Printmaking

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Desert Storm by Paul Landacre Quality Print - Frame Me
- Standard prints are produced on 80lb. fine art paper using an 8-cartridge pigment-based ink system, resulting in a high-quality finished product. -Premium prints are produced on 90lb. fine art paper using a 12-cartridge pigment-based ink system that delivers superior color accuracy and a premium finished product. -Our shop uses only authentic, pigment-based ink on FSC-certified fine art paper with a matte finish. We also use as many eco-friendly materials as possible, including most of our
1950 FLINDERS' NARRATIVE John Buckland-Wright Print of Woodcut Engraving 10X7" Colour
Published by Robert Harling in the Spring 1950 edition of Image:The Quarterly for the Visual Arts to accompany Richard Gainsborough's article on the artist. Image size is c.5x8 1/4" on c.10x7 sheet. The original woodcut was in the limited edition (750 copies only) of 'Matthew Flinders' narrative of his voyage in the schooner Francis, 1798. Preceded and followed by Notes on Flinders, Bass, the wreck of the Sydney Cove etc. by Geoffrey Rawson. ' This was published by the Golden Cockerel Press in 1946. In the 1930's, 1940's and early 1950's three artists did a great deal to launch British engraving into the exciting waters of contemporary European art: the New Zealander John Buckland Wright and two Englishmen William Hayter and Anthony Gross. They all had French attachments and were quite in
Eastbourne (2019) Linocut by Georgia Flowers
Eastbourne Linocut by Georgia Flowers | Artfinder
Walpurgisnacht - Vladimir Zimakov
Walpurgisnacht Novel by Gustav Meyrink, linocut illustrations by Vladimir Zimakov
“Amaranthine Light” linoleum cut by James Haggerty. http://jameshaggerty.net/ Tags: Linocut, Cut, Print, Linoleum, Lino, Carving, Block, Woodcut, Helen Elstone.
jenny robinson
Jenny Robinson artist printmaker monotype monoprint drypoint carborundum print press watercolor watercolour etching