I enjoy romping with Lady Gaga and Prince in Baudrillard's bed, while the ghosts of Deleuze and Foucault cast their sensuous phosphorescence over our bodies...
Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communis... more Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communism has been followed by a decline in the free market. Perhaps Western culture is pervaded by ghosts and omens of death because it is built on the exorcism of any alternative to itself. This paper applies Derrida's Specters of Marx thesis to art, film and cultural theory to explain just why the undead refuse to leave us alone.
Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communis... more Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communism has been followed by a decline in the free market. Perhaps Western culture is pervaded by ghosts and omens of death because it is built on the exorcism of any alternative to itself. This paper applies Derrida's Specters of Marx thesis to art, film and cultural theory to explain just why the undead refuse to leave us alone.
Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communis... more Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communism has been followed by a decline in the free market. Perhaps Western culture is pervaded by ghosts and omens of death because it is built on the exorcism of any alternative to itself. This paper applies Derrida's Specters of Marx thesis to art, film and cultural theory to explain just why the undead refuse to leave us alone.
Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communis... more Is Marx a zombie? Capitalism seems to have vanquished it's warring twin; yet the fall of Communism has been followed by a decline in the free market. Perhaps Western culture is pervaded by ghosts and omens of death because it is built on the exorcism of any alternative to itself. This paper applies Derrida's Specters of Marx thesis to art, film and cultural theory to explain just why the undead refuse to leave us alone.
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