uch has been done over the past thirty years to contextualize Schenker's published theories and a... more uch has been done over the past thirty years to contextualize Schenker's published theories and analyses. We have learned of Schenker's intellectual debt to nearly every prominent strand of Western philosophy, stretching from his own era back to ancient Greece, and even looking forward beyond his lifetime to ideas he anticipated; we have been shown the centrality of Schenker's legal studies for both the substance of his theories and the language in which they are expressed; we have debated when, how and if Schenker was or became organicist, or modernist, or what it meant for him to be a Galician Jew in fin-de-siecle Vienna, and later a monarchist in a defeated empire; we have in turn excused and excised, resurrected, refuted or claimed centrality for Schenker's politics-this list could go on, and is likely still being written. 1 All of this has proven invaluable, particularly as a means of comprehending both apparent and real contradictions within Schenker's writings. In some cases it has also helped us to interpret the stages of Schenker's development, by framing them in 1 A short list of publications that formed my perspectives on the topics mentioned includes
... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspec... more ... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspects in Music Analysis 3 (1984): 277-83; two articles by Richard Cohn, "The Autonomy of Motives in Schenkerian Accounts of Tonal Music," Music Theory Spectrum 14 (1992): 150-70, and ...
... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspec... more ... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspects in Music Analysis 3 (1984): 277-83; two articles by Richard Cohn, "The Autonomy of Motives in Schenkerian Accounts of Tonal Music," Music Theory Spectrum 14 (1992): 150-70, and ...
uch has been done over the past thirty years to contextualize Schenker's published theories and a... more uch has been done over the past thirty years to contextualize Schenker's published theories and analyses. We have learned of Schenker's intellectual debt to nearly every prominent strand of Western philosophy, stretching from his own era back to ancient Greece, and even looking forward beyond his lifetime to ideas he anticipated; we have been shown the centrality of Schenker's legal studies for both the substance of his theories and the language in which they are expressed; we have debated when, how and if Schenker was or became organicist, or modernist, or what it meant for him to be a Galician Jew in fin-de-siecle Vienna, and later a monarchist in a defeated empire; we have in turn excused and excised, resurrected, refuted or claimed centrality for Schenker's politics-this list could go on, and is likely still being written. 1 All of this has proven invaluable, particularly as a means of comprehending both apparent and real contradictions within Schenker's writings. In some cases it has also helped us to interpret the stages of Schenker's development, by framing them in 1 A short list of publications that formed my perspectives on the topics mentioned includes
... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspec... more ... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspects in Music Analysis 3 (1984): 277-83; two articles by Richard Cohn, "The Autonomy of Motives in Schenkerian Accounts of Tonal Music," Music Theory Spectrum 14 (1992): 150-70, and ...
... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspec... more ... A less hagiographic approach to the topic is presented in Allan Keiler's review of Aspects in Music Analysis 3 (1984): 277-83; two articles by Richard Cohn, "The Autonomy of Motives in Schenkerian Accounts of Tonal Music," Music Theory Spectrum 14 (1992): 150-70, and ...
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