This syllabus is primarily aimed at undergraduate music students. It teaches 'world music', the p... more This syllabus is primarily aimed at undergraduate music students. It teaches 'world music', the problems with such a concept, and the alternative ways through which we may engage with the musics of the world.
This paper examines the ideas put forward by Roland Barthes in his essay The Death of the Author,... more This paper examines the ideas put forward by Roland Barthes in his essay The Death of the Author, as they relate to the literary domain, and applies them to the musical domain,drawing parallels between the author and the composer, the literary work and the musical work, and the reader and listener. The chapters in this paper are structured as follows;
I. Introduces the premise of the paper. II. Briefly outlines key related works. III. Outlines the primary arguments in The Death of The Author as applied to music. IV, V, VI. Explore
how The Death of the Author relates to the composer, the musical work, and the listener respectively. VII. Concludes and summarises the main arguments.
This syllabus is primarily aimed at undergraduate music students. It teaches 'world music', the p... more This syllabus is primarily aimed at undergraduate music students. It teaches 'world music', the problems with such a concept, and the alternative ways through which we may engage with the musics of the world.
This paper examines the ideas put forward by Roland Barthes in his essay The Death of the Author,... more This paper examines the ideas put forward by Roland Barthes in his essay The Death of the Author, as they relate to the literary domain, and applies them to the musical domain,drawing parallels between the author and the composer, the literary work and the musical work, and the reader and listener. The chapters in this paper are structured as follows;
I. Introduces the premise of the paper. II. Briefly outlines key related works. III. Outlines the primary arguments in The Death of The Author as applied to music. IV, V, VI. Explore
how The Death of the Author relates to the composer, the musical work, and the listener respectively. VII. Concludes and summarises the main arguments.
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I. Introduces the premise of the paper. II. Briefly outlines key related works. III. Outlines the primary arguments in The Death of The Author as applied to music. IV, V, VI. Explore
how The Death of the Author relates to the composer, the musical work, and the listener respectively. VII. Concludes and summarises the main arguments.
I. Introduces the premise of the paper. II. Briefly outlines key related works. III. Outlines the primary arguments in The Death of The Author as applied to music. IV, V, VI. Explore
how The Death of the Author relates to the composer, the musical work, and the listener respectively. VII. Concludes and summarises the main arguments.