Papers by AbdelHafid Tahboun
The fomented fulminations of social disarray, rebellious revolts and the outrageous outbursts of ... more The fomented fulminations of social disarray, rebellious revolts and the outrageous outbursts of scandalously turbulent political turmoil inflamed during the dystopian plight of the Arab spring have been monumental milestones and remarkably watershed moments old-anchored in the Arab political history and its cultural memory. The tragic war casualties, catastrophic disasters, the horrendous butcheries of innocent civilians and collateral damage have been quintessential centerpieces of intense national and international media coverage alike. Hence, amid the chaotically sweeping whirlwind of such insurgent uprisings and insurrectional upheavals, the indispensably fundamental role of digital media, the practical serviceability of New Information Technologies (ICTs) and Cyber-Activism or digital disobedience become thought-provoking areas of extensive research theoretically reconfigured within the contextual contours of cyber-anthropology and digital sociology.
International Journal of Language and Literary Studies
This paper explores the theme of overcoming the myth of the silent woman and double colonization ... more This paper explores the theme of overcoming the myth of the silent woman and double colonization in Ernest Hemingway’s Indian Camp (1924). It scrutinizes the subversive demolishment of double-minority status lifting the curtain on the thunderous screams of a female character as an emblem of expressive agency. To thematize this research topic and critically diagnose its feasible dimensions, this research paper casts the spotlight of analytical interpretation on the political dynamics, the implicit underpinnings and the insinuated textual unsaid underlying the female character of the Indian woman as a case study placed under scrutiny. To excavate in depth the ideological ramifications and the political implications tacitly embedded in the overall textual fabric of this literary artifact, this current study brings into play the postcolonial feminist perspective as a deconstructive paradigm through decomposing and dismantling a miscellany of excerpted extracts quoted from the decomposed...
TAHBOUN ABDEL HAFID, 2022
The principal objective of this paper is to re-explore the symbiotic interplay between the the fl... more The principal objective of this paper is to re-explore the symbiotic interplay between the the fluctuational schizophrenia of the human psyche and religious hypocrisy in Mahi Benebin's Horses of God as a case study. Through the critical application of psychoanalytic deconstruction as a hermeneutical model, this study asserts that religious hypocrisy and terroristic fanaticism are the epiphenomena of capricious vicissitudes of the human nature and its narcissistic malevolence which pervade the metaphysical innerside of the our spirit. To exemplify the textual dynamics or unpack the fleshly reification of this thematic aspect, this paper draws on a comparative study between demonstrated in the reciprocal transactions of four major characters in the novel.
Key terms: Schizophrenia of the human psyche, religious hypocrisy, self-delusion, psychoanalytic deconstruction
Tahboun Abdel Hafid, 2022
Abstract
The rationale of this abstract is to explore the feasible prospects of writing as ideolo... more Abstract
The rationale of this abstract is to explore the feasible prospects of writing as ideological politics of agency expression and self-reinvention in diaspora in Wafa Faith Hallam’s the Road from Morocco focusing on the heretical defiance showcased by Saadia as a case study. It endeavors to re-examine how writing is reconfigured as a political practice of subversive insurgency, a capaciously liberating third space of emancipatory extrication, autonomous self-representation and counter-active revolt against the old-anchored patriarchal mindscape. This current study asserts the irrefragable veracity that writing is a political enterprise with deconstruction-reconstruction function as it is deemed a philosophical hammer whereby the downtrodden feminine gender demolishes the entrenched misogynistic infrastructure to refurbish ab-initio a masculine supremacy-free environment impregnated with gender complementarity and dialogic inter-discursivity. To unearth the ideological implications underlying the notion of writing as politics of agency, this abstract applies postcolonial feminism as a critical paradigm. Accordingly, this undertaken endeavor eventually culminates in a picturesque tapestry, if not variegated multitude of plausibly conclusive conclusions. A). gynocentric feminine writing engendered paradigm-shifting mutation in the cultural politics of male-female power imbalances drifting from the gender-exclusive model of His-STORY to the gender-inclusive perspective of HER-STORY. B). Writing is a vehicular spacecraft of self-resurrection, voice radiation and an uncensored ground to outvoice the feminine margins by maintaining unconstrained decision-making power and semiotic political engagement. C). Women are likened to be a sustainably inexhaustible stockpile and a renewable reservoir saturated with inventive creativity, architectural ingenuity, skeptical criticality and innovative imaginary once politics of criticism and polemics of literary aesthetics are foregrounded to the forefront.
Key-terms: Écriture féminine, Postcolonial Feminism, Agency, Writing, gynocentrism, phallocentrism, Helen Cixous, self-independence, emancipation
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Papers by AbdelHafid Tahboun
Key terms: Schizophrenia of the human psyche, religious hypocrisy, self-delusion, psychoanalytic deconstruction
The rationale of this abstract is to explore the feasible prospects of writing as ideological politics of agency expression and self-reinvention in diaspora in Wafa Faith Hallam’s the Road from Morocco focusing on the heretical defiance showcased by Saadia as a case study. It endeavors to re-examine how writing is reconfigured as a political practice of subversive insurgency, a capaciously liberating third space of emancipatory extrication, autonomous self-representation and counter-active revolt against the old-anchored patriarchal mindscape. This current study asserts the irrefragable veracity that writing is a political enterprise with deconstruction-reconstruction function as it is deemed a philosophical hammer whereby the downtrodden feminine gender demolishes the entrenched misogynistic infrastructure to refurbish ab-initio a masculine supremacy-free environment impregnated with gender complementarity and dialogic inter-discursivity. To unearth the ideological implications underlying the notion of writing as politics of agency, this abstract applies postcolonial feminism as a critical paradigm. Accordingly, this undertaken endeavor eventually culminates in a picturesque tapestry, if not variegated multitude of plausibly conclusive conclusions. A). gynocentric feminine writing engendered paradigm-shifting mutation in the cultural politics of male-female power imbalances drifting from the gender-exclusive model of His-STORY to the gender-inclusive perspective of HER-STORY. B). Writing is a vehicular spacecraft of self-resurrection, voice radiation and an uncensored ground to outvoice the feminine margins by maintaining unconstrained decision-making power and semiotic political engagement. C). Women are likened to be a sustainably inexhaustible stockpile and a renewable reservoir saturated with inventive creativity, architectural ingenuity, skeptical criticality and innovative imaginary once politics of criticism and polemics of literary aesthetics are foregrounded to the forefront.
Key-terms: Écriture féminine, Postcolonial Feminism, Agency, Writing, gynocentrism, phallocentrism, Helen Cixous, self-independence, emancipation
Key terms: Schizophrenia of the human psyche, religious hypocrisy, self-delusion, psychoanalytic deconstruction
The rationale of this abstract is to explore the feasible prospects of writing as ideological politics of agency expression and self-reinvention in diaspora in Wafa Faith Hallam’s the Road from Morocco focusing on the heretical defiance showcased by Saadia as a case study. It endeavors to re-examine how writing is reconfigured as a political practice of subversive insurgency, a capaciously liberating third space of emancipatory extrication, autonomous self-representation and counter-active revolt against the old-anchored patriarchal mindscape. This current study asserts the irrefragable veracity that writing is a political enterprise with deconstruction-reconstruction function as it is deemed a philosophical hammer whereby the downtrodden feminine gender demolishes the entrenched misogynistic infrastructure to refurbish ab-initio a masculine supremacy-free environment impregnated with gender complementarity and dialogic inter-discursivity. To unearth the ideological implications underlying the notion of writing as politics of agency, this abstract applies postcolonial feminism as a critical paradigm. Accordingly, this undertaken endeavor eventually culminates in a picturesque tapestry, if not variegated multitude of plausibly conclusive conclusions. A). gynocentric feminine writing engendered paradigm-shifting mutation in the cultural politics of male-female power imbalances drifting from the gender-exclusive model of His-STORY to the gender-inclusive perspective of HER-STORY. B). Writing is a vehicular spacecraft of self-resurrection, voice radiation and an uncensored ground to outvoice the feminine margins by maintaining unconstrained decision-making power and semiotic political engagement. C). Women are likened to be a sustainably inexhaustible stockpile and a renewable reservoir saturated with inventive creativity, architectural ingenuity, skeptical criticality and innovative imaginary once politics of criticism and polemics of literary aesthetics are foregrounded to the forefront.
Key-terms: Écriture féminine, Postcolonial Feminism, Agency, Writing, gynocentrism, phallocentrism, Helen Cixous, self-independence, emancipation