Talk:Frank Hugh O'Donnell: Difference between revisions
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O'Donnell, Frank Hugh (1848-1916), politician and author. Born in Co. Donegal and educated at Queen's College, Galway [see universities], he entered Parliament as nationalist MP for Dungarvan, Co. Waterford, 1877-85. In Souls for Gold (1899) he argued that Yeat's The Countess Cathleen was blasphemous. He followed up this assault on the Abbey Theatre with The Stage-Irishman of the Pseudo-Celtic Revival (1904), attacking Synge in particular. |
O'Donnell, Frank Hugh (1848-1916), politician and author. Born in Co. Donegal and educated at Queen's College, Galway [see universities], he entered Parliament as nationalist MP for Dungarvan, Co. Waterford, 1877-85. In Souls for Gold (1899) he argued that Yeat's The Countess Cathleen was blasphemous. He followed up this assault on the Abbey Theatre with The Stage-Irishman of the Pseudo-Celtic Revival (1904), attacking Synge in particular. |
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Should this entry be incorporated by a vounteer? <small>—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Feran|Feran]] ([[User talk:Feran|talk]] • [[Special:Contributions/Feran|contribs]]) 01:08, 4 February 2008 (UTC)</small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> |
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Should this entry be incorporated by a vounteer? |
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Revision as of 01:10, 4 February 2008
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The article seems uncompleted, there is nothing about his death and legacy (if any). Also, wikilinks need creating. The paragraphs may need looking at, possibly being broken into smaller ones. I started, but I no little of the subject.LessHeard vanU 11:33, 14 October 2006 (UTC)
Significance in the History of Literature
O'Donnell's significance in the history of literature, specifically Irish literature is totally missing.
See the Irish Literature Companion (a public domain source)which has this entry:
O'Donnell, Frank Hugh (1848-1916), politician and author. Born in Co. Donegal and educated at Queen's College, Galway [see universities], he entered Parliament as nationalist MP for Dungarvan, Co. Waterford, 1877-85. In Souls for Gold (1899) he argued that Yeat's The Countess Cathleen was blasphemous. He followed up this assault on the Abbey Theatre with The Stage-Irishman of the Pseudo-Celtic Revival (1904), attacking Synge in particular.
Should this entry be incorporated by a vounteer? —Preceding unsigned comment added by Feran (talk • contribs) 01:08, 4 February 2008 (UTC)