The Way We Wore: Late Georgian (1750-1790)

1750-1780 saw two movements in women's dress: First, an exaggeration of early 18th-C. styles, including incredibly wide panniers and towering coiffures, and second, a romantic adaptation of peasant dress. Clothing for men gradually and steadily grew slimmer and neater. In the last decade of the era, new styles rapidly appeared. The further development of peasant styles created elegant and simple garments which omitted the pannier. For men, knee breeches tightened, vests shortened, and coat skirts reduced to slim tails. Extreme ornamentation disappeared after 1780. Until that time, elaborate brocades, satins, damasks, taffetas, embroideries, wools, plaids, stripes, and printed cottons were fashionable; after 1780, simple fabrics became more popular. Except for court dress, woolen broadcloth replaced satin and brocade in menswear, and cotton muslin became the fabric of choice for women. Velvet was used for overgowns and turbans. Before 1780 light colors remained fashionable; afterwards, white or light-colored muslin was often paired with heavier fabrics in dark, rich colors.
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Robe à l'anglaise | British | The Metropolitan Museum of Art
Linen robe à la polonaise, with floral appliqués and sequin decoration, British, ca. 1780. "This linen dress of great beauty, and also of simplicity, provincialism, and even a degree of vulgarity compared to court dress, is most instructive... But this country cousin possesses her own charm."
Green and blue striped silk taffeta robe à la Française (front), ca. 1770.
Woman's dress in two parts (robe, petticoat)
Persimmon orange silk robe a la francaise, French, 1760s.
L'Art de vivre à Paris au XVIIIe siècle
Brocaded silk robe à l'anglaise, 1780-85.
Woman's Round Gown (Robe à l'anglaise)
Striped cotton round gown (robe à l'anglaise), American (West Chester, Pennsylvania), c. 1775-1780s.
Women's Vintage Sleepwear & Robes for sale | eBay
Pink silk gown with floral stripe, French, 1750-1799. Museum deaccessioned from the Metropolitan Museum of Art. Lovely striped silk robe in pale pink with self fabric covered buttons at the collar. Beautiful lace up front with boned interior (three bones remaining). Condition is fair with some splitting of the silk, light fading and one bone missing in the interior front.
Fashion Forward, 3 siècles de mode (1715-2016)
Court dress of silk figured pékin, silk taffeta, and satin, c. 1778.
Woman’s Dress (Robe à l’anglaise)
Purple striped silk robe à l’anglaise (front), French, 1785-90.
Sack | Unknown | V&A Explore The Collections
Striped silk velvet sack-back gown (back), possibly Scottish (from French textile, 1774-75), 1775-80 (altered 1870-1910). "This is a very rare example of the use of velvet in 18th-century women’s dress. In this extraordinary example, the chiné process has been combined with velvet - a difficult technique that was produced only in a few places in France. The silk for this fabric is reputed to have cost 36 shillings a yard. With an average of 17 yards required for a gown and petticoat of this styl
Sack | Unknown | V&A Explore The Collections
Striped silk velvet sack-back gown (front), possibly Scottish (from French textile, 1774-75), 1775-80 (altered 1870-1910). "This is a very rare example of the use of velvet in 18th-century women’s dress. In this extraordinary example, the chiné process has been combined with velvet - a difficult technique that was produced only in a few places in France. The silk for this fabric is reputed to have cost 36 shillings a yard. With an average of 17 yards required for a gown and petticoat of this sty
Fashion Forward, 3 siècles de mode (1715-2016)
Floral silk taffeta dress and petticoat (robe à la française), c. 1760.
Woman’s Dress (Robe à l’anglaise)
Purple striped silk robe à l’anglaise (back), French, 1785-90.
Green and blue striped silk taffeta robe à la Française (back), ca. 1770.
Fashion Forward, 3 siècles de mode (1715-2016)
Striped silk taffeta dress (robe à l'anglaise), 1780-85.