Timeline for Why is dropped D tuning used so often?
Current License: CC BY-SA 3.0
7 events
when toggle format | what | by | license | comment | |
---|---|---|---|---|---|
Apr 12, 2017 at 7:44 | history | edited | teodozjan | CC BY-SA 3.0 |
removed striketrough text
|
Mar 7, 2013 at 15:30 | history | edited | NReilingh | CC BY-SA 3.0 |
added pre tags to kill jTab
|
May 29, 2011 at 22:01 | history | edited | teodozjan | CC BY-SA 3.0 |
It is not possible to play D#5 with E tuning
|
May 29, 2011 at 15:53 | comment | added | teodozjan | I was looking for good example of switching powerchords from Db5 to others that dropped tuning gives some benefits. This tuning is actually half note down but It was not my intention :). I used to play rock acoustic -- even so distorted bands like The Offspring so I felt little old :-) For example Andy Mckee who is definetely acoustic player tunes his guitar very uncommon. :D Did you try heavier strings? If my memory does not trick me KORN plays dropped C. youtube.com/watch?v=_FP5v4S11G8 | |
May 29, 2011 at 14:53 | comment | added | M. Werner | Hehe- I'm from perhaps an older generation (and primarily acoustic). To me, "dropped D" always meant de-tuning the low E string to D so that you had a drone when playing in the key of D. The idea of tuning the entire guitar down a step was kind of foreign, and most acoustics don't respond well to such. You start to get string buzz... Of course, I use open tunings all the time for slide. | |
May 29, 2011 at 14:34 | history | edited | teodozjan | CC BY-SA 3.0 |
added 43 characters in body
|
May 29, 2011 at 14:28 | history | answered | teodozjan | CC BY-SA 3.0 |