Jane Tutikian
Possui graduação em Letras pela Universidade Federal do Rio Grande do Sul (1974), mestrado em Letras pela Universidade Federal do Rio Grande do Sul (1977) e doutorado em Letras pela Universidade Federal do Rio Grande do Sul (1998). Realizou Pós-Doutorado na PUCRS. Atualmente é professora titular da Universidade Federal do Rio Grande do Sul e Vice-Reitora da Instituição. Tem experiência na área de Letras, com ênfase em Literatura Portuguesa e Luso Africanas, atuando principalmente nos seguintes temas: literatura, identidade e história. Ficcionista, recebeu vários prêmios literários, entre eles o Jabuti.
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Papers by Jane Tutikian
ABSTRACT This paper scrutinizes the route of traveling homelands drawn in textual mosaic of The Other Foot Mermaid, Mia Couto. The theoretical-methodological support that goal the proposal is based on the direction of the reflections of Boaventura de Chaves. Having the critical lexicon of these scholars, it tries to dig-and multifocal plurivocal syntax of meetings between Portugal, Mozambique, Brazil, India and the United States of America. Compared, the trajectories of the characters D. Gonçalo da Silveira, Mwadia Malunga, Rosie Southman, Constance and Benjamin Shouthman spread signs of settlers dialogues both on and off the Mozambican universe, pointing therefore to the configuration of narrative itineraries which are bordered community relations between various latitudes of the contemporary world. Supported therefore the view that the boundaries of knowledge need not be split, but the approach, tension and revealing difference of intersection points, collates, finally, outweight the transnational feature of miacoutianas narrative cartography-mobile places where transit lives, imaginary and revealing experiences of intercultural dialogue and frictions that point to the strengthening of critical scenario of (geo) spelling of identities Mozambican face the thresholds of a prospective supranational communitarianism fueled by cross-reading of post-abyssal meeting in writing / voice Mia Couto.
ABSTRACT This article analyzes "the country house" and "the continent house" , in the work of the young poet Conceição Lima, through its revisitation political-cultural-historical.
ABSTRACT: This article examines the laughter as aesthetic-ideological strategy in stories written by John Melo. In the short stories of the Angolan writer, the laughter serves to question the "absolute truths", be they social, political or moral, and also the "literary truths". At the same time, this article discusses the concepts of postcolonialism and postmodernism.
com a memória e as tradições.
ABSTRACT This paper scrutinizes the route of traveling homelands drawn in textual mosaic of The Other Foot Mermaid, Mia Couto. The theoretical-methodological support that goal the proposal is based on the direction of the reflections of Boaventura de Chaves. Having the critical lexicon of these scholars, it tries to dig-and multifocal plurivocal syntax of meetings between Portugal, Mozambique, Brazil, India and the United States of America. Compared, the trajectories of the characters D. Gonçalo da Silveira, Mwadia Malunga, Rosie Southman, Constance and Benjamin Shouthman spread signs of settlers dialogues both on and off the Mozambican universe, pointing therefore to the configuration of narrative itineraries which are bordered community relations between various latitudes of the contemporary world. Supported therefore the view that the boundaries of knowledge need not be split, but the approach, tension and revealing difference of intersection points, collates, finally, outweight the transnational feature of miacoutianas narrative cartography-mobile places where transit lives, imaginary and revealing experiences of intercultural dialogue and frictions that point to the strengthening of critical scenario of (geo) spelling of identities Mozambican face the thresholds of a prospective supranational communitarianism fueled by cross-reading of post-abyssal meeting in writing / voice Mia Couto.
ABSTRACT This article analyzes "the country house" and "the continent house" , in the work of the young poet Conceição Lima, through its revisitation political-cultural-historical.
ABSTRACT: This article examines the laughter as aesthetic-ideological strategy in stories written by John Melo. In the short stories of the Angolan writer, the laughter serves to question the "absolute truths", be they social, political or moral, and also the "literary truths". At the same time, this article discusses the concepts of postcolonialism and postmodernism.
com a memória e as tradições.