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Iole Nocerino
Iole Nocerino (Napoli, 30.07.88) è architetto e Dottore di Ricerca in Architettura (area tematica “Patrimonio Architettonico e Paesaggio: Storia e Restauro”). Cultore della materia nel SSD ICAR/19 (DIARC Unina) e Socio Aggregato della SIRA e dal 2021, è Assegnista di Ricerca presso il DIST (Unina Federico II) per il progetto di ricerca Partenariato Esteso " RETURN- multi-Risk sciEnce for resilienT commUnities undeR a changiNg climate", con un programma di ricerca intitolato "Patrimonio culturale e insediamenti storici in transizione. Compatibilità strutturali dell'intervento di restauro emonitoraggio delle vulnerabilità". I suoi studi vertono nel campo del restauro e della conservazione del patrimonio culturale, con particolare attenzione agli aspetti che riguardano la conoscenza e la valorizzazione integrata del paesaggio. Ha conseguito la Laurea Magistrale in Architettura presso l'Università degli Studi di Napoli Federico II nel 2016, con una tesi in Restauro Architettonico sul restauro e valorizzazione delle Terme del Foro del Parco Archeologico di Ercolano, mentre la sua ricerca dottorale ha riguardato “La materia del paesaggio. La conservazione dell'architettura rurale delle Leopoldine in Val di Chiana”.
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The places of the Tuscan countryside were also an occasion for Ruskin to deepen his studies in botany and to improve the techniques of drawing. In fact, the chiaroscuro representations of plants and flowers, are reflected in the marble decorations of Florence, Pisa and Lucca monuments.
Looking at Ruskin's Tuscany, through the reading of his travel notes and the observation of the drawings that he produced, the contribution intends to focus on his attention to the landscape, tracing the aspects that influenced his theories.
Starting from the drawings of nature and landscape present in the catalogs of some exhibitions, in particular John Ruskin. Le Pietre di Venezia (Venezia, 2018) and Ruskin e la Toscana (Lucca, 1993), the focus is on the idea of "beauty" and spontaneity of the landscapes he portrays, to bring out also the aspects still current today for their conservation.
Between the end of the nineteenth and the beginning of the twentieth century, the modernization in the agronomic field and the changes of social needed led to the abandonment of the farms.
Currently the heritage of the reclamation, which survives in the Val di Chiana, has a lot of problems related to its conservation and sustainable use.
In the Cortona's territory there are dozens of Leopoldine. They are in ruins and some of them are in renovation and conservative restoration process for their re- uses. The paper focuses on the case of Cortona, where there are several Leopoldine. Because of the change of the agricultural production and social transformations, strategies for the compatible and sustainable re-use are needed. At the present several steps were begun to protect the landscape by the public administration, but it is necessary a multidisciplinary sinergy to assure the values conservation and the sustainable development.
Oggi, con i cambiamenti del turismo e il progressivo incremento delle politiche per la fruizione dei siti archeologici, è mutato l’approccio alle rovine e con esso anche la rappresentazione. In tale contesto culturale, l’evoluzione tecnologica ha svolto un ruolo importante, quanto decisivo: i mass media e la virtual reality, attraverso azioni ricostruttive, propongono una nuova forma di “viaggio” che comporta una mutata relazione con la stessa preesistenza archeologica. Le realtà museali virtuali, inoltre, basate sulla suggestione creata da esperienze multi- sensoriali, mediano il contatto con la flagranza dei ruderi.
Il contributo intende affrontare ed argomentare sulle percezioni della città archeologica ercolanese create dalle differenti espressioni narrative e rappresentative ed individuare gli spunti per una riflessione attuale sull’efficacia e potenzialità delle diverse forme di transcodificazione espressiva dei viaggi. In particolare, analizzare come, a fronte di una diffusa politica di valorizzazione dei beni archeologici, si riscontrino interessanti contaminazioni tra immagini tradizionali e contemporanee, che vanno a definire e prefigurare nuove e talvolta inedite produzioni artistiche.
in the middle of the Bay of Naples, in a wonderful position.
It has a very complex landscape, characterized by a mix of archaeological
and historical town up to the current one. The modern
Hercolaneum was built on the ancient one, which it is, in
some parts, 30 metres underground. During the great eruption of
Vesuvius in A.D. 79, the ancient town was covered by mud and
ash that, once solidified, became a good base for the new town.
Therefore, Herculaneum and Resina were independent. They were
collocated in two different heights, but in the same way they feed
each other. The Vesuvius overlook the landscape and it’s a perfect
background of the modern town, in which volumes and curtain
walls stop in order to give space to the ruins. The dissertation
wants to show the connection between the archaeological site and
the urban pattern, through the consideration of Bay as the main
parameter during the processes of restoration and preservation.
The places of the Tuscan countryside were also an occasion for Ruskin to deepen his studies in botany and to improve the techniques of drawing. In fact, the chiaroscuro representations of plants and flowers, are reflected in the marble decorations of Florence, Pisa and Lucca monuments.
Looking at Ruskin's Tuscany, through the reading of his travel notes and the observation of the drawings that he produced, the contribution intends to focus on his attention to the landscape, tracing the aspects that influenced his theories.
Starting from the drawings of nature and landscape present in the catalogs of some exhibitions, in particular John Ruskin. Le Pietre di Venezia (Venezia, 2018) and Ruskin e la Toscana (Lucca, 1993), the focus is on the idea of "beauty" and spontaneity of the landscapes he portrays, to bring out also the aspects still current today for their conservation.
Between the end of the nineteenth and the beginning of the twentieth century, the modernization in the agronomic field and the changes of social needed led to the abandonment of the farms.
Currently the heritage of the reclamation, which survives in the Val di Chiana, has a lot of problems related to its conservation and sustainable use.
In the Cortona's territory there are dozens of Leopoldine. They are in ruins and some of them are in renovation and conservative restoration process for their re- uses. The paper focuses on the case of Cortona, where there are several Leopoldine. Because of the change of the agricultural production and social transformations, strategies for the compatible and sustainable re-use are needed. At the present several steps were begun to protect the landscape by the public administration, but it is necessary a multidisciplinary sinergy to assure the values conservation and the sustainable development.
Oggi, con i cambiamenti del turismo e il progressivo incremento delle politiche per la fruizione dei siti archeologici, è mutato l’approccio alle rovine e con esso anche la rappresentazione. In tale contesto culturale, l’evoluzione tecnologica ha svolto un ruolo importante, quanto decisivo: i mass media e la virtual reality, attraverso azioni ricostruttive, propongono una nuova forma di “viaggio” che comporta una mutata relazione con la stessa preesistenza archeologica. Le realtà museali virtuali, inoltre, basate sulla suggestione creata da esperienze multi- sensoriali, mediano il contatto con la flagranza dei ruderi.
Il contributo intende affrontare ed argomentare sulle percezioni della città archeologica ercolanese create dalle differenti espressioni narrative e rappresentative ed individuare gli spunti per una riflessione attuale sull’efficacia e potenzialità delle diverse forme di transcodificazione espressiva dei viaggi. In particolare, analizzare come, a fronte di una diffusa politica di valorizzazione dei beni archeologici, si riscontrino interessanti contaminazioni tra immagini tradizionali e contemporanee, che vanno a definire e prefigurare nuove e talvolta inedite produzioni artistiche.
in the middle of the Bay of Naples, in a wonderful position.
It has a very complex landscape, characterized by a mix of archaeological
and historical town up to the current one. The modern
Hercolaneum was built on the ancient one, which it is, in
some parts, 30 metres underground. During the great eruption of
Vesuvius in A.D. 79, the ancient town was covered by mud and
ash that, once solidified, became a good base for the new town.
Therefore, Herculaneum and Resina were independent. They were
collocated in two different heights, but in the same way they feed
each other. The Vesuvius overlook the landscape and it’s a perfect
background of the modern town, in which volumes and curtain
walls stop in order to give space to the ruins. The dissertation
wants to show the connection between the archaeological site and
the urban pattern, through the consideration of Bay as the main
parameter during the processes of restoration and preservation.