Papers by Mar or María del Mar M A Garrido
The Conversation, 2024
El artículo explora la vida y obra de la artista germano-suiza Meret Oppenheim, destacando su imp... more El artículo explora la vida y obra de la artista germano-suiza Meret Oppenheim, destacando su impacto en el surrealismo y en la creación contemporánea.
EME Experimental Illustration, Art & Design , 2024
In this article, we investigate the relationship between walking and drawing as actions that have... more In this article, we investigate the relationship between walking and drawing as actions that have multiple affinities because they reveal our spatiotemporal existential condition. They also make us realize that life is a journey, following a path and leaving a trace. From drawing as a gesture, a personal trace and witness of our interrelation with the ecosystem
in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and drawing are shown as activities driven by the same
desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of
our existential uniqueness. They are gesture, In this article, we investigate the relationship between walking and drawing as actions that have multiple affinities because they reveal our spatiotemporal existential condition. They also make us realize that life is a journey, following a path and
leaving a trace. From drawing as a gesture, a personal trace and witness of our interrelation with the ecosystem in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and
drawing are shown as activities driven by the same desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of our existential uniqueness. They are gesture, journrey ney, trajectory and also conquest, taking possession,d elimitation. The result in both creates a line. Walking
and drawing are actions that, by increasing ourawareness of the here and now and of our surroundings, can transform our aesthetic reflection, offering
a privileged space for the formation of critical thought capable of providing ethical responses and to produce significant social change, especially in this
time of climate crisis.
A Revista Croma procura as intervenções que a arte proporciona, sejam as mais implicadas ou as qu... more A Revista Croma procura as intervenções que a arte proporciona, sejam as mais implicadas ou as que provocam posições que contrariam a indiferença e favorecem a cidadania. São propostas de artistas, sobre outros artistas, tendo como foco uma intervenção na comunidade. São propostas mediadoras que posicionam a audiência no interior do discurso, promovendo uma atualização das retóricas críticas contemporâneas. Para uma consciência ambiental, ou estética numa perspetiva educativa, ou de cidadania e responsabilidade social, a arte propõe-se em desafio ao público como um mergulho: o mergulho da arte. É campo para a Cultura Visual no plano da construção, e também campo para a intervenção. Os dezasseis artigos compreendidos nesta edição da Revista Croma são instância e exemplo da intervenção construtiva e assertiva junto das comunidades.info:eu-repo/semantics/publishedVersio
Escucha este silencio. Es una reflexión personal sobre el antes y el después, la percepción, la n... more Escucha este silencio. Es una reflexión personal sobre el antes y el después, la percepción, la naturaleza, el tiempo y la complejidad que encierran los términos observar y representar. La profundidad de la luz de invierno conteniendo todos los colores; desde el gris pálido de las ramas casi marchitas, a ese amarillo intenso que paradójicamente las devora y embellece. Resiliencia de los árboles. Equivocarse, volver atrás, rebrotar. Equivocarse, volver atrás, rebrotar. Lo transitorio y la fugacidad del tiempo. Ese tiempo ausente que se nos escapa entre dos imágenes, dos instantes congelados entre los que se elimina conscientemente otro momento. Propongo la interrupción como un espacio de silencio; elemento híbrido que posibilita el palpitar de esas huellas de luz que se ordenan y desestructuran en el recorrido de las series fotográficas. La pausa. La elipsis como elemento que define ese preciso instante de captura de una imagen en intervalos formales de tiempo. Cada observador, compl...
Tsantsa. Revista De Investigaciones artísticas, 2023
Este texto es una reflexión en torno a la obra de la inclasificable y polifacética Laurie Anderso... more Este texto es una reflexión en torno a la obra de la inclasificable y polifacética Laurie Anderson (Illinois, EE. UU, 1947), cuya producción interdisciplinar rompe los límites entre vanguardia y cultura de masas, insertándose en procesos de modernización contemporáneos donde conviven artes visuales, sonido y palabra. Destacamos el enfoque creativo de una propuesta que abarca diferentes medios, resaltando la experimentación, el uso de la inspiración como motor creativo y su proyección sobre otros artistas. Se estudian las influencias filosóficas de Wittgenstein, la estética de la repetición de Beckett o las tácticas de recorte y fragmentación de Burroughs, así como el impacto de su obra en artistas como Douglas Gordon, Björk, o Pipilotti Rist. Se subraya cómo Anderson desafía las convenciones fusionando tecnología y narrativas transversales en un enfoque interdisciplinario, que trasciende límites y estimula la exploración de nuevas formas de expresión creativa.
No está permitida la reproducción total o parcial de este libro, ni su incorporación a un sistema... more No está permitida la reproducción total o parcial de este libro, ni su incorporación a un sistema informático, ni su transmisión en cualquier forma o por cualquier medio, sea este electrónico, mecánico, por fotocopia, por grabación u otros métodos, sin el permiso previo y por escrito del editor. La infracción de los derechos mencionados puede ser constitutiva de delito contra la propiedad intelectual (art. 270 y siguientes del Código Penal). Diríjase a Cedro (Centro Español de Derechos Reprográficos) si necesita fotocopiar o escanear algún fragmento de esta obra. Puede contactar con Cedro a través de la web www.conlicencia.com o por teléfono en el 917021970/932720407. Este libro ha sido sometido a evaluación por parte de nuestro Consejo Editorial Para mayor información, véase www.dykinson.com/quienes_somos Los capítulos presentes en este libro han sido sometidos a evaluación por pares doble ciego © Sandra G. Rodríguez (editora) © Las autoras © Imagen de portada: Sirena dalle chiome bianche de Adriana Assini www.adrianaassini.it
Laocoonte. Revista de Estética y Teoría de las Artes
El objetivo de este artículo es mostrar que las capacidades sonoras, audiovisuales y de geolocali... more El objetivo de este artículo es mostrar que las capacidades sonoras, audiovisuales y de geolocalización de cualquier dispositivo de telefonía móvil representan un incentivo a recorrer el espacio caminando y a experimentarlo de forma creativa. La conexión entre lenguaje y territorio es constitutiva del Homo sapiens. Por exceso de tecnología, esta vivencia simple y directa del espacio se ha perdido junto con la capacidad de narrativa espacial, tan constitutiva del ser humano. Mostraremos, mediante ejemplos del mundo del arte y de la vivencia cotidiana de cualquier ciudadano, que el uso creativo de la tecnología móvil brinda la posibilidad de restablecer la conexión perdida entre territorio e imaginario colmando la brecha existente entre narratividad y espacialidad.
LAOCOONTE. REVISTA DE ESTÉTICA Y TEORÍA DE LAS ARTES • Nº 8 • 2021 • ISSN 2386-8449 , 2021
Cartografías Sonoras Contemporáneas: Extendiendo Horizontes Gracias a las Tecnologías Del entorno... more Cartografías Sonoras Contemporáneas: Extendiendo Horizontes Gracias a las Tecnologías Del entorno sonoro y la instalación Cuando un teléfono móvil sale a pasear… Sonido, espacio y narración Grabando, reproduciendo y produciendo identidades sonoras Escuchas tecno-animistas en las artes sonoras La idea del eterno retorno en mi trabajo Sobre arte sonoro. Una propuesta desde la periferia (1987
La estética de la escucha: diálogos sensoriales, lúdicos y poéticos con la ciudad
Mi defrendri'al plus ardit qe sia (BdT 200.1= 282.14). El debate amoroso de Guillelma de Rosers y... more Mi defrendri'al plus ardit qe sia (BdT 200.1= 282.14). El debate amoroso de Guillelma de Rosers y Lanfranc Cigala.
Books by Mar or María del Mar M A Garrido
Por Palavras e Gestos: a Arte da Linguagem Vol V, 2021
Este texto es una aproximación a la producción artística de Luis Casablanca (1957-2016), que abra... more Este texto es una aproximación a la producción artística de Luis Casablanca (1957-2016), que abraca desde dibujos de línea, a piezas tridimensionales, instalaciones o diseño de vestuario teatral. Como hilo conductor utilizaremos sus dibujos, reflejo de su investigación con las técnicas, los principios de la composición, la conveniencia del formato, el espacio lleno y vacío, los tamaños relativos y las proporciones. Mostrar de modo sintético la actividad creadora de Luis Casablanca y dar visibilidad a su obra, son los propósitos de ese escrito.
This text is an approximation to the artistic production of Luis Casablanca (1957- 2016), including drawings, three-dimensional works, art installations or theatrical costume design. We will use his line drawings, as "conductive thread, reflection of his investigation with techniques, principles of composition, convenience of the format, study o the full and empty space, relative sizes and proportions. To show in a synthetic way Luis Casablanca’s creative activity and to give visibility to his work, they are the intentions of this escrit.
Escrituras y escritoras (im)pertinentes: narrativas y poéticas de la rebeldía, 2021
Yayoi Kusama: a universe of infinite dots fighting between life and death. A journey through the ... more Yayoi Kusama: a universe of infinite dots fighting between life and death. A journey through the different materials and techniques used by the multifaceted artist Yayoi Kusama (Matsumoto, Nanano Prefecture 1929), will allow us to take a space-time journey that begins in the devastated post-World War II Japan, stops in New York City in the 1960s and returns to Japan in 1973. Drawings, paintings, collages and assemblages, novels and poems, sculpture, installations, films and performances make up a broad and profound artistic production that questions what we are and what it means to live and die.
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Papers by Mar or María del Mar M A Garrido
in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and drawing are shown as activities driven by the same
desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of
our existential uniqueness. They are gesture, In this article, we investigate the relationship between walking and drawing as actions that have multiple affinities because they reveal our spatiotemporal existential condition. They also make us realize that life is a journey, following a path and
leaving a trace. From drawing as a gesture, a personal trace and witness of our interrelation with the ecosystem in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and
drawing are shown as activities driven by the same desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of our existential uniqueness. They are gesture, journrey ney, trajectory and also conquest, taking possession,d elimitation. The result in both creates a line. Walking
and drawing are actions that, by increasing ourawareness of the here and now and of our surroundings, can transform our aesthetic reflection, offering
a privileged space for the formation of critical thought capable of providing ethical responses and to produce significant social change, especially in this
time of climate crisis.
Books by Mar or María del Mar M A Garrido
This text is an approximation to the artistic production of Luis Casablanca (1957- 2016), including drawings, three-dimensional works, art installations or theatrical costume design. We will use his line drawings, as "conductive thread, reflection of his investigation with techniques, principles of composition, convenience of the format, study o the full and empty space, relative sizes and proportions. To show in a synthetic way Luis Casablanca’s creative activity and to give visibility to his work, they are the intentions of this escrit.
in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and drawing are shown as activities driven by the same
desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of
our existential uniqueness. They are gesture, In this article, we investigate the relationship between walking and drawing as actions that have multiple affinities because they reveal our spatiotemporal existential condition. They also make us realize that life is a journey, following a path and
leaving a trace. From drawing as a gesture, a personal trace and witness of our interrelation with the ecosystem in which we live, to the walks of the Walkingartists where gesture becomes drawing, walking and
drawing are shown as activities driven by the same desire to broaden the horizon and apprehend new territories, both physical and conceptual. Both set the body in motion and lead us to become aware of our existential uniqueness. They are gesture, journrey ney, trajectory and also conquest, taking possession,d elimitation. The result in both creates a line. Walking
and drawing are actions that, by increasing ourawareness of the here and now and of our surroundings, can transform our aesthetic reflection, offering
a privileged space for the formation of critical thought capable of providing ethical responses and to produce significant social change, especially in this
time of climate crisis.
This text is an approximation to the artistic production of Luis Casablanca (1957- 2016), including drawings, three-dimensional works, art installations or theatrical costume design. We will use his line drawings, as "conductive thread, reflection of his investigation with techniques, principles of composition, convenience of the format, study o the full and empty space, relative sizes and proportions. To show in a synthetic way Luis Casablanca’s creative activity and to give visibility to his work, they are the intentions of this escrit.