Francesco Andreani
Francesco Andreani, architetto, Terni 1962.
PhD in Progettazione architettonica e urbana al Politecnico di Milano Insegnante a contratto di morfologia dell’architettura e progettazione architettonica presso la facoltà di Architettura del Politecnico di Bari (1998-2004).
Sui temi della progettazione architettonica e dei suoi caratteri scrive “Diario”(Roma 2006), “L’architettura sbagliata” (Gangemi 2004), “Didattica dello stile” (Bari 2000) e “Parcheggi, storia opere e idee” (Roma 1996).
Nel 2005 pubblica parte di una ricerca sui caratteri dell’arte del progetto urbano a Roma in “Michelangelo e l’arte della città, storia della via Nova capitolina” (Gangemi). Dal 2009 prosegue la pubblicazione della ricerca ne “Quaderni dell’arte della città” (edizioni Nuova Cultura) con cinque quaderni di ricerca tra i quali vanno segnalati i seguenti contributi : Il Tipo Edilizio Medio Borghese nel Cinquecento a Roma; Architetti della Città (vol I); Presenza del tempo agli inizi del Rinascimento, Materiali e tecniche dell’arte della città (vol II); Presenza del linguaggio classico dell’architettura; Storia e racconto nella formazione dell’architetto; Progettare è riconoscere (vol III). Roma arte della città, Lavoro e autori di una tradizione 1506-1813 (volume IV). Semplice, Poetico e Moderno (vol V).
Firma concorsi e progetti di architettura e pianificazione urbana.
Per i suoi studi di insediamenti residenziali in territorio agricolo e di tipologie residenziali sociali ha ricevuto riconoscimenti internazionali (Napoli 2003, premio Lincei Roma 2005, Venezia 2008).
Dal 2014 al 2016 è assessore all’Urbanistica e all’Edilizia Privata del Comune di Terni e dal 2018 è docente abilitato di seconda fascia in Progettazione Architettonica e Urbana presso il Ministero dell'Università e della Ricerca Scientifica.
Phone: 00393290537830
Address: Piazza Dalmazia 28 Terni Italy
PhD in Progettazione architettonica e urbana al Politecnico di Milano Insegnante a contratto di morfologia dell’architettura e progettazione architettonica presso la facoltà di Architettura del Politecnico di Bari (1998-2004).
Sui temi della progettazione architettonica e dei suoi caratteri scrive “Diario”(Roma 2006), “L’architettura sbagliata” (Gangemi 2004), “Didattica dello stile” (Bari 2000) e “Parcheggi, storia opere e idee” (Roma 1996).
Nel 2005 pubblica parte di una ricerca sui caratteri dell’arte del progetto urbano a Roma in “Michelangelo e l’arte della città, storia della via Nova capitolina” (Gangemi). Dal 2009 prosegue la pubblicazione della ricerca ne “Quaderni dell’arte della città” (edizioni Nuova Cultura) con cinque quaderni di ricerca tra i quali vanno segnalati i seguenti contributi : Il Tipo Edilizio Medio Borghese nel Cinquecento a Roma; Architetti della Città (vol I); Presenza del tempo agli inizi del Rinascimento, Materiali e tecniche dell’arte della città (vol II); Presenza del linguaggio classico dell’architettura; Storia e racconto nella formazione dell’architetto; Progettare è riconoscere (vol III). Roma arte della città, Lavoro e autori di una tradizione 1506-1813 (volume IV). Semplice, Poetico e Moderno (vol V).
Firma concorsi e progetti di architettura e pianificazione urbana.
Per i suoi studi di insediamenti residenziali in territorio agricolo e di tipologie residenziali sociali ha ricevuto riconoscimenti internazionali (Napoli 2003, premio Lincei Roma 2005, Venezia 2008).
Dal 2014 al 2016 è assessore all’Urbanistica e all’Edilizia Privata del Comune di Terni e dal 2018 è docente abilitato di seconda fascia in Progettazione Architettonica e Urbana presso il Ministero dell'Università e della Ricerca Scientifica.
Phone: 00393290537830
Address: Piazza Dalmazia 28 Terni Italy
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Papers by Francesco Andreani
notes on the author of Villa Farnesina
The construction of one of the most beautiful works of the Roman Renaissance began by Mariano Chigi, father of Agostino, with acquisitions and real estate initiatives between the end of the fifteenth century and the beginning of the sixteenth century.
The study delves into the first phases of the construction of the Villa and the events of its undocumented author, who Vasari indicates as Baldassarre Peruzzi, but who for various reasons should be found in the previous generation of the great masters of the Italian fifteenth century. With different paths of research, documentaries and critics, the study suggests the presence of a great Renaissance author, very close to the Chigi environment and singularly absent from the scene of the Roman Renaissance, Francesco di Giorgio Martini.
Books by Francesco Andreani
The study collects the reflections of the best critics of Vasari studies and tries to illustrate the quality and literary strategy of the Lives but also inconsistencies, inaccuracies and errors on the lives of the architects of the early Roman Renaissance, which have forever conditioned subsequent criticism. The lives of Giuliano da Sangallo, Bramante, Antonio da Sangallo, Baldassarre Peruzzi, Andrea Sansovino, Nanni di Baccio and the followers of Michelangelo, but also those of authors of the late fifteenth century in Rome such as Baccio Pontelli are explored and compared with subsequent critical and biographical acquisitions, in search of qualities, personalities and artistic facts obscured by Vasari's story.
The contribution of the Lombard Renaissance in Rome, prevalent in Rome at least until the pontificate of Julius II, is deepened with a new critical profile of great authors of works and ideas, such as Graziadeo Prata and Perino da Caravaggio. Then the definitive attribution to Andrea Sansovino of the Sapienza courtyard and the study on Antonio da Sangallo the Younger, whose intellectual, ideal and artistic figure has long been forgotten. The volume proposes new original research such as "archaeological recycling and return to the ancient" suggesting another variation of the Renaissance idea, as it came from the new city that was being built on archaeological soil, a large urban collective phenomenon, made of protection and reuse thoughtful, by operators, collectors, merchants, artists, but also by important laws and rules, attempted, sought and respected, far from the naivety and barbarism that later times have attributed to it.
Then in "Ombra di Vasari" are summarized the uncertainties, omissions and real errors of Vasari's lives on the architects of the time, who contributed to obscure great artists and entire cultural traditions, in particular Peruzzi, Sansovino and Rosselli, marking in important way the next critical work.
In the "Absent Master" for the first time the authorship of the Villa Farnesina by Agostino Chigi is discussed, also in light of new documentary acquisitions, and a summary of the possible authors and artistic and architectural values of the early sixteenth century, plural and lively beginnings , rich in identity and meaning.
notes on the author of Villa Farnesina
The construction of one of the most beautiful works of the Roman Renaissance began by Mariano Chigi, father of Agostino, with acquisitions and real estate initiatives between the end of the fifteenth century and the beginning of the sixteenth century.
The study delves into the first phases of the construction of the Villa and the events of its undocumented author, who Vasari indicates as Baldassarre Peruzzi, but who for various reasons should be found in the previous generation of the great masters of the Italian fifteenth century. With different paths of research, documentaries and critics, the study suggests the presence of a great Renaissance author, very close to the Chigi environment and singularly absent from the scene of the Roman Renaissance, Francesco di Giorgio Martini.
The study collects the reflections of the best critics of Vasari studies and tries to illustrate the quality and literary strategy of the Lives but also inconsistencies, inaccuracies and errors on the lives of the architects of the early Roman Renaissance, which have forever conditioned subsequent criticism. The lives of Giuliano da Sangallo, Bramante, Antonio da Sangallo, Baldassarre Peruzzi, Andrea Sansovino, Nanni di Baccio and the followers of Michelangelo, but also those of authors of the late fifteenth century in Rome such as Baccio Pontelli are explored and compared with subsequent critical and biographical acquisitions, in search of qualities, personalities and artistic facts obscured by Vasari's story.
The contribution of the Lombard Renaissance in Rome, prevalent in Rome at least until the pontificate of Julius II, is deepened with a new critical profile of great authors of works and ideas, such as Graziadeo Prata and Perino da Caravaggio. Then the definitive attribution to Andrea Sansovino of the Sapienza courtyard and the study on Antonio da Sangallo the Younger, whose intellectual, ideal and artistic figure has long been forgotten. The volume proposes new original research such as "archaeological recycling and return to the ancient" suggesting another variation of the Renaissance idea, as it came from the new city that was being built on archaeological soil, a large urban collective phenomenon, made of protection and reuse thoughtful, by operators, collectors, merchants, artists, but also by important laws and rules, attempted, sought and respected, far from the naivety and barbarism that later times have attributed to it.
Then in "Ombra di Vasari" are summarized the uncertainties, omissions and real errors of Vasari's lives on the architects of the time, who contributed to obscure great artists and entire cultural traditions, in particular Peruzzi, Sansovino and Rosselli, marking in important way the next critical work.
In the "Absent Master" for the first time the authorship of the Villa Farnesina by Agostino Chigi is discussed, also in light of new documentary acquisitions, and a summary of the possible authors and artistic and architectural values of the early sixteenth century, plural and lively beginnings , rich in identity and meaning.