Marchesa Casati

Pet cheetahs, séances and dresses made from lightbulbs, the heiress, socialite and artist's muse Marchesa Casati led a life every bit as unusual as her outfits. Luisa, Marchesa Casati Stampa di Soncino (23 January 1881 – 1 June 1957), also known as Luisa Casati, was an Italian heiress, muse, and patroness of the arts in early 20th-century Europe. A celebrity, the Marchesa was famed for eccentricities that dominated and delighted European society for nearly three decades. The beautiful and extravagant hostess to the Ballets Russes was something of a legend among her contemporaries. She astonished society by parading with a pair of leashed cheetahs and wearing live snakes as jewellery. She captivated artists and literary figures such as Robert de Montesquiou, Romain de Tirtoff (Erté), Jean Cocteau, and Cecil Beaton. She had a long term affair with the author Gabriele d'Annunzio, who is said to have based on her the character of Isabella Inghirami in Forse che si forse che no (Maybe yes, maybe no) (1910). The character of La Casinelle, who appeared in two novels by Michel Georges-Michel, Dans la fete de Venise (1922) and Nouvelle Riviera (1924), was also inspired by her. In 1910, Casati took up residence at the Palazzo Venier dei Leoni, on Grand Canal in Venice, owning it until circa 1924, in 1949, Peggy Guggenheim purchased the Palazzo from the heirs of Viscountes Castlerosse and made it her home for the following thirty years, it is the Peggy Guggenheim Collection, a modern art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. Casati's soirées there would become legendary. Casati collected a menagerie of exotic animals, and patronized fashion designers such as Fortuny and Poiret. From 1919 to 1920 she lived at Villa San Michele in Capri, the tenant of the unwilling Axel Munthe. Her time on the Italian island, tolerant home to a wide collection of artists, gay men, and lesbians in exile, was described by British author Compton Mackenzie in his diaries. Her numerous portraits were painted and sculpted by artists as various as Giovanni Boldini, Paolo Troubetzkoy, Adolph de Meyer Romaine Brooks (with whom she had an affair), Kees van Dongen, and Man Ray;many of them she paid for, as a wish to "commission her own immortality". She was muse to Italian Futurists such as F. T. Marinetti, Fortunato Depero, and Umberto Boccioni. Augustus John's portrait of her is one of the most popular paintings at the Art Gallery of Ontario; Jack Kerouac wrote poems about it and Robert Fulford was impressed by it as a schoolboy. By 1930, Casati had amassed a personal debt of $25 million. As she was unable to pay her creditors, her personal possessions were auctioned off. Designer Coco Chanel was reportedly one of the bidders. Casati fled to London, where she lived in comparative poverty in a one-room flat. She was rumoured to be seen rummaging in bins searching for feathers to decorate her hair. On 1 June 1957, Marchesa Casati died of a stroke at her last residence at 32 Beaufort Gardens in Knightsbridge, aged 76. Following a requiem mass at Brompton Oratory, the Marchesa was interred in Brompton Cemetery. She was buried wearing her black and leopard skin finery and a pair of false eyelashes. She was also interred with one of her beloved stuffed pekinese dogs. Her tombstone is a small grave marker in the shape of an urn draped in cloth with a swag of flowers to the front. The inscription on the tombstone, which misspells her "Louisa" rather than "Luisa", is inscribed with the quote, "Age cannot wither her, nor custom stale her infinite variety", from Shakespeare's Antony and Cleopatra. Characters based on Casati were played by Vivien Leigh in the play, La Contessa (1965) and by Ingrid Bergman in the movie, A Matter of Time (1976). In 1998, John Galliano based his Spring/Summer Christian Dior collection on her. Gowns from this collection have been displayed at the Metropolitan Museum of Art Fashion Institute. Casati served as inspiration for another of Galliano's ensembles created for his autumn/winter 2007/2008 Bal des Artistes haute couture collection for Dior. Designer Alexander McQueen's Spring/Summer 2007 collection was inspired by Casati. Casati is also the namesake of the Marchesa fashion house started by British designers Georgina Chapman and Keren Craig. In May 2009, Karl Lagerfeld debuted his 2010 Cruise-wear collection on the Lido in Venice, for which Casati was once again a major muse. In February 2016, London based designer Omar Mansoor mused his autumn winter collection on Casati at London Fashion Week and Paris Fashion Week.
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The Green Fairy
vernisvitriol: Luisa, Marquise Casati Stampa di Soncino (23 January 1881 – 1 June 1957) Europe’s most notorious celebrity and its most eccentric. For the first three decades of the twentieth century shes astounded the continent. She collected palaces and exotic animals as much as fabulous dresses. Nude servants gilded in gold leaf attented her. Unknown artists and aristocracy sat at her dining table. She wore live snakes as jewellry and was infamous for her evening strolls, naked beneath her fu
It's the first time I see this picture of Marchesa Casati. It was taken by Man Ray, 1922.
Category:Luisa Casati - Wikimedia Commons
Casati with Pearls by Adolf de Meyer, 1912
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Marchesa Luisa Casati also known as Luisa Casati, was an Italian heiress, muse, and patroness of the arts in early 20th-century Europe known for her eccentricities. A celebrity and femme fatale, the Marchesa's famous eccentricities dominated and delighted European society for nearly three decades. The beautiful and extravagant hostess to the Ballets Russes was something of a legend among her contemporaries. She astonished society by parading with a pair of leashed cheetahs and wearing live snak
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Marchesa Luisa Casati Stampa di Soncino (1881–1957). Muse of Boldini and others
Mad Muse: Marchesa Luisa Casati
Marchesa Luisa Casati by Man Ray
Casati
: CasatiShe captivated artists and literary figures such as Robert de Montesquiou, Romain de Tirtoff (Erté), Jean Cocteau, and Cecil Beaton. She had a long term affair with the author Gabriele d'Annunzio, who is said to have based on her the character of Isabella Inghirami in Forse che si forse che no (Maybe yes, maybe no) (1910). The character of La Casinelle, who appeared in two novels by Michel Georges-Michel, Dans la fete de Venise (1922) and Nouvelle Riviera (1924), was also inspired by her
Marchesa Casati-Luisa, Marquesa Casati Stampa di Soncino (23 janeiro de 1881 - 1 de junho de 1957) foi um excêntrico italiano herdeira, musa, e patrona das artes no início do século 20 da Europa. Como o conceito de dandy foi expandido para incluir as mulheres, a Marquesa Casati montado o exemplo feminino maior, dizendo: "Eu quero ser uma obra de arte viva".
The divine marchesa: the riotous world of Marchesa Luisa Casati
A Mario Natale Biazzi portrait of Marchesa Casati
The divine marchesa: the riotous world of Marchesa Luisa Casati
A Man Ray portrait of Casati dressed as Elisabeth of Austria, 1935