A Vida de Sara

trilha sonora original de "A Vida de Sara"

 
Felipe Scagliusi

   
                  
  
                


 
             
   
8

           
        



                            
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     
                  
      
 


      
 
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   
 
 


 
              
14

                   


Felipe Scagliusi
 
              
  
16

   
        
   


       
                      
18

 
    
  

  
 

               
              
20

 
   
  
 

 
                    

22

                               



    
          
 
24


                
     
3 3 3 3


 
 
       
27

                      

                   
3 3 3 3 3 3

3 3

2 Felipe Scagliusi
 
       
       


  
29

                      
           
  
3 3 3 3 3 3

       


 
3

 
3

 
31

               

                        
      
3 3

              

3


3 3 3


3

       
3
33

      
          
       
        
    
3

   
3

    
36

     
   
    
     

            
         

38


        
     
 
       
  
 
 
  
              

42

      
    
                         
             

Felipe Scagliusi 3
 
                    
                  
           
48

    
  
              
    
       
 

       
                             
      
 


52

          
  
    
    
      

           
      
             
57


       
             
         

        
             
      
      
63

           

              
                
 
    

4 Felipe Scagliusi