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         

45
                      
      

52
                   
 
58
                                    

2

2

64
                       
     

www.appassionatomusicaearte.com
71
             
             
 

78
                      
     

85
                      
      

94 MARCHA NUPCIAL

            
        
             

102
   
                       
 

113
                     
      
   

120
                         
 

   

127
                         

  

134
                
  

2 www.appassionatomusicaearte.com
Violin I
Grande é o Senhor
Adhemar de Campos

w w w w
q = 60
#4
& 4 ™™ -œ -œ œ œ -œ -œ -œ -œ -œ -œ œ œ
- - - -
mp

# -œ -œ -œ œ œ ˙ ™™ -œ -œ -œ -œ
8

& ˙ ˙ ˙ ˙ ˙ ˙ ˙

# -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ
14

&

w w w w
# -œ -œ -œ -œ ™™ -œ -œ œ œ -œ -œ -œ -œ
20

& - -
mp

# -œ -œ ™™
27

& œ- œ- -œ -œ -œ œ œ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙

# ™ -œ -œ -œ -œ
& ™
33
-œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ

# -œ -œ -œ -œ
37
-œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ -œ w
&
Violin II
Grande é o Senhor
Adhemar de Campos

q = 60
#4 œ œ œ œ œ œ œ œ
& 4 œœ œ œœ œ œœœ œ œœœ œ œœœœœ œœœœœ œœœ œ œœœ œ

& ™™ œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ œ ˙
#
5

˙ ˙ ˙
mp

# ™™ œ œ œ œ
11

& ˙ ˙ ˙ ˙ œ- œ- œ- œ- œ- œ- œ- œ-
- - - -

#
16

& œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ-

#
21
œ œ œ œ
& œœœœœ œœœœœ œœœ œ œœœ œ œœœœœ œœœœœ œœœ œ œœœ œ

# ™
& ™ œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ œ ˙
25

˙ ˙ ˙
mp

# ™™ ™™ œ œ œ œ
31

& ˙ ˙ ˙ ˙ œ- œ- œ- œ- œ- œ- œ- œ-
- - - -

#
36

& œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- œ- w
Parts

Sixpence None The Richer


Kiss Me
from the motion picture „She's All That“

for string quartet

arr. Bojana Jovanović

www.happysheetmusic.com
April. 2014.
Violin I
Kiss Me
Sixpence None The Richer
q = 96 arr. Bojana Jovanovic

α α 3 ϖ ϖ αϖ Μϖ −−
% α 3

α α Œ œœ˙ ‰ œΙ œ œ œ œ œ œ œ œ œ œ ˙ ‰ œΙ œ œ œ œΙ œ œ œ œ œ ˙
% α
5

αα Œ œ œ œ œ œ œ œœœœœœœ œœœœ œœœ


α ‰ œœ œœ œœ −− œœ œœ œœ œœ
10

α
% α α œœ œœ œœ −− œœ œœ œœ œœ œœ œœ œœ −− œœ œœ œœ œœ œœ œœ −− œœ œœ œœ œœ
14

œœ œœ œœ −− œ œ œ œ
œ œ œ

α α ‰ œ œ œ œ œ œ œ œ œ œ œ œ− œ œ œ œ œ œ œ œ œ− œ
% α Ι
18

œ ˙

α ‰œœ ϖ ϖ αϖ Μ˙− œ ‰ −− Ó ‰œœ ϖ


%α α Ó
21 1. 2.

Ι Ι Ι

α œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ
%α α ϖ αϖ ˙− œ‰
28

α αα œ œ œ − α œ œ œ œ œ ‰ œ œ œ œ Œ œ
‰ œΙ œ œ œ œ œ œ œœ œœ œœ −− œœ œœ œœ œœ
34

œ œ œœœ œ œ œ œ œ œ œ œ œ œ œ œ œ− œ œ œ œ œ œ œ
ααα œ ‰ Ι
38

% −
œœ œœ œœ − œ œ œ œ œ
œ œ œ
www.HappySheetMusic.com
Kiss Me 2

α œ ‰ œ œ ϖ ϖ αϖ
% α α œ− œ œ ˙ Ó
42

α Τ
%α α Ó ‰ œ œ −− ϖ ϖ αϖ Ó ‰ œ œ −− ϖ ϖ
47 1. 2.

Ι Ι
Violin II
Kiss Me
Sixpence None The Richer
q = 96 arr. Bojana Jovanovic
α 3
% α 3 œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ −−
α

α
% α α œ œ œ− œ œ œ œ
5

œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ

œœœœœœœ œœœœ œœœ


ααα
9

% œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ

αα α ‰ œ œ œ œ Œ œ œ œ œ œ œœœ œœœœ œ œ œ œœ œ œ œ œœ
‰Ι Œ ‰Ι
13

α α œ œ œ œ œ œ œ ‰ œΙ œ œ œ œ œ œ œ œ œ œ œ− œ œ œ œ œ œ œ œ œ− œ
% α
17

œ ˙

αα ι
œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ œ œ œ − œ œ œ œ ‰ −−
1.

% α œ œ ˙
21

ααα ι
œœ œ œœœ ‰
26 2.

% œ œ ˙ œœ œ œœ œœ œ œœ œαœ œ œ œ
œ œ œ œ œ œ œ

α αα œ œ œ œ œ œ œ œ œ œ œœ œœœ œ œ œ œœ œœœ œ œ œ œœ œœœ œ œ


31

α œœœ œ œ œ œœ œ œ œ œœ
% α α œœ œœ œœ −− œœ œœ œœ œœ ‰ Œ ‰Ι
35

œœ œœ œœ −− œœ œœ œœ œœ

www.HappySheetMusic.com
Kiss Me 2

œ œ œœ œ œœ œ œœ œ œ− œ œ œœ œ œœ
αα
% α œ œœ −− œœ œœ œœ œœ ‰ Ι
39

α α œ œ− œ
% α
42

œ ˙ œ œ ˙ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ

α αα −− œ œ œ − œ œ œ œ
47

% œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ

Τ
αα −− œ œ œ − œ œ œ œ
1. 2.

% α œ œ œ− œ œ œ œ
51

ϖ
Viola
Kiss Me
Sixpence None The Richer
q = 96 arr. Bojana Jovanovic

Α α α α 33 œ œ œ œ œ œ œ œ œ œ œ œ œœ œœœ œ œ αœ œ œ œ œ œ œ œ

Α α α α œ Μ œ œ œ œ œ œ œ œ −− œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ α œ œ œ œ œ œ œ œ
4

œ œ œ œœ
Α ααα œ Μ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œ œœ œ œ œ α œ
œ œ œ œœ œ œ
8

Α α α α œœ œœ œœ œ œœ œœ œ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
12

Α α α α œ œ œ œ α œ œ œ œœ œ œ œ œ œ œ œ œ œ œœ œœ œ œ œœ œœ œ œœ œœ œœ œœ œ œ œœ œœ œ œœ œœ
16

Α α α α œ œ œ œœ œœ œ œ œœ œœ ˙˙ œ œ œ œœ œœœ œ œ œ œ œœ œœœ œ
20 1.

ι
.

Α ααα œ α œ œ œ œ œ œ œ œ œ Μ œ œ œ œ œ œ œ œ ‰ −− œœ œœ ˙˙ ϖ ϖ
24 2.

œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ œ œ œ
Α ααα α ϖ Μ˙− œ‰
29


Α ααα œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ œœ œœœœ œ œ œ œ œ œœœ œ
34

www.HappySheetMusic.com
Kiss Me 2

Α α α α œ œ œ œ α œ œ œ œ œ œ œ œ œ œ œ œ œ œ œœ œœ œ œ œœ œœ œ œœ œœ œœ œœ œ œ œœ œœ œ œœ œœ
38

œœ œ œœ
Α ααα œœ œ œ œœ œœ ˙˙ œ œ œ œœ œœœ œ œ œ œ œœ œœœ œ
42

Α α α α œ α œ œ œ œ œ œ œ œ œ Μ œ œ œ œ œ œ œ œ −− œ œ œ œ œ œ œ œ œ œœœ œœ œœœœ
46

Τ
Α ααα œ α œ œ œ œ œ œ œ œ œ Μ œ œ œ œ œ œ œ œ −− œ Μ œ œ œ œ œ œ œ œ ϖ
50 1. 2.
Cello
Kiss Me
Sixpence None The Richer
q = 96 arr. Bojana Jovanovic
> α 3 œ œ œ œ œ œ œ œ −− œ œ
αα 3
œ œ œ œ œ œ œ œ œ œ

> α
αα œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
6

> α œ œ œ− œ − œ−
œ œ œ œ œ
12

αα œ œ œ œ œ œ œ œ œ œ œ œ œ œœœ œ œ
œ

> αα œ− œ− œ œ œ œ œ œ
œ œ œ œ œ œ œ − œι œ œ
16

α œ œ œœœ œ œ œ œ œ

> αα ϖ œ œ œ œ œ œ œ œ ‰ −−
21 1.

α œ œ œ œ œ œ œ œ Ι

> α œ œ œ œ œ œ œ œ‰
26 2.

αα ϖ
œ œ œ œ œ œ œ œ œ œ œ œ Ι

> α œ− œ−
α α œ œ œ œ œ œ œ œ œ− œ œ œ œ œ œ œ œ œ œ œ œ œ œ− œ œ œ œ œ œ
31

> αα œ− œ œ œ œ œ œ œ− œ œ œ œ œ œ− œ œ œ œ œ œ œ− œ
35

α œ œ œ œ œ œœœ œ
œ

> αα œ− œ œ œ œ œ œ œ œ œ œ œ ι
39

α œ œ− œ œ œ ϖ
œ œ œ
www.HappySheetMusic.com
Kiss Me 2

> αα ˙ − ˙− ˙− ˙−
44

α œ œ œ œ

> α α −− ˙ Τ
˙ ˙ ˙ −− ˙
48 1. 2.

α œ œ œ œ œ œ œ œ œ œ ϖ
Mission Impossible - Theme
saya
 = 180
 5      
Violin I  4 
            
 

Violin II
5         
4    
      
  
Viola  45                 
  
 5           
Violoncello       
       
 4           
6
     
Vln.  
               
   
    
Vln.            
        

Vla.                   

 
         
Vlc.  
         
         
      

11

Vln.  
   
                

Vln.                    
 

              
Vla.   

              
Vlc.          
               

16
      
Vln.              

Vln.
            
      
   
Vla.              

                     
Vlc.       
           

21 
             
Vln.  
      

Vln.                            
          
                 
Vla.       
   
   
 
    
Vlc.
 

   
                          
       

2
Violin I Mission Impossible - Theme
saya
 = 180
2    
5 
             
     
4      

9
         

                          
  

17
  2             
   
                 

26



Violin II Mission Impossible - Theme
saya
 = 180
2
5             
4        

       

9
        
                              

17
    
   
                                 
    

25
   
       

Viola Mission Impossible - Theme
saya
 = 180
2    
 45 
      
                   
      

10

                                   

19        
   
    
 
 
  
                           
 
Violoncello Mission Impossible - Theme
saya
 = 180

 5                      
4                        

         
      
               
               

13

 

  
 

                          

        
     

19

                            
              

25

         

Quando Deus Criou Você
Arr.: Geraldo Júnior


Violino 1  44    

Violino 2  44                              

Violas  44   

Violoncelos
 44 
   
4

   
Vln 1    
3
        
Vln 2  
                        

Vlas.     

Vcs.
 
     
8

  
Vln 1   

 
Vln 2                           

Vlas.    

Vcs.

    
11
   
Vln 1             

  
Vln 2                      



Vlas.      

Vcs.
              
 

16

Vln 1                    

                
Vln 2          
  

Vlas.      

      
Vcs.        
     

21

Vln 1 
                 
       
  
Vln 2                

      
Vlas. 
 
Vcs.
          

2
27

Vln 1                                          
 
      
Vln 2  

Vlas.      

   
Vcs.
    

31
 3
Vln 1   
            

                
3
               
Vln 2  

Vlas.      

        
Vcs. 

35
 
Vln 1                      

    
Vln 2        

            

Vlas.      

         
Vcs.
  

3
39
     
Vln 1        
           
                        
Vln 2      

Vlas.       
            
Vcs.
     

44
 3
   
Vln 1                    
               
Vln 2    
   
 
Vlas.                        
3
   
Vcs.
                 

49 3

Vln 1                                      
   
Vln 2  

Vlas.                                       
3
                   
Vcs.
     

4
52 3
      3      
Vln 1            
  42
   
Vln 2  42

Vlas.             
              
     42
3
3
       
Vcs.
                  42

55
 2     4  
Vln 1  4    4     
 

Vln 2   42  44     


Vlas.   42       44                   

  

Vcs.
  42  44   
  

61
   
Vln 1                       
 
   
Vln 2  

Vlas.                           
 
    
Vcs.  

5
64
       
Vln 1         
   
        
Vln 2  
    

                 
Vlas.   
    
Vcs.
           
   
3

67
        
Vln 1    
3
     
Vln 2 

Vlas.                        
    
  

     
Vcs.

72
         
Vln 1                  


      
Vln 2 

Vlas.            
          
      
Vcs. 

6
Violino 1 Quando Deus Criou Você
Arr.: Geraldo Júnior

   
 44  
                

15

      


         

25

                                                    
 
30
 3
            
                              
35
  
                       
       
  
42
 3
            
                         

49 3 3
   
                                         

53 3 2
 
                   42       44       

61
       
                    
    
  

66
         
                  
       
3
73
     3
         
Violino 2 Quando Deus Criou Você
Arr.: Geraldo Júnior

 44                                           

5
3 
         
                      


9
 
                                       

13
       
                 
       

19
          
                    
  
29 3
                             

36
                    
               

42
                                     7
      42

55
 2  4  7     12
   
 4 4     
Violoncelos Quando Deus Criou Você
Arr.: Geraldo Júnior

 44      
               

14

           


 

24
                   
  

37
           
      

46
             
      

51 
            2  4
4 4

56

  44               
         
3

67 
       
    

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