Bünyamin Tilavel

Necmettin Erbakan University, Türk Müziği Devlet Konservatuvarı, Faculty Member

Gazi University, Güzel Sanatlar, Graduate Student

Necmettin Erbakan University, Türk Müziği Anabilim Dalı, PhD Candidate

Ankara Hacı Bayram Veli University, Lisansüstü Eğitim Enstitüsü, PhD Student

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Ali Gündeşli

Ankara Hacı Bayram Veli University

İstem Dergisi

Necmettin Erbakan University

Gonca Demir

Istanbul Technical University

Askin Bahadir

mehmet öncel

My biSGen

Mehmet Sait Halim Gençoğlu

Kubilay Yılmaz

Sivas Cumhuriyet üniversitesi

Sibel Karaman

Viticulture Research Station of Manisa TURKEY

Begüm Aytemur

Canakkale Onsekiz Mart University

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Papers by Bünyamin Tilavel

TRT REPERTUVARINDA YER ALAN BÜYÜK BİRİM ZAMANLI TÜRKÜLERİN, TÜRK MÛSİKÎSİ USÛL NAZARİYATINA GÖRE TESPÎTİ VE USÛL / VELVELE ÖNERİLERİ

Yüksek Lisans Tezi (Master Thesis), 2019

Usûl is one of the two main elements of the music. In the system of meşk which is a basic educati... more Usûl is one of the two main elements of the music. In the system of meşk which is a basic education model of the Turkish music, usûl, has a prominent role in the process of handing down the Turkish music to the next generations. Although Turkish Folk Music and Classical Turkish Music are nourished from the same source, the works produced are in different kinds and forms. In our study, the different perspectives in the usûls of Turkish Folk Music and Classical Turkish Music have been revealed and at the same time, the role and the importance of usûl in a consistent sense of education and performance have been examined. The current perception of usûl in Turkish Folk Music cannot express and contain the tradition enough, which also affects the performance and education in a negative way. Within this context, ensuring the integrity by reading music can only be possible with the usûl. As a solution, it has been tried to present a suggestion by taking into consideration of the necessity of expressing and performing the ballads within the frame of Turkish Music’s usûl tradition. In this study, the necessity of developing the common theory of usûl has also been emphasized. The notes of the ballads measured with larger timings taking part in TRT Turkish Folk Music’s repertoire have been examined, and the measuring errors have been taken into consideration with the underlying reasons. In addition to that, it has been tried to account for all these errors and results. In this study, a screening model of qualitative research methods was used. The ballads mentioned above are rewritten again in accordance with the findings we obtained. Therefore, a new usûl has been suggested to Turkish music usûl corpus.

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TRT TÜRK HALK MÜZİĞİ REPERTUVARINDA YER ALAN 23 VE 30 ZAMANLI TÜRKÜLER İÇİN TÜRK MÜZİĞİ USÛL GELENEĞİ IŞIĞINDA BİR DEĞERLENDİRME Bünyamin TİLAVEL

İSTEM - İslâm, San'at, Tarih, Edebiyat ve Mûsikîsi Dergisi, Dec 29, 2017

An Evaluation for The Ballads Measured With 23 and 30 Bars Taking Partin Trt Turkish Folk Music’s... more An Evaluation for The Ballads Measured With 23 and 30 Bars Taking Partin Trt Turkish Folk Music’s Repertoire in Consideration of The Turkish Music’s Usûl Tradition. The concept ‘usûl’ is one of the two main elements of the music. In the system of ‘meşk’ which is a basic education model of the Turkish music, usûl, has a prominent role in the process of handing down the Turkish music to the next generations. Although Turkish Folk Music and Classical Turkish Music are nourished from the same source, the works produced are in different kinds and forms. In our study, the different perspectives in the ‘usûls’ of Turkish Folk Music and Classical Turkish Music have been revealed and at the same time, the role and the importance of ‘usûl’ in a consistent sense of education and performance have been examined. The current perception of ‘usûl’ in Turkish FolkMusic cannot express and contain the tradition enough, which also affects the performance and education in a negative way. As a solution, it has been tried to present a suggestion by taking into consideration of the necessity of expressing and performing the ballads within the frame of Turkish Music’s ‘usûl’ tradition. Within this context, ensuring the integrity by reading music can only be possible with the ‘usûl’. In this study, the necessity of developing the common theory of‘usûl’ has also been emphasized. The notes of the ballads measured with 23 and 30 bars taking part in TRT Turkish Folk Music’s repertoire have been examined, and the measuring errors have been taken into consideration with the underlying reasons. In addition to that, it has been tried to account for all these errors and results. The ballads mentioned above are rewritten again in accordance with the findings we obtained. Therefore, a new ‘usûl’ has been suggested to Turkish music ‘usûl’ corpus.

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