Papers by Dr. Kamran SOKHANPARDAZ
The Motif Foundation of Folklore Education, 2024
The Metropolitan Museum of Art, located in New York City, United States, stands as one of the lar... more The Metropolitan Museum of Art, located in New York City, United States, stands as one of the largest museums in the world. Established in 1872, the museum's collection encompasses a wide array of art from various regions, including Asia, the Ancient Near East, Egypt, Greece and Rome, the Middle Ages, Islamic art, European paintings, and modern art. This article examines 11 previously untranscribed artefacts from the Islamic period, housed within the collection of the Metropolitan Museum. These artefacts, dating between the 8th and 14th centuries, originate from different regions and consist of two embellished stone architectural elements, two wooden panels, one token or glass weight, and six pages of the Qur'an inscribed in Kufic script. The objective of this study is to provide a transcription of these artefacts, elucidate their general characteristics, and analyse the intricacies of their motifs and ornamentation. While many pieces in the museum's section have been thoroughly documented in the list of museum artefacts, the transcriptions and detailed examinations of the examined artefacts have been largely overlooked. In fact, the museum's inventory lacks comprehensive information and readings of these artefacts. Conducting a detailed analysis of these artefacts will serve as a guiding resource for those conducting research in this field. This article employs a qualitative research method, relying on descriptive analysis and observation based on a selected sample.
Baçini Sanat Dergisi/ Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Baçini Sanat Dergisi / Baçini Art Journal (Bayburt University), 2024
This article delves into the intricate interconnections among philosophy, science, and art throug... more This article delves into the intricate interconnections among philosophy, science, and art throughout the course of history, with particular emphasis on contemporary visual artists. In the realm of contemporary art, the demarcation between philosophy and science has become increasingly blurred, as numerous artists embark upon explorations that intersect these disciplines. The article's objective is to undertake a comprehensive investigation into the impact of philosophy and science on the artistic works of fifteen internationally acclaimed contemporary artists. Employing qualitative analysis, an extensive review of relevant literature, and a meticulous examination of artists' statements and critical reception, this study endeavours to elucidate insights into the dynamic relationship between philosophy, science, and art in the realm of contemporary artistic expression. The artists such as Olafur Eliasson, Anicka Yi, M.C. Escher, James Turrell, Richard Serra, Mark Dion, Yves Klein, Robert Rauschenberg, Yayoi Kusama, Ana Mendieta, Damien Hirst, William Kentridge, Ai Weiwei, Jenny Holzer, Gerhard Richter, Patricia Piccinini, Kara Walker, Dorothy Cross, John Gerrard, and Christine Borland exemplify this fusion, seamlessly integrating philosophical and scientific concepts into their artistic endeavours. By exploring diverse domains such as perception, reality, ecology, identity, mathematics, and other arenas, these artists adopt a multidisciplinary approach that fosters intellectual contemplation and captivating sensory experiences. Through the harmonization of philosophy and science, they actively challenge established conventions, thereby broadening and enriching our comprehension of the world at large.
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 2022
The art forms of the Great Seljuk period is an independent category within Islamic art. During th... more The art forms of the Great Seljuk period is an independent category within Islamic art. During the Great Seljuk period, plaster workmanship developed like other arts. Few studies have been done on the Great Seljuk art in Turkey and Iran, which is more related to the architecture of this period than the decorations of this building. According to this, one of the aims of this article, prepared with the title of the stucco inscription and ornaments of the Jāme' Mosque of Zavara, is to introduce the art of stucco decorations of the Jāme' Mosque of Zavara. Another aim of this article is to rediscover the exceptional value of the decorations of this mosque and understanding the interaction scopes of the decoration of this mosque. According to the results, the stucco decorations in this mosque include inscriptions, vegetal and geometric decorations made using embossing, engraving, and stamping techniques. These decorations are generally located on the mihrabs, the inscription band covering the upper part of the walls, the pointings between the bricks and intradoses. Any source of information about the stucco decorations artist of this mosque is not available. Also according to the results of this research, the stucco decorations in this mosque, it is very similar to the decoration of the Sassanid period of Iran (61- 226), the stucco decorations discovered from Samarra Exploration (836-892), architectural ornaments of the Qarakhanid period (840-1212), stucco decorations from the Tulunid period (868-905), the decoration of the first Islamic era of Iran (around the tenth century AD), which were from Neyshabur excavations, Anatolian Seljuk Architectural decorations (1075-1308) and stucco decorations of the Ilkhanid Period of Iran (1256-1353).
FSM İlmî Araştırmalar İnsan ve Toplum Bilimleri Dergisi / FSM Scholarly Studies Journal of Humanities and Social Sciences, 2021
Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of t... more Stucco Ornaments and Inscriptions of the Great Mosque of Ardestan as One of the Masterpieces of the Great Seljuk Period
Yakın Doğu Üniversitesi İlahiyat Fakültesi Dergisi / Near East University Journal of Theology , 2021
Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey /
کتیبه ها و تزیینات گچبری م... more Stucco Inscriptions and Ornaments of the Great Seljuk Mihrab of Rey /
کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
Bitlis İslamiyat Dergisi / The Journal of Bitlis Islamiyat, 2021
BRICK-END PLUG DECORATIONS IN THE GREAT SELJUK PERIOD MOSQUES
Fırat Üniversitesi Sosyal Bilimler Dergisi, 2021
Eurasian Journal of Researches in Social and Economics (EJRSE), 2020
THE SELJUK MIHRAB IN THE FRIDAY MOSQUE OF SAVEH
YAKIN DOĞU ÜNİVERSİTESİ İSLAM TETKİKLERİ MERKEZİ DERGİSİ, 2020
Türk Dünyası Araştırmaları Dergisi / Journal of Turkish World Researches, 2020
The Great Seljuk Stucco Ornaments And Inscriptions Of The Mihrab Of The Neyriz Friday Mosque
İslâm Araştırmaları Dergisi / مجلة روم ايلى للبحوث الإسلامية / Rumeli Journal of Islamic Studies, 2020
Great Seljuk Stucco Ornaments And Inscrıptıons Of The Heydarıeh Mosque Of Qazvın
Büyük Selçukluların yaptırdıkları binalar ve muhteşem sanat eserleri İran ülkesinde olduğu kadar ... more Büyük Selçukluların yaptırdıkları binalar ve muhteşem sanat eserleri İran ülkesinde olduğu kadar diğer İslam ülkelerinde de büyük övgülere mazhar olmuştur. İslam sonrası Türk sanatlarında önemli rol üstlenen Büyük Selçuklu dönemi mimari özellikleri ile gizli bir hazine gibidir. Bu değerli hazinenin oluşmasının Temel felsefesini daha iyi anlayabilmek için, Büyük Selçuklu dönemindeki yaygın siyasal ve kültürel görüşleri dikkate almak gerekmektedir. Bununla ilgili ele alabileceğimiz en sağlam görüşler ancak Büyük Selçuklu Devletinin şöhretli veziri Nizamülmülkün kaleme aldığı Siyasetnâmesinde bulunmaktadır.
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Papers by Dr. Kamran SOKHANPARDAZ
کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
کتیبه ها و تزیینات گچبری محرابِ سلجوقیِ ری
دوره اسلامی، بناهای اسلامی شهر اردبیل كه از نخستین سده های ورود اسلام به ایران، یکی -
از كانون های شکل گیری و رشد گونه های مختلف معماری ایرانی بوده است مورد مطالعه -
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