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|''[[Jules and Jim]]'' |
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|''[[Jules and Jim]]'' |
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|[[Francois Truffaut]] |
|
|[[Francois Truffaut]] |
|
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|1962 |
|
|1961 |
|
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|TSPDT |
|
|TSPDT |
|
|{{Start-Class}} |
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|{{Start-Class}} |
Line 2,620: |
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|''[[Salvatore Giuliano (film)|Salvatore Giuliano]]'' |
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|''[[Salvatore Giuliano (film)|Salvatore Giuliano]]'' |
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|[[Francesco Rosi]] |
|
|[[Francesco Rosi]] |
|
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|1962 |
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|1961 |
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|TSPDT-Ita |
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|TSPDT-Ita |
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|{{Start-Class}} |
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|{{Start-Class}} |
Template:WP Film Sidebar
The purpose of the grouping is to identify a sizeable number of articles within the scope of this WikiProject which could be considered integral and essential to an encyclopedia, and to especially encourage editors to focus particularly on these articles for bringing up to featured status.
Background
The project banner originally incorporated an "Importance" parameter that was optional for use in conjunction with quality assessments. While Importance was integrated into the WP 1.0 general assessments, there were several prominent WikiProjects which rejected the use of it for various reasons. Even the name was somewhat misleading, because the intended usage was for the WikiProjects to rank the article by their project priority. Therefore, it has been used with conflicting purposes to either identify the "general" importance of an article's subject or the priority of the article in relation to a WikiProject's goals.
In the case of certain fields like Mathematics, it is usually possible to come to a general and objective agreement as to the importance of mathematical concepts in relation to the entire field of Math. In these projects, importance/priority is somewhat straightforward and provides a logical hierarchy of topics within the project scope. Unfortunately, for WP Films, the vast majority of our articles happen to cover creative endeavors - individual films or film characters. Consequently, it is much more difficult to quantify how a film relates to the entire field, and since the judgments are fairly subjective, any given set of individuals will reach widely varying assessments.
Unsurprisingly, the usage of this parameter in WP Films led to several dilemmas. First of all, there were a substantial number of films which were assessed as "Top" importance by individual editors who were great fans of those films. While everyone's opinion of which films deserve this are different, it is generally acknowledged that too many films have been rated "Top" importance in this manner. Second, there are some editors who, fairly or not, judge a film to be less distinguished within the larger scheme, and thus rate particular films as "Low" or "No" importance. In this case, while most editors agree that the vast majority of our film articles should be on the lower end of the importance spectrum, it is difficult to agree which films deserve this assessment. However, while many editors are willing to turn a blind eye to films that they believe have been "overrated" to Top importance, assessing an article as Low or No importance is more often the source of disagreement, edit warring, and occasionally heated arguments. Third, a rough analysis of our statistics (as of January 2008) shows that the collective total of Top, High, and Mid importance articles amounts to less than 10% of our articles, and more than half have no importance assessment whatsoever. Lastly, there is no evidence whatsoever that editors are attracted to an article on the basis of its rated importance.
Given these factors, it was discussed by some of the more active editors that a multi-tiered priority scale was inefficient, making too much work and creating groupings such as Mid and Low importance which were not very useful within themselves. Among the conclusions was that it would make more sense to have a "core=yes" parameter which would only be applied to a small fraction of the articles, leaving the rest of the articles at a "normal" priority - essentially, scrapping the importance parameter altogether. Additionally, in order to maintain as objective a core list as possible and avoid undue individual editor influence, it is suggested that the core should be drawn from some form of aggregate lists and try to cover several different interests (namely, popularity and critical opinion, and a wide spectrum of years and countries). The list would also be kept to a relative minimum of several hundred articles, much like the general Wikipedia core.
- Critical opinion - They Shoot Pictures Don't They metalist - Top 250; compiled from thousands of ballots placed in film polls over the years.
- Regional and national task forces - Each task force (including any future ones) will receive an additional 10 slots for Core. In the case of national cinemas, the next-highest picks from the TSPDT metalists will be taken first. (National task forces with less than ten films on the metalist will have their remaining slots held until a method of determining those picks can be decided.)
- Genre task forces - each genre task force's ten slots will be taken from the top ten films of the IMDb genre lists which aren't already included on the Core list.
- General task forces - For the task forces which don't cover film titles, the ten will represent the most basic and influential topics covered by the task force.
Future revision
The Core list would be updated once a year, following the annual adjustment of the critical metalist. (This tends to occur in December or January.) The only exception shall be to add slots for new task forces. The list should be kept generally static so as to allow editors to focus on and develop off of a consistent set of articles. Because the Core was chosen from choosing lists rather than films, requests to include or exclude individual films should not be made. Suggestions regarding different lists are welcome, however.
Contests
There would be both an annual and a quarterly contest for article improvement specifically for Core articles. Editors will be given points for improving articles based on the change in assessment class (rubric to follow shortly) and the top three winners in each quarter will receive exclusive WikiProject Films awards. The top three annual winners will receive online gift certificates to Amazon. (We would also like to encourage editors to pledge anything possible to enlarge the pot and make this exciting!)
Core list
Article numbering is for counting purposes only and does not reflect any ranking within this list.
#
|
Title
|
Director
|
Year
|
Source
|
Class
|
001
|
Citizen Kane
|
Orson Welles
|
1941
|
TSPDT
|
B
|
002
|
Vertigo
|
Alfred Hitchcock
|
1958
|
TSPDT
|
B
|
003
|
The Rules of the Game
|
Jean Renoir
|
1939
|
TSPDT
|
C
|
004
|
2001: A Space Odyssey
|
Stanley Kubrick
|
1968
|
TSPDT
|
B
|
005
|
8½
|
Federico Fellini
|
1963
|
TSPDT
|
C
|
006
|
The Godfather
|
Francis Ford Coppola
|
1972
|
TSPDT
|
C
|
007
|
The Searchers
|
John Ford
|
1956
|
TSPDT
|
C
|
008
|
Seven Samurai
|
Akira Kurosawa
|
1954
|
TSPDT
|
Start
|
009
|
Singin' in the Rain
|
Stanley Donen and Gene Kelly
|
1952
|
TSPDT
|
Start
|
010
|
The Battleship Potemkin
|
Sergei Eisenstein
|
1925
|
TSPDT
|
Start
|
011
|
Tokyo Story
|
Yasujiro Ozu
|
1953
|
TSPDT
|
Start
|
012
|
Sunrise: A Song of Two Humans
|
F.W. Murnau
|
1927
|
TSPDT
|
Start
|
013
|
Lawrence of Arabia
|
David Lean
|
1962
|
TSPDT
|
Start
|
014
|
Bicycle Thieves
|
Vittorio De Sica
|
1948
|
TSPDT
|
Start
|
015
|
The Godfather Part II
|
Francis Ford Coppola
|
1974
|
TSPDT
|
C
|
016
|
L'Atalante
|
Jean Vigo
|
1934
|
TSPDT
|
Start
|
017
|
Casablanca
|
Michael Curtiz
|
1942
|
TSPDT
|
FA
|
018
|
Rashomon
|
Akira Kurosawa
|
1950
|
TSPDT
|
Start
|
019
|
Raging Bull
|
Martin Scorsese
|
1980
|
TSPDT
|
B
|
020
|
The Passion of Joan of Arc
|
Carl Theodor Dreyer
|
1928
|
TSPDT
|
Start
|
021
|
Touch of Evil
|
Orson Welles
|
1958
|
TSPDT
|
Start
|
022
|
Some Like It Hot
|
Billy Wilder
|
1959
|
TSPDT
|
Start
|
023
|
La Dolce Vita
|
Federico Fellini
|
1960
|
TSPDT
|
Start
|
024
|
Grand Illusion
|
Jean Renoir
|
1937
|
TSPDT
|
C
|
025
|
City Lights
|
Charles Chaplin
|
1931
|
TSPDT
|
Start
|
026
|
Taxi Driver
|
Martin Scorsese
|
1976
|
TSPDT
|
B
|
027
|
The General
|
Buster Keaton and Clyde Bruckman
|
1927
|
TSPDT
|
Start
|
028
|
Psycho
|
Alfred Hitchcock
|
1960
|
TSPDT
|
GA
|
029
|
Children of Paradise
|
Marcel Carne
|
1945
|
TSPDT
|
C
|
030
|
The Third Man
|
Carol Reed
|
1949
|
TSPDT
|
C
|
031
|
Sunset Boulevard
|
Billy Wilder
|
1950
|
TSPDT
|
FA
|
032
|
The Gold Rush
|
Charles Chaplin
|
1925
|
TSPDT
|
C
|
033
|
Dr. Strangelove
|
Stanley Kubrick
|
1964
|
TSPDT
|
B
|
034
|
Breathless
|
Jean-Luc Godard
|
1960
|
TSPDT
|
Start
|
035
|
Apocalypse Now
|
Francis Ford Coppola
|
1979
|
TSPDT
|
Start
|
036
|
Chinatown
|
Roman Polanski
|
1974
|
TSPDT
|
C
|
037
|
The Night of the Hunter
|
Charles Laughton
|
1955
|
TSPDT
|
C
|
038
|
Ordet
|
Carl Theodor Dreyer
|
1955
|
TSPDT
|
Start
|
039
|
L'avventura
|
Michelangelo Antonioni
|
1960
|
TSPDT
|
Stub
|
040
|
Blade Runner
|
Ridley Scott
|
1982
|
TSPDT
|
FA
|
041
|
The 400 Blows
|
Francois Truffaut
|
1959
|
TSPDT
|
Start
|
042
|
Persona
|
Ingmar Bergman
|
1966
|
TSPDT
|
Start
|
043
|
Andrei Rublev
|
Andrei Tarkovsky
|
1966
|
TSPDT
|
GA
|
044
|
Rear Window
|
Alfred Hitchcock
|
1954
|
TSPDT
|
Start
|
045
|
It's a Wonderful Life
|
Frank Capra
|
1946
|
TSPDT
|
B
|
046
|
The Magnificent Ambersons
|
Orson Welles
|
1942
|
TSPDT
|
Start
|
047
|
Ugetsu
|
Kenji Mizoguchi
|
1953
|
TSPDT
|
Start
|
048
|
M
|
Fritz Lang
|
1931
|
TSPDT
|
Start
|
049
|
Jules and Jim
|
Francois Truffaut
|
1962
|
TSPDT
|
Start
|
050
|
La strada
|
Federico Fellini
|
1954
|
TSPDT
|
Start
|
051
|
The Wild Bunch
|
Sam Peckinpah
|
1969
|
TSPDT
|
B
|
052
|
Contempt
|
Jean-Luc Godard
|
1963
|
TSPDT
|
Start
|
053
|
The Seventh Seal
|
Ingmar Bergman
|
1957
|
TSPDT
|
B
|
054
|
Intolerance
|
D.W. Griffith
|
1916
|
TSPDT
|
Start
|
055
|
Modern Times
|
Charles Chaplin
|
1936
|
TSPDT
|
Start
|
056
|
Wild Strawberries
|
Ingmar Bergman
|
1957
|
TSPDT
|
Stub
|
057
|
North by Northwest
|
Alfred Hitchcock
|
1959
|
TSPDT
|
C
|
058
|
Rio Bravo
|
Howard Hawks
|
1959
|
TSPDT
|
Start
|
059
|
The Apartment
|
Billy Wilder
|
1960
|
TSPDT
|
C
|
060
|
Au hasard Balthazar
|
Robert Bresson
|
1966
|
TSPDT
|
Stub
|
061
|
Gone with the Wind
|
Victor Fleming
|
1939
|
TSPDT
|
B
|
062
|
Once Upon a Time in the West
|
Sergio Leone
|
1968
|
TSPDT
|
Start
|
063
|
The Conformist
|
Bernardo Bertolucci
|
1969
|
TSPDT
|
Start
|
064
|
Pather Panchali
|
Satyajit Ray
|
1955
|
TSPDT
|
GA
|
065
|
The Leopard
|
Luchino Visconti
|
1963
|
TSPDT
|
Stub
|
066
|
The Wizard of Oz
|
Victor Fleming
|
1939
|
TSPDT
|
C
|
067
|
Greed
|
Erich von Stroheim
|
1924
|
TSPDT
|
Stub
|
068
|
The Mirror
|
Andrei Tarkovsky
|
1975
|
TSPDT
|
Start
|
069
|
Metropolis
|
Fritz Lang
|
1926
|
TSPDT
|
Start
|
070
|
All About Eve
|
Joseph Mankiewicz
|
1950
|
TSPDT
|
Start
|
071
|
The Man Who Shot Liberty Valance
|
John Ford
|
1962
|
TSPDT
|
Start
|
072
|
To Be or Not to Be
|
Ernst Lubitsch
|
1942
|
TSPDT
|
Start
|
073
|
Viridiana
|
Luis Buñuel
|
1961
|
TSPDT
|
Stub
|
074
|
Nashville
|
Robert Altman
|
1975
|
TSPDT
|
Start
|
075
|
Fanny and Alexander
|
Ingmar Bergman
|
1982
|
TSPDT
|
Start
|
076
|
Amarcord
|
Federico Fellini
|
1973
|
TSPDT
|
Stub
|
077
|
Notorious
|
Alfred Hitchcock
|
1946
|
TSPDT
|
Start
|
078
|
The Earrings of Madame de...
|
Max Ophuls
|
1953
|
TSPDT
|
Stub
|
079
|
Ikiru
|
Akira Kurosawa
|
1952
|
TSPDT
|
Start
|
080
|
Bringing Up Baby
|
Howard Hawks
|
1938
|
TSPDT
|
Start
|
081
|
Pickpocket
|
Robert Bresson
|
1959
|
TSPDT
|
Stub
|
082
|
Letter from an Unknown Woman
|
Max Ophuls
|
1948
|
TSPDT
|
Stub
|
083
|
Stagecoach
|
John Ford
|
1939
|
TSPDT
|
Start
|
084
|
Barry Lyndon
|
Stanley Kubrick
|
1975
|
TSPDT
|
Start
|
085
|
Aguirre, the Wrath of God
|
Werner Herzog
|
1972
|
TSPDT
|
Start
|
086
|
Journey to Italy
|
Roberto Rossellini
|
1953
|
TSPDT
|
Stub
|
087
|
Sansho the Bailiff
|
Kenji Mizoguchi
|
1954
|
TSPDT
|
Stub
|
088
|
Play Time
|
Jacques Tati
|
1967
|
TSPDT
|
Start
|
089
|
Jaws
|
Steven Spielberg
|
1975
|
TSPDT
|
FA
|
090
|
A Clockwork Orange
|
Stanley Kubrick
|
1971
|
TSPDT
|
Start
|
091
|
The Battle of Algiers
|
Gillo Pontecorvo
|
1965
|
TSPDT
|
Start
|
092
|
Pierrot le fou
|
Jean-Luc Godard
|
1965
|
TSPDT
|
Start
|
093
|
Last Year at Marienbad
|
Alain Resnais
|
1961
|
TSPDT
|
Stub
|
094
|
On the Waterfront
|
Elia Kazan
|
1954
|
TSPDT
|
Start
|
095
|
My Darling Clementine
|
John Ford
|
1946
|
TSPDT
|
Start
|
096
|
Goodfellas
|
Martin Scorsese
|
1990
|
TSPDT
|
B
|
097
|
Double Indemnity
|
Billy Wilder
|
1944
|
TSPDT
|
Start
|
098
|
Rome, Open City
|
Roberto Rossellini
|
1945
|
TSPDT
|
Start
|
099
|
Blue Velvet
|
David Lynch
|
1986
|
TSPDT
|
GA
|
100
|
Duck Soup
|
Leo McCarey
|
1933
|
TSPDT
|
Start
|
101
|
Man with a Movie Camera
|
Dziga Vertov
|
1929
|
TSPDT
|
Start
|
102
|
L'Âge d'or
|
Luis Buñuel
|
1930
|
TSPDT
|
Start
|
103
|
Nosferatu
|
F.W. Murnau
|
1922
|
TSPDT
|
Start
|
104
|
Star Wars Episode IV: A New Hope
|
George Lucas
|
1977
|
TSPDT
|
FA
|
105
|
Annie Hall
|
Woody Allen
|
1977
|
TSPDT
|
B
|
106
|
His Girl Friday
|
Howard Hawks
|
1940
|
TSPDT
|
Start
|
107
|
Hiroshima Mon Amour
|
Alain Resnais
|
1959
|
TSPDT
|
Start
|
108
|
Napoléon
|
Abel Gance
|
1927
|
TSPDT
|
Start
|
109
|
The Lady Eve
|
Preston Sturges
|
1941
|
TSPDT
|
Start
|
110
|
King Kong
|
Merian C. Cooper and Ernest Schoedsack
|
1933
|
TSPDT
|
Start
|
111
|
Gertrud
|
Carl Theodor Dreyer
|
1964
|
TSPDT
|
Stub
|
112
|
Stalker
|
Andrei Tarkovsky
|
1979
|
TSPDT
|
Start
|
113
|
Los Olvidados
|
Luis Buñuel
|
1950
|
TSPDT
|
Start
|
114
|
Manhattan
|
Woody Allen
|
1979
|
TSPDT
|
Start
|
115
|
Sherlock, Jr.
|
Buster Keaton
|
1924
|
TSPDT
|
Stub
|
116
|
Ran
|
Akira Kurosawa
|
1985
|
TSPDT
|
B
|
117
|
The Exterminating Angel
|
Luis Buñuel
|
1962
|
TSPDT
|
Start
|
118
|
Paisà
|
Roberto Rossellini
|
1946
|
TSPDT
|
Stub
|
119
|
Broken Blossoms
|
D.W. Griffith
|
1916
|
TSPDT
|
Start
|
120
|
The Treasure of the Sierra Madre
|
John Huston
|
1948
|
TSPDT
|
Start
|
121
|
Out of the Past
|
Jacques Tourneur
|
1947
|
TSPDT
|
Start
|
122
|
E.T. the Extra-Terrestrial
|
Steven Spielberg
|
1982
|
TSPDT
|
FA
|
123
|
Umberto D.
|
Vittorio De Sica
|
1952
|
TSPDT
|
Start
|
124
|
McCabe & Mrs. Miller
|
Robert Altman
|
1971
|
TSPDT
|
Start
|
125
|
Vivre sa vie
|
Jean-Luc Godard
|
1963
|
TSPDT
|
Start
|
126
|
Ashes and Diamonds
|
Andrzej Wajda
|
1958
|
TSPDT
|
Stub
|
127
|
Mean Streets
|
Martin Scorsese
|
1973
|
TSPDT
|
Start
|
128
|
Sullivan's Travels
|
Preston Sturges
|
1941
|
TSPDT
|
Start
|
129
|
The Grapes of Wrath
|
John Ford
|
1940
|
TSPDT
|
B
|
130
|
Pulp Fiction
|
Quentin Tarantino
|
1994
|
TSPDT
|
B
|
131
|
The Decalogue
|
Krzysztof Kieslowski
|
1988
|
TSPDT
|
Start
|
132
|
The Red Shoes
|
Michael Powell and Emeric Pressburger
|
1948
|
TSPDT
|
Start
|
133
|
The Birth of a Nation
|
D.W. Griffith
|
1915
|
TSPDT
|
B
|
134
|
A Man Escaped
|
Robert Bresson
|
1956
|
TSPDT
|
Stub
|
135
|
La Jetée
|
Chris Marker
|
1962
|
TSPDT
|
Start
|
136
|
Earth
|
Alexander Dovzhenko
|
1930
|
TSPDT
|
Stub
|
137
|
The Shining
|
Stanley Kubrick
|
1980
|
TSPDT
|
Start
|
138
|
A Matter of Life and Death
|
Michael Powell and Emeric Pressburger
|
1946
|
TSPDT
|
Start
|
139
|
Close Encounters of the Third Kind
|
Steven Spielberg
|
1977
|
TSPDT
|
GA
|
140
|
The Life and Death of Colonel Blimp
|
Michael Powell and Emeric Pressburger
|
1943
|
TSPDT
|
Start
|
141
|
The Best Years of Our Lives
|
William Wyler
|
1946
|
TSPDT
|
Start
|
142
|
Chimes at Midnight
|
Orson Welles
|
1966
|
TSPDT
|
Stub
|
143
|
Don't Look Now
|
Nicolas Roeg
|
1973
|
TSPDT
|
Start
|
144
|
Bonnie and Clyde
|
Arthur Penn
|
1967
|
TSPDT
|
Start
|
145
|
The Philadelphia Story
|
George Cukor
|
1940
|
TSPDT
|
Start
|
146
|
Black Narcissus
|
Michael Powell and Emeric Pressburger
|
1946
|
TSPDT
|
Start
|
147
|
Brief Encounter
|
David Lean
|
1945
|
TSPDT
|
Start
|
148
|
Once Upon a Time in America
|
Sergio Leone
|
1984
|
TSPDT
|
Start
|
149
|
One Flew Over the Cuckoo's Nest
|
Milos Forman
|
1975
|
TSPDT
|
Start
|
150
|
Red River
|
Howard Hawks
|
1948
|
TSPDT
|
Start
|
151
|
Belle de jour
|
Luis Buñuel
|
1967
|
TSPDT
|
Start
|
152
|
Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
|
Chantal Akerman
|
1975
|
TSPDT
|
Stub
|
153
|
The Cabinet of Dr. Caligari
|
Robert Wiene
|
1919
|
TSPDT
|
Start
|
154
|
Days of Heaven
|
Terrence Malick
|
1978
|
TSPDT
|
Start
|
155
|
Badlands
|
Terrence Malick
|
1973
|
TSPDT
|
Start
|
156
|
The Band Wagon
|
Vincente Minnelli
|
1953
|
TSPDT
|
Stub
|
157
|
Ivan the Terrible, Part Two
|
Sergei Eisenstein
|
1946
|
TSPDT
|
Stub
|
158
|
Sweet Smell of Success
|
Alexander Mackendrick
|
1957
|
TSPDT
|
GA
|
159
|
Shoah
|
Claude Lanzmann
|
1985
|
TSPDT
|
Stub
|
160
|
A Woman Under the Influence
|
John Cassavetes
|
1974
|
TSPDT
|
Start
|
161
|
Rocco and His Brothers
|
Luchino Visconti
|
1960
|
TSPDT
|
Stub
|
162
|
Cries and Whispers
|
Ingmar Bergman
|
1972
|
TSPDT
|
Stub
|
163
|
Brazil
|
Terry Gilliam
|
1985
|
TSPDT
|
Start
|
164
|
Ivan the Terrible, Part One
|
Sergei Eisenstein
|
1944
|
TSPDT
|
Stub
|
165
|
The Good, the Bad and the Ugly
|
Sergio Leone
|
1966
|
TSPDT
|
Start
|
166
|
The Conversation
|
Francis Ford Coppola
|
1974
|
TSPDT
|
Start
|
167
|
Un chien andalou
|
Luis Buñuel
|
1928
|
TSPDT
|
Start
|
168
|
The Palm Beach Story
|
Preston Sturges
|
1942
|
TSPDT
|
Start
|
169
|
The Maltese Falcon
|
John Huston
|
1941
|
TSPDT
|
B
|
170
|
Partie de campagne
|
Jean Renoir
|
1936
|
TSPDT
|
Stub
|
171
|
The Travelling Players
|
Theo Angelopoulos
|
1975
|
TSPDT
|
Stub
|
172
|
Trouble in Paradise
|
Ernst Lubitsch
|
1932
|
TSPDT
|
Stub
|
173
|
The Discreet Charm of the Bourgeoisie
|
Luis Buñuel
|
1972
|
TSPDT
|
Start
|
174
|
The Quiet Man
|
John Ford
|
1952
|
TSPDT
|
Start
|
175
|
Beauty and the Beast
|
Jean Cocteau
|
1946
|
TSPDT
|
Start
|
176
|
The Mother and the Whore
|
Jean Eustache
|
1973
|
TSPDT
|
Stub
|
177
|
Freaks
|
Tod Browning
|
1932
|
TSPDT
|
Start
|
178
|
The Last Laugh
|
F.W. Murnau
|
1924
|
TSPDT
|
Start
|
179
|
Do the Right Thing
|
Spike Lee
|
1989
|
TSPDT
|
Start
|
180
|
The World of Apu
|
Satyajit Ray
|
1959
|
TSPDT
|
Stub
|
181
|
The Gospel According to St. Matthew
|
Pier Paolo Pasolini
|
1964
|
TSPDT
|
Stub
|
182
|
Monsieur Verdoux
|
Charles Chaplin
|
1947
|
TSPDT
|
Start
|
183
|
Vampyr
|
Carl Theodor Dreyer
|
1932
|
TSPDT
|
GA
|
184
|
Nights of Cabiria
|
Federico Fellini
|
1957
|
TSPDT
|
Stub
|
185
|
The Exorcist
|
William Friedkin
|
1973
|
TSPDT
|
B
|
186
|
Performance
|
Nicolas Roeg and Donald Cammell
|
1970
|
TSPDT
|
Start
|
187
|
Death in Venice
|
Luchino Visconti
|
1971
|
TSPDT
|
Stub
|
188
|
Raiders of the Lost Ark
|
Steven Spielberg
|
1981
|
TSPDT
|
GA
|
189
|
Jalsaghar
|
Satyajit Ray
|
1958
|
TSPDT
|
Stub
|
190
|
Celine and Julie Go Boating
|
Jacques Rivette
|
1974
|
TSPDT
|
Start
|
191
|
Paths of Glory
|
Stanley Kubrick
|
1957
|
TSPDT
|
Start
|
192
|
Blowup
|
Michelangelo Antonioni
|
1966
|
TSPDT
|
Start
|
193
|
L'eclisse
|
Michelangelo Antonioni
|
1962
|
TSPDT
|
Stub
|
194
|
It Happened One Night
|
Frank Capra
|
1934
|
TSPDT
|
Start
|
195
|
Late Spring
|
Yasujiro Ozu
|
1949
|
TSPDT
|
Stub
|
196
|
Throne of Blood
|
Akira Kurosawa
|
1957
|
TSPDT
|
Start
|
197
|
The River
|
Jean Renoir
|
1951
|
TSPDT
|
Start
|
198
|
The Great Dictator
|
Charles Chaplin
|
1940
|
TSPDT
|
Start
|
199
|
Pandora's Box
|
G.W. Pabst
|
1928
|
TSPDT
|
Start
|
200
|
Ali: Fear Eats the Soul
|
Rainer Werner Fassbinder
|
1974
|
TSPDT
|
Start
|
201
|
Sans Soleil
|
Chris Marker
|
1983
|
TSPDT
|
Stub
|
202
|
The Crowd
|
King Vidor
|
1928
|
TSPDT
|
Start
|
203
|
Schindler's List
|
Steven Spielberg
|
1993
|
TSPDT
|
B
|
204
|
The Spirit of the Beehive
|
Victor Erice
|
1973
|
TSPDT
|
Start
|
205
|
The Deer Hunter
|
Michael Cimino
|
1978
|
TSPDT
|
Start
|
206
|
The Wages of Fear
|
Henri-Georges Clouzot
|
1952
|
TSPDT
|
Start
|
207
|
Kind Hearts and Coronets
|
Robert Hamer
|
1949
|
TSPDT
|
Start
|
208
|
The Umbrellas of Cherbourg
|
Jacques Demy
|
1964
|
TSPDT
|
Start
|
209
|
The Shop Around the Corner
|
Ernst Lubitsch
|
1940
|
TSPDT
|
Start
|
210
|
L'Argent
|
Robert Bresson
|
1983
|
TSPDT
|
Stub
|
211
|
Tabu
|
F.W. Murnau
|
1931
|
TSPDT
|
Stub
|
212
|
Written on the Wind
|
Douglas Sirk
|
1956
|
TSPDT
|
Stub
|
213
|
Bride of Frankenstein
|
James Whale
|
1935
|
TSPDT
|
FA
|
214
|
Night of the Living Dead
|
George Romero
|
1968
|
TSPDT
|
FA
|
215
|
The Graduate
|
Mike Nichols
|
1967
|
TSPDT
|
Start
|
216
|
Alien
|
Ridley Scott
|
1979
|
TSPDT
|
GA
|
217
|
Unforgiven
|
Clint Eastwood
|
1992
|
TSPDT
|
Start
|
218
|
Rosemary's Baby
|
Roman Polanski
|
1968
|
TSPDT
|
B
|
219
|
Close-Up
|
Abbas Kiarostami
|
1989
|
TSPDT
|
Stub
|
220
|
The Bridge on the River Kwai
|
David Lean
|
1957
|
TSPDT
|
Start
|
221
|
Johnny Guitar
|
Nicholas Ray
|
1954
|
TSPDT
|
Start
|
222
|
Alexander Nevsky
|
Sergei Eisenstein
|
1938
|
TSPDT
|
Start
|
223
|
Peeping Tom
|
Michael Powell
|
1960
|
TSPDT
|
Start
|
224
|
La notte
|
Michelangelo Antonioni
|
1961
|
TSPDT
|
Stub
|
225
|
Imitation of Life
|
Douglas Sirk
|
1959
|
TSPDT
|
Start
|
226
|
Only Angels Have Wings
|
Howard Hawks
|
1939
|
TSPDT
|
Stub
|
227
|
Solaris
|
Andrei Tarkovsky
|
1972
|
TSPDT
|
GA
|
228
|
Berlin Alexanderplatz
|
Rainer Werner Fassbinder
|
1980
|
TSPDT
|
Start
|
229
|
Le Samouraï
|
Jean-Pierre Melville
|
1967
|
TSPDT
|
Start
|
230
|
The Birds
|
Alfred Hitchcock
|
1963
|
TSPDT
|
Start
|
231
|
Meet Me in St. Louis
|
Vincente Minnelli
|
1944
|
TSPDT
|
Start
|
232
|
Monsieur Hulot's Holiday
|
Jacques Tati
|
1953
|
TSPDT
|
Start
|
233
|
A Star Is Born
|
George Cukor
|
1954
|
TSPDT
|
Stub
|
234
|
The Texas Chain Saw Massacre
|
Tobe Hooper
|
1974
|
TSPDT
|
GA
|
235
|
To Kill a Mockingbird
|
Robert Mulligan
|
1962
|
TSPDT
|
Start
|
236
|
Week End
|
Jean-Luc Godard
|
1967
|
TSPDT
|
Start
|
237
|
A Night at the Opera
|
Sam Wood
|
1935
|
TSPDT
|
Start
|
238
|
Cinema Paradiso
|
Giuseppe Tornatore
|
1988
|
TSPDT
|
Stub
|
239
|
Nanook of the North
|
Robert Flaherty
|
1922
|
TSPDT
|
Stub
|
240
|
Orpheus
|
Jean Cocteau
|
1950
|
TSPDT
|
Stub
|
241
|
Shoot the Piano Player
|
Francois Truffaut
|
1960
|
TSPDT
|
Stub
|
242
|
Diary of a Country Priest
|
Robert Bresson
|
1950
|
TSPDT
|
Stub
|
243
|
Snow White and the Seven Dwarfs
|
David Hand
|
1937
|
TSPDT
|
Start
|
244
|
Crimes and Misdemeanors
|
Woody Allen
|
1989
|
TSPDT
|
Start
|
245
|
Satantango
|
Bela Tarr
|
1994
|
TSPDT
|
Start
|
246
|
In the Mood for Love
|
Wong Kar-Wai
|
2000
|
TSPDT
|
Start
|
247
|
Zéro de conduite
|
Jean Vigo
|
1933
|
TSPDT
|
Stub
|
248
|
The Passenger
|
Michelangelo Antonioni
|
1975
|
TSPDT
|
Start
|
249
|
Senso
|
Luchino Visconti
|
1954
|
TSPDT
|
Start
|
250
|
Last Tango in Paris
|
Bernardo Bertolucci
|
1973
|
TSPDT
|
Start
|
251
|
Academy Award
|
|
|
Awards
|
B
|
252
|
British Academy of Film and Television Arts
|
|
|
Awards
|
Start
|
253
|
Palme d'Or
|
|
|
Awards
|
Start
|
254
|
European Film Awards
|
|
|
Awards
|
Stub
|
255
|
Filmfare Awards
|
|
|
Awards
|
Stub
|
256
|
Golden Lion
|
|
|
Awards
|
List
|
257
|
Golden Globe Award
|
|
|
Awards
|
Start
|
258
|
MTV Movie Awards
|
|
|
Awards
|
Stub
|
259
|
Genie Award
|
|
|
Awards
|
Stub
|
260
|
Golden Raspberry Award
|
|
|
Awards
|
Start
|
261
|
Film festival
|
|
|
Festivals
|
Start
|
262
|
Berlin International Film Festival
|
|
|
Festivals
|
Start
|
263
|
Cannes Film Festival
|
|
|
Festivals
|
Start
|
264
|
Locarno International Film Festival
|
|
|
Festivals
|
Stub
|
265
|
Venice Film Festival
|
|
|
Festivals
|
Start
|
266
|
Pusan International Film Festival
|
|
|
Festivals
|
Stub
|
267
|
Edinburgh International Film Festival
|
|
|
Festivals
|
Start
|
268
|
London Film Festival
|
|
|
Festivals
|
Start
|
269
|
Sundance Film Festival
|
|
|
Festivals
|
Start
|
270
|
Toronto International Film Festival
|
|
|
Festivals
|
Start
|
271
|
Animation
|
|
|
Filmmaking
|
Start
|
272
|
Cinematography
|
|
|
Filmmaking
|
Start
|
273
|
Film
|
|
|
Filmmaking
|
Start
|
274
|
Film director
|
|
|
Filmmaking
|
Start
|
275
|
Film editing
|
|
|
Filmmaking
|
Start
|
276
|
Filmmaking
|
|
|
Filmmaking
|
Start
|
277
|
Movie camera
|
|
|
Filmmaking
|
Start
|
278
|
Screenwriting
|
|
|
Filmmaking
|
Start
|
279
|
Studio system
|
|
|
Filmmaking
|
Start
|
280
|
Visual effects
|
|
|
Filmmaking
|
Start
|
281
|
High Noon
|
Fred Zinnemann
|
1952
|
TSPDT-USA
|
Start
|
282
|
Ninotchka
|
Ernst Lubitsch
|
1939
|
TSPDT-USA
|
Start
|
283
|
The Terminator
|
James Cameron
|
1984
|
TSPDT-USA
|
Start
|
284
|
To Have and Have Not
|
Howard Hawks
|
1944
|
TSPDT-USA
|
C
|
285
|
Fantasia
|
Ben Sharpsteen
|
1940
|
TSPDT-USA
|
Start
|
286
|
Shane
|
George Stevens
|
1953
|
TSPDT-USA
|
Start
|
287
|
Fargo
|
Joel Coen
|
1996
|
TSPDT-USA
|
C
|
288
|
Star Wars Episode V: The Empire Strikes Back
|
Irvin Kershner
|
1980
|
TSPDT-USA
|
FA
|
289
|
West Side Story
|
Robert Wise and Jerome Robbins
|
1961
|
TSPDT-USA
|
Start
|
290
|
Dawn of the Dead
|
George A. Romero
|
1978
|
TSPDT-USA
|
Start
|
291
|
The Hour of the Furnaces
|
Octavio Getino and Fernando Solanas
|
1968
|
TSPDT-Arg
|
Stub
|
292
|
The Headless Woman
|
Lucrecia Martel
|
2008
|
TSPDT-Arg
|
Needed
|
293
|
The Holy Girl
|
Lucrecia Martel
|
2004
|
TSPDT-Arg
|
Start
|
294
|
La Ciénaga
|
Lucrecia Martel
|
2001
|
TSPDT-Arg
|
Start
|
295
|
The Official Story
|
Luis Puenzo
|
1985
|
TSPDT-Arg
|
B
|
296
|
Mad Max 2
|
George Miller
|
1981
|
TSPDT-Aus
|
Start
|
297
|
Picnic at Hanging Rock
|
Peter Weir
|
1975
|
TSPDT-Aus
|
Start
|
298
|
Walkabout
|
Nicolas Roeg
|
1971
|
TSPDT-Aus
|
Start
|
299
|
The Year of Living Dangerously
|
Peter Weir
|
1982
|
TSPDT-Aus
|
Start
|
300
|
Moulin Rouge!
|
Baz Luhrmann
|
2001
|
TSPDT-Aus
|
Start
|
301
|
Rabbit-Proof Fence
|
Phillip Noyce
|
2002
|
TSPDT-Aus
|
Start
|
302
|
The Proposition
|
John Hillcoat
|
2005
|
TSPDT-Aus
|
Start
|
303
|
Master and Commander: The Far Side of the World
|
Peter Weir
|
2003
|
TSPDT-Aus
|
Start
|
304
|
The Quiet American
|
Phillip Noyce
|
2002
|
TSPDT-Aus
|
Start
|
305
|
Lantana
|
Ray Lawrence
|
2001
|
TSPDT-Aus
|
Stub
|
306
|
The 39 Steps
|
Alfred Hitchcock
|
1935
|
TSPDT-UK
|
Start
|
307
|
The Thief of Bagdad
|
Michael Powell, Ludwig Berger, and Tim Whelan
|
1940
|
TSPDT-UK
|
Start
|
308
|
Man of Aran
|
Robert J. Flaherty
|
1934
|
TSPDT-UK
|
Stub
|
309
|
Repulsion
|
Roman Polanski
|
1965
|
TSPDT-UK
|
Stub
|
310
|
Great Expectations
|
David Lean
|
1946
|
TSPDT-UK
|
Start
|
311
|
A Canterbury Tale
|
Michael Powell and Emeric Pressburger
|
1944
|
TSPDT-UK
|
Start
|
312
|
Providence
|
Alain Resnais
|
1977
|
TSPDT-UK
|
Stub
|
313
|
Listen to Britain
|
Humphrey Jennings
|
1941
|
TSPDT-UK
|
Stub
|
314
|
The Lady Vanishes
|
Alfred Hitchcock
|
1938
|
TSPDT-UK
|
Start
|
315
|
The Servant
|
Joseph Losey
|
1963
|
TSPDT-UK
|
Stub
|
316
|
Wavelength
|
Michael Snow
|
1967
|
TSPDT-Can
|
B
|
317
|
Videodrome
|
David Cronenberg
|
1983
|
TSPDT-Can
|
Start
|
318
|
Dead Ringers
|
David Cronenberg
|
1988
|
TSPDT-Can
|
Stub
|
319
|
The Hart of London
|
Jack Chambers
|
1970
|
TSPDT-Can
|
Stub
|
320
|
La Région Centrale
|
Michael Snow
|
1971
|
TSPDT-Can
|
Stub
|
321
|
Crash
|
David Cronenberg
|
1996
|
TSPDT-Can
|
Start
|
322
|
The Sweet Hereafter
|
Atom Egoyan
|
1997
|
TSPDT-Can
|
Start
|
323
|
Léolo
|
Jean-Claude Lauzon
|
1992
|
TSPDT-Can
|
Stub
|
324
|
Atanarjuat
|
Zacharias Kunuk
|
2001
|
TSPDT-Can
|
Start
|
325
|
My Winnipeg
|
Guy Maddin
|
2007
|
TSPDT-Can
|
Stub
|
326
|
The Time to Live and the Time to Die
|
Hsiao-hsien Hou
|
1985
|
TSPDT-Chi
|
Stub
|
327
|
Chungking Express
|
Wong Kar-Wai
|
1994
|
TSPDT-Chi
|
Start
|
328
|
A City of Sadness
|
Hsiao-hsien Hou
|
1989
|
TSPDT-Chi
|
Stub
|
329
|
Spring in a Small Town
|
Fei Mu
|
1948
|
TSPDT-Chi
|
Start
|
330
|
A Brighter Summer Day
|
Edward Yang
|
1991
|
TSPDT-Chi
|
Stub
|
331
|
Yi Yi: A One and a Two
|
Edward Yang
|
2000
|
TSPDT-Chi
|
Start
|
332
|
Raise the Red Lantern
|
Zhang Yimou
|
1991
|
TSPDT-Chi
|
Start
|
333
|
The Killer
|
John Woo
|
1989
|
TSPDT-Chi
|
C
|
334
|
A Touch of Zen
|
King Hu
|
1968
|
TSPDT-Chi
|
Stub
|
335
|
Farewell My Concubine
|
Chen Kaige
|
1993
|
TSPDT-Chi
|
Start
|
336
|
Two or Three Things I Know About Her
|
Jean-Luc Godard
|
1966
|
TSPDT-Fra
|
Stub
|
337
|
Day for Night
|
Francois Truffaut
|
1973
|
TSPDT-Fra
|
Start
|
338
|
Mouchette
|
Robert Bresson
|
1966
|
TSPDT-Fra
|
Stub
|
339
|
Lola Montès
|
Max Ophuls
|
1955
|
TSPDT-Fra
|
Stub
|
340
|
The Crime of Monsieur Lange
|
Jean Renoir
|
1936
|
TSPDT-Fra
|
Stub
|
341
|
My Night at Maud's
|
Eric Rohmer
|
1969
|
TSPDT-Fra
|
Stub
|
342
|
Night and Fog
|
Alain Resnais
|
1955
|
TSPDT-Fra
|
B
|
343
|
Le Million
|
Rene Clair
|
1931
|
TSPDT-Fra
|
Stub
|
344
|
Le Plaisir
|
Max Ophuls
|
1952
|
TSPDT-Fra
|
Stub
|
345
|
F for Fake
|
Orson Welles
|
1974
|
TSPDT-Fra
|
Start
|
346
|
Germany Year Zero
|
Roberto Rossellini
|
1947
|
TSPDT-Ger
|
Stub
|
347
|
Wings of Desire
|
Wim Wenders
|
1987
|
TSPDT-Ger
|
Start
|
348
|
The Blue Angel
|
Josef von Sternberg
|
1930
|
TSPDT-Ger
|
Start
|
349
|
Kings of the Road
|
Wim Wenders
|
1976
|
TSPDT-Ger
|
Stub
|
350
|
Triumph of the Will
|
Leni Riefenstahl
|
1935
|
TSPDT-Ger
|
Start
|
351
|
In a Year of 13 Moons
|
Rainer Werner Fassbinder
|
1978
|
TSPDT-Ger
|
Stub
|
352
|
Alice in the Cities
|
Wim Wenders
|
1974
|
TSPDT-Ger
|
Stub
|
353
|
Faust
|
F.W. Murnau
|
1926
|
TSPDT-Ger
|
Stub
|
354
|
Olympia
|
Leni Riefenstahl
|
1938
|
TSPDT-Ger
|
Stub
|
355
|
The Marriage of Maria Braun
|
Rainer Werner Fassbinder
|
1979
|
TSPDT-Ger
|
Stub
|
356
|
Aparajito
|
Satyajit Ray
|
1956
|
TSPDT-Ind
|
Stub
|
357
|
Charulata
|
Satyajit Ray
|
1964
|
TSPDT-Ind
|
Stub
|
358
|
Meghe Dhaka Tara
|
Ritwik Ghatak
|
1960
|
TSPDT-Ind
|
Stub
|
359
|
Pyaasa
|
Guru Dutt
|
1957
|
TSPDT-Ind
|
Stub
|
360
|
Days and Nights in the Forest
|
Satyajit Ray
|
1969
|
TSPDT-Ind
|
Stub
|
361
|
Pakeezah
|
Kamal Amrohi
|
1972
|
TSPDT-Ind
|
Start
|
362
|
Kaagaz Ke Phool
|
Guru Dutt
|
1959
|
TSPDT-Ind
|
Start
|
363
|
Subarnarekha
|
Ritwik Ghatak
|
1965
|
TSPDT-Ind
|
Stub
|
364
|
Mother India
|
Mehboob Khan
|
1957
|
TSPDT-Ind
|
Start
|
365
|
Awaara
|
Raj Kapoor
|
1951
|
TSPDT-Ind
|
Start
|
366
|
Salò, or the 120 Days of Sodom
|
Pier Paolo Pasolini
|
1975
|
TSPDT-Ita
|
Start
|
367
|
The Tree of Wooden Clogs
|
Ermanno Olmi
|
1978
|
TSPDT-Ita
|
Stub
|
368
|
1900
|
Bernardo Bertolucci
|
1976
|
TSPDT-Ita
|
Start
|
369
|
Miracle in Milan
|
Vittorio De Sica
|
1951
|
TSPDT-Ita
|
Start
|
370
|
Salvatore Giuliano
|
Francesco Rosi
|
1962
|
TSPDT-Ita
|
Start
|
371
|
Red Desert
|
Michelangelo Antonioni
|
1964
|
TSPDT-Ita
|
Stub
|
372
|
Accattone
|
Pier Paolo Pasolini
|
1961
|
TSPDT-Ita
|
Stub
|
373
|
I Vitelloni
|
Federico Fellini
|
1953
|
TSPDT-Ita
|
Start
|
374
|
The Flowers of St. Francis
|
Roberto Rossellini
|
1950
|
TSPDT-Ita
|
Stub
|
375
|
Satyricon
|
Federico Fellini
|
1969
|
TSPDT-Ita
|
Start
|
376
|
The Story of the Last Chrysanthemums
|
Kenji Mizoguchi
|
1939
|
TSPDT-Jpn
|
Stub
|
377
|
The Life of Oharu
|
Kenji Mizoguchi
|
1952
|
TSPDT-Jpn
|
Stub
|
378
|
In the Realm of the Senses
|
Nagisa Oshima
|
1976
|
TSPDT-Jpn
|
Start
|
379
|
Floating Clouds
|
Mikio Naruse
|
1955
|
TSPDT-Jpn
|
Stub
|
380
|
An Autumn Afternoon
|
Yasujiro Ozu
|
1962
|
TSPDT-Jpn
|
Stub
|
381
|
High and Low
|
Akira Kurosawa
|
1963
|
TSPDT-Jpn
|
Stub
|
382
|
Yojimbo
|
Akira Kurosawa
|
1961
|
TSPDT-Jpn
|
Start
|
383
|
Dersu Uzala
|
Akira Kurosawa
|
1975
|
TSPDT-Jpn
|
Stub
|
384
|
My Neighbor Totoro
|
Hayao Miyazaki
|
1988
|
TSPDT-Jpn
|
Start
|
385
|
I Was Born, But...
|
Yasujiro Ozu
|
1932
|
TSPDT-Jpn
|
Stub
|
386
|
Oldboy
|
Park Chan-wook
|
2003
|
TSPDT-Kor
|
B
|
387
|
The Host
|
Bong Joon-ho
|
2006
|
TSPDT-Kor
|
B
|
388
|
Woman on the Beach
|
Hong Sang-soo
|
2006
|
TSPDT-Kor
|
Stub
|
389
|
Chunhyang
|
Im Kwon-taek
|
2000
|
TSPDT-Kor
|
Stub
|
390
|
The Piano
|
Jane Campion
|
1993
|
TSPDT-NZ
|
Start
|
391
|
The Lord of the Rings: The Fellowship of the Ring
|
Peter Jackson
|
2001
|
TSPDT-NZ
|
B
|
392
|
The Lord of the Rings: The Return of the King
|
Peter Jackson
|
2003
|
TSPDT-NZ
|
C
|
393
|
The Lord of the Rings: The Two Towers
|
Peter Jackson
|
2002
|
TSPDT-NZ
|
B
|
394
|
King Kong
|
Peter Jackson
|
2005
|
TSPDT-NZ
|
GA
|
395
|
An Angel at My Table
|
Jane Campion
|
1990
|
TSPDT-NZ
|
Stub
|
396
|
Whale Rider
|
Niki Caro
|
2003
|
TSPDT-NZ
|
Start
|
397
|
Day of Wrath
|
Carl Theodor Dreyer
|
1943
|
TSPDT-Nor
|
Stub
|
398
|
Breaking the Waves
|
Lars von Trier
|
1996
|
TSPDT-Nor
|
Stub
|
399
|
The Sacrifice
|
Andrei Tarkovsky
|
1986
|
TSPDT-Nor
|
Start
|
400
|
The Silence
|
Ingmar Bergman
|
1963
|
TSPDT-Nor
|
Stub
|
401
|
My Life as a Dog
|
Lasse Hallstrom
|
1985
|
TSPDT-Nor
|
Stub
|
402
|
Scenes from a Marriage
|
Ingmar Bergman
|
1973
|
TSPDT-Nor
|
Stub
|
403
|
Winter Light
|
Ingmar Bergman
|
1962
|
TSPDT-Nor
|
Start
|
404
|
Sawdust and Tinsel
|
Ingmar Bergman
|
1953
|
TSPDT-Nor
|
Stub
|
405
|
Smiles of a Summer Night
|
Ingmar Bergman
|
1955
|
TSPDT-Nor
|
Stub
|
406
|
The Virgin Spring
|
Ingmar Bergman
|
1960
|
TSPDT-Nor
|
Start
|
407
|
Where Is the Friend's Home?
|
Abbas Kiarostami
|
1987
|
TSPDT-Per
|
Stub
|
408
|
A Moment of Innocence
|
Mohsen Makhmalbaf
|
1995
|
TSPDT-Per
|
Stub
|
409
|
Life, and Nothing More...
|
Abbas Kiarostami
|
1992
|
TSPDT-Per
|
Stub
|
410
|
Through the Olive Trees
|
Abbas Kiarostami
|
1994
|
TSPDT-Per
|
Stub
|
411
|
Taste of Cherry
|
Abbas Kiarostami
|
1997
|
TSPDT-Per
|
Start
|
412
|
The Wind Will Carry Us
|
Abbas Kiarostami
|
1999
|
TSPDT-Per
|
Stub
|
413
|
The Circle
|
Jafar Panahi
|
2000
|
TSPDT-Per
|
Stub
|
414
|
Ten
|
Abbas Kiarostami
|
2002
|
TSPDT-Per
|
Stub
|
415
|
Offside
|
Jafar Panahi
|
2006
|
TSPDT-Per
|
Start
|
416
|
Crimson Gold
|
Jafar Panahi
|
2003
|
TSPDT-Per
|
Start
|
417
|
Syndromes and a Century
|
Apichatpong Weerasethakul
|
2006
|
TSPDT-SEA
|
Stub
|
418
|
Tropical Malady
|
Apichatpong Weerasethakul
|
2004
|
TSPDT-SEA
|
Start
|
419
|
Blissfully Yours
|
Apichatpong Weerasethakul
|
2002
|
TSPDT-SEA
|
Start
|
420
|
Strike
|
Sergei Eisenstein
|
1925
|
TSPDT-Sov
|
Stub
|
421
|
Come and See
|
Elem Klimov
|
1985
|
TSPDT-Sov
|
Start
|
422
|
October: Ten Days That Shook the World
|
Sergei Eisenstein
|
1927
|
TSPDT-Sov
|
Stub
|
423
|
The Color of Pomegranates
|
Sergei Parajanov
|
1968
|
TSPDT-Sov
|
Stub
|
424
|
I Am Cuba
|
Mikhail Kalatozov
|
1964
|
TSPDT-Sov
|
Start
|
425
|
Shadows of Forgotten Ancestors
|
Sergei Parajanov
|
1964
|
TSPDT-Sov
|
Start
|
426
|
Okraina
|
Boris Barnet
|
1933
|
TSPDT-Sov
|
Stub
|
427
|
The Cranes Are Flying
|
Mikhail Kalatozov
|
1957
|
TSPDT-Sov
|
Stub
|
428
|
¡Que viva México!
|
Sergei Eisenstein
|
1932
|
TSPDT-Sov
|
Start
|
429
|
Ivan's Childhood
|
Andrei Tarkovsky
|
1962
|
TSPDT-Sov
|
Start
|
430
|
Not on Your Life
|
Luis Garcia Berlanga
|
1963
|
TSPDT-Spa
|
Start
|
431
|
Tristana
|
Luis Buñuel
|
1970
|
TSPDT-Spa
|
Stub
|
432
|
That Obscure Object of Desire
|
Luis Buñuel
|
1977
|
TSPDT-Spa
|
Start
|
433
|
Land Without Bread
|
Luis Buñuel
|
1932
|
TSPDT-Spa
|
Stub
|
434
|
All About My Mother
|
Pedro Almodovar
|
1999
|
TSPDT-Spa
|
Start
|
435
|
Law of Desire
|
Pedro Almodovar
|
1987
|
TSPDT-Spa
|
Start
|
436
|
Pan's Labyrinth
|
Guillermo del Toro
|
2006
|
TSPDT-Spa
|
GA
|
437
|
Talk to Her
|
Pedro Almodovar
|
2002
|
TSPDT-Spa
|
Start
|
438
|
Plácido
|
Luis Garcia Berlanga
|
1961
|
TSPDT-Spa
|
Stub
|
439
|
The South
|
Victor Erice
|
1983
|
TSPDT-Spa
|
Stub
|
440
|
Saving Private Ryan
|
Steven Spielberg
|
1998
|
IMDb-War
|
GA
|
441
|
The Pianist
|
Roman Polanski
|
2002
|
IMDb-War
|
Start
|
442
|
Das Boot
|
Wolfgang Petersen
|
1981
|
IMDb-War
|
Start
|
443
|
Mihai Viteazul
|
Sergiu Nicolaescu
|
1971
|
IMDb-War
|
Stub
|
444
|
The Big Parade
|
King Vidor
|
1925
|
IMDb-War
|
Stub
|
445
|
Inglourious Basterds
|
Quentin Tarantino
|
2009
|
IMDb-War
|
GA
|
446
|
Downfall
|
Oliver Hirschbiegel
|
2004
|
IMDb-War
|
Start
|
447
|
Life Is Beautiful
|
Roberto Benigni
|
1997
|
IMDb-War
|
Start
|
448
|
Full Metal Jacket
|
Stanley Kubrick
|
1987
|
IMDb-War
|
Start
|
449
|
The Great Escape
|
John Sturges
|
1963
|
IMDb-War
|
Start
|
Current status
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