ipek senel

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IPEK SENEL OZAYTEN

1987 Istanbul, Turkey.
2005 -2009 graduated from Painting Department in Marmara University Faculty of Fine Arts
2007 -2011 graduated from double-major programme in sculpture department in Marmara University Faculty of Fine Arts
2010-2011 Kunst Universitaet Linz, Austria (Erasmus)
2012 Marmara Continuing Education Centre Pedagogical Formation
2012 Research Assistant in Kafkas University in Department of Painting
2013-2016 Research Assistant in Dokuz Eylul Fine Arts Faculty in Department of Painting
2013-2016 graduated from master pragramme in Dokuz Eylul Fine Arts Institute in Department of Painting.
2016 still student proficiency in Marmara University Fine Arts Institute in Department of Painting.
2016 still Research Assistant in Marmara Fine Arts Faculty in Department of Painting

Group Exhibitions
2017 "Bureaucracy" Cumhuriyet Müzesi, Istanbul
2017 Artbox Project, Art Basel
2017 A4 Cumhuriyet Müzesi, Istanbul
2014 Maria Costafreda Art Gallery, Barcelona
2014 Jano Asociacion Barcelona (Erasmus Internship)
2012 Port-Art Gallery, Ankara
2011 Artbeat Istanbul Myra Galleries
2011 UPSD Genç Etkinlik 5
2010 Cda Projects, Istanbul
2000 Turkish National Congress 80. openning anniversary art exhibition, Ankara

Visuals, Articles Published in Books, Web Sites About :
2015,http://cargocollective.com/mariacostafreda/IPEK-SENEL, MCAM, Barcelona
2011 International Contemporary Masters Volume 5, World Wide Art Book (300-301), California
2011 Beşiktaş B+ Dergisi İlkbahar Sayı 13, İstanbul
2011 http://issuu.com/despina2/docs/icmasters-v-sz?e=1467827/2665055
2010 http://www.cda-projects.com/ipek-senel-a113-tr.htm
2010 http://www.istanbultrienali.com/tr/?trienal=Ipek_Senel

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Günümüz Sanatinda Süreç - Mekân Bağlaminda Bi̇r Olgu Olarak Yemek

Kafkas Ünivesitesi sosyal bilimler enstitüsü dergisi/Kafkas üniversitesi sosyal bilimler enstitüsü dergisi, May 31, 2024

Today, artists determine their own trajectory in an environment where they can communicate with t... more Today, artists determine their own trajectory in an environment where they can communicate with the audience in the context of spatial experience, use of materials and offering artistic suggestions. Through spatial approaches such as installation and performance that activate our sense of taste, smell, touch and hearing as well as sight, and through dialogue, interaction, collaboration and participation, which are relational art arguments, artists offer the audience with an environment that is not limited to a &#39;frame&#39; or a space. In this study contemporary art examples will be included and an evaluation will be made based on the food production / presentation, which is the basic need in these examples. The appearance in the artistic production and exhibition space and the food theme in the artist&#39;s work; It will be examined together with the relationships between their formal purposes, applications and material preferences.

GÜNÜMÜZ SANATINDA SÜREÇ -MEKÂN BAĞLAMINDA BİR OLGU OLARAK YEMEK Food as a Phenomenon in the Context of Process -Space in Today's Art

Kafkas University Journal of the Institute of Social Sciences, 2024

Today, artists determine their own trajectory in an environment where they can communicate with t... more Today, artists determine their own trajectory in an environment where they can communicate with the audience in the context of spatial experience, use of materials and offering artistic suggestions. Through spatial approaches such as installation and performance that activate our sense of taste, smell, touch and hearing as well as sight, and through dialogue, interaction, collaboration and participation, which are relational art arguments, artists offer the audience with an environment that is not limited to a 'frame' or a space. In this study contemporary art examples will be included and an evaluation will be made based on the food production / presentation, which is the basic need in these examples. The appearance in the artistic production and exhibition space and the food theme in the artist's work; It will be examined together with the relationships between their formal purposes, applications and material preferences.

ipek senel

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