... Copyright Jasper ... While the figure/ground relationship in this trompe l'oeil painting ... more ... Copyright Jasper ... While the figure/ground relationship in this trompe l'oeil painting suggests that the viewer could remove the cup from its hook, the title gouged into the door emphasizes that the figure (dented cup) is permanently united with the ground (the gouged door).6The ...
... In connecting a sculpture Johnsmade in i960 to a paint ing he completed in 2002, I am proposi... more ... In connecting a sculpture Johnsmade in i960 to a paint ing he completed in 2002, I am proposing that there is an underlying preoccupation with a visual perception in his work. ... yellow, blue),9 their right sides flush with the paint ing's edge. ...
Yau provides a chronological analysis of Cuban painter Azaceta's work which explores the expe... more Yau provides a chronological analysis of Cuban painter Azaceta's work which explores the experience of living in exile in the U.S., and the melancholy of the human condition. Rodriguez, Heartney, and Zamudio-Taylor discuss the implications of the artist's subject matter, influences, and heritage. Biographical notes.
Yau relates his numerous encounters with Jassaud, a publisher specializing in artist's books,... more Yau relates his numerous encounters with Jassaud, a publisher specializing in artist's books, while Lepage recounts (in French only) the evolution of Editions Generation, which owes a lot to Jassaud's collaboration. Includes a list of books published between 1987 and 1990 by Editions Generation, and a price list. Biographical notes on Jassaud (in French). 1 bibl. ref.
They say we should write about our misery soaked selves, parade our inadequacies before all, pad ... more They say we should write about our misery soaked selves, parade our inadequacies before all, pad about in cracked slippers Why speak about other things when you cannot mean what you say, when meaning retreats before every attempt to give it a face, make it something to look at, as it stares back, gripping our tattered coils, a green ocean calmly embracing our bubbles rising toward air. They say we should write without expectation, in rooms where walls are deaf to invocations and imbroglios, that we should implode with delight at every silence that greets us. How little they have learned from our refusals.
... Copyright Jasper ... While the figure/ground relationship in this trompe l'oeil painting ... more ... Copyright Jasper ... While the figure/ground relationship in this trompe l'oeil painting suggests that the viewer could remove the cup from its hook, the title gouged into the door emphasizes that the figure (dented cup) is permanently united with the ground (the gouged door).6The ...
... In connecting a sculpture Johnsmade in i960 to a paint ing he completed in 2002, I am proposi... more ... In connecting a sculpture Johnsmade in i960 to a paint ing he completed in 2002, I am proposing that there is an underlying preoccupation with a visual perception in his work. ... yellow, blue),9 their right sides flush with the paint ing's edge. ...
Yau provides a chronological analysis of Cuban painter Azaceta's work which explores the expe... more Yau provides a chronological analysis of Cuban painter Azaceta's work which explores the experience of living in exile in the U.S., and the melancholy of the human condition. Rodriguez, Heartney, and Zamudio-Taylor discuss the implications of the artist's subject matter, influences, and heritage. Biographical notes.
Yau relates his numerous encounters with Jassaud, a publisher specializing in artist's books,... more Yau relates his numerous encounters with Jassaud, a publisher specializing in artist's books, while Lepage recounts (in French only) the evolution of Editions Generation, which owes a lot to Jassaud's collaboration. Includes a list of books published between 1987 and 1990 by Editions Generation, and a price list. Biographical notes on Jassaud (in French). 1 bibl. ref.
They say we should write about our misery soaked selves, parade our inadequacies before all, pad ... more They say we should write about our misery soaked selves, parade our inadequacies before all, pad about in cracked slippers Why speak about other things when you cannot mean what you say, when meaning retreats before every attempt to give it a face, make it something to look at, as it stares back, gripping our tattered coils, a green ocean calmly embracing our bubbles rising toward air. They say we should write without expectation, in rooms where walls are deaf to invocations and imbroglios, that we should implode with delight at every silence that greets us. How little they have learned from our refusals.
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