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Papers by Anna Tartaro
This contribution offers a brief reflection on these themes based on the scant archaeological and literary evidence and on the different hypothesis proposed by scholars.
Nel novero dei monumenti di Roma antica il Templum gentis Flaviae rappresenta un complesso dai contorni ancora poco chiari circa planimetria, caratteristiche dell’elevato, prassi del culto e periodo d’uso. Il presente contributo propone una breve riflessione su questi temi sulla base delle scarse evidenze archeologiche e letterarie disponibili e delle ipotesi sviluppate dalla storiografia
are still not widely known, particularly in comparison with the Baths of
Caracalla. As far as the decoration-system is concerned, only a few remains have
been preserved, mainly pertaining to the architectural apparatus of the natatio.
The majority of columns, entablature’s elements, marble revetments (of both
walls and floors) had been damaged, spoiled, melted or reused, during the
centuries of the Baths’ long life.
In this respect, the finding of an unpublished drawing of two different mosaic
floors gave us the opportunity to deepen our knowledge about this topic and to
draw some hypotheses about the ornamental patterns, the tastes, as well as the
economic resources of Tetrarchic Rome.
The rare combination of marble and porphyry – specified in the drawing –
facilitated their identification among different excavation notes, back to 1873.
Thanks to this first step, it was possible to detect additional mosaic floors belonging
to the Bath complex, no trace of which had previously been found. In fact,
recent studies by Carla Salvetti about the Antiquarium Comunale mosaic
collection enabled us to recognize the Diocletianic pieces among some of the
mosaics of “unknown-provenance” therein preserved.
Books by Anna Tartaro
This contribution offers a brief reflection on these themes based on the scant archaeological and literary evidence and on the different hypothesis proposed by scholars.
Nel novero dei monumenti di Roma antica il Templum gentis Flaviae rappresenta un complesso dai contorni ancora poco chiari circa planimetria, caratteristiche dell’elevato, prassi del culto e periodo d’uso. Il presente contributo propone una breve riflessione su questi temi sulla base delle scarse evidenze archeologiche e letterarie disponibili e delle ipotesi sviluppate dalla storiografia
are still not widely known, particularly in comparison with the Baths of
Caracalla. As far as the decoration-system is concerned, only a few remains have
been preserved, mainly pertaining to the architectural apparatus of the natatio.
The majority of columns, entablature’s elements, marble revetments (of both
walls and floors) had been damaged, spoiled, melted or reused, during the
centuries of the Baths’ long life.
In this respect, the finding of an unpublished drawing of two different mosaic
floors gave us the opportunity to deepen our knowledge about this topic and to
draw some hypotheses about the ornamental patterns, the tastes, as well as the
economic resources of Tetrarchic Rome.
The rare combination of marble and porphyry – specified in the drawing –
facilitated their identification among different excavation notes, back to 1873.
Thanks to this first step, it was possible to detect additional mosaic floors belonging
to the Bath complex, no trace of which had previously been found. In fact,
recent studies by Carla Salvetti about the Antiquarium Comunale mosaic
collection enabled us to recognize the Diocletianic pieces among some of the
mosaics of “unknown-provenance” therein preserved.