Jacob Dorman
Dorman is a tenured Associate Professor at the University of Kansas jointly appointed in the departments of History and American Studies and holds a courtesy appointment in the Department of African and African American Studies. He received his Ph.D. in U.S. History with an emphasis on African American history from UCLA in 2004, under the direction of Brenda Stevenson. He is the recipient of a Charles A. Ryskamp Research Fellowship from the American Council of Learned Societies, and has held a National Endowment for the Humanities Fellowship at the Newberry Library, the Andrew W. Mellon Postdoctoral Fellowship at the Wesleyan University Center for the Humanities, and research fellowships from Yale, Columbia, Duke, Wisconsin, the University of Texas, Harvard University’s Du Bois Institute, and the Hall Center for the Humanities of the University of Kansas.
Dorman is the author of: Chosen People: The Rise of American Black Israelite Religions, (New York: Oxford University Press, 2013), which won the Wesley-Logan Award for African diaspora history from the American Historical Association; the Albert J. Raboteau Prize in Africana religions, and the Byron Caldwell Smith Award; it was also named a CHOICE Outstanding Academic Title for 2013. The book explores those faiths collectively defined by their belief that contemporary African-Americans are the descendants of ancient Black Israelites. The book maps a journey from Black interactions with white Jews during slavery to the emergence of Black Israelite beliefs in the Holinesss Christianity movement of the 1890s and the key role of Israelite beliefs in the emergence of Pentecostalism in 1906. A second wave of Black Israelite synagogues arose during the Great Migration of African Americans and West Indians to the north during and after World War I, and inspired both Judaic Black Israelite faiths and Jamaican Rastafarianism. The book argues that the formation of new religious cultures can best be described as forms of polycultural bricolage, rather than syncretism. The American Historical Association prize committee called it "a must-read for scholars of the African diaspora, religious studies, and cultural production." Others have called it "a masterful (even paradigm-shifting) book...a genuine tour de force."
Dorman has delivered portions of his second manuscript, “Black Orientalism: Circus, Magic, and the Making of Black Muslims” at the American Historical Association and at the Association for the Study of African American Life and History, and published three articles from the forthcoming book. His intellectual and teaching interests include race, U.S. popular culture, religious history, the Harlem Renaissance, African American history, and whiteness studies.
Phone: Twitter: AT JakeDPhD FB: jake.dorman
Address: Department of History
The University of Kansas
3650 Wescoe Hall
1445 Jayhawk Blvd.
Lawrence, KS
Dorman is the author of: Chosen People: The Rise of American Black Israelite Religions, (New York: Oxford University Press, 2013), which won the Wesley-Logan Award for African diaspora history from the American Historical Association; the Albert J. Raboteau Prize in Africana religions, and the Byron Caldwell Smith Award; it was also named a CHOICE Outstanding Academic Title for 2013. The book explores those faiths collectively defined by their belief that contemporary African-Americans are the descendants of ancient Black Israelites. The book maps a journey from Black interactions with white Jews during slavery to the emergence of Black Israelite beliefs in the Holinesss Christianity movement of the 1890s and the key role of Israelite beliefs in the emergence of Pentecostalism in 1906. A second wave of Black Israelite synagogues arose during the Great Migration of African Americans and West Indians to the north during and after World War I, and inspired both Judaic Black Israelite faiths and Jamaican Rastafarianism. The book argues that the formation of new religious cultures can best be described as forms of polycultural bricolage, rather than syncretism. The American Historical Association prize committee called it "a must-read for scholars of the African diaspora, religious studies, and cultural production." Others have called it "a masterful (even paradigm-shifting) book...a genuine tour de force."
Dorman has delivered portions of his second manuscript, “Black Orientalism: Circus, Magic, and the Making of Black Muslims” at the American Historical Association and at the Association for the Study of African American Life and History, and published three articles from the forthcoming book. His intellectual and teaching interests include race, U.S. popular culture, religious history, the Harlem Renaissance, African American history, and whiteness studies.
Phone: Twitter: AT JakeDPhD FB: jake.dorman
Address: Department of History
The University of Kansas
3650 Wescoe Hall
1445 Jayhawk Blvd.
Lawrence, KS
less
InterestsView All (26)
Uploads
Books by Jacob Dorman
Now #835,484 on Amazon!!! Help it to break the crucial #835,483 mark by purchasing at the link below:
https://www.amazon.com/Chosen-People-American-Israelite-Religions/dp/0190490098/ref=sr_1_1?ie=UTF8&qid=1478567232&sr=8-1&keywords=dorman+chosen+people
Papers by Jacob Dorman
Islam. The specter of African Americans adopting and using Orientalism puts a different twist on the concept. The discourse of civilization was rarely simply rejected or resisted outright; rather it was recycled and reformulated. For at least some African Americans, adopting Orientalist identities could express anti-imperialist political sympathies, expand personal freedom, and even allow criticism of the West's conceit to be more civilized and technologically superior to the rest of the world.
Black Orientalists triangulated between dark and light by reaching outside of America, in an attempt to overcome American racism and criticize the dominant discourse of civilization. The work shows that Harlem's networks of religious practitioners used religious, magical, and ideological systems to help create Black Israelism, Rastafarianism, Father Divine's movement, and some early forms of Black Islam. Orientalism is a construct that can help us to reconceptualize and reconnect many of the "Black Gods of the Metropolis." Read in the larger contexts of the Harlem Renaissance and the migration of rural
peoples into the quickened pace of Northern cities, this approach suggests that there was a rich substratum of working class cultural creativity that deserves to be read into the history of the literary and artistic Harlem Renaissance. It challenges us to think of working class African Americans not merely as workers or migrants, but as organic intellectuals capable of voicing their own dreams, mysticism and religions that were articulate responses to the key concerns of the age.
Now #835,484 on Amazon!!! Help it to break the crucial #835,483 mark by purchasing at the link below:
https://www.amazon.com/Chosen-People-American-Israelite-Religions/dp/0190490098/ref=sr_1_1?ie=UTF8&qid=1478567232&sr=8-1&keywords=dorman+chosen+people
Islam. The specter of African Americans adopting and using Orientalism puts a different twist on the concept. The discourse of civilization was rarely simply rejected or resisted outright; rather it was recycled and reformulated. For at least some African Americans, adopting Orientalist identities could express anti-imperialist political sympathies, expand personal freedom, and even allow criticism of the West's conceit to be more civilized and technologically superior to the rest of the world.
Black Orientalists triangulated between dark and light by reaching outside of America, in an attempt to overcome American racism and criticize the dominant discourse of civilization. The work shows that Harlem's networks of religious practitioners used religious, magical, and ideological systems to help create Black Israelism, Rastafarianism, Father Divine's movement, and some early forms of Black Islam. Orientalism is a construct that can help us to reconceptualize and reconnect many of the "Black Gods of the Metropolis." Read in the larger contexts of the Harlem Renaissance and the migration of rural
peoples into the quickened pace of Northern cities, this approach suggests that there was a rich substratum of working class cultural creativity that deserves to be read into the history of the literary and artistic Harlem Renaissance. It challenges us to think of working class African Americans not merely as workers or migrants, but as organic intellectuals capable of voicing their own dreams, mysticism and religions that were articulate responses to the key concerns of the age.
Christianity and Islam should read to understand the intercultural reality of cultural stories. ...What makes this book so engaging is how it moves in between the intense worlds of these fledgling new religious organizations and broader patterns in interpretation. ...Dorman wants us to embrace a concept of culture that is resistant to hierarchical classifications or pure distinctions. ...Dorman’s book is an impressive effort to write persuasively and clearly about this complexity, to convey in historical language a cultural process that is not rightly rendered through a
sequential chronology but is more accurately conveyed through the accrued effect of whispers, images, metaphors, rites, and sermonic dreams."