Paul Faller
Paul Faller taught in Catholic primary and secondary schools before taking up his present position at the Catholic Institute of Education. His work in the field of Religious Education includes policy, curriculum and materials development together with teacher training and support. His current work includes the development of an entry-level distance learning course, the promotion of meditation in schools, and research into a new curriculum for Catholic schools. He holds a BA from the University of South Africa, a Masters in Theology from St Augustine College in Johannesburg, and a Master of Religious Education degree from the Australian Catholic University.
Address: South Africa
Address: South Africa
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Papers by Paul Faller
Cook and Hudson’s (2003) seven characteristics from the point of view of Catholic schools in South Africa and ask ourselves to what extent our Religious Education measures up to them?
The current generation is between stories – the religious and the scientific. How might religious education be developed in the Catholic school to reflect the growing convergence in theological discourse of the Christian Story with the New Universe Story? How might it energise young students with images that empower them to develop a prophetic stance towards their future and the future of humanity?
Taking our lead from the theology of Karl Rahner which allows us to take a cosmic view of Christian religious experience, and from various writers who apply such a view to different areas of Christian life, this paper will first discern a common core from a representative global selection of high school religious education curricula. Taking note of student preferences established from previous research, it will then offer some ideas as to how this core might be transformed to provide an answer to the research question posed above.
By way of contrast, I have chosen to deal with the christology of Jacques Dupuis, because of his strong advocacy of an inclusivist approach as the only one that can take into account other religions while upholding Christian claims for the uniqueness of Jesus Christ.
Finally, in fleshing out my personal approach, I would like to present a picture that draws on elements of the three christological approaches studied in this essay.
In this essay I will focus on the Church’s progress through the centuries, noting which of the two wings have become dominant, tending to take the bird off course, either towards a denial of critical intelligence in matters of faith, or to a distrust of faith as an abdication of the intellect. A synthesis of the teachings of the two Vatican councils will illustrate the latest attempts to harmonise these two tendencies.
The result of the survey noted above raises at least three questions to be addressed in this paper.
• What is the potential of the visual arts for developing the spiritual capacity of learners?
• What makes learning through art, described in the survey’s questionnaire as ‘expressing the depth dimension of life’, attractive to students?
• What are the benefits of including the arts in the school curriculum whether in Religious Education or more broadly?
Cook and Hudson’s (2003) seven characteristics from the point of view of Catholic schools in South Africa and ask ourselves to what extent our Religious Education measures up to them?
The current generation is between stories – the religious and the scientific. How might religious education be developed in the Catholic school to reflect the growing convergence in theological discourse of the Christian Story with the New Universe Story? How might it energise young students with images that empower them to develop a prophetic stance towards their future and the future of humanity?
Taking our lead from the theology of Karl Rahner which allows us to take a cosmic view of Christian religious experience, and from various writers who apply such a view to different areas of Christian life, this paper will first discern a common core from a representative global selection of high school religious education curricula. Taking note of student preferences established from previous research, it will then offer some ideas as to how this core might be transformed to provide an answer to the research question posed above.
By way of contrast, I have chosen to deal with the christology of Jacques Dupuis, because of his strong advocacy of an inclusivist approach as the only one that can take into account other religions while upholding Christian claims for the uniqueness of Jesus Christ.
Finally, in fleshing out my personal approach, I would like to present a picture that draws on elements of the three christological approaches studied in this essay.
In this essay I will focus on the Church’s progress through the centuries, noting which of the two wings have become dominant, tending to take the bird off course, either towards a denial of critical intelligence in matters of faith, or to a distrust of faith as an abdication of the intellect. A synthesis of the teachings of the two Vatican councils will illustrate the latest attempts to harmonise these two tendencies.
The result of the survey noted above raises at least three questions to be addressed in this paper.
• What is the potential of the visual arts for developing the spiritual capacity of learners?
• What makes learning through art, described in the survey’s questionnaire as ‘expressing the depth dimension of life’, attractive to students?
• What are the benefits of including the arts in the school curriculum whether in Religious Education or more broadly?