Books by Jessica L Fripp
http://www.mareetmartin.com/livre/jessica-l-fripp-amandine-gorse-nathalie-manceau-nina-struckmeye... more http://www.mareetmartin.com/livre/jessica-l-fripp-amandine-gorse-nathalie-manceau-nina-struckmeyer_artistes-savants-et-amateurs
La notion de sociabilité a fait l’objet, depuis quelques années, d’un renouvellement historiographique important. La complexité de cette notion impose pour son étude une approche pluridisciplinaire qui fasse appel aussi bien à la sociologie qu’à la philosophie, à l’anthropologie qu'à l’histoire de l’art.
Ce volume rassemble des études de spécialistes internationaux et explore la diversité des échanges sociaux dans le monde artistique du XVIIIe siècle. En examinant la sociabilité des divers acteurs de la création artistique, ces textes analysent les réseaux formés par le commerce des objets matériels, à travers l’étude des collections, du marché de l’art ou des expositions, et par le commerce des idées, à travers l’étude des écrits sur l’art et de l’art de la conversation. Le rôle des pratiques sociales au sein de la sphère publique dans l’évolution de la production artistique et des échanges matériels, économiques et intellectuels constitue donc l’objet de cet ouvrage collectif.
ISBN : 9791092054422
Book Reviews by Jessica L Fripp
Eighteenth-Century Fiction
Nineteenth-Century Art Worldwide, Oct 2013
Call for Papers by Jessica L Fripp
I am chairing the Historians of Eighteenth-Century Art and Architecture Anne Schroder New Scholar... more I am chairing the Historians of Eighteenth-Century Art and Architecture Anne Schroder New Scholars’ Session at the annual American Society of Eighteenth-Century Studies conference in 2017, which will be held in Minneapolis, MN. If you are or know a graduate student or recently-finished grad student working on art, architecture, or visual/material culture of the long eighteenth century (1680-1815) -- any region or country! -- please encourage them to apply/please apply.
Proposals can be sent to j.fripp at tcu.edu by September 15, 2016.
ASECS Conference, Pittsburgh, March 31st-April 3rd
Papers by Jessica L Fripp
University of Delaware Press eBooks, Jan 14, 2022
Canadian journal of history, Sep 1, 2016
Making Ideas Visible in the Eighteenth Century
Eighteenth-Century Fiction, 2020
Anicet Charles Gabriel Lemonnier's Première lecture, chez Madame Geoffrin, de l'Orphelin de la Ch... more Anicet Charles Gabriel Lemonnier's Première lecture, chez Madame Geoffrin, de l'Orphelin de la Chine, tragédie de Voltaire, en 1755 (1812) frequently appears in books, articles, and websites as an illustration of the famous salon of Mme Geoffrin. Most scholarship on the painting focuses on its status as a false "document," and situates it within the context of Post-Revolution nostalgia for the ancien régime. These discussions ignore two key parts of this work's history: its purchase by Joséphine de Beauharnais, and the critical reaction to its exhibition at the Salon of 1814. This essay explores these two interconnected aspects. First, I situate Joséphine's interest in the broader cultural context of salonnières' use of art to promote a feminocentric history of the salon. Second, I consider how critics fixated on the painting's anachronism, and deemed that aspect necessary to its success.
Eighteenth-Century Studies, 2019
Caricature's prominence in the visual culture of France during the long eighteenth and nineteenth... more Caricature's prominence in the visual culture of France during the long eighteenth and nineteenth centuries has gained the attention of art historians in the last decade. 1 These studies have tended to emphasize publicly circulated social and political caricature. However, by focusing on graphic satire intended for a wide audience, such discussions overlook other uses that the genre had for artists in the eighteenth century, which are inseparable from sociable practices of drawing. This essay considers the caricatures of the French history painter François-André Vincent and others like them produced by his fellow pensionnaires at the French Royal Academy in Rome between 1770 and 1775 as responses to their shared academic training, to eighteenth-century drawing pedagogy, and to the homosocial environment of Rome. The apparent lack of topical subject matter has relegated the pensionnaires' caricatures to mere examples of artistic versatility and humorous formal experimentation among more serious forms of artistic practice. 2 The caricatures were fundamentally an artistic pastime that resulted in valued mementos of the pensionnaires' experience abroad, and references to these drawings and etchings often include the word "friendship" to describe the relationship between the men involved in their creation. The inclination to situate these works within amicable relationships is understandable. The drawings and etchings represent a group of artists and were reproduced and exchanged amongst the individuals in the group, and thus the caricatures exist within a long tradition of portrait production and
Talks by Jessica L Fripp
Kimbell Museum of Art, Fort Worth, TX
Wednesday, October 7, 12:30 pm
Kahn Auditorium
Winning the... more Kimbell Museum of Art, Fort Worth, TX
Wednesday, October 7, 12:30 pm
Kahn Auditorium
Winning the Prix de Rome was the capstone in an aspiring artist’s career in eighteenth-century France. This talk examines the history of the French Academy in Rome as a site for social networking and forming friendships with other young artists from all over Europe. Jessica Fripp will discuss a group of artists who were in Rome between roughly 1771 and 1774, focusing on a large group of caricatures and paintings by the French painter François-André Vincent (1746–1816).
As recent scholarship has shown, longer life expectancy during the eighteenth century led to a gr... more As recent scholarship has shown, longer life expectancy during the eighteenth century led to a growth of interest in aging and an increase in representations of the elderly in art and literature. But while the figure of the old man shifted from someone to be mocked to someone to be respected, aging women were not treated as kindly. This was, in part, because the life cycle of a woman did not match that of a man, traditionally broken down into infancy, childhood, adulthood, and old age. Menopause, as a liminal phase between child-bearing years and full-on old age, posed a problem for understanding how women aged and their changing roles in society as they grew older. As Louis-Sébastien Mercier noted: “a woman in Paris is never forty years old, she is always either thirty or sixty; and since no one says otherwise, the forty-year-old woman does not exist.” This paper examines visual representations of women in the eighteenth century as they reached middle age, focusing specifically on women who had what might be called a “public life,” such as salonnières (Madame Geoffrin), queens (Marie Leszczyńska) and mistresses (Madame de Pompadour). During a time in which menopausal women were perceived at best as without purpose and at worst as deviant and deceptive, how did women in the public sphere negotiate this transitional period? How wereideas about the passage of time enacted through the representation of the aging woman’s body?
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Books by Jessica L Fripp
La notion de sociabilité a fait l’objet, depuis quelques années, d’un renouvellement historiographique important. La complexité de cette notion impose pour son étude une approche pluridisciplinaire qui fasse appel aussi bien à la sociologie qu’à la philosophie, à l’anthropologie qu'à l’histoire de l’art.
Ce volume rassemble des études de spécialistes internationaux et explore la diversité des échanges sociaux dans le monde artistique du XVIIIe siècle. En examinant la sociabilité des divers acteurs de la création artistique, ces textes analysent les réseaux formés par le commerce des objets matériels, à travers l’étude des collections, du marché de l’art ou des expositions, et par le commerce des idées, à travers l’étude des écrits sur l’art et de l’art de la conversation. Le rôle des pratiques sociales au sein de la sphère publique dans l’évolution de la production artistique et des échanges matériels, économiques et intellectuels constitue donc l’objet de cet ouvrage collectif.
ISBN : 9791092054422
Book Reviews by Jessica L Fripp
Call for Papers by Jessica L Fripp
Proposals can be sent to j.fripp at tcu.edu by September 15, 2016.
Papers by Jessica L Fripp
Talks by Jessica L Fripp
Wednesday, October 7, 12:30 pm
Kahn Auditorium
Winning the Prix de Rome was the capstone in an aspiring artist’s career in eighteenth-century France. This talk examines the history of the French Academy in Rome as a site for social networking and forming friendships with other young artists from all over Europe. Jessica Fripp will discuss a group of artists who were in Rome between roughly 1771 and 1774, focusing on a large group of caricatures and paintings by the French painter François-André Vincent (1746–1816).
La notion de sociabilité a fait l’objet, depuis quelques années, d’un renouvellement historiographique important. La complexité de cette notion impose pour son étude une approche pluridisciplinaire qui fasse appel aussi bien à la sociologie qu’à la philosophie, à l’anthropologie qu'à l’histoire de l’art.
Ce volume rassemble des études de spécialistes internationaux et explore la diversité des échanges sociaux dans le monde artistique du XVIIIe siècle. En examinant la sociabilité des divers acteurs de la création artistique, ces textes analysent les réseaux formés par le commerce des objets matériels, à travers l’étude des collections, du marché de l’art ou des expositions, et par le commerce des idées, à travers l’étude des écrits sur l’art et de l’art de la conversation. Le rôle des pratiques sociales au sein de la sphère publique dans l’évolution de la production artistique et des échanges matériels, économiques et intellectuels constitue donc l’objet de cet ouvrage collectif.
ISBN : 9791092054422
Proposals can be sent to j.fripp at tcu.edu by September 15, 2016.
Wednesday, October 7, 12:30 pm
Kahn Auditorium
Winning the Prix de Rome was the capstone in an aspiring artist’s career in eighteenth-century France. This talk examines the history of the French Academy in Rome as a site for social networking and forming friendships with other young artists from all over Europe. Jessica Fripp will discuss a group of artists who were in Rome between roughly 1771 and 1774, focusing on a large group of caricatures and paintings by the French painter François-André Vincent (1746–1816).