Wikipedia:WikiProject Film/Core: Difference between revisions
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''Article numbering is for counting purposes only and does not reflect any ranking within this list.'' |
''Article numbering is for counting purposes only and does not reflect any ranking within this list.'' |
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{| class="wikitable sortable" |
{| class="wikitable sortable" |
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|+Core film list for WikiProject Film |
|||
|- |
|- |
||
!align="left"|# |
!scope="col" align="left"|# |
||
!align="left"|Title |
!scope="col" align="left"|Title |
||
!align="left"|Director |
!scope="col" align="left"|Director |
||
!align="left"|Year |
!scope="col" align="left"|Year |
||
!align="left"|Source |
!scope="col" align="left"|Source |
||
!align="left"|Class |
!scope="col" align="left"|Class |
||
|- |
|- |
||
|001 |
|001 |
||
|''[[Citizen Kane]]'' |
|scope="row"|''[[Citizen Kane]]'' |
||
|[[Orson Welles]] |
|[[Orson Welles]] |
||
|1941 |
|1941 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|002 |
|002 |
||
|''[[Vertigo (film)|Vertigo]]'' |
|scope="row"|''[[Vertigo (film)|Vertigo]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1958 |
|1958 |
||
Line 47: | Line 48: | ||
|- |
|- |
||
|003 |
|003 |
||
|''[[ |
|scope="row"|''[[2001: A Space Odyssey]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1968 |
|1968 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|004 |
|004 |
||
|''[[Tokyo Story]]'' |
|scope="row"|''[[Tokyo Story]]'' |
||
|[[Yasujiro Ozu]] |
|[[Yasujiro Ozu]] |
||
|1953 |
|1953 |
||
Line 61: | Line 62: | ||
|- |
|- |
||
|005 |
|005 |
||
|''[[The Rules of the Game]]'' |
|scope="row"|''[[The Rules of the Game]]'' |
||
|[[Jean Renoir]] |
|[[Jean Renoir]] |
||
|1939 |
|1939 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|006 |
|006 |
||
|''[[8½]]'' |
|scope="row"|''[[8½]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1963 |
|1963 |
||
Line 75: | Line 76: | ||
|- |
|- |
||
|007 |
|007 |
||
|''[[The Godfather]]'' |
|scope="row"|''[[The Godfather]]'' |
||
|[[Francis Ford Coppola]] |
|[[Francis Ford Coppola]] |
||
|1972 |
|1972 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|008 |
|008 |
||
|''[[Sunrise: A Song of Two Humans]]'' |
|scope="row"|''[[Sunrise: A Song of Two Humans]]'' |
||
|[[F.W. Murnau]] |
|[[F. W. Murnau]] |
||
|1927 |
|1927 |
||
|TSPDT |
|TSPDT |
||
Line 89: | Line 90: | ||
|- |
|- |
||
|009 |
|009 |
||
|''[[Seven Samurai]]'' |
|scope="row"|''[[Seven Samurai]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1954 |
|1954 |
||
Line 96: | Line 97: | ||
|- |
|- |
||
|010 |
|010 |
||
|''[[ |
|scope="row"|''[[The Searchers]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1956 |
|1956 |
||
Line 103: | Line 104: | ||
|- |
|- |
||
|011 |
|011 |
||
|''[[Battleship Potemkin]]'' |
|scope="row"|''[[Battleship Potemkin]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1925 |
|1925 |
||
Line 110: | Line 111: | ||
|- |
|- |
||
|012 |
|012 |
||
|''[[Apocalypse Now]]'' |
|scope="row"|''[[Apocalypse Now]]'' |
||
|[[Francis Ford Coppola]] |
|[[Francis Ford Coppola]] |
||
|1979 |
|1979 |
||
Line 117: | Line 118: | ||
|- |
|- |
||
|013 |
|013 |
||
|''[[Bicycle Thieves]]'' |
|scope="row"|''[[Bicycle Thieves]]'' |
||
|[[Vittorio De Sica]] |
|[[Vittorio De Sica]] |
||
|1948 |
|1948 |
||
Line 124: | Line 125: | ||
|- |
|- |
||
|014 |
|014 |
||
|''[[Breathless (1960 film)|Breathless]]'' |
|scope="row"|''[[Breathless (1960 film)|Breathless]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1960 |
|1960 |
||
Line 131: | Line 132: | ||
|- |
|- |
||
|015 |
|015 |
||
|''[[The Passion of Joan of Arc]]'' |
|scope="row"|''[[The Passion of Joan of Arc]]'' |
||
|[[Carl Theodor Dreyer]] |
|[[Carl Theodor Dreyer]] |
||
|1928 |
|1928 |
||
Line 138: | Line 139: | ||
|- |
|- |
||
|016 |
|016 |
||
|''[[Singin' in the Rain]]'' |
|scope="row"|''[[Singin' in the Rain]]'' |
||
|[[Stanley Donen]] and [[Gene Kelly]] |
|[[Stanley Donen]] and [[Gene Kelly]] |
||
|1952 |
|1952 |
||
Line 145: | Line 146: | ||
|- |
|- |
||
|017 |
|017 |
||
|''[[L'Atalante]]'' |
|scope="row"|''[[L'Atalante]]'' |
||
|[[Jean Vigo]] |
|[[Jean Vigo]] |
||
|1934 |
|1934 |
||
Line 152: | Line 153: | ||
|- |
|- |
||
|018 |
|018 |
||
|''[[Man with a Movie Camera]]'' |
|scope="row"|''[[Man with a Movie Camera]]'' |
||
|[[Dziga Vertov]] |
|[[Dziga Vertov]] |
||
|1929 |
|1929 |
||
Line 159: | Line 160: | ||
|- |
|- |
||
|019 |
|019 |
||
|''[[Taxi Driver]]'' |
|scope="row"|''[[Taxi Driver]]'' |
||
|[[Martin Scorsese]] |
|[[Martin Scorsese]] |
||
|1976 |
|1976 |
||
Line 166: | Line 167: | ||
|- |
|- |
||
|020 |
|020 |
||
|''[[Rashomon]]'' |
|scope="row"|''[[Rashomon]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1950 |
|1950 |
||
Line 173: | Line 174: | ||
|- |
|- |
||
|021 |
|021 |
||
|''[[The Godfather Part II]]'' |
|scope="row"|''[[The Godfather Part II]]'' |
||
|[[Francis Ford Coppola]] |
|[[Francis Ford Coppola]] |
||
|1974 |
|1974 |
||
Line 180: | Line 181: | ||
|- |
|- |
||
|022 |
|022 |
||
|''[[Raging Bull]]'' |
|scope="row"|''[[Raging Bull]]'' |
||
|[[Martin Scorsese]] |
|[[Martin Scorsese]] |
||
|1980 |
|1980 |
||
Line 187: | Line 188: | ||
|- |
|- |
||
|023 |
|023 |
||
|''[[Persona (1966 film)|Persona]]'' |
|scope="row"|''[[Persona (1966 film)|Persona]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1966 |
|1966 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|024 |
|024 |
||
|''[[Lawrence of Arabia (film)|Lawrence of Arabia]]'' |
|scope="row"|''[[Lawrence of Arabia (film)|Lawrence of Arabia]]'' |
||
|[[David Lean]] |
|[[David Lean]] |
||
|1962 |
|1962 |
||
Line 201: | Line 202: | ||
|- |
|- |
||
|025 |
|025 |
||
|''[[The 400 Blows]]'' |
|scope="row"|''[[The 400 Blows]]'' |
||
|[[François Truffaut]] |
|[[François Truffaut]] |
||
|1959 |
|1959 |
||
Line 208: | Line 209: | ||
|- |
|- |
||
|026 |
|026 |
||
|''[[Andrei Rublev (film)|Andrei Rublev]]'' |
|scope="row"|''[[Andrei Rublev (film)|Andrei Rublev]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1966 |
|1966 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|027 |
|027 |
||
|''[[ |
|scope="row"|''[[Mirror (film)|Mirror]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1975 |
|1975 |
||
Line 222: | Line 223: | ||
|- |
|- |
||
|028 |
|028 |
||
|''[[City Lights]]'' |
|scope="row"|''[[City Lights]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1931 |
|1931 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|029 |
|029 |
||
|''[[Psycho (1960 film)|Psycho]]'' |
|scope="row"|''[[Psycho (1960 film)|Psycho]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1960 |
|1960 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|030 |
|030 |
||
|''[[La Dolce Vita]]'' |
|scope="row"|''[[La Dolce Vita]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1960 |
|1960 |
||
Line 243: | Line 244: | ||
|- |
|- |
||
|031 |
|031 |
||
|''[[L'Avventura]]'' |
|scope="row"|''[[L'Avventura]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1960 |
|1960 |
||
Line 250: | Line 251: | ||
|- |
|- |
||
|032 |
|032 |
||
|''[[Some Like It Hot]]'' |
|scope="row"|''[[Some Like It Hot]]'' |
||
|[[Billy Wilder]] |
|[[Billy Wilder]] |
||
|1959 |
|1959 |
||
Line 257: | Line 258: | ||
|- |
|- |
||
|033 |
|033 |
||
|''[[Ordet]]'' |
|scope="row"|''[[Ordet]]'' |
||
|[[Carl Theodor Dreyer]] |
|[[Carl Theodor Dreyer]] |
||
|1955 |
|1955 |
||
Line 264: | Line 265: | ||
|- |
|- |
||
|034 |
|034 |
||
|''[[Touch of Evil]]'' |
|scope="row"|''[[Touch of Evil]]'' |
||
|[[Orson Welles]] |
|[[Orson Welles]] |
||
|1958 |
|1958 |
||
Line 271: | Line 272: | ||
|- |
|- |
||
|035 |
|035 |
||
|''[[The General (1926 film)|The General]]'' |
|scope="row"|''[[The General (1926 film)|The General]]'' |
||
|[[Buster Keaton]] and [[Clyde Bruckman]] |
|[[Buster Keaton]] and [[Clyde Bruckman]] |
||
|1926 |
|1926 |
||
Line 278: | Line 279: | ||
|- |
|- |
||
|036 |
|036 |
||
|''[[Au Hasard Balthazar]]'' |
|scope="row"|''[[Au Hasard Balthazar]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1966 |
|1966 |
||
Line 285: | Line 286: | ||
|- |
|- |
||
|037 |
|037 |
||
|''[[Blade Runner]]'' |
|scope="row"|''[[Blade Runner]]'' |
||
|[[Ridley Scott]] |
|[[Ridley Scott]] |
||
|1982 |
|1982 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|038 |
|038 |
||
|''[[Contempt (film)|Contempt]]'' |
|scope="row"|''[[Contempt (film)|Contempt]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1963 |
|1963 |
||
Line 299: | Line 300: | ||
|- |
|- |
||
|039 |
|039 |
||
|''[[Casablanca (film)|Casablanca]]'' |
|scope="row"|''[[Casablanca (film)|Casablanca]]'' |
||
|[[Michael Curtiz]] |
|[[Michael Curtiz]] |
||
|1942 |
|1942 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|040 |
|040 |
||
|''[[Sunset Boulevard (film)|Sunset Boulevard]]'' |
|scope="row"|''[[Sunset Boulevard (film)|Sunset Boulevard]]'' |
||
|[[Billy Wilder]] |
|[[Billy Wilder]] |
||
|1950 |
|1950 |
||
Line 313: | Line 314: | ||
|- |
|- |
||
|041 |
|041 |
||
|''[[Metropolis (1927 film)|Metropolis]]'' |
|scope="row"|''[[Metropolis (1927 film)|Metropolis]]'' |
||
|[[Fritz Lang]] |
|[[Fritz Lang]] |
||
|1926 |
|1926 |
||
Line 320: | Line 321: | ||
|- |
|- |
||
|042 |
|042 |
||
|''[[La Grande Illusion]]'' |
|scope="row"|''[[La Grande Illusion]]'' |
||
|[[Jean Renoir]] |
|[[Jean Renoir]] |
||
|1937 |
|1937 |
||
Line 327: | Line 328: | ||
|- |
|- |
||
|043 |
|043 |
||
|''[[The Night of the Hunter (film)|The Night of the Hunter]]'' |
|scope="row"|''[[The Night of the Hunter (film)|The Night of the Hunter]]'' |
||
|[[Charles Laughton]] |
|[[Charles Laughton]] |
||
|1955 |
|1955 |
||
Line 334: | Line 335: | ||
|- |
|- |
||
|044 |
|044 |
||
|''[[Modern Times (film)|Modern Times]]'' |
|scope="row"|''[[Modern Times (film)|Modern Times]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1936 |
|1936 |
||
Line 341: | Line 342: | ||
|- |
|- |
||
|045 |
|045 |
||
|''[[Rear Window]]'' |
|scope="row"|''[[Rear Window]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1954 |
|1954 |
||
Line 348: | Line 349: | ||
|- |
|- |
||
|046 |
|046 |
||
|''[[Playtime]]'' |
|scope="row"|''[[Playtime]]'' |
||
|[[Jacques Tati]] |
|[[Jacques Tati]] |
||
|1967 |
|1967 |
||
Line 355: | Line 356: | ||
|- |
|- |
||
|047 |
|047 |
||
|''[[The Third Man]]'' |
|scope="row"|''[[The Third Man]]'' |
||
|[[Carol Reed]] |
|[[Carol Reed]] |
||
|1949 |
|1949 |
||
Line 362: | Line 363: | ||
|- |
|- |
||
|048 |
|048 |
||
|''[[M (1931 film)|M]]'' |
|scope="row"|''[[M (1931 film)|M]]'' |
||
|[[Fritz Lang]] |
|[[Fritz Lang]] |
||
|1931 |
|1931 |
||
Line 369: | Line 370: | ||
|- |
|- |
||
|049 |
|049 |
||
|''[[Shoah (film)|Shoah]]'' |
|scope="row"|''[[Shoah (film)|Shoah]]'' |
||
|[[Claude Lanzmann]] |
|[[Claude Lanzmann]] |
||
|1985 |
|1985 |
||
Line 376: | Line 377: | ||
|- |
|- |
||
|050 |
|050 |
||
|''[[Barry Lyndon]]'' |
|scope="row"|''[[Barry Lyndon]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1975 |
|1975 |
||
Line 383: | Line 384: | ||
|- |
|- |
||
|051 |
|051 |
||
|''[[Fanny and Alexander]]'' |
|scope="row"|''[[Fanny and Alexander]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1982 |
|1982 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|052 |
|052 |
||
|''[[Dr. Strangelove]]'' |
|scope="row"|''[[Dr. Strangelove]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1964 |
|1964 |
||
Line 397: | Line 398: | ||
|- |
|- |
||
|053 |
|053 |
||
|''[[Chinatown (1974 film)|Chinatown]]'' |
|scope="row"|''[[Chinatown (1974 film)|Chinatown]]'' |
||
|[[Roman Polanski]] |
|[[Roman Polanski]] |
||
|1974 |
|1974 |
||
Line 404: | Line 405: | ||
|- |
|- |
||
|054 |
|054 |
||
|''[[Stalker (1979 film)|Stalker]]'' |
|scope="row"|''[[Stalker (1979 film)|Stalker]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1979 |
|1979 |
||
Line 411: | Line 412: | ||
|- |
|- |
||
|055 |
|055 |
||
|''[[In the Mood for Love]]'' |
|scope="row"|''[[In the Mood for Love]]'' |
||
|[[Wong Kar-wai]] |
|[[Wong Kar-wai]] |
||
|2000 |
|2000 |
||
Line 418: | Line 419: | ||
|- |
|- |
||
|056 |
|056 |
||
|''[[Children of Paradise]]'' |
|scope="row"|''[[Children of Paradise]]'' |
||
|[[Marcel Carné]] |
|[[Marcel Carné]] |
||
|1945 |
|1945 |
||
Line 425: | Line 426: | ||
|- |
|- |
||
|057 |
|057 |
||
|''[[The Apartment]]'' |
|scope="row"|''[[The Apartment]]'' |
||
|[[Billy Wilder]] |
|[[Billy Wilder]] |
||
|1960 |
|1960 |
||
Line 432: | Line 433: | ||
|- |
|- |
||
|058 |
|058 |
||
|''[[Ugetsu]]'' |
|scope="row"|''[[Ugetsu]]'' |
||
|[[Kenji Mizoguchi]] |
|[[Kenji Mizoguchi]] |
||
|1953 |
|1953 |
||
Line 439: | Line 440: | ||
|- |
|- |
||
|059 |
|059 |
||
|''[[Pather Panchali]]'' |
|scope="row"|''[[Pather Panchali]]'' |
||
|[[Satyajit Ray]] |
|[[Satyajit Ray]] |
||
|1955 |
|1955 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|060 |
|060 |
||
|''[[The Battle of Algiers]]'' |
|scope="row"|''[[The Battle of Algiers]]'' |
||
|[[Gillo Pontecorvo]] |
|[[Gillo Pontecorvo]] |
||
|1965 |
|1965 |
||
Line 453: | Line 454: | ||
|- |
|- |
||
|061 |
|061 |
||
|''[[Once Upon a Time in the West]]'' |
|scope="row"|''[[Once Upon a Time in the West]]'' |
||
|[[Sergio Leone]] |
|[[Sergio Leone]] |
||
|1968 |
|1968 |
||
Line 460: | Line 461: | ||
|- |
|- |
||
|062 |
|062 |
||
|''[[Late Spring]]'' |
|scope="row"|''[[Late Spring]]'' |
||
|[[Yasujiro Ozu]] |
|[[Yasujiro Ozu]] |
||
|1949 |
|1949 |
||
Line 467: | Line 468: | ||
|- |
|- |
||
|063 |
|063 |
||
|''[[North by Northwest]]'' |
|scope="row"|''[[North by Northwest]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1959 |
|1959 |
||
Line 474: | Line 475: | ||
|- |
|- |
||
|064 |
|064 |
||
|''[[The Leopard (1963 film)|The Leopard]]'' |
|scope="row"|''[[The Leopard (1963 film)|The Leopard]]'' |
||
|[[Luchino Visconti]] |
|[[Luchino Visconti]] |
||
|1963 |
|1963 |
||
Line 481: | Line 482: | ||
|- |
|- |
||
|065 |
|065 |
||
|''[[Wild Strawberries (film)|Wild Strawberries]]'' |
|scope="row"|''[[Wild Strawberries (film)|Wild Strawberries]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1957 |
|1957 |
||
Line 488: | Line 489: | ||
|- |
|- |
||
|066 |
|066 |
||
|''[[Mulholland Drive (film)|Mulholland Drive]]'' |
|scope="row"|''[[Mulholland Drive (film)|Mulholland Drive]]'' |
||
|[[David Lynch]] |
|[[David Lynch]] |
||
|2001 |
|2001 |
||
|TSPDT |
|TSPDT |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|067 |
|067 |
||
|''[[La Strada]]'' |
|scope="row"|''[[La Strada]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1954 |
|1954 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|068 |
|068 |
||
|''[[The Gold Rush]]'' |
|scope="row"|''[[The Gold Rush]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1925 |
|1925 |
||
Line 509: | Line 510: | ||
|- |
|- |
||
|069 |
|069 |
||
|''[[Rio Bravo (film)|Rio Bravo]]'' |
|scope="row"|''[[Rio Bravo (film)|Rio Bravo]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1959 |
|1959 |
||
Line 516: | Line 517: | ||
|- |
|- |
||
|070 |
|070 |
||
|''[[Pierrot le Fou]]'' |
|scope="row"|''[[Pierrot le Fou]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1965 |
|1965 |
||
Line 523: | Line 524: | ||
|- |
|- |
||
|071 |
|071 |
||
|''[[The Wild Bunch]]'' |
|scope="row"|''[[The Wild Bunch]]'' |
||
|[[Sam Peckinpah]] |
|[[Sam Peckinpah]] |
||
|1969 |
|1969 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|072 |
|072 |
||
|''[[The Seventh Seal]]'' |
|scope="row"|''[[The Seventh Seal]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1957 |
|1957 |
||
Line 537: | Line 538: | ||
|- |
|- |
||
|073 |
|073 |
||
|''[[Gertrud (film)|Gertrud]]'' |
|scope="row"|''[[Gertrud (film)|Gertrud]]'' |
||
|[[Carl Theodor Dreyer]] |
|[[Carl Theodor Dreyer]] |
||
|1964 |
|1964 |
||
Line 544: | Line 545: | ||
|- |
|- |
||
|074 |
|074 |
||
|''[[Viridiana]]'' |
|scope="row"|''[[Viridiana]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1961 |
|1961 |
||
Line 551: | Line 552: | ||
|- |
|- |
||
|075 |
|075 |
||
|''[[Pickpocket (film)|Pickpocket]]'' |
|scope="row"|''[[Pickpocket (film)|Pickpocket]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1959 |
|1959 |
||
Line 558: | Line 559: | ||
|- |
|- |
||
|076 |
|076 |
||
|''[[Amarcord]]'' |
|scope="row"|''[[Amarcord]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1973 |
|1973 |
||
Line 565: | Line 566: | ||
|- |
|- |
||
|077 |
|077 |
||
|''[[Journey to Italy]]'' |
|scope="row"|''[[Journey to Italy]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1953 |
|1953 |
||
Line 572: | Line 573: | ||
|- |
|- |
||
|078 |
|078 |
||
|''[[Blue Velvet (film)|Blue Velvet]]'' |
|scope="row"|''[[Blue Velvet (film)|Blue Velvet]]'' |
||
|[[David Lynch]] |
|[[David Lynch]] |
||
|1986 |
|1986 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|079 |
|079 |
||
|''[[The Conformist (film)|The Conformist]]'' |
|scope="row"|''[[The Conformist (1970 film)|The Conformist]]'' |
||
|[[Bernardo Bertolucci]] |
|[[Bernardo Bertolucci]] |
||
|1969 |
|1969 |
||
Line 586: | Line 587: | ||
|- |
|- |
||
|080 |
|080 |
||
|''[[Jules and Jim]]'' |
|scope="row"|''[[Jules and Jim]]'' |
||
|[[François Truffaut]] |
|[[François Truffaut]] |
||
|1962 |
|1962 |
||
Line 593: | Line 594: | ||
|- |
|- |
||
|081 |
|081 |
||
|''[[Close-Up (1990 film)|Close-Up]]'' |
|scope="row"|''[[Close-Up (1990 film)|Close-Up]]'' |
||
|[[Abbas Kiarostami]] |
|[[Abbas Kiarostami]] |
||
|1989 |
|1989 |
||
Line 600: | Line 601: | ||
|- |
|- |
||
|082 |
|082 |
||
|''[[Nashville (film)|Nashville]]'' |
|scope="row"|''[[Nashville (film)|Nashville]]'' |
||
|[[Robert Altman]] |
|[[Robert Altman]] |
||
|1975 |
|1975 |
||
Line 607: | Line 608: | ||
|- |
|- |
||
|083 |
|083 |
||
|''[[Last Year at Marienbad]]'' |
|scope="row"|''[[Last Year at Marienbad]]'' |
||
|[[Alain Resnais]] |
|[[Alain Resnais]] |
||
|1961 |
|1961 |
||
Line 614: | Line 615: | ||
|- |
|- |
||
|084 |
|084 |
||
|''[[Goodfellas]]'' |
|scope="row"|''[[Goodfellas]]'' |
||
|[[Martin Scorsese]] |
|[[Martin Scorsese]] |
||
|1990 |
|1990 |
||
Line 621: | Line 622: | ||
|- |
|- |
||
|085 |
|085 |
||
|''[[Sans Soleil]]'' |
|scope="row"|''[[Sans Soleil]]'' |
||
|[[Chris Marker]] |
|[[Chris Marker]] |
||
|1983 |
|1983 |
||
Line 628: | Line 629: | ||
|- |
|- |
||
|086 |
|086 |
||
|''[[The Magnificent Ambersons (film)|The Magnificent Ambersons]]'' |
|scope="row"|''[[The Magnificent Ambersons (film)|The Magnificent Ambersons]]'' |
||
|[[Orson Welles]] |
|[[Orson Welles]] |
||
|1942 |
|1942 |
||
Line 635: | Line 636: | ||
|- |
|- |
||
|087 |
|087 |
||
|''[[It's a Wonderful Life]]'' |
|scope="row"|''[[It's a Wonderful Life]]'' |
||
|[[Frank Capra]] |
|[[Frank Capra]] |
||
|1946 |
|1946 |
||
Line 642: | Line 643: | ||
|- |
|- |
||
|088 |
|088 |
||
|''[[A Man Escaped]]'' |
|scope="row"|''[[A Man Escaped]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1956 |
|1956 |
||
Line 649: | Line 650: | ||
|- |
|- |
||
|089 |
|089 |
||
|''[[A Brighter Summer Day]]'' |
|scope="row"|''[[A Brighter Summer Day]]'' |
||
|[[Edward Yang]] |
|[[Edward Yang]] |
||
|1991 |
|1991 |
||
Line 656: | Line 657: | ||
|- |
|- |
||
|090 |
|090 |
||
|''[[Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles]]'' |
|scope="row"|''[[Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles]]'' |
||
|[[Chantal Akerman]] |
|[[Chantal Akerman]] |
||
|1975 |
|1975 |
||
Line 663: | Line 664: | ||
|- |
|- |
||
|091 |
|091 |
||
|''[[Sátántangó]]'' |
|scope="row"|''[[Sátántangó]]'' |
||
|[[ |
|[[Béla Tarr]] |
||
|1994 |
|1994 |
||
|TSPDT |
|TSPDT |
||
Line 670: | Line 671: | ||
|- |
|- |
||
|092 |
|092 |
||
|''[[A Clockwork Orange (film)|A Clockwork Orange]]'' |
|scope="row"|''[[A Clockwork Orange (film)|A Clockwork Orange]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1971 |
|1971 |
||
Line 677: | Line 678: | ||
|- |
|- |
||
|093 |
|093 |
||
|''[[Sansho the Bailiff]]'' |
|scope="row"|''[[Sansho the Bailiff]]'' |
||
|[[Kenji Mizoguchi]] |
|[[Kenji Mizoguchi]] |
||
|1954 |
|1954 |
||
Line 684: | Line 685: | ||
|- |
|- |
||
|094 |
|094 |
||
|''[[Aguirre, the Wrath of God]]'' |
|scope="row"|''[[Aguirre, the Wrath of God]]'' |
||
|[[Werner Herzog]] |
|[[Werner Herzog]] |
||
|1972 |
|1972 |
||
Line 691: | Line 692: | ||
|- |
|- |
||
|095 |
|095 |
||
|''[[Pulp Fiction]]'' |
|scope="row"|''[[Pulp Fiction]]'' |
||
|[[Quentin Tarantino]] |
|[[Quentin Tarantino]] |
||
|1994 |
|1994 |
||
Line 698: | Line 699: | ||
|- |
|- |
||
|096 |
|096 |
||
|''[[Intolerance (film)|Intolerance]]'' |
|scope="row"|''[[Intolerance (film)|Intolerance]]'' |
||
|[[D.W. Griffith]] |
|[[D. W. Griffith]] |
||
|1916 |
|1916 |
||
|TSPDT |
|TSPDT |
||
Line 705: | Line 706: | ||
|- |
|- |
||
|097 |
|097 |
||
|''[[The Man Who Shot Liberty Valance]]'' |
|scope="row"|''[[The Man Who Shot Liberty Valance]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1962 |
|1962 |
||
Line 712: | Line 713: | ||
|- |
|- |
||
|098 |
|098 |
||
|''[[La Jetée]]'' |
|scope="row"|''[[La Jetée]]'' |
||
|[[Chris Marker]] |
|[[Chris Marker]] |
||
|1962 |
|1962 |
||
Line 719: | Line 720: | ||
|- |
|- |
||
|099 |
|099 |
||
|''[[Annie Hall]]'' |
|scope="row"|''[[Annie Hall]]'' |
||
|[[Woody Allen]] |
|[[Woody Allen]] |
||
|1977 |
|1977 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|100 |
|100 |
||
|''[[Greed (1924 film)|Greed]]'' |
|scope="row"|''[[Greed (1924 film)|Greed]]'' |
||
|[[Erich von Stroheim]] |
|[[Erich von Stroheim]] |
||
|1924 |
|1924 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|101 |
|101 |
||
|''[[Gone with the Wind (film)|Gone with the Wind]]'' |
|scope="row"|''[[Gone with the Wind (film)|Gone with the Wind]]'' |
||
|[[Victor Fleming]] |
|[[Victor Fleming]] |
||
|1939 |
|1939 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|102 |
|102 |
||
|''[[Jaws (film)|Jaws]]'' |
|scope="row"|''[[Jaws (film)|Jaws]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1975 |
|1975 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|103 |
|103 |
||
|''[[L'Eclisse]]'' |
|scope="row"|''[[L'Eclisse]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1962 |
|1962 |
||
Line 754: | Line 755: | ||
|- |
|- |
||
|104 |
|104 |
||
|''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' |
|scope="row"|''[[The Wizard of Oz (1939 film)|The Wizard of Oz]]'' |
||
|[[Victor Fleming]] |
|[[Victor Fleming]] |
||
|1939 |
|1939 |
||
Line 761: | Line 762: | ||
|- |
|- |
||
|105 |
|105 |
||
|''[[The Shining (film)|The Shining]]'' |
|scope="row"|''[[The Shining (film)|The Shining]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1980 |
|1980 |
||
Line 768: | Line 769: | ||
|- |
|- |
||
|106 |
|106 |
||
|''[[Histoire(s) du cinéma]]'' |
|scope="row"|''[[Histoire(s) du cinéma]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1988–1998 |
|1988–1998 |
||
Line 775: | Line 776: | ||
|- |
|- |
||
|107 |
|107 |
||
|''[[Blowup]]'' |
|scope="row"|''[[Blowup]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1966 |
|1966 |
||
Line 782: | Line 783: | ||
|- |
|- |
||
|108 |
|108 |
||
|''[[The Mother and the Whore]]'' |
|scope="row"|''[[The Mother and the Whore]]'' |
||
|[[Jean Eustache]] |
|[[Jean Eustache]] |
||
|1973 |
|1973 |
||
Line 789: | Line 790: | ||
|- |
|- |
||
|109 |
|109 |
||
|''[[Bringing Up Baby]]'' |
|scope="row"|''[[Bringing Up Baby]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1938 |
|1938 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|110 |
|110 |
||
|''[[To Be or Not to Be (1942 film)|To Be or Not to Be]]'' |
|scope="row"|''[[To Be or Not to Be (1942 film)|To Be or Not to Be]]'' |
||
|[[Ernst Lubitsch]] |
|[[Ernst Lubitsch]] |
||
|1942 |
|1942 |
||
Line 803: | Line 804: | ||
|- |
|- |
||
|111 |
|111 |
||
|''[[Star Wars (film)|Star Wars Episode IV: A New Hope]]'' |
|scope="row"|''[[Star Wars (film)|Star Wars Episode IV: A New Hope]]'' |
||
|[[George Lucas]] |
|[[George Lucas]] |
||
|1977 |
|1977 |
||
Line 810: | Line 811: | ||
|- |
|- |
||
|112 |
|112 |
||
|''[[Sherlock |
|scope="row"|''[[Sherlock Jr.]]'' |
||
|[[Buster Keaton]] |
|[[Buster Keaton]] |
||
|1924 |
|1924 |
||
Line 817: | Line 818: | ||
|- |
|- |
||
|113 |
|113 |
||
|''[[Hiroshima mon amour]]'' |
|scope="row"|''[[Hiroshima mon amour]]'' |
||
|[[Alain Resnais]] |
|[[Alain Resnais]] |
||
|1959 |
|1959 |
||
Line 824: | Line 825: | ||
|- |
|- |
||
|114 |
|114 |
||
|''[[Ikiru]]'' |
|scope="row"|''[[Ikiru]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1952 |
|1952 |
||
Line 831: | Line 832: | ||
|- |
|- |
||
|115 |
|115 |
||
|''[[Los Olvidados]]'' |
|scope="row"|''[[Los Olvidados]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1950 |
|1950 |
||
Line 838: | Line 839: | ||
|- |
|- |
||
|116 |
|116 |
||
|''[[All About Eve]]'' |
|scope="row"|''[[All About Eve]]'' |
||
|[[Joseph Mankiewicz]] |
|[[Joseph Mankiewicz]] |
||
|1950 |
|1950 |
||
Line 845: | Line 846: | ||
|- |
|- |
||
|117 |
|117 |
||
|''[[Once Upon a Time in America]]'' |
|scope="row"|''[[Once Upon a Time in America]]'' |
||
|[[Sergio Leone]] |
|[[Sergio Leone]] |
||
|1984 |
|1984 |
||
Line 852: | Line 853: | ||
|- |
|- |
||
|118 |
|118 |
||
|''[[My Life to Live]]'' |
|scope="row"|''[[My Life to Live]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1963 |
|1963 |
||
Line 859: | Line 860: | ||
|- |
|- |
||
|119 |
|119 |
||
|''[[Letter from an Unknown Woman (1948 film)|Letter from an Unknown Woman]]'' |
|scope="row"|''[[Letter from an Unknown Woman (1948 film)|Letter from an Unknown Woman]]'' |
||
|[[Max |
|[[Max Ophüls]] |
||
|1948 |
|1948 |
||
|TSPDT |
|TSPDT |
||
Line 866: | Line 867: | ||
|- |
|- |
||
|120 |
|120 |
||
|''[[Manhattan (film)|Manhattan]]'' |
|scope="row"|''[[Manhattan (1979 film)|Manhattan]]'' |
||
|[[Woody Allen]] |
|[[Woody Allen]] |
||
|1979 |
|1979 |
||
Line 873: | Line 874: | ||
|- |
|- |
||
|121 |
|121 |
||
|''[[The Spirit of the Beehive]]'' |
|scope="row"|''[[The Spirit of the Beehive]]'' |
||
|[[Víctor Erice]] |
|[[Víctor Erice]] |
||
|1973 |
|1973 |
||
Line 880: | Line 881: | ||
|- |
|- |
||
|122 |
|122 |
||
|''[[The Earrings of Madame de...]]'' |
|scope="row"|''[[The Earrings of Madame de...]]'' |
||
|[[Max |
|[[Max Ophüls]] |
||
|1953 |
|1953 |
||
|TSPDT |
|TSPDT |
||
Line 887: | Line 888: | ||
|- |
|- |
||
|123 |
|123 |
||
|''[[Yi Yi: A One and a Two]]'' |
|scope="row"|''[[Yi Yi: A One and a Two]]'' |
||
|[[Edward Yang]] |
|[[Edward Yang]] |
||
|2000 |
|2000 |
||
Line 894: | Line 895: | ||
|- |
|- |
||
|124 |
|124 |
||
|''[[L'Age d'Or]]'' |
|scope="row"|''[[L'Age d'Or]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1930 |
|1930 |
||
Line 901: | Line 902: | ||
|- |
|- |
||
|125 |
|125 |
||
|''[[Un Chien Andalou]]'' |
|scope="row"|''[[Un Chien Andalou]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1928 |
|1928 |
||
Line 908: | Line 909: | ||
|- |
|- |
||
|126 |
|126 |
||
|''[[The Lady Eve]]'' |
|scope="row"|''[[The Lady Eve]]'' |
||
|[[Preston Sturges]] |
|[[Preston Sturges]] |
||
|1941 |
|1941 |
||
Line 915: | Line 916: | ||
|- |
|- |
||
|127 |
|127 |
||
|''[[Notorious (1946 film)|Notorious]]'' |
|scope="row"|''[[Notorious (1946 film)|Notorious]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1946 |
|1946 |
||
Line 922: | Line 923: | ||
|- |
|- |
||
|128 |
|128 |
||
|''[[Nosferatu]]'' |
|scope="row"|''[[Nosferatu]]'' |
||
|[[F.W. Murnau]] |
|[[F. W. Murnau]] |
||
|1922 |
|1922 |
||
|TSPDT |
|TSPDT |
||
Line 929: | Line 930: | ||
|- |
|- |
||
|129 |
|129 |
||
|''[[Spring in a Small Town]]'' |
|scope="row"|''[[Spring in a Small Town]]'' |
||
|[[Fei Mu]] |
|[[Fei Mu]] |
||
|1948 |
|1948 |
||
Line 936: | Line 937: | ||
|- |
|- |
||
|130 |
|130 |
||
|''[[Badlands (film)|Badlands]]'' |
|scope="row"|''[[Badlands (film)|Badlands]]'' |
||
|[[Terrence Malick]] |
|[[Terrence Malick]] |
||
|1973 |
|1973 |
||
Line 943: | Line 944: | ||
|- |
|- |
||
|131 |
|131 |
||
|''[[A Woman Under the Influence]]'' |
|scope="row"|''[[A Woman Under the Influence]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1974 |
|1974 |
||
Line 950: | Line 951: | ||
|- |
|- |
||
|132 |
|132 |
||
|''[[E.T. the Extra-Terrestrial]]'' |
|scope="row"|''[[E.T. the Extra-Terrestrial]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1982 |
|1982 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|133 |
|133 |
||
|''[[Ali: Fear Eats the Soul]]'' |
|scope="row"|''[[Ali: Fear Eats the Soul]]'' |
||
|[[Rainer Werner Fassbinder]] |
|[[Rainer Werner Fassbinder]] |
||
|1974 |
|1974 |
||
Line 964: | Line 965: | ||
|- |
|- |
||
|134 |
|134 |
||
|''[[Rome, Open City]]'' |
|scope="row"|''[[Rome, Open City]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1945 |
|1945 |
||
Line 971: | Line 972: | ||
|- |
|- |
||
|135 |
|135 |
||
|''[[A Matter of Life and Death (film)|A Matter of Life and Death]]'' |
|scope="row"|''[[A Matter of Life and Death (film)|A Matter of Life and Death]]'' |
||
|[[Michael Powell (director)|Michael Powell]] and [[Emeric Pressburger]] |
|[[Michael Powell (director)|Michael Powell]] and [[Emeric Pressburger]] |
||
|1946 |
|1946 |
||
Line 978: | Line 979: | ||
|- |
|- |
||
|136 |
|136 |
||
|''[[My Darling Clementine]]'' |
|scope="row"|''[[My Darling Clementine]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1946 |
|1946 |
||
Line 985: | Line 986: | ||
|- |
|- |
||
|137 |
|137 |
||
|''[[Come and See]]'' |
|scope="row"|''[[Come and See]]'' |
||
|[[Elem Klimov]] |
|[[Elem Klimov]] |
||
|1985 |
|1985 |
||
Line 992: | Line 993: | ||
|- |
|- |
||
|138 |
|138 |
||
|''[[Do the Right Thing]]'' |
|scope="row"|''[[Do the Right Thing]]'' |
||
|[[Spike Lee]] |
|[[Spike Lee]] |
||
|1989 |
|1989 |
||
Line 999: | Line 1,000: | ||
|- |
|- |
||
|139 |
|139 |
||
|''[[Days of Heaven]]'' |
|scope="row"|''[[Days of Heaven]]'' |
||
|[[Terrence Malick]] |
|[[Terrence Malick]] |
||
|1978 |
|1978 |
||
Line 1,006: | Line 1,007: | ||
|- |
|- |
||
|140 |
|140 |
||
|''[[One Flew Over the Cuckoo's Nest (film)|One Flew Over the Cuckoo's Nest]]'' |
|scope="row"|''[[One Flew Over the Cuckoo's Nest (film)|One Flew Over the Cuckoo's Nest]]'' |
||
|[[ |
|[[Miloš Forman]] |
||
|1975 |
|1975 |
||
|TSPDT |
|TSPDT |
||
Line 1,013: | Line 1,014: | ||
|- |
|- |
||
|141 |
|141 |
||
|''[[ |
|scope="row"|''[[The Exterminating Angel]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1962 |
|1962 |
||
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|- |
|- |
||
|142 |
|142 |
||
|''[[Don't Look Now]]'' |
|scope="row"|''[[Don't Look Now]]'' |
||
|[[Nicolas Roeg]] |
|[[Nicolas Roeg]] |
||
|1973 |
|1973 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|143 |
|143 |
||
|''[[The Life and Death of Colonel Blimp]]'' |
|scope="row"|''[[The Life and Death of Colonel Blimp]]'' |
||
|[[ |
|[[Michael Powell]] and [[Emeric Pressburger]] |
||
|1943 |
|1943 |
||
|TSPDT |
|TSPDT |
||
Line 1,034: | Line 1,035: | ||
|- |
|- |
||
|144 |
|144 |
||
|''[[The Good, the Bad and the Ugly]]'' |
|scope="row"|''[[The Good, the Bad and the Ugly]]'' |
||
|[[Sergio Leone]] |
|[[Sergio Leone]] |
||
|1966 |
|1966 |
||
Line 1,041: | Line 1,042: | ||
|- |
|- |
||
|145 |
|145 |
||
|''[[Napoléon (1927 film)|Napoléon]]'' |
|scope="row"|''[[Napoléon (1927 film)|Napoléon]]'' |
||
|[[Abel Gance]] |
|[[Abel Gance]] |
||
|1927 |
|1927 |
||
Line 1,048: | Line 1,049: | ||
|- |
|- |
||
|146 |
|146 |
||
|''[[Beau Travail]]'' |
|scope="row"|''[[Beau Travail]]'' |
||
|[[Claire Denis]] |
|[[Claire Denis]] |
||
|1999 |
|1999 |
||
Line 1,055: | Line 1,056: | ||
|- |
|- |
||
|147 |
|147 |
||
|''[[Partie de campagne]]'' |
|scope="row"|''[[Partie de campagne]]'' |
||
|[[Jean Renoir]] |
|[[Jean Renoir]] |
||
|1936 |
|1936 |
||
Line 1,062: | Line 1,063: | ||
|- |
|- |
||
|148 |
|148 |
||
|''[[Trouble in Paradise (1932 film)|Trouble in Paradise]]'' |
|scope="row"|''[[Trouble in Paradise (1932 film)|Trouble in Paradise]]'' |
||
|[[Ernst Lubitsch]] |
|[[Ernst Lubitsch]] |
||
|1932 |
|1932 |
||
Line 1,069: | Line 1,070: | ||
|- |
|- |
||
|149 |
|149 |
||
|''[[Stagecoach (1939 film)|Stagecoach]]'' |
|scope="row"|''[[Stagecoach (1939 film)|Stagecoach]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1939 |
|1939 |
||
Line 1,076: | Line 1,077: | ||
|- |
|- |
||
|150 |
|150 |
||
|''[[A City of Sadness]]'' |
|scope="row"|''[[A City of Sadness]]'' |
||
|[[Hou Hsiao-Hsien]] |
|[[Hou Hsiao-Hsien]] |
||
|1989 |
|1989 |
||
Line 1,083: | Line 1,084: | ||
|- |
|- |
||
|151 |
|151 |
||
|''[[King Kong (1933 film)|King Kong]]'' |
|scope="row"|''[[King Kong (1933 film)|King Kong]]'' |
||
|[[Merian C. Cooper]] and [[Ernest Schoedsack]] |
|[[Merian C. Cooper]] and [[Ernest Schoedsack]] |
||
|1933 |
|1933 |
||
Line 1,090: | Line 1,091: | ||
|- |
|- |
||
|152 |
|152 |
||
|''[[Duck Soup (1933 film)|Duck Soup]]'' |
|scope="row"|''[[Duck Soup (1933 film)|Duck Soup]]'' |
||
|[[Leo McCarey]] |
|[[Leo McCarey]] |
||
|1933 |
|1933 |
||
Line 1,097: | Line 1,098: | ||
|- |
|- |
||
|153 |
|153 |
||
|''[[Double Indemnity]]'' |
|scope="row"|''[[Double Indemnity]]'' |
||
|[[Billy Wilder]] |
|[[Billy Wilder]] |
||
|1944 |
|1944 |
||
Line 1,104: | Line 1,105: | ||
|- |
|- |
||
|154 |
|154 |
||
|''[[His Girl Friday]]'' |
|scope="row"|''[[His Girl Friday]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1940 |
|1940 |
||
Line 1,111: | Line 1,112: | ||
|- |
|- |
||
|155 |
|155 |
||
|''[[Brief Encounter]]'' |
|scope="row"|''[[Brief Encounter]]'' |
||
|[[David Lean]] |
|[[David Lean]] |
||
|1945 |
|1945 |
||
Line 1,118: | Line 1,119: | ||
|- |
|- |
||
|156 |
|156 |
||
|''[[Alien (film)|Alien]]'' |
|scope="row"|''[[Alien (film)|Alien]]'' |
||
|[[Ridley Scott]] |
|[[Ridley Scott]] |
||
|1979 |
|1979 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|157 |
|157 |
||
|''[[The Umbrellas of Cherbourg]]'' |
|scope="row"|''[[The Umbrellas of Cherbourg]]'' |
||
|[[Jacques Demy]] |
|[[Jacques Demy]] |
||
|1964 |
|1964 |
||
Line 1,132: | Line 1,133: | ||
|- |
|- |
||
|158 |
|158 |
||
|''[[The Gospel According to St. Matthew (film)|The Gospel According to St. Matthew]]'' |
|scope="row"|''[[The Gospel According to St. Matthew (film)|The Gospel According to St. Matthew]]'' |
||
|[[Pier Paolo Pasolini]] |
|[[Pier Paolo Pasolini]] |
||
|1964 |
|1964 |
||
Line 1,139: | Line 1,140: | ||
|- |
|- |
||
|159 |
|159 |
||
|''[[The Travelling Players]]'' |
|scope="row"|''[[The Travelling Players]]'' |
||
|[[Theo Angelopoulos]] |
|[[Theo Angelopoulos]] |
||
|1975 |
|1975 |
||
Line 1,146: | Line 1,147: | ||
|- |
|- |
||
|160 |
|160 |
||
|''[[On the Waterfront]]'' |
|scope="row"|''[[On the Waterfront]]'' |
||
|[[Elia Kazan]] |
|[[Elia Kazan]] |
||
|1954 |
|1954 |
||
Line 1,153: | Line 1,154: | ||
|- |
|- |
||
|161 |
|161 |
||
|''[[The Red Shoes (1948 film)|The Red Shoes]]'' |
|scope="row"|''[[The Red Shoes (1948 film)|The Red Shoes]]'' |
||
|[[ |
|[[Michael Powell]] and [[Emeric Pressburger]] |
||
|1948 |
|1948 |
||
|TSPDT |
|TSPDT |
||
Line 1,160: | Line 1,161: | ||
|- |
|- |
||
|162 |
|162 |
||
|''[[Night and Fog ( |
|scope="row"|''[[Night and Fog (1956 film)|Night and Fog]]'' |
||
|[[Alain Resnais]] |
|[[Alain Resnais]] |
||
|1955 |
|1955 |
||
Line 1,167: | Line 1,168: | ||
|- |
|- |
||
|163 |
|163 |
||
|''[[The Discreet Charm of the Bourgeoisie]]'' |
|scope="row"|''[[The Discreet Charm of the Bourgeoisie]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1972 |
|1972 |
||
Line 1,174: | Line 1,175: | ||
|- |
|- |
||
|164 |
|164 |
||
|''[[L'Argent (1983 film)|L'Argent]]'' |
|scope="row"|''[[L'Argent (1983 film)|L'Argent]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1983 |
|1983 |
||
Line 1,181: | Line 1,182: | ||
|- |
|- |
||
|165 |
|165 |
||
|''[[Nights of Cabiria]]'' |
|scope="row"|''[[Nights of Cabiria]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1957 |
|1957 |
||
Line 1,188: | Line 1,189: | ||
|- |
|- |
||
|166 |
|166 |
||
|''[[The Last Laugh (1924 film)|The Last Laugh]]'' |
|scope="row"|''[[The Last Laugh (1924 film)|The Last Laugh]]'' |
||
|[[F.W. Murnau]] |
|[[F. W. Murnau]] |
||
|1924 |
|1924 |
||
|TSPDT |
|TSPDT |
||
Line 1,195: | Line 1,196: | ||
|- |
|- |
||
|167 |
|167 |
||
|''[[Ran (film)|Ran]]'' |
|scope="row"|''[[Ran (film)|Ran]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1985 |
|1985 |
||
Line 1,202: | Line 1,203: | ||
|- |
|- |
||
|168 |
|168 |
||
|''[[The Grapes of Wrath (film)|The Grapes of Wrath]]'' |
|scope="row"|''[[The Grapes of Wrath (film)|The Grapes of Wrath]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1940 |
|1940 |
||
Line 1,209: | Line 1,210: | ||
|- |
|- |
||
|169 |
|169 |
||
|''[[Vampyr]]'' |
|scope="row"|''[[Vampyr]]'' |
||
|[[Carl Theodor Dreyer]] |
|[[Carl Theodor Dreyer]] |
||
|1932 |
|1932 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|170 |
|170 |
||
|''[[Salò, or the 120 Days of Sodom]]'' |
|scope="row"|''[[Salò, or the 120 Days of Sodom]]'' |
||
|[[Pier Paolo Pasolini]] |
|[[Pier Paolo Pasolini]] |
||
|1975 |
|1975 |
||
Line 1,223: | Line 1,224: | ||
|- |
|- |
||
|171 |
|171 |
||
|''[[Earth (1930 film)|Earth]]'' |
|scope="row"|''[[Earth (1930 film)|Earth]]'' |
||
|[[Alexander Dovzhenko]] |
|[[Alexander Dovzhenko]] |
||
|1930 |
|1930 |
||
Line 1,230: | Line 1,231: | ||
|- |
|- |
||
|172 |
|172 |
||
|''[[Mouchette]]'' |
|scope="row"|''[[Mouchette]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1967 |
|1967 |
||
Line 1,237: | Line 1,238: | ||
|- |
|- |
||
|173 |
|173 |
||
|''[[The River (1951 film)|The River]]'' |
|scope="row"|''[[The River (1951 film)|The River]]'' |
||
|[[Jean Renoir]] |
|[[Jean Renoir]] |
||
|1951 |
|1951 |
||
Line 1,244: | Line 1,245: | ||
|- |
|- |
||
|174 |
|174 |
||
|''[[Nanook of the North]]'' |
|scope="row"|''[[Nanook of the North]]'' |
||
|[[Robert Flaherty]] |
|[[Robert Flaherty]] |
||
|1922 |
|1922 |
||
Line 1,251: | Line 1,252: | ||
|- |
|- |
||
|175 |
|175 |
||
|''[[Black Narcissus]]'' |
|scope="row"|''[[Black Narcissus]]'' |
||
|[[ |
|[[Michael Powell]] and [[Emeric Pressburger]] |
||
|1946 |
|1946 |
||
|TSPDT |
|TSPDT |
||
Line 1,258: | Line 1,259: | ||
|- |
|- |
||
|176 |
|176 |
||
|''[[The Great Dictator]]'' |
|scope="row"|''[[The Great Dictator]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1940 |
|1940 |
||
Line 1,265: | Line 1,266: | ||
|- |
|- |
||
|177 |
|177 |
||
|''[[The Conversation]]'' |
|scope="row"|''[[The Conversation]]'' |
||
|[[Francis Ford Coppola]] |
|[[Francis Ford Coppola]] |
||
|1974 |
|1974 |
||
Line 1,272: | Line 1,273: | ||
|- |
|- |
||
|178 |
|178 |
||
|''[[Rosemary's Baby (film)|Rosemary's Baby]]'' |
|scope="row"|''[[Rosemary's Baby (film)|Rosemary's Baby]]'' |
||
|[[Roman Polanski]] |
|[[Roman Polanski]] |
||
|1968 |
|1968 |
||
Line 1,279: | Line 1,280: | ||
|- |
|- |
||
|179 |
|179 |
||
|''[[Out of the Past]]'' |
|scope="row"|''[[Out of the Past]]'' |
||
|[[Jacques Tourneur]] |
|[[Jacques Tourneur]] |
||
|1947 |
|1947 |
||
Line 1,286: | Line 1,287: | ||
|- |
|- |
||
|180 |
|180 |
||
|''[[Imitation of Life (1959 film)|Imitation of Life]]'' |
|scope="row"|''[[Imitation of Life (1959 film)|Imitation of Life]]'' |
||
|[[Douglas Sirk]] |
|[[Douglas Sirk]] |
||
|1959 |
|1959 |
||
Line 1,293: | Line 1,294: | ||
|- |
|- |
||
|181 |
|181 |
||
|''[[Performance (film)|Performance]]'' |
|scope="row"|''[[Performance (film)|Performance]]'' |
||
|[[Nicolas Roeg]] and [[Donald Cammell]] |
|[[Nicolas Roeg]] and [[Donald Cammell]] |
||
|1970 |
|1970 |
||
Line 1,300: | Line 1,301: | ||
|- |
|- |
||
|182 |
|182 |
||
|''[[The Passenger (1975 film)|The Passenger]]'' |
|scope="row"|''[[The Passenger (1975 film)|The Passenger]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1975 |
|1975 |
||
Line 1,307: | Line 1,308: | ||
|- |
|- |
||
|183 |
|183 |
||
|''[[Umberto D.]]'' |
|scope="row"|''[[Umberto D.]]'' |
||
|[[Vittorio De Sica]] |
|[[Vittorio De Sica]] |
||
|1952 |
|1952 |
||
Line 1,314: | Line 1,315: | ||
|- |
|- |
||
|184 |
|184 |
||
|''[[Sweet Smell of Success]]'' |
|scope="row"|''[[Sweet Smell of Success]]'' |
||
|[[Alexander Mackendrick]] |
|[[Alexander Mackendrick]] |
||
|1957 |
|1957 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|185 |
|185 |
||
|''[[Paisan]]'' |
|scope="row"|''[[Paisan]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1946 |
|1946 |
||
Line 1,328: | Line 1,329: | ||
|- |
|- |
||
|186 |
|186 |
||
|''[[The Best Years of Our Lives]]'' |
|scope="row"|''[[The Best Years of Our Lives]]'' |
||
|[[William Wyler]] |
|[[William Wyler]] |
||
|1946 |
|1946 |
||
Line 1,335: | Line 1,336: | ||
|- |
|- |
||
|187 |
|187 |
||
|''[[Le Samouraï]]'' |
|scope="row"|''[[Le Samouraï]]'' |
||
|[[Jean-Pierre Melville]] |
|[[Jean-Pierre Melville]] |
||
|1967 |
|1967 |
||
Line 1,342: | Line 1,343: | ||
|- |
|- |
||
|188 |
|188 |
||
|''[[Chungking Express]]'' |
|scope="row"|''[[Chungking Express]]'' |
||
|[[Wong Kar-wai]] |
|[[Wong Kar-wai]] |
||
|1994 |
|1994 |
||
Line 1,349: | Line 1,350: | ||
|- |
|- |
||
|189 |
|189 |
||
|''[[Celine and Julie Go Boating]]'' |
|scope="row"|''[[Celine and Julie Go Boating]]'' |
||
|[[Jacques Rivette]] |
|[[Jacques Rivette]] |
||
|1974 |
|1974 |
||
Line 1,356: | Line 1,357: | ||
|- |
|- |
||
|190 |
|190 |
||
|''[[Rocco and His Brothers]]'' |
|scope="row"|''[[Rocco and His Brothers]]'' |
||
|[[Luchino Visconti]] |
|[[Luchino Visconti]] |
||
|1960 |
|1960 |
||
Line 1,363: | Line 1,364: | ||
|- |
|- |
||
|191 |
|191 |
||
|''[[The Color of Pomegranates]]'' |
|scope="row"|''[[The Color of Pomegranates]]'' |
||
|[[Sergei Parajanov]] |
|[[Sergei Parajanov]] |
||
|1968 |
|1968 |
||
Line 1,370: | Line 1,371: | ||
|- |
|- |
||
|192 |
|192 |
||
|''[[The Cabinet of Dr. Caligari]]'' |
|scope="row"|''[[The Cabinet of Dr. Caligari]]'' |
||
|[[Robert Wiene]] |
|[[Robert Wiene]] |
||
|1919 |
|1919 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|193 |
|193 |
||
|''[[Meet Me in St. Louis]]'' |
|scope="row"|''[[Meet Me in St. Louis]]'' |
||
|[[Vincente Minnelli]] |
|[[Vincente Minnelli]] |
||
|1944 |
|1944 |
||
Line 1,384: | Line 1,385: | ||
|- |
|- |
||
|194 |
|194 |
||
|''[[Chimes at Midnight]]'' |
|scope="row"|''[[Chimes at Midnight]]'' |
||
|[[Orson Welles]] |
|[[Orson Welles]] |
||
|1966 |
|1966 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|195 |
|195 |
||
|''[[Ashes and Diamonds (film)|Ashes and Diamonds]]'' |
|scope="row"|''[[Ashes and Diamonds (film)|Ashes and Diamonds]]'' |
||
|[[Andrzej Wajda]] |
|[[Andrzej Wajda]] |
||
|1958 |
|1958 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|196 |
|196 |
||
|''[[Close Encounters of the Third Kind]]'' |
|scope="row"|''[[Close Encounters of the Third Kind]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1977 |
|1977 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|197 |
|197 |
||
|''[[Cries and Whispers]]'' |
|scope="row"|''[[Cries and Whispers]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1972 |
|1972 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|198 |
|198 |
||
|''[[The Deer Hunter]]'' |
|scope="row"|''[[The Deer Hunter]]'' |
||
|[[Michael Cimino]] |
|[[Michael Cimino]] |
||
|1978 |
|1978 |
||
Line 1,419: | Line 1,420: | ||
|- |
|- |
||
|199 |
|199 |
||
|''[[Sullivan's Travels]]'' |
|scope="row"|''[[Sullivan's Travels]]'' |
||
|[[Preston Sturges]] |
|[[Preston Sturges]] |
||
|1941 |
|1941 |
||
Line 1,426: | Line 1,427: | ||
|- |
|- |
||
|200 |
|200 |
||
|''[[Kes (film)|Kes]]'' |
|scope="row"|''[[Kes (film)|Kes]]'' |
||
|[[Ken Loach]] |
|[[Ken Loach]] |
||
|1969 |
|1969 |
||
Line 1,433: | Line 1,434: | ||
|- |
|- |
||
|201 |
|201 |
||
|''[[McCabe & Mrs. Miller]]'' |
|scope="row"|''[[McCabe & Mrs. Miller]]'' |
||
|[[Robert Altman]] |
|[[Robert Altman]] |
||
|1971 |
|1971 |
||
Line 1,440: | Line 1,441: | ||
|- |
|- |
||
|202 |
|202 |
||
|''[[The Thin Blue Line (1988 film)|The Thin Blue Line]]'' |
|scope="row"|''[[The Thin Blue Line (1988 film)|The Thin Blue Line]]'' |
||
|[[Errol Morris]] |
|[[Errol Morris]] |
||
|1988 |
|1988 |
||
Line 1,447: | Line 1,448: | ||
|- |
|- |
||
|203 |
|203 |
||
|''[[Diary of a Country Priest]]'' |
|scope="row"|''[[Diary of a Country Priest]]'' |
||
|[[Robert Bresson]] |
|[[Robert Bresson]] |
||
|1950 |
|1950 |
||
Line 1,454: | Line 1,455: | ||
|- |
|- |
||
|204 |
|204 |
||
|''[[The Birds (film)|The Birds]]'' |
|scope="row"|''[[The Birds (film)|The Birds]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1963 |
|1963 |
||
Line 1,461: | Line 1,462: | ||
|- |
|- |
||
|205 |
|205 |
||
|''[[Solaris (1972 film)|Solaris]]'' |
|scope="row"|''[[Solaris (1972 film)|Solaris]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1972 |
|1972 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|206 |
|206 |
||
|''[[Paths of Glory]]'' |
|scope="row"|''[[Paths of Glory]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1957 |
|1957 |
||
Line 1,475: | Line 1,476: | ||
|- |
|- |
||
|207 |
|207 |
||
|''[[Meshes of the Afternoon]]'' |
|scope="row"|''[[Meshes of the Afternoon]]'' |
||
|[[Maya Deren]] and [[Alexander Hammid]] |
|[[Maya Deren]] and [[Alexander Hammid]] |
||
|1943 |
|1943 |
||
Line 1,482: | Line 1,483: | ||
|- |
|- |
||
|208 |
|208 |
||
|''[[Brazil (1985 film)|Brazil]]'' |
|scope="row"|''[[Brazil (1985 film)|Brazil]]'' |
||
|[[Terry Gilliam]] |
|[[Terry Gilliam]] |
||
|1985 |
|1985 |
||
Line 1,489: | Line 1,490: | ||
|- |
|- |
||
|209 |
|209 |
||
|''[[Kind Hearts and Coronets]]'' |
|scope="row"|''[[Kind Hearts and Coronets]]'' |
||
|[[Robert Hamer]] |
|[[Robert Hamer]] |
||
|1949 |
|1949 |
||
Line 1,496: | Line 1,497: | ||
|- |
|- |
||
|210 |
|210 |
||
|''[[Red River (1948 film)|Red River]]'' |
|scope="row"|''[[Red River (1948 film)|Red River]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1948 |
|1948 |
||
Line 1,503: | Line 1,504: | ||
|- |
|- |
||
|211 |
|211 |
||
|''[[The Band Wagon]]'' |
|scope="row"|''[[The Band Wagon]]'' |
||
|[[Vincente Minnelli]] |
|[[Vincente Minnelli]] |
||
|1953 |
|1953 |
||
Line 1,510: | Line 1,511: | ||
|- |
|- |
||
|212 |
|212 |
||
|''[[Raiders of the Lost Ark]]'' |
|scope="row"|''[[Raiders of the Lost Ark]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1981 |
|1981 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|213 |
|213 |
||
|''[[Floating Clouds]]'' |
|scope="row"|''[[Floating Clouds]]'' |
||
|[[Mikio Naruse]] |
|[[Mikio Naruse]] |
||
|1955 |
|1955 |
||
Line 1,524: | Line 1,525: | ||
|- |
|- |
||
|214 |
|214 |
||
|''[[Belle de Jour (film)|Belle de jour]]'' |
|scope="row"|''[[Belle de Jour (film)|Belle de jour]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1967 |
|1967 |
||
Line 1,531: | Line 1,532: | ||
|- |
|- |
||
|215 |
|215 |
||
|''[[Three |
|scope="row"|''[[Three Colours: Blue]]'' |
||
|[[Krzysztof Kieślowski]] |
|[[Krzysztof Kieślowski]] |
||
|1993 |
|1993 |
||
Line 1,538: | Line 1,539: | ||
|- |
|- |
||
|216 |
|216 |
||
|''[[Wings of Desire]]'' |
|scope="row"|''[[Wings of Desire]]'' |
||
|[[Wim Wenders]] |
|[[Wim Wenders]] |
||
|1987 |
|1987 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|217 |
|217 |
||
|''[[Ivan the Terrible (1944 film)|Ivan the Terrible]]'' |
|scope="row"|''[[Ivan the Terrible (1944 film)|Ivan the Terrible, Part Two]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1958 |
|||
|1944 |
|||
|TSPDT |
|TSPDT |
||
|{{C-Class}} |
|{{C-Class}} |
||
|- |
|- |
||
|218 |
|218 |
||
|''[[The Big Lebowski]]'' |
|scope="row"|''[[The Big Lebowski]]'' |
||
|[[Coen brothers]] |
|[[Coen brothers]] |
||
|1998 |
|1998 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|219 |
|219 |
||
|''[[Dekalog]]'' |
|scope="row"|''[[Dekalog]]'' |
||
|[[Krzysztof |
|[[Krzysztof Kieślowski]] |
||
|1988 |
|1988 |
||
|TSPDT |
|TSPDT |
||
Line 1,566: | Line 1,567: | ||
|- |
|- |
||
|220 |
|220 |
||
|''[[Death in Venice (film)|Death in Venice]]'' |
|scope="row"|''[[Death in Venice (film)|Death in Venice]]'' |
||
|[[Luchino Visconti]] |
|[[Luchino Visconti]] |
||
|1971 |
|1971 |
||
Line 1,573: | Line 1,574: | ||
|- |
|- |
||
|221 |
|221 |
||
|''[[Faces (film)|Faces]]'' |
|scope="row"|''[[Faces (1968 film)|Faces]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1968 |
|1968 |
||
Line 1,580: | Line 1,581: | ||
|- |
|- |
||
|222 |
|222 |
||
|''[[Mean Streets]]'' |
|scope="row"|''[[Mean Streets]]'' |
||
|[[Martin Scorsese]] |
|[[Martin Scorsese]] |
||
|1973 |
|1973 |
||
Line 1,587: | Line 1,588: | ||
|- |
|- |
||
|223 |
|223 |
||
|''[[Spirited Away]]'' |
|scope="row"|''[[Spirited Away]]'' |
||
|[[Hayao Miyazaki]] |
|[[Hayao Miyazaki]] |
||
|2001 |
|2001 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|224 |
|224 |
||
|''[[Two or Three Things I Know About Her]]'' |
|scope="row"|''[[Two or Three Things I Know About Her]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1966 |
|1966 |
||
Line 1,601: | Line 1,602: | ||
|- |
|- |
||
|225 |
|225 |
||
|''[[The Texas Chain Saw Massacre]]'' |
|scope="row"|''[[The Texas Chain Saw Massacre]]'' |
||
|[[Tobe Hooper]] |
|[[Tobe Hooper]] |
||
|1974 |
|1974 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|226 |
|226 |
||
|''[[The Thin Red Line (1998 film)|The Thin Red Line]]'' |
|scope="row"|''[[The Thin Red Line (1998 film)|The Thin Red Line]]'' |
||
|[[Terrence Malick]] |
|[[Terrence Malick]] |
||
|1998 |
|1998 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|227 |
|227 |
||
|''[[The Treasure of the Sierra Madre (film)|The Treasure of the Sierra Madre]]'' |
|scope="row"|''[[The Treasure of the Sierra Madre (film)|The Treasure of the Sierra Madre]]'' |
||
|[[John Huston]] |
|[[John Huston]] |
||
|1948 |
|1948 |
||
Line 1,622: | Line 1,623: | ||
|- |
|- |
||
|228 |
|228 |
||
|''[[Breaking the Waves]]'' |
|scope="row"|''[[Breaking the Waves]]'' |
||
|[[Lars von Trier]] |
|[[Lars von Trier]] |
||
|1996 |
|1996 |
||
Line 1,629: | Line 1,630: | ||
|- |
|- |
||
|229 |
|229 |
||
|''[[Touki Bouki]]'' |
|scope="row"|''[[Touki Bouki]]'' |
||
|[[Djibril Diop Mambéty]] |
|[[Djibril Diop Mambéty]] |
||
|1973 |
|1973 |
||
Line 1,636: | Line 1,637: | ||
|- |
|- |
||
|230 |
|230 |
||
|''[[The Crowd (1928 film)|The Crowd]]'' |
|scope="row"|''[[The Crowd (1928 film)|The Crowd]]'' |
||
|[[King Vidor]] |
|[[King Vidor]] |
||
|1928 |
|1928 |
||
Line 1,643: | Line 1,644: | ||
|- |
|- |
||
|231 |
|231 |
||
|''[[The Birth of a Nation]]'' |
|scope="row"|''[[The Birth of a Nation]]'' |
||
|[[D.W. Griffith]] |
|[[D. W. Griffith]] |
||
|1915 |
|1915 |
||
|TSPDT |
|TSPDT |
||
Line 1,650: | Line 1,651: | ||
|- |
|- |
||
|232 |
|232 |
||
|''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' |
|scope="row"|''[[Bonnie and Clyde (film)|Bonnie and Clyde]]'' |
||
|[[Arthur Penn]] |
|[[Arthur Penn]] |
||
|1967 |
|1967 |
||
Line 1,657: | Line 1,658: | ||
|- |
|- |
||
|233 |
|233 |
||
|''[[Wavelength (1967 film)|Wavelength]]'' |
|scope="row"|''[[Wavelength (1967 film)|Wavelength]]'' |
||
|[[Michael Snow]] |
|[[Michael Snow]] |
||
|1967 |
|1967 |
||
Line 1,664: | Line 1,665: | ||
|- |
|- |
||
|234 |
|234 |
||
|''[[Jalsaghar]]'' |
|scope="row"|''[[Jalsaghar]]'' |
||
|[[Satyajit Ray]] |
|[[Satyajit Ray]] |
||
|1958 |
|1958 |
||
Line 1,671: | Line 1,672: | ||
|- |
|- |
||
|235 |
|235 |
||
|''[[My Neighbor Totoro]]'' |
|scope="row"|''[[My Neighbor Totoro]]'' |
||
|[[Hayao Miyazaki]] |
|[[Hayao Miyazaki]] |
||
|1988 |
|1988 |
||
Line 1,678: | Line 1,679: | ||
|- |
|- |
||
|236 |
|236 |
||
|''[[Zero for Conduct]]'' |
|scope="row"|''[[Zero for Conduct]]'' |
||
|[[Jean Vigo]] |
|[[Jean Vigo]] |
||
|1933 |
|1933 |
||
Line 1,685: | Line 1,686: | ||
|- |
|- |
||
|237 |
|237 |
||
|''[[F for Fake]]'' |
|scope="row"|''[[F for Fake]]'' |
||
|[[Orson Welles]] |
|[[Orson Welles]] |
||
|1974 |
|1974 |
||
Line 1,692: | Line 1,693: | ||
|- |
|- |
||
|238 |
|238 |
||
|''[[The Quiet Man]]'' |
|scope="row"|''[[The Quiet Man]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1952 |
|1952 |
||
Line 1,699: | Line 1,700: | ||
|- |
|- |
||
|239 |
|239 |
||
|''[[Underground (1995 film)|Underground]]'' |
|scope="row"|''[[Underground (1995 film)|Underground]]'' |
||
|[[Emir Kusturica]] |
|[[Emir Kusturica]] |
||
|1995 |
|1995 |
||
Line 1,706: | Line 1,707: | ||
|- |
|- |
||
|240 |
|240 |
||
|''[[Fargo (film)|Fargo]]'' |
|scope="row"|''[[Fargo (1996 film)|Fargo]]'' |
||
|[[Coen brothers]] |
|[[Coen brothers]] |
||
|1996 |
|1996 |
||
Line 1,713: | Line 1,714: | ||
|- |
|- |
||
|241 |
|241 |
||
|''[[Germany, Year Zero]]'' |
|scope="row"|''[[Germany, Year Zero]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1948 |
|1948 |
||
Line 1,720: | Line 1,721: | ||
|- |
|- |
||
|242 |
|242 |
||
|''[[Night of the Living Dead]]'' |
|scope="row"|''[[Night of the Living Dead]]'' |
||
|[[George Romero]] |
|[[George Romero]] |
||
|1968 |
|1968 |
||
Line 1,727: | Line 1,728: | ||
|- |
|- |
||
|243 |
|243 |
||
|''[[Memories of Underdevelopment]]'' |
|scope="row"|''[[Memories of Underdevelopment]]'' |
||
|[[Tomás Gutiérrez Alea]] |
|[[Tomás Gutiérrez Alea]] |
||
|1968 |
|1968 |
||
Line 1,734: | Line 1,735: | ||
|- |
|- |
||
|244 |
|244 |
||
|''[[Ivan the Terrible (film)|Ivan the Terrible, Part One]]'' |
|scope="row"|''[[Ivan the Terrible (1944 film)|Ivan the Terrible, Part One]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1944 |
|1944 |
||
Line 1,741: | Line 1,742: | ||
|- |
|- |
||
|245 |
|245 |
||
|''[[Eraserhead]]'' |
|scope="row"|''[[Eraserhead]]'' |
||
|[[David Lynch]] |
|[[David Lynch]] |
||
|1977 |
|1977 |
||
|TSPDT |
|TSPDT |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|246 |
|246 |
||
|''[[Pandora's Box (1929 film)|Pandora's Box]]'' |
|scope="row"|''[[Pandora's Box (1929 film)|Pandora's Box]]'' |
||
|[[G.W. Pabst]] |
|[[G. W. Pabst]] |
||
|1928 |
|1928 |
||
|TSPDT |
|TSPDT |
||
Line 1,755: | Line 1,756: | ||
|- |
|- |
||
|247 |
|247 |
||
|''[[Beauty and the Beast (1946 film)|Beauty and the Beast]]'' |
|scope="row"|''[[Beauty and the Beast (1946 film)|Beauty and the Beast]]'' |
||
|[[Jean Cocteau]] |
|[[Jean Cocteau]] |
||
|1946 |
|1946 |
||
Line 1,762: | Line 1,763: | ||
|- |
|- |
||
|248 |
|248 |
||
|''[[The Wages of Fear]]'' |
|scope="row"|''[[The Wages of Fear]]'' |
||
|[[Henri-Georges Clouzot]] |
|[[Henri-Georges Clouzot]] |
||
|1952 |
|1952 |
||
Line 1,769: | Line 1,770: | ||
|- |
|- |
||
|249 |
|249 |
||
|''[[The World of Apu]]'' |
|scope="row"|''[[The World of Apu]]'' |
||
|[[Satyajit Ray]] |
|[[Satyajit Ray]] |
||
|1959 |
|1959 |
||
Line 1,776: | Line 1,777: | ||
|- |
|- |
||
|250 |
|250 |
||
|''[[Crimes and Misdemeanors]]'' |
|scope="row"|''[[Crimes and Misdemeanors]]'' |
||
|[[Woody Allen]] |
|[[Woody Allen]] |
||
|1989 |
|1989 |
||
Line 1,783: | Line 1,784: | ||
|- |
|- |
||
|251 |
|251 |
||
|''[[The Maltese Falcon (1941 film)|The Maltese Falcon]]'' |
|scope="row"|''[[The Maltese Falcon (1941 film)|The Maltese Falcon]]'' |
||
|[[John Huston]] |
|[[John Huston]] |
||
|1941 |
|1941 |
||
Line 1,790: | Line 1,791: | ||
|- |
|- |
||
|252 |
|252 |
||
|''[[Freaks]]'' |
|scope="row"|''[[Freaks (1932 film)|Freaks]]'' |
||
|[[Tod Browning]] |
|[[Tod Browning]] |
||
|1932 |
|1932 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|253 |
|253 |
||
|''[[Werckmeister Harmonies]]'' |
|scope="row"|''[[Werckmeister Harmonies]]'' |
||
|[[Béla Tarr]] |
|[[Béla Tarr]] |
||
|2000 |
|2000 |
||
Line 1,804: | Line 1,805: | ||
|- |
|- |
||
|254 |
|254 |
||
|''[[The Shop Around the Corner]]'' |
|scope="row"|''[[The Shop Around the Corner]]'' |
||
|[[Ernst Lubitsch]] |
|[[Ernst Lubitsch]] |
||
|1940 |
|1940 |
||
Line 1,811: | Line 1,812: | ||
|- |
|- |
||
|255 |
|255 |
||
|''[[Johnny Guitar]]'' |
|scope="row"|''[[Johnny Guitar]]'' |
||
|[[Nicholas Ray]] |
|[[Nicholas Ray]] |
||
|1954 |
|1954 |
||
Line 1,818: | Line 1,819: | ||
|- |
|- |
||
|256 |
|256 |
||
|''[[The Empire Strikes Back|Star Wars Episode V: The Empire Strikes Back]]'' |
|scope="row"|''[[The Empire Strikes Back|Star Wars Episode V: The Empire Strikes Back]]'' |
||
|[[Irvin Kershner]] |
|[[Irvin Kershner]] |
||
|1980 |
|1980 |
||
Line 1,825: | Line 1,826: | ||
|- |
|- |
||
|257 |
|257 |
||
|''[[Schindler's List]]'' |
|scope="row"|''[[Schindler's List]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1993 |
|1993 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|258 |
|258 |
||
|''[[Black God, White Devil]]'' |
|scope="row"|''[[Black God, White Devil]]'' |
||
|[[Glauber Rocha]] |
|[[Glauber Rocha]] |
||
|1964 |
|1964 |
||
Line 1,839: | Line 1,840: | ||
|- |
|- |
||
|259 |
|259 |
||
|''[[Unforgiven]]'' |
|scope="row"|''[[Unforgiven]]'' |
||
|[[Clint Eastwood]] |
|[[Clint Eastwood]] |
||
|1992 |
|1992 |
||
Line 1,846: | Line 1,847: | ||
|- |
|- |
||
|260 |
|260 |
||
|''[[It Happened One Night]]'' |
|scope="row"|''[[It Happened One Night]]'' |
||
|[[Frank Capra]] |
|[[Frank Capra]] |
||
|1934 |
|1934 |
||
Line 1,853: | Line 1,854: | ||
|- |
|- |
||
|261 |
|261 |
||
|''[[To Kill a Mockingbird (film)|To Kill a Mockingbird]]'' |
|scope="row"|''[[To Kill a Mockingbird (film)|To Kill a Mockingbird]]'' |
||
|[[Robert Mulligan]] |
|[[Robert Mulligan]] |
||
|1962 |
|1962 |
||
Line 1,860: | Line 1,861: | ||
|- |
|- |
||
|262 |
|262 |
||
|''[[Love Streams (film)|Love Streams]]'' |
|scope="row"|''[[Love Streams (film)|Love Streams]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1984 |
|1984 |
||
Line 1,867: | Line 1,868: | ||
|- |
|- |
||
|263 |
|263 |
||
|''[[The Last Picture Show]]'' |
|scope="row"|''[[The Last Picture Show]]'' |
||
|[[Peter Bogdanovich]] |
|[[Peter Bogdanovich]] |
||
|1971 |
|1971 |
||
Line 1,874: | Line 1,875: | ||
|- |
|- |
||
|264 |
|264 |
||
|''[[Monsieur Verdoux]]'' |
|scope="row"|''[[Monsieur Verdoux]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1947 |
|1947 |
||
Line 1,881: | Line 1,882: | ||
|- |
|- |
||
|265 |
|265 |
||
|''[[Harold and Maude]]'' |
|scope="row"|''[[Harold and Maude]]'' |
||
|[[Hal Ashby]] |
|[[Hal Ashby]] |
||
|1971 |
|1971 |
||
Line 1,888: | Line 1,889: | ||
|- |
|- |
||
|266 |
|266 |
||
|''[[How Green Was My Valley (film)|How Green Was My Valley]]'' |
|scope="row"|''[[How Green Was My Valley (film)|How Green Was My Valley]]'' |
||
|[[John Ford]] |
|[[John Ford]] |
||
|1941 |
|1941 |
||
Line 1,895: | Line 1,896: | ||
|- |
|- |
||
|267 |
|267 |
||
|''[[Killer of Sheep]]'' |
|scope="row"|''[[Killer of Sheep]]'' |
||
|[[Charles Burnett (director)|Charles Burnett]] |
|[[Charles Burnett (director)|Charles Burnett]] |
||
|1977 |
|1977 |
||
Line 1,902: | Line 1,903: | ||
|- |
|- |
||
|268 |
|268 |
||
|''[[Dont Look Back|Don't Look Back]]'' |
|scope="row"|''[[Dont Look Back|Don't Look Back]]'' |
||
|[[D.A. Pennebaker]] |
|[[D. A. Pennebaker]] |
||
|1967 |
|1967 |
||
|TSPDT |
|TSPDT |
||
Line 1,909: | Line 1,910: | ||
|- |
|- |
||
|269 |
|269 |
||
|''[[West Side Story (film)|West Side Story]]'' |
|scope="row"|''[[West Side Story (1961 film)|West Side Story]]'' |
||
|[[Robert Wise]] |
|[[Robert Wise]] |
||
|1961 |
|1961 |
||
Line 1,916: | Line 1,917: | ||
|- |
|- |
||
|270 |
|270 |
||
|''[[Chelsea Girls]]'' |
|scope="row"|''[[Chelsea Girls]]'' |
||
|[[Andy Warhol]] and Paul [[Morrissey]] |
|[[Andy Warhol]] and Paul [[Morrissey]] |
||
|1966 |
|1966 |
||
Line 1,923: | Line 1,924: | ||
|- |
|- |
||
|271 |
|271 |
||
|''[[The Philadelphia Story (film)|The Philadelphia Story]]'' |
|scope="row"|''[[The Philadelphia Story (film)|The Philadelphia Story]]'' |
||
|[[George Cukor]] |
|[[George Cukor]] |
||
|1940 |
|1940 |
||
Line 1,930: | Line 1,931: | ||
|- |
|- |
||
|272 |
|272 |
||
|''[[Make Way for Tomorrow]]'' |
|scope="row"|''[[Make Way for Tomorrow]]'' |
||
|[[Leo McCarey]] |
|[[Leo McCarey]] |
||
|1937 |
|1937 |
||
Line 1,937: | Line 1,938: | ||
|- |
|- |
||
|273 |
|273 |
||
|''[[Reservoir Dogs]]'' |
|scope="row"|''[[Reservoir Dogs]]'' |
||
|[[Quentin Tarantino]] |
|[[Quentin Tarantino]] |
||
|1992 |
|1992 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|274 |
|274 |
||
|''[[Kiss Me Deadly]]'' |
|scope="row"|''[[Kiss Me Deadly]]'' |
||
|[[Robert Aldrich]] |
|[[Robert Aldrich]] |
||
|1955 |
|1955 |
||
Line 1,951: | Line 1,952: | ||
|- |
|- |
||
|275 |
|275 |
||
|''[[Marketa Lazarová]]'' |
|scope="row"|''[[Marketa Lazarová]]'' |
||
|[[František Vláčil]] |
|[[František Vláčil]] |
||
|1967 |
|1967 |
||
Line 1,958: | Line 1,959: | ||
|- |
|- |
||
|276 |
|276 |
||
|''[[All That Heaven Allows]]'' |
|scope="row"|''[[All That Heaven Allows]]'' |
||
|[[Douglas Sirk]] |
|[[Douglas Sirk]] |
||
|1955 |
|1955 |
||
Line 1,965: | Line 1,966: | ||
|- |
|- |
||
|277 |
|277 |
||
|''[[Snow White and the Seven Dwarfs (1937 film)|Snow White and the Seven Dwarfs]]'' |
|scope="row"|''[[Snow White and the Seven Dwarfs (1937 film)|Snow White and the Seven Dwarfs]]'' |
||
|[[David Hand]] |
|[[David Hand (animator)|David Hand]] |
||
|1937 |
|1937 |
||
|TSPDT |
|TSPDT |
||
|{{GA-Class}} |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|278 |
|278 |
||
|''[[Network (1976 film)|Network]]'' |
|scope="row"|''[[Network (1976 film)|Network]]'' |
||
|[[Sidney Lumet]] |
|[[Sidney Lumet]] |
||
|1976 |
|1976 |
||
Line 1,979: | Line 1,980: | ||
|- |
|- |
||
|279 |
|279 |
||
|''[[The Sorrow and the Pity]]'' |
|scope="row"|''[[The Sorrow and the Pity]]'' |
||
|[[Marcel |
|[[Marcel Ophuls]] |
||
|1969 |
|1969 |
||
|TSPDT |
|TSPDT |
||
Line 1,986: | Line 1,987: | ||
|- |
|- |
||
|280 |
|280 |
||
|''[[Landscape in the Mist]]'' |
|scope="row"|''[[Landscape in the Mist]]'' |
||
|[[Theo Angelopoulos]] |
|[[Theo Angelopoulos]] |
||
|1988 |
|1988 |
||
Line 1,993: | Line 1,994: | ||
|- |
|- |
||
|281 |
|281 |
||
|''[[Written on the Wind]]'' |
|scope="row"|''[[Written on the Wind]]'' |
||
|[[Douglas Sirk]] |
|[[Douglas Sirk]] |
||
|1956 |
|1956 |
||
Line 2,000: | Line 2,001: | ||
|- |
|- |
||
|282 |
|282 |
||
|''[[Heat (1995 film)|Heat]]'' |
|scope="row"|''[[Heat (1995 film)|Heat]]'' |
||
|[[Michael Mann (director)|Michael Mann]] |
|[[Michael Mann (director)|Michael Mann]] |
||
|1996 |
|1996 |
||
Line 2,007: | Line 2,008: | ||
|- |
|- |
||
|283 |
|283 |
||
|''[[The Kid (1921 film)|The Kid]]'' |
|scope="row"|''[[The Kid (1921 film)|The Kid]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1921 |
|1921 |
||
Line 2,014: | Line 2,015: | ||
|- |
|- |
||
|284 |
|284 |
||
|''[[The Killing of a Chinese Bookie]]'' |
|scope="row"|''[[The Killing of a Chinese Bookie]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1976 |
|1976 |
||
Line 2,021: | Line 2,022: | ||
|- |
|- |
||
|285 |
|285 |
||
|''[[Magnolia (film)|Magnolia]]'' |
|scope="row"|''[[Magnolia (film)|Magnolia]]'' |
||
|[[Paul Thomas Anderson]] |
|[[Paul Thomas Anderson]] |
||
|1999 |
|1999 |
||
Line 2,028: | Line 2,029: | ||
|- |
|- |
||
|286 |
|286 |
||
|''[[Dawn of the Dead]]'' |
|scope="row"|''[[Dawn of the Dead (1978 film)|Dawn of the Dead]]'' |
||
|[[George A. Romero]] |
|[[George A. Romero]] |
||
|1978 |
|1978 |
||
Line 2,035: | Line 2,036: | ||
|- |
|- |
||
|287 |
|287 |
||
|''[[The King of Comedy ( |
|scope="row"|''[[The King of Comedy (film)|The King of Comedy]]'' |
||
|[[Martin |
|[[Martin Scorsese]] |
||
|1983 |
|1983 |
||
|TSPDT |
|TSPDT |
||
Line 2,042: | Line 2,043: | ||
|- |
|- |
||
|288 |
|288 |
||
|''[[Marnie (film)|Marnie]]'' |
|scope="row"|''[[Marnie (film)|Marnie]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1964 |
|1964 |
||
Line 2,049: | Line 2,050: | ||
|- |
|- |
||
|289 |
|289 |
||
|''[[Back to the Future]]'' |
|scope="row"|''[[Back to the Future]]'' |
||
|[[Robert Zemeckis]] |
|[[Robert Zemeckis]] |
||
|1985 |
|1985 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|290 |
|290 |
||
|''[[The Matrix]]'' |
|scope="row"|''[[The Matrix]]'' |
||
|[[The Wachowski Brothers]] |
|[[The Wachowski Brothers]] |
||
|1999 |
|1999 |
||
Line 2,063: | Line 2,064: | ||
|- |
|- |
||
|291 |
|291 |
||
|''[[This Is Spinal Tap]]'' |
|scope="row"|''[[This Is Spinal Tap]]'' |
||
|[[Rob Reiner]] |
|[[Rob Reiner]] |
||
|1984 |
|1984 |
||
Line 2,070: | Line 2,071: | ||
|- |
|- |
||
|292 |
|292 |
||
|''[[Army of Shadows]]'' |
|scope="row"|''[[Army of Shadows]]'' |
||
|[[Jean-Pierre Melville]] |
|[[Jean-Pierre Melville]] |
||
|1969 |
|1969 |
||
Line 2,077: | Line 2,078: | ||
|- |
|- |
||
|293 |
|293 |
||
|''[[Bride of Frankenstein]]'' |
|scope="row"|''[[Bride of Frankenstein]]'' |
||
|[[James Whale]] |
|[[James Whale]] |
||
|1935 |
|1935 |
||
|TSPDT |
|TSPDT |
||
|{{FA-Class}} |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|294 |
|294 |
||
|''[[Monsieur Hulot's Holiday]]'' |
|scope="row"|''[[Monsieur Hulot's Holiday]]'' |
||
|[[Jacques Tati]] |
|[[Jacques Tati]] |
||
|1953 |
|1953 |
||
Line 2,091: | Line 2,092: | ||
|- |
|- |
||
|295 |
|295 |
||
|''[[Dog Day Afternoon]]'' |
|scope="row"|''[[Dog Day Afternoon]]'' |
||
|[[Sidney Lumet]] |
|[[Sidney Lumet]] |
||
|1975 |
|1975 |
||
Line 2,098: | Line 2,099: | ||
|- |
|- |
||
|296 |
|296 |
||
|''[[The Green Ray (film)|The Green Ray]]'' |
|scope="row"|''[[The Green Ray (film)|The Green Ray]]'' |
||
|[[Éric Rohmer]] |
|[[Éric Rohmer]] |
||
|1986 |
|1986 |
||
Line 2,105: | Line 2,106: | ||
|- |
|- |
||
|297 |
|297 |
||
|''[[Eyes Without a Face]]'' |
|scope="row"|''[[Eyes Without a Face (film)|Eyes Without a Face]]'' |
||
|[[Georges Franju]] |
|[[Georges Franju]] |
||
|1960 |
|1960 |
||
|TSPDT |
|TSPDT |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|298 |
|298 |
||
|''[[Opening Night (film)|Opening Night]]'' |
|scope="row"|''[[Opening Night (1977 film)|Opening Night]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1977 |
|1977 |
||
Line 2,119: | Line 2,120: | ||
|- |
|- |
||
|299 |
|299 |
||
|''[[Paris, Texas (film)|Paris, Texas]]'' |
|scope="row"|''[[Paris, Texas (film)|Paris, Texas]]'' |
||
|[[Wim Wenders]] |
|[[Wim Wenders]] |
||
|1984 |
|1984 |
||
Line 2,126: | Line 2,127: | ||
|- |
|- |
||
|300 |
|300 |
||
|''[[Only Angels Have Wings]]'' |
|scope="row"|''[[Only Angels Have Wings]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1939 |
|1939 |
||
Line 2,133: | Line 2,134: | ||
|- |
|- |
||
|301 |
|301 |
||
|''[[ |
|scope="row"|''[[The Exorcist]]'' |
||
|[[William Friedkin]] |
|[[William Friedkin]] |
||
|1973 |
|1973 |
||
Line 2,140: | Line 2,141: | ||
|- |
|- |
||
|302 |
|302 |
||
|''[[In a Lonely Place]]'' |
|scope="row"|''[[In a Lonely Place]]'' |
||
|[[Nicholas Ray]] |
|[[Nicholas Ray]] |
||
|1950 |
|1950 |
||
Line 2,147: | Line 2,148: | ||
|- |
|- |
||
|303 |
|303 |
||
|''[[Tabu (1931 film)|Tabu]]'' |
|scope="row"|''[[Tabu (1931 film)|Tabu]]'' |
||
|[[F.W. Murnau]] |
|[[F. W. Murnau]] |
||
|1931 |
|1931 |
||
|USA |
|USA |
||
Line 2,154: | Line 2,155: | ||
|- |
|- |
||
|304 |
|304 |
||
|''[[The Graduate]]'' |
|scope="row"|''[[The Graduate]]'' |
||
|[[Mike Nichols]] |
|[[Mike Nichols]] |
||
|1967 |
|1967 |
||
Line 2,161: | Line 2,162: | ||
|- |
|- |
||
|305 |
|305 |
||
|''[[Broken Blossoms]]'' |
|scope="row"|''[[Broken Blossoms]]'' |
||
|[[D.W. Griffith]] |
|[[D. W. Griffith]] |
||
|1916 |
|1916 |
||
|USA |
|USA |
||
Line 2,168: | Line 2,169: | ||
|- |
|- |
||
|306 |
|306 |
||
|''[[Husbands (film)|Husbands]]'' |
|scope="row"|''[[Husbands (film)|Husbands]]'' |
||
|[[John Cassavetes]] |
|[[John Cassavetes]] |
||
|1970 |
|1970 |
||
Line 2,175: | Line 2,176: | ||
|- |
|- |
||
|307 |
|307 |
||
|''[[Groundhog Day (film)|Groundhog Day]]'' |
|scope="row"|''[[Groundhog Day (film)|Groundhog Day]]'' |
||
|[[Harold Ramis]] |
|[[Harold Ramis]] |
||
|1993 |
|1993 |
||
Line 2,182: | Line 2,183: | ||
|- |
|- |
||
|308 |
|308 |
||
|''[[The Big Sleep (1946 film)|The Big Sleep]]'' |
|scope="row"|''[[The Big Sleep (1946 film)|The Big Sleep]]'' |
||
|[[Howard Hawks]] |
|[[Howard Hawks]] |
||
|1946 |
|1946 |
||
Line 2,189: | Line 2,190: | ||
|- |
|- |
||
|309 |
|309 |
||
|''[[The Hour of the Furnaces]]'' |
|scope="row"|''[[The Hour of the Furnaces]]'' |
||
|[[Octavio Getino]] and [[Fernando Solanas]] |
|[[Octavio Getino]] and [[Fernando Solanas]] |
||
|1968 |
|1968 |
||
Line 2,196: | Line 2,197: | ||
|- |
|- |
||
|310 |
|310 |
||
|''[[La Ciénaga (film)|La Ciénaga]]'' |
|scope="row"|''[[La Ciénaga (film)|La Ciénaga]]'' |
||
|[[Lucrecia Martel]] |
|[[Lucrecia Martel]] |
||
|2001 |
|2001 |
||
Line 2,203: | Line 2,204: | ||
|- |
|- |
||
|311 |
|311 |
||
|''[[The Piano]]'' |
|scope="row"|''[[The Piano]]'' |
||
|[[Jane Campion]] |
|[[Jane Campion]] |
||
|1993 |
|1993 |
||
Line 2,210: | Line 2,211: | ||
|- |
|- |
||
|312 |
|312 |
||
|''[[Walkabout (film)|Walkabout]]'' |
|scope="row"|''[[Walkabout (film)|Walkabout]]'' |
||
|[[Nicolas Roeg]] |
|[[Nicolas Roeg]] |
||
|1971 |
|1971 |
||
Line 2,217: | Line 2,218: | ||
|- |
|- |
||
|313 |
|313 |
||
|''[[Mad Max 2]]'' |
|scope="row"|''[[Mad Max 2]]'' |
||
|[[George Miller (filmmaker)|George Miller]] |
|[[George Miller (filmmaker)|George Miller]] |
||
|1981 |
|1981 |
||
Line 2,224: | Line 2,225: | ||
|- |
|- |
||
|314 |
|314 |
||
|''[[Picnic at Hanging Rock]]'' |
|scope="row"|''[[Picnic at Hanging Rock (film)|Picnic at Hanging Rock]]'' |
||
|[[Peter Weir]] |
|[[Peter Weir]] |
||
|1975 |
|1975 |
||
Line 2,231: | Line 2,232: | ||
|- |
|- |
||
|315 |
|315 |
||
|''[[Distant Voices, Still Lives]]'' |
|scope="row"|''[[Distant Voices, Still Lives]]'' |
||
|[[Terence Davies]] |
|[[Terence Davies]] |
||
|1988 |
|1988 |
||
Line 2,238: | Line 2,239: | ||
|- |
|- |
||
|316 |
|316 |
||
|''[[Listen to Britain]]'' |
|scope="row"|''[[Listen to Britain]]'' |
||
|[[Humphrey Jennings]] and [[Stewart McAllister]] |
|[[Humphrey Jennings]] and [[Stewart McAllister]] |
||
|1942 |
|1942 |
||
Line 2,245: | Line 2,246: | ||
|- |
|- |
||
|317 |
|317 |
||
|''[[A Canterbury Tale]]'' |
|scope="row"|''[[A Canterbury Tale]]'' |
||
|[[ |
|[[Michael Powell]] and [[Emeric Pressburger]] |
||
|1944 |
|1944 |
||
|UK |
|UK |
||
Line 2,252: | Line 2,253: | ||
|- |
|- |
||
|318 |
|318 |
||
|''[[Peeping Tom (film)|Peeping Tom]]'' |
|scope="row"|''[[Peeping Tom (1960 film)|Peeping Tom]]'' |
||
|[[ |
|[[Michael Powell]] |
||
|1960 |
|1960 |
||
|UK |
|UK |
||
Line 2,259: | Line 2,260: | ||
|- |
|- |
||
|319 |
|319 |
||
|''[[I Know Where I'm Going!]]'' |
|scope="row"|''[[I Know Where I'm Going!]]'' |
||
|[[ |
|[[Michael Powell]] and [[Emeric Pressburger]] |
||
|1945 |
|1945 |
||
|UK |
|UK |
||
Line 2,266: | Line 2,267: | ||
|- |
|- |
||
|320 |
|320 |
||
|''[[The Bridge on the River Kwai]]'' |
|scope="row"|''[[The Bridge on the River Kwai]]'' |
||
|[[David Lean]] |
|[[David Lean]] |
||
|1957 |
|1957 |
||
Line 2,273: | Line 2,274: | ||
|- |
|- |
||
|321 |
|321 |
||
|''[[if....]]'' |
|scope="row"|''[[if....]]'' |
||
|[[Lindsay Anderson]] |
|[[Lindsay Anderson]] |
||
|1968 |
|1968 |
||
Line 2,280: | Line 2,281: | ||
|- |
|- |
||
|322 |
|322 |
||
|''[[Man of Aran]]'' |
|scope="row"|''[[Man of Aran]]'' |
||
|[[Robert J. Flaherty]] |
|[[Robert J. Flaherty]] |
||
|1934 |
|1934 |
||
Line 2,287: | Line 2,288: | ||
|- |
|- |
||
|323 |
|323 |
||
|''[[The Innocents (1961 film)|The Innocents]]'' |
|scope="row"|''[[The Innocents (1961 film)|The Innocents]]'' |
||
|[[Jack Clayton]] |
|[[Jack Clayton]] |
||
|1961 |
|1961 |
||
Line 2,294: | Line 2,295: | ||
|- |
|- |
||
|324 |
|324 |
||
|''[[Monty Python's Life of Brian]]'' |
|scope="row"|''[[Monty Python's Life of Brian]]'' |
||
|[[Terry Jones]] |
|[[Terry Jones]] |
||
|1979 |
|1979 |
||
Line 2,301: | Line 2,302: | ||
|- |
|- |
||
|325 |
|325 |
||
|''[[Videodrome]]'' |
|scope="row"|''[[Videodrome]]'' |
||
|[[David Cronenberg]] |
|[[David Cronenberg]] |
||
|1983 |
|1983 |
||
Line 2,308: | Line 2,309: | ||
|- |
|- |
||
|326 |
|326 |
||
|''[[La Région Centrale]]'' |
|scope="row"|''[[La Région Centrale]]'' |
||
|[[Michael Snow]] |
|[[Michael Snow]] |
||
|1971 |
|1971 |
||
Line 2,315: | Line 2,316: | ||
|- |
|- |
||
|327 |
|327 |
||
|''[[Dead Ringers (film)|Dead Ringers]]'' |
|scope="row"|''[[Dead Ringers (film)|Dead Ringers]]'' |
||
|[[David Cronenberg]] |
|[[David Cronenberg]] |
||
|1988 |
|1988 |
||
Line 2,322: | Line 2,323: | ||
|- |
|- |
||
|328 |
|328 |
||
|''[[The Hart of London]]'' |
|scope="row"|''[[The Hart of London]]'' |
||
|[[Jack Chambers (artist)|Jack Chambers]] |
|[[Jack Chambers (artist)|Jack Chambers]] |
||
|1970 |
|1970 |
||
Line 2,329: | Line 2,330: | ||
|- |
|- |
||
|329 |
|329 |
||
|''[[Crash (1996 film)|Crash]]'' |
|scope="row"|''[[Crash (1996 film)|Crash]]'' |
||
|[[David Cronenberg]] |
|[[David Cronenberg]] |
||
|1996 |
|1996 |
||
Line 2,336: | Line 2,337: | ||
|- |
|- |
||
|330 |
|330 |
||
|''[[Exotica (film)|Exotica]]'' |
|scope="row"|''[[Exotica (film)|Exotica]]'' |
||
|[[Atom Egoyan]] |
|[[Atom Egoyan]] |
||
|1994 |
|1994 |
||
Line 2,343: | Line 2,344: | ||
|- |
|- |
||
|331 |
|331 |
||
|''[[A Touch of Zen]]'' |
|scope="row"|''[[A Touch of Zen]]'' |
||
|[[King Hu]] |
|[[King Hu]] |
||
|1971 |
|1971 |
||
Line 2,350: | Line 2,351: | ||
|- |
|- |
||
|332 |
|332 |
||
|''[[The Time to Live and the Time to Die]]'' |
|scope="row"|''[[The Time to Live and the Time to Die]]'' |
||
|[[Hou Hsiao-Hsien]] |
|[[Hou Hsiao-Hsien]] |
||
|1985 |
|1985 |
||
Line 2,357: | Line 2,358: | ||
|- |
|- |
||
|333 |
|333 |
||
|''[[The Puppetmaster (film)|The Puppetmaster]]'' |
|scope="row"|''[[The Puppetmaster (film)|The Puppetmaster]]'' |
||
|[[Hou Hsiao-Hsien]] |
|[[Hou Hsiao-Hsien]] |
||
|1993 |
|1993 |
||
|China |
|China |
||
|{{ |
|{{C-class}} |
||
|- |
|- |
||
|334 |
|334 |
||
|''[[Days of Being Wild]]'' |
|scope="row"|''[[Days of Being Wild]]'' |
||
|[[Wong Kar-wai]] |
|[[Wong Kar-wai]] |
||
|1990 |
|1990 |
||
Line 2,371: | Line 2,372: | ||
|- |
|- |
||
|335 |
|335 |
||
|''[[Happy Together (1997 film)|Happy Together]]'' |
|scope="row"|''[[Happy Together (1997 film)|Happy Together]]'' |
||
|[[Wong Kar-wai]] |
|[[Wong Kar-wai]] |
||
|1997 |
|1997 |
||
Line 2,378: | Line 2,379: | ||
|- |
|- |
||
|336 |
|336 |
||
|''[[Tie Xi Qu: West of the Tracks]]'' |
|scope="row"|''[[Tie Xi Qu: West of the Tracks]]'' |
||
|[[Wang Bing (director)|Wang Bing]] |
|[[Wang Bing (director)|Wang Bing]] |
||
|2003 |
|2003 |
||
Line 2,385: | Line 2,386: | ||
|- |
|- |
||
|337 |
|337 |
||
|''[[Crouching Tiger, Hidden Dragon]]'' |
|scope="row"|''[[Crouching Tiger, Hidden Dragon]]'' |
||
|[[Ang Lee]] |
|[[Ang Lee]] |
||
|2000 |
|2000 |
||
Line 2,392: | Line 2,393: | ||
|- |
|- |
||
|338 |
|338 |
||
|''[[Yellow Earth]]'' |
|scope="row"|''[[Yellow Earth]]'' |
||
|[[Chen Kaige]] |
|[[Chen Kaige]] |
||
|1984 |
|1984 |
||
Line 2,399: | Line 2,400: | ||
|- |
|- |
||
|339 |
|339 |
||
|''[[Flowers of Shanghai]]'' |
|scope="row"|''[[Flowers of Shanghai]]'' |
||
|[[Hou Hsiao-Hsien]] |
|[[Hou Hsiao-Hsien]] |
||
|1998 |
|1998 |
||
Line 2,406: | Line 2,407: | ||
|- |
|- |
||
|340 |
|340 |
||
|''[[Farewell My Concubine (film)|Farewell My Concubine]]'' |
|scope="row"|''[[Farewell My Concubine (film)|Farewell My Concubine]]'' |
||
|[[Chen Kaige]] |
|[[Chen Kaige]] |
||
|1993 |
|1993 |
||
Line 2,413: | Line 2,414: | ||
|- |
|- |
||
|341 |
|341 |
||
|''[[Three Colors: Red]]'' |
|scope="row"|''[[Three Colors: Red]]'' |
||
|[[Krzysztof Kieślowski]] |
|[[Krzysztof Kieślowski]] |
||
|1994 |
|1994 |
||
Line 2,420: | Line 2,421: | ||
|- |
|- |
||
|342 |
|342 |
||
|''[[My Night at Maud's]]'' |
|scope="row"|''[[My Night at Maud's]]'' |
||
|[[Éric Rohmer]] |
|[[Éric Rohmer]] |
||
|1969 |
|1969 |
||
Line 2,427: | Line 2,428: | ||
|- |
|- |
||
|343 |
|343 |
||
|''[[A Trip to the Moon]]'' |
|scope="row"|''[[A Trip to the Moon]]'' |
||
|[[Georges Méliès]] |
|[[Georges Méliès]] |
||
|1902 |
|1902 |
||
|France |
|France |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|344 |
|344 |
||
|''[[The Sacrifice (1986 film)|The Sacrifice]]'' |
|scope="row"|''[[The Sacrifice (1986 film)|The Sacrifice]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1986 |
|1986 |
||
Line 2,441: | Line 2,442: | ||
|- |
|- |
||
|345 |
|345 |
||
|''[[Out 1]]'' |
|scope="row"|''[[Out 1]]'' |
||
|[[Jacques Rivette]] |
|[[Jacques Rivette]] |
||
|1971 |
|1971 |
||
Line 2,448: | Line 2,449: | ||
|- |
|- |
||
|346 |
|346 |
||
|''[[The Double Life of Véronique]]'' |
|scope="row"|''[[The Double Life of Véronique]]'' |
||
|[[Krzysztof Kieślowski]] |
|[[Krzysztof Kieślowski]] |
||
|1991 |
|1991 |
||
Line 2,455: | Line 2,456: | ||
|- |
|- |
||
|347 |
|347 |
||
|''[[Orpheus (film)|Orpheus]]'' |
|scope="row"|''[[Orpheus (film)|Orpheus]]'' |
||
|[[Jean Cocteau]] |
|[[Jean Cocteau]] |
||
|1950 |
|1950 |
||
Line 2,462: | Line 2,463: | ||
|- |
|- |
||
|348 |
|348 |
||
|''[[Lola Montès]]'' |
|scope="row"|''[[Lola Montès]]'' |
||
|[[Max Ophüls]] |
|[[Max Ophüls]] |
||
|1955 |
|1955 |
||
Line 2,469: | Line 2,470: | ||
|- |
|- |
||
|349 |
|349 |
||
|''[[Red Desert (film)|Red Desert]]'' |
|scope="row"|''[[Red Desert (film)|Red Desert]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1964 |
|1964 |
||
Line 2,476: | Line 2,477: | ||
|- |
|- |
||
|350 |
|350 |
||
|''[[Weekend (1967 film)|Weekend]]'' |
|scope="row"|''[[Weekend (1967 film)|Weekend]]'' |
||
|[[Jean-Luc Godard]] |
|[[Jean-Luc Godard]] |
||
|1967 |
|1967 |
||
Line 2,483: | Line 2,484: | ||
|- |
|- |
||
|351 |
|351 |
||
|''[[Berlin Alexanderplatz (miniseries)|Berlin Alexanderplatz]]'' |
|scope="row"|''[[Berlin Alexanderplatz (miniseries)|Berlin Alexanderplatz]]'' |
||
|[[Rainer Werner Fassbinder]] |
|[[Rainer Werner Fassbinder]] |
||
|1980 |
|1980 |
||
Line 2,490: | Line 2,491: | ||
|- |
|- |
||
|352 |
|352 |
||
|''[[Kings of the Road]]'' |
|scope="row"|''[[Kings of the Road]]'' |
||
|[[Wim Wenders]] |
|[[Wim Wenders]] |
||
|1976 |
|1976 |
||
Line 2,497: | Line 2,498: | ||
|- |
|- |
||
|353 |
|353 |
||
|''[[In a Year of 13 Moons]]'' |
|scope="row"|''[[In a Year of 13 Moons]]'' |
||
|[[Rainer Werner Fassbinder]] |
|[[Rainer Werner Fassbinder]] |
||
|1978 |
|1978 |
||
Line 2,504: | Line 2,505: | ||
|- |
|- |
||
|354 |
|354 |
||
|''[[Triumph of the Will]]'' |
|scope="row"|''[[Triumph of the Will]]'' |
||
|[[Leni Riefenstahl]] |
|[[Leni Riefenstahl]] |
||
|1935 |
|1935 |
||
Line 2,511: | Line 2,512: | ||
|- |
|- |
||
|355 |
|355 |
||
|''[[Fitzcarraldo]]'' |
|scope="row"|''[[Fitzcarraldo]]'' |
||
|[[Werner Herzog]] |
|[[Werner Herzog]] |
||
|1982 |
|1982 |
||
Line 2,518: | Line 2,519: | ||
|- |
|- |
||
|356 |
|356 |
||
|''[[The Enigma of Kaspar Hauser]]'' |
|scope="row"|''[[The Enigma of Kaspar Hauser]]'' |
||
|[[Werner Herzog]] |
|[[Werner Herzog]] |
||
|1974 |
|1974 |
||
Line 2,525: | Line 2,526: | ||
|- |
|- |
||
|357 |
|357 |
||
|''[[Dr. Mabuse the Gambler]]'' |
|scope="row"|''[[Dr. Mabuse the Gambler]]'' |
||
|[[Fritz Lang]] |
|[[Fritz Lang]] |
||
|1922 |
|1922 |
||
Line 2,532: | Line 2,533: | ||
|- |
|- |
||
|358 |
|358 |
||
|''[[The Blue Angel]]'' |
|scope="row"|''[[The Blue Angel]]'' |
||
|[[Josef von Sternberg]] |
|[[Josef von Sternberg]] |
||
|1930 |
|1930 |
||
Line 2,539: | Line 2,540: | ||
|- |
|- |
||
|359 |
|359 |
||
|''[[Faust (1926 film)|Faust]]'' |
|scope="row"|''[[Faust (1926 film)|Faust]]'' |
||
|[[F.W. Murnau]] |
|[[F. W. Murnau]] |
||
|1926 |
|1926 |
||
|Germany |
|Germany |
||
Line 2,546: | Line 2,547: | ||
|- |
|- |
||
|360 |
|360 |
||
|''[[Alice in the Cities]]'' |
|scope="row"|''[[Alice in the Cities]]'' |
||
|[[Wim Wenders]] |
|[[Wim Wenders]] |
||
|1974 |
|1974 |
||
Line 2,553: | Line 2,554: | ||
|- |
|- |
||
|361 |
|361 |
||
|''[[Meghe Dhaka Tara]]'' |
|scope="row"|''[[Meghe Dhaka Tara (1960 film)|Meghe Dhaka Tara]]'' |
||
|[[Ritwik Ghatak]] |
|[[Ritwik Ghatak]] |
||
|1960 |
|1960 |
||
Line 2,560: | Line 2,561: | ||
|- |
|- |
||
|362 |
|362 |
||
|''[[Pyaasa]]'' |
|scope="row"|''[[Pyaasa]]'' |
||
|[[Guru Dutt]] |
|[[Guru Dutt]] |
||
|1957 |
|1957 |
||
Line 2,567: | Line 2,568: | ||
|- |
|- |
||
|363 |
|363 |
||
|''[[Charulata]]'' |
|scope="row"|''[[Charulata]]'' |
||
|[[Satyajit Ray]] |
|[[Satyajit Ray]] |
||
|1964 |
|1964 |
||
Line 2,574: | Line 2,575: | ||
|- |
|- |
||
|364 |
|364 |
||
|''[[Aparajito]]'' |
|scope="row"|''[[Aparajito]]'' |
||
|[[Satyajit Ray]] |
|[[Satyajit Ray]] |
||
|1956 |
|1956 |
||
Line 2,581: | Line 2,582: | ||
|- |
|- |
||
|365 |
|365 |
||
|''[[Subarnarekha (film)|Subarnarekha]]'' |
|scope="row"|''[[Subarnarekha (film)|Subarnarekha]]'' |
||
|[[Ritwik Ghatak]] |
|[[Ritwik Ghatak]] |
||
|1965 |
|1965 |
||
Line 2,588: | Line 2,589: | ||
|- |
|- |
||
|366 |
|366 |
||
|''[[Kaagaz Ke Phool]]'' |
|scope="row"|''[[Kaagaz Ke Phool]]'' |
||
|[[Guru Dutt]] |
|[[Guru Dutt]] |
||
|1959 |
|1959 |
||
Line 2,595: | Line 2,596: | ||
|- |
|- |
||
|367 |
|367 |
||
|''[[Pakeezah]]'' |
|scope="row"|''[[Pakeezah]]'' |
||
|[[Kamal Amrohi]] |
|[[Kamal Amrohi]] |
||
|1972 |
|1972 |
||
Line 2,602: | Line 2,603: | ||
|- |
|- |
||
|368 |
|368 |
||
|''[[La Notte]]'' |
|scope="row"|''[[La Notte]]'' |
||
|[[Michelangelo Antonioni]] |
|[[Michelangelo Antonioni]] |
||
|1961 |
|1961 |
||
Line 2,609: | Line 2,610: | ||
|- |
|- |
||
|369 |
|369 |
||
|''[[Cinema Paradiso]]'' |
|scope="row"|''[[Cinema Paradiso]]'' |
||
|[[Giuseppe Tornatore]] |
|[[Giuseppe Tornatore]] |
||
|1988 |
|1988 |
||
Line 2,616: | Line 2,617: | ||
|- |
|- |
||
|370 |
|370 |
||
|''[[Nostalghia]]'' |
|scope="row"|''[[Nostalghia]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1983 |
|1983 |
||
Line 2,623: | Line 2,624: | ||
|- |
|- |
||
|371 |
|371 |
||
|''[[1900 (film)|1900]]'' |
|scope="row"|''[[1900 (film)|1900]]'' |
||
|[[Bernardo Bertolucci]] |
|[[Bernardo Bertolucci]] |
||
|1976 |
|1976 |
||
Line 2,630: | Line 2,631: | ||
|- |
|- |
||
|372 |
|372 |
||
|''[[Salvatore Giuliano (film)|Salvatore Giuliano]]'' |
|scope="row"|''[[Salvatore Giuliano (film)|Salvatore Giuliano]]'' |
||
|[[Francesco Rosi]] |
|[[Francesco Rosi]] |
||
|1962 |
|1962 |
||
Line 2,637: | Line 2,638: | ||
|- |
|- |
||
|373 |
|373 |
||
|''[[Stromboli (film)|Stromboli]]'' |
|scope="row"|''[[Stromboli (1950 film)|Stromboli]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1950 |
|1950 |
||
Line 2,644: | Line 2,645: | ||
|- |
|- |
||
|374 |
|374 |
||
|''[[The Tree of Wooden Clogs]]'' |
|scope="row"|''[[The Tree of Wooden Clogs]]'' |
||
|[[Ermanno Olmi]] |
|[[Ermanno Olmi]] |
||
|1978 |
|1978 |
||
Line 2,651: | Line 2,652: | ||
|- |
|- |
||
|375 |
|375 |
||
|''[[The Flowers of St. Francis]]'' |
|scope="row"|''[[The Flowers of St. Francis]]'' |
||
|[[Roberto Rossellini]] |
|[[Roberto Rossellini]] |
||
|1950 |
|1950 |
||
Line 2,658: | Line 2,659: | ||
|- |
|- |
||
|376 |
|376 |
||
|''[[Miracle in Milan]]'' |
|scope="row"|''[[Miracle in Milan]]'' |
||
|[[Vittorio de Sica]] |
|[[Vittorio de Sica]] |
||
|1951 |
|1951 |
||
Line 2,665: | Line 2,666: | ||
|- |
|- |
||
|377 |
|377 |
||
|''[[Fellini Satyricon]]'' |
|scope="row"|''[[Fellini Satyricon]]'' |
||
|[[Federico Fellini]] |
|[[Federico Fellini]] |
||
|1969 |
|1969 |
||
Line 2,672: | Line 2,673: | ||
|- |
|- |
||
|378 |
|378 |
||
|''[[An Autumn Afternoon]]'' |
|scope="row"|''[[An Autumn Afternoon]]'' |
||
|[[Yasujiro Ozu]] |
|[[Yasujiro Ozu]] |
||
|1962 |
|1962 |
||
Line 2,679: | Line 2,680: | ||
|- |
|- |
||
|379 |
|379 |
||
|''[[The Life of Oharu]]'' |
|scope="row"|''[[The Life of Oharu]]'' |
||
|[[Kenji Mizoguchi]] |
|[[Kenji Mizoguchi]] |
||
|1952 |
|1952 |
||
Line 2,686: | Line 2,687: | ||
|- |
|- |
||
|380 |
|380 |
||
|''[[Throne of Blood]]'' |
|scope="row"|''[[Throne of Blood]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1957 |
|1957 |
||
Line 2,693: | Line 2,694: | ||
|- |
|- |
||
|381 |
|381 |
||
|''[[The Story of the Last Chrysanthemums]]'' |
|scope="row"|''[[The Story of the Last Chrysanthemums]]'' |
||
|[[Kenji Mizoguchi]] |
|[[Kenji Mizoguchi]] |
||
|1939 |
|1939 |
||
Line 2,700: | Line 2,701: | ||
|- |
|- |
||
|382 |
|382 |
||
|''[[In the Realm of the Senses]]'' |
|scope="row"|''[[In the Realm of the Senses]]'' |
||
|[[Nagisa Oshima]] |
|[[Nagisa Oshima]] |
||
|1976 |
|1976 |
||
Line 2,707: | Line 2,708: | ||
|- |
|- |
||
|383 |
|383 |
||
|''[[I Was Born, But...]]'' |
|scope="row"|''[[I Was Born, But...]]'' |
||
|[[Yasujiro Ozu]] |
|[[Yasujiro Ozu]] |
||
|1932 |
|1932 |
||
Line 2,714: | Line 2,715: | ||
|- |
|- |
||
|384 |
|384 |
||
|''[[High and Low (1963 film)|High and Low]]'' |
|scope="row"|''[[High and Low (1963 film)|High and Low]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1963 |
|1963 |
||
Line 2,721: | Line 2,722: | ||
|- |
|- |
||
|385 |
|385 |
||
|''[[Yojimbo (film)|Yojimbo]]'' |
|scope="row"|''[[Yojimbo (film)|Yojimbo]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1961 |
|1961 |
||
Line 2,728: | Line 2,729: | ||
|- |
|- |
||
|386 |
|386 |
||
|''[[The Woman in the Dunes]]'' |
|scope="row"|''[[The Woman in the Dunes]]'' |
||
|[[Hiroshi Teshigahara]] |
|[[Hiroshi Teshigahara]] |
||
|1964 |
|1964 |
||
Line 2,735: | Line 2,736: | ||
|- |
|- |
||
|387 |
|387 |
||
|''[[Kagemusha]]'' |
|scope="row"|''[[Kagemusha]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1980 |
|1980 |
||
Line 2,742: | Line 2,743: | ||
|- |
|- |
||
|388 |
|388 |
||
|''[[Oldboy (2003 film)|Oldboy]]'' |
|scope="row"|''[[Oldboy (2003 film)|Oldboy]]'' |
||
|[[Park Chan-wook]] |
|[[Park Chan-wook]] |
||
|2003 |
|2003 |
||
Line 2,749: | Line 2,750: | ||
|- |
|- |
||
|389 |
|389 |
||
|''[[Memories of Murder]]'' |
|scope="row"|''[[Memories of Murder]]'' |
||
|[[Bong Joon-ho]] |
|[[Bong Joon-ho]] |
||
|2003 |
|2003 |
||
Line 2,756: | Line 2,757: | ||
|- |
|- |
||
|390 |
|390 |
||
|''[[Él (film)|Él]]'' |
|scope="row"|''[[Él (film)|Él]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1953 |
|1953 |
||
Line 2,763: | Line 2,764: | ||
|- |
|- |
||
|391 |
|391 |
||
|''[[The Holy Mountain (1973 film)|The Holy Mountain]]'' |
|scope="row"|''[[The Holy Mountain (1973 film)|The Holy Mountain]]'' |
||
|[[Alejandro Jodorowsky]] |
|[[Alejandro Jodorowsky]] |
||
|1973 |
|1973 |
||
Line 2,770: | Line 2,771: | ||
|- |
|- |
||
|392 |
|392 |
||
|''[[Nazarín]]'' |
|scope="row"|''[[Nazarín]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1959 |
|1959 |
||
Line 2,777: | Line 2,778: | ||
|- |
|- |
||
|393 |
|393 |
||
|''[[Simon of the Desert]]'' |
|scope="row"|''[[Simon of the Desert]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1965 |
|1965 |
||
Line 2,784: | Line 2,785: | ||
|- |
|- |
||
|394 |
|394 |
||
|''[[El Topo]]'' |
|scope="row"|''[[El Topo]]'' |
||
|[[Alejandro Jodorowsky]] |
|[[Alejandro Jodorowsky]] |
||
|1970 |
|1970 |
||
Line 2,791: | Line 2,792: | ||
|- |
|- |
||
|395 |
|395 |
||
|''[[Silent Light]]'' |
|scope="row"|''[[Silent Light]]'' |
||
|[[Carlos Reygadas]] |
|[[Carlos Reygadas]] |
||
|2007 |
|2007 |
||
Line 2,798: | Line 2,799: | ||
|- |
|- |
||
|396 |
|396 |
||
|''[[Amores perros]]'' |
|scope="row"|''[[Amores perros]]'' |
||
|[[Alejandro González Iñárritu]] |
|[[Alejandro González Iñárritu]] |
||
|2000 |
|2000 |
||
Line 2,805: | Line 2,806: | ||
|- |
|- |
||
|397 |
|397 |
||
|''[[The Criminal Life of Archibaldo de la Cruz]]'' |
|scope="row"|''[[The Criminal Life of Archibaldo de la Cruz]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1955 |
|1955 |
||
Line 2,812: | Line 2,813: | ||
|- |
|- |
||
|398 |
|398 |
||
|''[[Y Tu Mamá También]]'' |
|scope="row"|''[[Y Tu Mamá También]]'' |
||
|[[Alfonso Cuarón]] |
|[[Alfonso Cuarón]] |
||
|2001 |
|2001 |
||
Line 2,819: | Line 2,820: | ||
|- |
|- |
||
|399 |
|399 |
||
|''[[An Angel at My Table]]'' |
|scope="row"|''[[An Angel at My Table]]'' |
||
|[[Jane Campion]] |
|[[Jane Campion]] |
||
|1990 |
|1990 |
||
Line 2,826: | Line 2,827: | ||
|- |
|- |
||
|400 |
|400 |
||
|''[[The Lord of the Rings: The Fellowship of the Ring]]'' |
|scope="row"|''[[The Lord of the Rings: The Fellowship of the Ring]]'' |
||
|[[Peter Jackson]] |
|[[Peter Jackson]] |
||
|2001 |
|2001 |
||
Line 2,833: | Line 2,834: | ||
|- |
|- |
||
|401 |
|401 |
||
|''[[Day of Wrath]]'' |
|scope="row"|''[[Day of Wrath]]'' |
||
|[[Carl Theodor Dreyer]] |
|[[Carl Theodor Dreyer]] |
||
|1943 |
|1943 |
||
Line 2,840: | Line 2,841: | ||
|- |
|- |
||
|402 |
|402 |
||
|''[[Hour of the Wolf]]'' |
|scope="row"|''[[Hour of the Wolf]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1968 |
|1968 |
||
|Nordic |
|Nordic |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|403 |
|403 |
||
|''[[Scenes from a Marriage]]'' |
|scope="row"|''[[Scenes from a Marriage]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1973 |
|1973 |
||
Line 2,854: | Line 2,855: | ||
|- |
|- |
||
|404 |
|404 |
||
|''[[Festen]]'' |
|scope="row"|''[[Festen]]'' |
||
|[[Thomas Vinterberg]] |
|[[Thomas Vinterberg]] |
||
|1998 |
|1998 |
||
Line 2,861: | Line 2,862: | ||
|- |
|- |
||
|405 |
|405 |
||
|''[[Winter Light]]'' |
|scope="row"|''[[Winter Light]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1962 |
|1962 |
||
Line 2,868: | Line 2,869: | ||
|- |
|- |
||
|406 |
|406 |
||
|''[[Edvard Munch (film)|Edvard Munch]]'' |
|scope="row"|''[[Edvard Munch (film)|Edvard Munch]]'' |
||
|[[Peter Watkins]] |
|[[Peter Watkins]] |
||
|1974 |
|1974 |
||
Line 2,875: | Line 2,876: | ||
|- |
|- |
||
|407 |
|407 |
||
|''[[The Silence (1963 film)|The Silence]]'' |
|scope="row"|''[[The Silence (1963 film)|The Silence]]'' |
||
|[[Ingmar Bergman]] |
|[[Ingmar Bergman]] |
||
|1963 |
|1963 |
||
Line 2,882: | Line 2,883: | ||
|- |
|- |
||
|408 |
|408 |
||
|''[[My Life as a Dog]]'' |
|scope="row"|''[[My Life as a Dog]]'' |
||
|[[Lasse Hallström]] |
|[[Lasse Hallström]] |
||
|1985 |
|1985 |
||
Line 2,889: | Line 2,890: | ||
|- |
|- |
||
|409 |
|409 |
||
|''[[The Idiots]]'' |
|scope="row"|''[[The Idiots]]'' |
||
|[[Lars von Trier]] |
|[[Lars von Trier]] |
||
|1998 |
|1998 |
||
Line 2,896: | Line 2,897: | ||
|- |
|- |
||
|410 |
|410 |
||
|''[[Songs from the Second Floor]]'' |
|scope="row"|''[[Songs from the Second Floor]]'' |
||
|[[Roy Andersson]] |
|[[Roy Andersson]] |
||
|2000 |
|2000 |
||
Line 2,903: | Line 2,904: | ||
|- |
|- |
||
|411 |
|411 |
||
|''[[Where Is the Friend's Home?]]'' |
|scope="row"|''[[Where Is the Friend's Home?]]'' |
||
|[[Abbas Kiarostami]] |
|[[Abbas Kiarostami]] |
||
|1987 |
|1987 |
||
Line 2,910: | Line 2,911: | ||
|- |
|- |
||
|412 |
|412 |
||
|''[[Through the Olive Trees]]'' |
|scope="row"|''[[Through the Olive Trees]]'' |
||
|[[Abbas Kiarostami]] |
|[[Abbas Kiarostami]] |
||
|1994 |
|1994 |
||
Line 2,917: | Line 2,918: | ||
|- |
|- |
||
|413 |
|413 |
||
|''[[The House Is Black]]'' |
|scope="row"|''[[The House Is Black]]'' |
||
|[[Forough Farrokhzad]] |
|[[Forough Farrokhzad]] |
||
|1962 |
|1962 |
||
Line 2,924: | Line 2,925: | ||
|- |
|- |
||
|414 |
|414 |
||
|''[[Taste of Cherry]]'' |
|scope="row"|''[[Taste of Cherry]]'' |
||
|[[Abbas Kiarostami]] |
|[[Abbas Kiarostami]] |
||
|1997 |
|1997 |
||
Line 2,931: | Line 2,932: | ||
|- |
|- |
||
|415 |
|415 |
||
|''[[A Moment of Innocence]]'' |
|scope="row"|''[[A Moment of Innocence]]'' |
||
|[[Mohsen Makhmalbaf]] |
|[[Mohsen Makhmalbaf]] |
||
|1996 |
|1996 |
||
Line 2,938: | Line 2,939: | ||
|- |
|- |
||
|416 |
|416 |
||
|''[[Life, and Nothing More...]]'' |
|scope="row"|''[[Life, and Nothing More...]]'' |
||
|[[Abbas Kiarostami]] |
|[[Abbas Kiarostami]] |
||
|1991 |
|1991 |
||
Line 2,945: | Line 2,946: | ||
|- |
|- |
||
|417 |
|417 |
||
|''[[A Separation]]'' |
|scope="row"|''[[A Separation]]'' |
||
|[[Asghar Farhadi]] |
|[[Asghar Farhadi]] |
||
|2011 |
|2011 |
||
Line 2,952: | Line 2,953: | ||
|- |
|- |
||
|418 |
|418 |
||
|''[[Tropical Malady]]'' |
|scope="row"|''[[Tropical Malady]]'' |
||
|[[Apichatpong Weerasethakul]] |
|[[Apichatpong Weerasethakul]] |
||
|2004 |
|2004 |
||
Line 2,959: | Line 2,960: | ||
|- |
|- |
||
|419 |
|419 |
||
|''[[Blissfully Yours]]'' |
|scope="row"|''[[Blissfully Yours]]'' |
||
|[[Apichatpong Weerasethakul]] |
|[[Apichatpong Weerasethakul]] |
||
|2002 |
|2002 |
||
Line 2,966: | Line 2,967: | ||
|- |
|- |
||
|420 |
|420 |
||
|''[[Uncle Boonmee Who Can Recall His Past Lives]]'' |
|scope="row"|''[[Uncle Boonmee Who Can Recall His Past Lives]]'' |
||
|[[Apichatpong Weerasethakul]] |
|[[Apichatpong Weerasethakul]] |
||
|2010 |
|2010 |
||
Line 2,973: | Line 2,974: | ||
|- |
|- |
||
|421 |
|421 |
||
|''[[Syndromes and a Century]]'' |
|scope="row"|''[[Syndromes and a Century]]'' |
||
|[[Apichatpong Weerasethakul]] |
|[[Apichatpong Weerasethakul]] |
||
|2006 |
|2006 |
||
Line 2,980: | Line 2,981: | ||
|- |
|- |
||
|422 |
|422 |
||
|''[[I Am Cuba]]'' |
|scope="row"|''[[I Am Cuba]]'' |
||
|[[Mikhail Kalatozov]] |
|[[Mikhail Kalatozov]] |
||
|1964 |
|1964 |
||
Line 2,987: | Line 2,988: | ||
|- |
|- |
||
|423 |
|423 |
||
|''[[Russian Ark]]'' |
|scope="row"|''[[Russian Ark]]'' |
||
|[[Alexander Sokurov]] |
|[[Alexander Sokurov]] |
||
|2002 |
|2002 |
||
Line 2,994: | Line 2,995: | ||
|- |
|- |
||
|424 |
|424 |
||
|''[[October: Ten Days That Shook the World]]'' |
|scope="row"|''[[October: Ten Days That Shook the World]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1928 |
|1928 |
||
Line 3,001: | Line 3,002: | ||
|- |
|- |
||
|425 |
|425 |
||
|''[[Ivan's Childhood]]'' |
|scope="row"|''[[Ivan's Childhood]]'' |
||
|[[Andrei Tarkovsky]] |
|[[Andrei Tarkovsky]] |
||
|1962 |
|1962 |
||
Line 3,008: | Line 3,009: | ||
|- |
|- |
||
|426 |
|426 |
||
|''[[Shadows of Forgotten Ancestors]]'' |
|scope="row"|''[[Shadows of Forgotten Ancestors]]'' |
||
|[[Sergei Parajanov]] |
|[[Sergei Parajanov]] |
||
|1965 |
|1965 |
||
Line 3,015: | Line 3,016: | ||
|- |
|- |
||
|427 |
|427 |
||
|''[[Dersu Uzala (1975 film)|Dersu Uzala]]'' |
|scope="row"|''[[Dersu Uzala (1975 film)|Dersu Uzala]]'' |
||
|[[Akira Kurosawa]] |
|[[Akira Kurosawa]] |
||
|1975 |
|1975 |
||
Line 3,022: | Line 3,023: | ||
|- |
|- |
||
|428 |
|428 |
||
|''[[The Cranes Are Flying]]'' |
|scope="row"|''[[The Cranes Are Flying]]'' |
||
|[[Mikhail Kalatozov]] |
|[[Mikhail Kalatozov]] |
||
|1957 |
|1957 |
||
Line 3,029: | Line 3,030: | ||
|- |
|- |
||
|429 |
|429 |
||
|''[[Alexander Nevsky (film)|Alexander Nevsky]]'' |
|scope="row"|''[[Alexander Nevsky (film)|Alexander Nevsky]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1938 |
|1938 |
||
Line 3,036: | Line 3,037: | ||
|- |
|- |
||
|430 |
|430 |
||
|''[[Tale of Tales (film)|Tale of Tales]]'' |
|scope="row"|''[[Tale of Tales (1979 film)|Tale of Tales]]'' |
||
|[[Yuriy Norshteyn]] |
|[[Yuriy Norshteyn]] |
||
|1979 |
|1979 |
||
Line 3,043: | Line 3,044: | ||
|- |
|- |
||
|431 |
|431 |
||
|''[[Strike (1925 film)|Strike]]'' |
|scope="row"|''[[Strike (1925 film)|Strike]]'' |
||
|[[Sergei Eisenstein]] |
|[[Sergei Eisenstein]] |
||
|1925 |
|1925 |
||
Line 3,050: | Line 3,051: | ||
|- |
|- |
||
|432 |
|432 |
||
|''[[Not on Your Life]]'' |
|scope="row"|''[[Not on Your Life]]'' |
||
|[[Luis García Berlanga]] |
|[[Luis García Berlanga]] |
||
|1963 |
|1963 |
||
Line 3,057: | Line 3,058: | ||
|- |
|- |
||
|433 |
|433 |
||
|''[[All About My Mother]]'' |
|scope="row"|''[[All About My Mother]]'' |
||
|[[Pedro Almodóvar]] |
|[[Pedro Almodóvar]] |
||
|1999 |
|1999 |
||
Line 3,064: | Line 3,065: | ||
|- |
|- |
||
|434 |
|434 |
||
|''[[Land Without Bread]]'' |
|scope="row"|''[[Land Without Bread]]'' |
||
|[[Luis Buñuel]] |
|[[Luis Buñuel]] |
||
|1933 |
|1933 |
||
Line 3,071: | Line 3,072: | ||
|- |
|- |
||
|435 |
|435 |
||
|''[[Dream of Light]]'' |
|scope="row"|''[[Dream of Light]]'' |
||
|[[Víctor Erice]] |
|[[Víctor Erice]] |
||
|1992 |
|1992 |
||
Line 3,078: | Line 3,079: | ||
|- |
|- |
||
|436 |
|436 |
||
|''[[Talk to Her]]'' |
|scope="row"|''[[Talk to Her]]'' |
||
|[[Pedro Almodóvar]] |
|[[Pedro Almodóvar]] |
||
|2002 |
|2002 |
||
Line 3,085: | Line 3,086: | ||
|- |
|- |
||
|437 |
|437 |
||
|''[[Plácido (film)|Plácido]]'' |
|scope="row"|''[[Plácido (film)|Plácido]]'' |
||
|[[Luis García Berlanga]] |
|[[Luis García Berlanga]] |
||
|1961 |
|1961 |
||
Line 3,092: | Line 3,093: | ||
|- |
|- |
||
|438 |
|438 |
||
|''[[Arrebato]]'' |
|scope="row"|''[[Arrebato]]'' |
||
|[[Iván Zulueta]] |
|[[Iván Zulueta]] |
||
|1980 |
|1980 |
||
Line 3,099: | Line 3,100: | ||
|- |
|- |
||
|439 |
|439 |
||
|''[[The South (film)|The South]]'' |
|scope="row"|''[[The South (film)|The South]]'' |
||
|[[Víctor Erice]] |
|[[Víctor Erice]] |
||
|1983 |
|1983 |
||
Line 3,106: | Line 3,107: | ||
|- |
|- |
||
|440 |
|440 |
||
|''[[Pan's Labyrinth]]'' |
|scope="row"|''[[Pan's Labyrinth]]'' |
||
|[[Guillermo del Toro]] |
|[[Guillermo del Toro]] |
||
|2006 |
|2006 |
||
Line 3,113: | Line 3,114: | ||
|- |
|- |
||
|441 |
|441 |
||
|''[[The Lion King]]'' |
|scope="row"|''[[The Lion King]]'' |
||
|[[Roger Allers]] and [[Rob Minkoff]] |
|[[Roger Allers]] and [[Rob Minkoff]] |
||
|1994 |
|1994 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|442 |
|442 |
||
|''[[Toy Story]]'' |
|scope="row"|''[[Toy Story]]'' |
||
|[[John Lasseter]] |
|[[John Lasseter]] |
||
|1995 |
|1995 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|443 |
|443 |
||
|''[[The Little Mermaid (1989 film)|The Little Mermaid]]'' |
|scope="row"|''[[The Little Mermaid (1989 film)|The Little Mermaid]]'' |
||
|[[Ron Clements]] and [[John Musker]] |
|[[Ron Clements]] and [[John Musker]] |
||
|1989 |
|1989 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|444 |
|444 |
||
|''[[Toy Story 2]]'' |
|scope="row"|''[[Toy Story 2]]'' |
||
|[[John Lasseter]] |
|[[John Lasseter]] |
||
|1999 |
|1999 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|445 |
|445 |
||
|''[[Who Framed Roger Rabbit]]'' |
|scope="row"|''[[Who Framed Roger Rabbit]]'' |
||
|[[Robert Zemeckis]] |
|[[Robert Zemeckis]] |
||
|1988 |
|1988 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|446 |
|446 |
||
|''[[Fritz the Cat (film)|Fritz the Cat]]'' |
|scope="row"|''[[Fritz the Cat (film)|Fritz the Cat]]'' |
||
|[[Ralph Bakshi]] |
|[[Ralph Bakshi]] |
||
|1972 |
|1972 |
||
Line 3,155: | Line 3,156: | ||
|- |
|- |
||
|447 |
|447 |
||
|''[[Gertie the Dinosaur]]'' |
|scope="row"|''[[Gertie the Dinosaur]]'' |
||
|[[Winsor McCay]] |
|[[Winsor McCay]] |
||
|1914 |
|1914 |
||
|Animated |
|Animated |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|448 |
|448 |
||
|''[[The Land Before Time]]'' |
|scope="row"|''[[The Land Before Time (film)|The Land Before Time]]'' |
||
|[[Don Bluth]] |
|[[Don Bluth]] |
||
|1988 |
|1988 |
||
Line 3,169: | Line 3,170: | ||
|- |
|- |
||
|449 |
|449 |
||
|''[[Frozen (2013 film)|Frozen]]'' |
|scope="row"|''[[Frozen (2013 film)|Frozen]]'' |
||
|[[Chris Buck]] and [[Jennifer Lee]] |
|[[Chris Buck]] and [[Jennifer Lee (filmmaker)|Jennifer Lee]] |
||
|2013 |
|2013 |
||
|Animated |
|Animated |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|450 |
|450 |
||
|''[[Transformers (film)|Transformers]]'' |
|scope="row"|''[[Transformers (film)|Transformers]]'' |
||
|[[Michael Bay]] |
|[[Michael Bay]] |
||
|2007 |
|2007 |
||
|Animated |
|Animated |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|451 |
|451 |
||
|''[[Ben-Hur (1959 film)|Ben-Hur]]'' |
|scope="row"|''[[Ben-Hur (1959 film)|Ben-Hur]]'' |
||
|[[William Wyler]] |
|[[William Wyler]] |
||
|1959 |
|1959 |
||
|Christian |
|Christian |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|452 |
|452 |
||
|''[[The Chronicles of Narnia: Prince Caspian]]'' |
|scope="row"|''[[The Chronicles of Narnia: Prince Caspian]]'' |
||
|[[Andrew Adamson]] |
|[[Andrew Adamson]] |
||
|2008 |
|2008 |
||
|Christian |
|Christian |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|453 |
|453 |
||
|''[[The Prince of Egypt]]'' |
|scope="row"|''[[The Prince of Egypt]]'' |
||
|[[Simon Wells]] and [[Brenda Chapman]] |
|[[Simon Wells]] and [[Brenda Chapman]] |
||
|1998 |
|1998 |
||
|Christian |
|Christian |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|454 |
|454 |
||
|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]'' |
|scope="row"|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]'' |
||
|[[Andrew Adamson]] |
|[[Andrew Adamson]] |
||
|2005 |
|2005 |
||
Line 3,211: | Line 3,212: | ||
|- |
|- |
||
|455 |
|455 |
||
|''[[The Sound of Music (film)|The Sound of Music]]'' |
|scope="row"|''[[The Sound of Music (film)|The Sound of Music]]'' |
||
|[[Robert Wise]] |
|[[Robert Wise]] |
||
|1965 |
|1965 |
||
Line 3,218: | Line 3,219: | ||
|- |
|- |
||
|456 |
|456 |
||
|''[[Chariots of Fire]]'' |
|scope="row"|''[[Chariots of Fire]]'' |
||
|[[Hugh Hudson]] |
|[[Hugh Hudson]] |
||
|1981 |
|1981 |
||
Line 3,225: | Line 3,226: | ||
|- |
|- |
||
|457 |
|457 |
||
|''[[The Passion of the Christ]]'' |
|scope="row"|''[[The Passion of the Christ]]'' |
||
|[[Mel Gibson]] |
|[[Mel Gibson]] |
||
|2004 |
|2004 |
||
Line 3,232: | Line 3,233: | ||
|- |
|- |
||
|458 |
|458 |
||
|''[[Tender Mercies]]'' |
|scope="row"|''[[Tender Mercies]]'' |
||
|[[Bruce Beresford]] |
|[[Bruce Beresford]] |
||
|1983 |
|1983 |
||
|Christian |
|Christian |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|459 |
|459 |
||
|''[[The Blind Side (film)|The Blind Side]]'' |
|scope="row"|''[[The Blind Side (film)|The Blind Side]]'' |
||
|[[John Lee Hancock]] |
|[[John Lee Hancock]] |
||
|2009 |
|2009 |
||
Line 3,246: | Line 3,247: | ||
|- |
|- |
||
|460 |
|460 |
||
|''[[The Book of Eli]]'' |
|scope="row"|''[[The Book of Eli]]'' |
||
|[[Hughes |
|[[Hughes brothers]] |
||
|2010 |
|2010 |
||
|Christian |
|Christian |
||
Line 3,253: | Line 3,254: | ||
|- |
|- |
||
|461 |
|461 |
||
|''[[300 (film)|300]]'' |
|scope="row"|''[[300 (film)|300]]'' |
||
|[[Zack Snyder]] |
|[[Zack Snyder]] |
||
|2007 |
|2007 |
||
|Comic Book |
|Comic Book |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|462 |
|462 |
||
|''[[The Dark Knight |
|scope="row"|''[[The Dark Knight|The Dark Knight]]'' |
||
|[[Christopher Nolan]] |
|[[Christopher Nolan]] |
||
|2008 |
|2008 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|463 |
|463 |
||
|''[[Batman Begins]]'' |
|scope="row"|''[[Batman Begins]]'' |
||
|[[Christopher Nolan]] |
|[[Christopher Nolan]] |
||
|2005 |
|2005 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|464 |
|464 |
||
|''[[Batman (1989 film)|Batman]]'' |
|scope="row"|''[[Batman (1989 film)|Batman]]'' |
||
|[[Tim Burton]] |
|[[Tim Burton]] |
||
|1989 |
|1989 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|465 |
|465 |
||
|''[[Iron Man 2]]'' |
|scope="row"|''[[Iron Man 2]]'' |
||
|[[Jon Favreau]] |
|[[Jon Favreau]] |
||
|2010 |
|2010 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|466 |
|466 |
||
|''[[Spider-Man 3]]'' |
|scope="row"|''[[Spider-Man 3]]'' |
||
|[[Sam Raimi]] |
|[[Sam Raimi]] |
||
|2007 |
|2007 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|467 |
|467 |
||
|''[[X-Men Origins: Wolverine]]'' |
|scope="row"|''[[X-Men Origins: Wolverine]]'' |
||
|[[Gavin Hood]] |
|[[Gavin Hood]] |
||
|2009 |
|2009 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|468 |
|468 |
||
|''[[Alien vs. Predator (film)|Alien vs. Predator]]'' |
|scope="row"|''[[Alien vs. Predator (film)|Alien vs. Predator]]'' |
||
|[[Paul W. S. Anderson]] |
|[[Paul W. S. Anderson]] |
||
|2004 |
|2004 |
||
|Comic Book |
|Comic Book |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|469 |
|469 |
||
|''[[V for Vendetta (film)|V for Vendetta]]'' |
|scope="row"|''[[V for Vendetta (film)|V for Vendetta]]'' |
||
|[[James McTeigue]] |
|[[James McTeigue]] |
||
|2006 |
|2006 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|470 |
|470 |
||
|''[[Watchmen (film)|Watchmen]]'' |
|scope="row"|''[[Watchmen (film)|Watchmen]]'' |
||
|[[Zack Snyder]] |
|[[Zack Snyder]] |
||
|2009 |
|2009 |
||
|Comic Book |
|Comic Book |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|471 |
|471 |
||
|''[[The Power of Nightmares]]'' |
|scope="row"|''[[The Power of Nightmares]]'' |
||
|[[Adam Curtis]] |
|[[Adam Curtis]] |
||
|2004 |
|2004 |
||
|Documentary |
|Documentary |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|472 |
|472 |
||
|''[[The Revolution Will Not Be Televised (film)|The Revolution Will Not Be Televised]]'' |
|scope="row"|''[[The Revolution Will Not Be Televised (film)|The Revolution Will Not Be Televised]]'' |
||
|Kim Bartley and Donnacha Ó Briain |
|Kim Bartley and Donnacha Ó Briain |
||
|2003 |
|2003 |
||
|Documentary |
|Documentary |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|473 |
|473 |
||
|''[[Koyaanisqatsi]]'' |
|scope="row"|''[[Koyaanisqatsi]]'' |
||
|[[Godfrey Reggio]] |
|[[Godfrey Reggio]] |
||
|1982 |
|1982 |
||
Line 3,344: | Line 3,345: | ||
|- |
|- |
||
|474 |
|474 |
||
|''[[Sicko]]'' |
|scope="row"|''[[Sicko]]'' |
||
|[[Michael Moore]] |
|[[Michael Moore]] |
||
|2007 |
|2007 |
||
Line 3,351: | Line 3,352: | ||
|- |
|- |
||
|475 |
|475 |
||
|''[[I'm Going to Tell You a Secret]]'' |
|scope="row"|''[[I'm Going to Tell You a Secret]]'' |
||
|[[Jonas Åkerlund]] |
|[[Jonas Åkerlund]] |
||
|2005 |
|2005 |
||
|Documentary |
|Documentary |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|476 |
|476 |
||
|''[[Bowling for Columbine]]'' |
|scope="row"|''[[Bowling for Columbine]]'' |
||
|[[Michael Moore]] |
|[[Michael Moore]] |
||
|2002 |
|2002 |
||
Line 3,365: | Line 3,366: | ||
|- |
|- |
||
|477 |
|477 |
||
|''[[Waltz with Bashir]]'' |
|scope="row"|''[[Waltz with Bashir]]'' |
||
|[[Ari Folman]] |
|[[Ari Folman]] |
||
|2008 |
|2008 |
||
Line 3,372: | Line 3,373: | ||
|- |
|- |
||
|478 |
|478 |
||
|''[[Man on Wire]]'' |
|scope="row"|''[[Man on Wire]]'' |
||
|[[James Marsh (director)|James Marsh]] |
|[[James Marsh (director)|James Marsh]] |
||
|2008 |
|2008 |
||
Line 3,379: | Line 3,380: | ||
|- |
|- |
||
|479 |
|479 |
||
|''[[Grizzly Man]]'' |
|scope="row"|''[[Grizzly Man]]'' |
||
|[[Werner Herzog]] |
|[[Werner Herzog]] |
||
|2005 |
|2005 |
||
Line 3,386: | Line 3,387: | ||
|- |
|- |
||
|480 |
|480 |
||
|''[[March of the Penguins]]'' |
|scope="row"|''[[March of the Penguins]]'' |
||
|[[Luc Jacquet]] |
|[[Luc Jacquet]] |
||
|2005 |
|2005 |
||
Line 3,393: | Line 3,394: | ||
|- |
|- |
||
|481 |
|481 |
||
|''[[The Cat and the Canary (1927 film)|The Cat and the Canary]]'' |
|scope="row"|''[[The Cat and the Canary (1927 film)|The Cat and the Canary]]'' |
||
|[[Paul Leni]] |
|[[Paul Leni]] |
||
|1927 |
|1927 |
||
|Silent |
|Silent |
||
|{{FA- |
|{{Sort|!|{{FA-Class}}}} |
||
|- |
|- |
||
|482 |
|482 |
||
|''[[The Phantom of the Opera (1925 film)|The Phantom of the Opera]]'' |
|scope="row"|''[[The Phantom of the Opera (1925 film)|The Phantom of the Opera]]'' |
||
|[[Rupert Julian]] |
|[[Rupert Julian]] |
||
|1925 |
|1925 |
||
Line 3,407: | Line 3,408: | ||
|- |
|- |
||
|483 |
|483 |
||
|''[[Zapruder film]]'' |
|scope="row"|''[[Zapruder film]]'' |
||
|[[Abraham Zapruder]] |
|[[Abraham Zapruder]] |
||
|1963 |
|1963 |
||
Line 3,414: | Line 3,415: | ||
|- |
|- |
||
|484 |
|484 |
||
|''[[Saved from the Titanic]]'' |
|scope="row"|''[[Saved from the Titanic]]'' |
||
|Étienne Arnaud |
|Étienne Arnaud |
||
|1912 |
|1912 |
||
|Silent |
|Silent |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|485 |
|485 |
||
|''[[The Mountain Eagle]]'' |
|scope="row"|''[[The Mountain Eagle]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1927 |
|1927 |
||
|Silent |
|Silent |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|486 |
|486 |
||
|''[[Ben-Hur (1925 film)|Ben-Hur]]'' |
|scope="row"|''[[Ben-Hur (1925 film)|Ben-Hur]]'' |
||
|[[Fred Niblo]] |
|[[Fred Niblo]] |
||
|1925 |
|1925 |
||
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|- |
|- |
||
|487 |
|487 |
||
|''[[L'Arrivée d'un train en gare de La Ciotat]]'' |
|scope="row"|''[[L'Arrivée d'un train en gare de La Ciotat]]'' |
||
|[[Auguste and Louis Lumière]] |
|[[Auguste and Louis Lumière]] |
||
|1895 |
|1895 |
||
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|- |
|- |
||
|488 |
|488 |
||
|''[[The Circus (film)|The Circus]]'' |
|scope="row"|''[[The Circus (1928 film)|The Circus]]'' |
||
|[[Charlie Chaplin]] |
|[[Charlie Chaplin]] |
||
|1928 |
|1928 |
||
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|- |
|- |
||
|489 |
|489 |
||
|''[[The Lodger: A Story of the London Fog]]'' |
|scope="row"|''[[The Lodger: A Story of the London Fog]]'' |
||
|[[Alfred Hitchcock]] |
|[[Alfred Hitchcock]] |
||
|1927 |
|1927 |
||
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|- |
|- |
||
|490 |
|490 |
||
|''[[Roundhay Garden Scene]]'' |
|scope="row"|''[[Roundhay Garden Scene]]'' |
||
|[[Louis Le Prince]] |
|[[Louis Le Prince]] |
||
|1888 |
|1888 |
||
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|- |
|- |
||
|491 |
|491 |
||
|''[[Forrest Gump]]'' |
|scope="row"|''[[Forrest Gump]]'' |
||
|[[Robert Zemeckis]] |
|[[Robert Zemeckis]] |
||
|1994 |
|1994 |
||
|War |
|War |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|492 |
|492 |
||
|''[[Saving Private Ryan]]'' |
|scope="row"|''[[Saving Private Ryan]]'' |
||
|[[Steven Spielberg]] |
|[[Steven Spielberg]] |
||
|1998 |
|1998 |
||
|War |
|War |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|493 |
|493 |
||
|''[[Gladiator (2000 film)|Gladiator]]'' |
|scope="row"|''[[Gladiator (2000 film)|Gladiator]]'' |
||
|[[Ridley Scott]] |
|[[Ridley Scott]] |
||
|2000 |
|2000 |
||
|War |
|War |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|494 |
|494 |
||
|''[[The Pianist (2002 film)|The Pianist]]'' |
|scope="row"|''[[The Pianist (2002 film)|The Pianist]]'' |
||
|[[Roman Polanski]] |
|[[Roman Polanski]] |
||
|2002 |
|2002 |
||
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|- |
|- |
||
|495 |
|495 |
||
|''[[Braveheart]]'' |
|scope="row"|''[[Braveheart]]'' |
||
|[[Mel Gibson]] |
|[[Mel Gibson]] |
||
|1995 |
|1995 |
||
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|- |
|- |
||
|496 |
|496 |
||
|''[[Inglourious Basterds]]'' |
|scope="row"|''[[Inglourious Basterds]]'' |
||
|[[Quentin Tarantino]] |
|[[Quentin Tarantino]] |
||
|2009 |
|2009 |
||
|War |
|War |
||
|{{GA- |
|{{Sort|A|{{GA-Class}}}} |
||
|- |
|- |
||
|497 |
|497 |
||
|''[[Full Metal Jacket]]'' |
|scope="row"|''[[Full Metal Jacket]]'' |
||
|[[Stanley Kubrick]] |
|[[Stanley Kubrick]] |
||
|1987 |
|1987 |
||
Line 3,512: | Line 3,513: | ||
|- |
|- |
||
|498 |
|498 |
||
|''[[The Great Escape (film)|The Great Escape]]'' |
|scope="row"|''[[The Great Escape (film)|The Great Escape]]'' |
||
|[[John Sturges]] |
|[[John Sturges]] |
||
|1963 |
|1963 |
||
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|- |
|- |
||
|499 |
|499 |
||
|''[[Hotel Rwanda]]'' |
|scope="row"|''[[Hotel Rwanda]]'' |
||
|[[Terry George]] |
|[[Terry George]] |
||
|2004 |
|2004 |
||
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|- |
|- |
||
|500 |
|500 |
||
|''[[Platoon (film)|Platoon]]'' |
|scope="row"|''[[Platoon (film)|Platoon]]'' |
||
|[[Oliver Stone]] |
|[[Oliver Stone]] |
||
|1986 |
|1986 |
Latest revision as of 12:06, 30 October 2023
Main page | Assessment | Help | Participants | Coordinators | Spotlight | Outreach | Resources | Portal | Recognized content |
The purpose of the grouping is to identify a sizeable number of articles within the scope of this WikiProject which could be considered integral and essential to an encyclopedia, and to especially encourage editors to focus particularly on these articles for bringing up to featured status.
Background
[edit]The project banner originally incorporated an "Importance" parameter that was optional for use in conjunction with quality assessments. While Importance was integrated into the WP 1.0 general assessments, there were several prominent WikiProjects which rejected the use of it for various reasons. Even the name was somewhat misleading, because the intended usage was for the WikiProjects to rank the article by their project priority. Therefore, it has been used with conflicting purposes to either identify the "general" importance of an article's subject or the priority of the article in relation to a WikiProject's goals.
In the case of certain fields like Mathematics, it is usually possible to come to a general and objective agreement as to the importance of mathematical concepts in relation to the entire field of Math. In these projects, importance/priority is somewhat straightforward and provides a logical hierarchy of topics within the project scope. Unfortunately, for WP Films, the vast majority of our articles happen to cover creative endeavors – individual films or film characters. Consequently, it is much more difficult to quantify how a film relates to the entire field, and since the judgments are fairly subjective, any given set of individuals will reach widely varying assessments.
Unsurprisingly, the usage of this parameter in WP Films led to several dilemmas. First of all, there were a substantial number of films which were assessed as "Top" importance by individual editors who were great fans of those films. While everyone's opinion of which films deserve this are different, it is generally acknowledged that too many films have been rated "Top" importance in this manner. Second, there are some editors who, fairly or not, judge a film to be less distinguished within the larger scheme, and thus rate particular films as "Low" or "No" importance. In this case, while most editors agree that the vast majority of our film articles should be on the lower end of the importance spectrum, it is difficult to agree which films deserve this assessment. However, while many editors are willing to turn a blind eye to films that they believe have been "overrated" to Top importance, assessing an article as Low or No importance is more often the source of disagreement, edit warring, and occasionally heated arguments. Third, a rough analysis of our statistics (as of January 2008) shows that the collective total of Top, High, and Mid importance articles amounts to less than 10% of our articles, and more than half have no importance assessment whatsoever. Lastly, there is no evidence whatsoever that editors are attracted to an article on the basis of its rated importance.
Given these factors, it was discussed by some of the more active editors that a multi-tiered priority scale was inefficient, making too much work and creating groupings such as Mid and Low importance which were not very useful within themselves. Among the conclusions was that it would make more sense to have a "core=yes" parameter which would only be applied to a small fraction of the articles, leaving the rest of the articles at a "normal" priority – essentially, scrapping the importance parameter altogether. Additionally, in order to maintain as objective a core list as possible and avoid undue individual editor influence, it is suggested that the core should be drawn from some form of aggregate lists and try to cover several different interests (namely, popularity and critical opinion, and a wide spectrum of years and countries). The list would also be kept to a relative minimum of several hundred articles, much like the general Wikipedia core.
Inclusion formula
[edit]- Critical opinion – They Shoot Pictures Don't They metalist – Top 250; compiled from thousands of ballots placed in film polls over the years.
- Regional and national task forces – Each task force (including any future ones) will receive an additional 10 slots for Core. In the case of national cinemas, the next-highest picks from the TSPDT metalists will be taken first. (National task forces with less than ten films on the metalist will have their remaining slots held until a method of determining those picks can be decided.)
- Genre task forces – each genre task force's ten slots will be taken from the top ten films of the IMDb genre lists which aren't already included on the Core list.
- General task forces – For the task forces which don't cover film titles, the ten will represent the most basic and influential topics covered by the task force.
Future revision
[edit]The Core list would be updated once a year, following the annual adjustment of the critical metalist. (This tends to occur in December or January.) The only exception shall be to add slots for new task forces. The list should be kept generally static so as to allow editors to focus on and develop off of a consistent set of articles. Because the Core was chosen from choosing lists rather than films, requests to include or exclude individual films should not be made. Suggestions regarding different lists are welcome, however.
Core list
[edit]Article numbering is for counting purposes only and does not reflect any ranking within this list.
Current status
[edit]Core film pages by quality | |||||||
---|---|---|---|---|---|---|---|
Quality | |||||||
Total | |||||||
FA | 22 | ||||||
GA | 68 | ||||||
B | 60 | ||||||
C | 231 | ||||||
Start | 146 | ||||||
Stub | 3 | ||||||
NA | 3 | ||||||
Assessed | 533 | ||||||
Total | 533 | ||||||
WikiWork factors (?) | ω = 1,988 | Ω = 3.75 |
Assessment log
[edit]- The logs in this section are generated automatically (on a daily basis); please don't add entries to them by hand.
Unexpected changes, such as downgrading an article, or raising it more than two assessment classes at once, are shown in bold.
Wikipedia:Version 1.0 Editorial Team/Core film articles by quality log
Worklist
[edit]- The logs in this section are generated automatically (on a daily basis); please don't add entries to them by hand.
Wikipedia:Version 1.0 Editorial Team/Core film articles by quality