russia with American which prepared the pro-American wave of the late 1980s.