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{{Short description|American composer and orchestra leader}}
{{Short description|American composer and orchestra leader (born 1960)}}
{{About||the actress|Maria Schneider (actress)|other people with the same name|Maria Schneider (disambiguation){{!}}Maria Schneider}}

{{Use mdy dates|date=August 2014}}
{{Use mdy dates|date=August 2014}}
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
| name = Maria Schneider
| name = Maria Schneider
| image = Maria Schneider.jpg
| image = Maria Schneider.jpg
| caption = Maria Schneider at the [[North Sea Jazz Festival]], Rotterdam, 2008
| caption = Schneider at the [[North Sea Jazz Festival]], Rotterdam, 2008
| background = non_vocal_instrumentalist
| background = non_vocal_instrumentalist
| birth_name = Maria Lynn Schneider
| birth_name = Maria Lynn Schneider
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| years_active = 1980s–present
| years_active = 1980s–present
| label = [[Enja Records|Enja]], [[ArtistShare]]
| label = [[Enja Records|Enja]], [[ArtistShare]]
| associated_acts = [[Dawn Upshaw]]
| website = {{URL|www.mariaschneider.com}}
| website = {{URL|www.mariaschneider.com}}
}}
}}
[[File:Maria Schneider DSC0108c.jpg|thumb|391x391px|Maria Schneider TD Canada Trust Toronto Jazz Festival]]
[[File:Maria Schneider DSC0108c.jpg|thumb|391x391px|Schneider at TD Canada Trust Toronto Jazz Festival, 2009]]
'''Maria Lynn Schneider''' (born November 27, 1960) is an American composer and [[jazz orchestra]] leader who has won multiple Grammy Awards.<ref name="All Music"/><ref name="Bakers 2001"/><ref name="Billboard Encyclopedia"/><ref name="Bibliography Index"/><ref name="Contemporary Musicians"/><ref name="Grove"/>
'''Maria Lynn Schneider''' (born November 27, 1960) is an American composer and [[jazz orchestra]] leader who has won multiple Grammy Awards.<ref name="All Music"/><ref name="Bakers 2001"/><ref name="Billboard Encyclopedia"/><ref name="Bibliography Index"/><ref name="Contemporary Musicians"/><ref name="Grove"/>


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Born in [[Windom, Minnesota]], Schneider studied music theory and composition at the [[University of Minnesota]], graduating in 1983, then earned a master's degree in Music in 1985 from the [[Eastman School of Music]], studying for one year as well at the [[Frost School of Music|University of Miami]]. After leaving Eastman, she was hired by [[Gil Evans]] as his [[copyist]] and assistant.<ref name="Behrens"/>
Born in [[Windom, Minnesota]], Schneider studied music theory and composition at the [[University of Minnesota]], graduating in 1983, then earned a master's degree in Music in 1985 from the [[Eastman School of Music]], studying for one year as well at the [[Frost School of Music|University of Miami]]. After leaving Eastman, she was hired by [[Gil Evans]] as his [[copyist]] and assistant.<ref name="Behrens"/>


She collaborated with Evans for the next few years, working with him on music for a tour with [[Sting (musician)|Sting]] and assisting him as he scored the film ''[[The Color of Money]]''. Before she became one of the most acclaimed composers and bandleaders of her generation, Schneider received an NEA Apprenticeship Grant to study with [[Bob Brookmeyer]] in 1985.<ref>{{Cite news|url=https://nmbx.newmusicusa.org/celebration-remembering-a-tribute-to-bob-brookmeyer/#schneider|title=Celebration: Remembering—A Tribute to Bob Brookmeyer|date=December 23, 2011|work=NewMusicBox|access-date= March 24, 2018|language=en}}</ref>
She collaborated with Evans for the next few years, working with him on music for a tour with [[Sting (musician)|Sting]] and assisting him as he scored the film ''[[The Color of Money]]''. Before she became one of the most acclaimed composers and bandleaders of her generation, Schneider received an NEA Apprenticeship Grant to study with [[Bob Brookmeyer]] in 1985.<ref>{{Cite news |url=https://nmbx.newmusicusa.org/celebration-remembering-a-tribute-to-bob-brookmeyer/#schneider |title=Celebration: Remembering—A Tribute to Bob Brookmeyer |date=December 23, 2011 |work=NewMusicBox |access-date=March 24, 2018 |language=en}}</ref>


In 1988, Schneider formed her first band in collaboration with her then-husband, jazz trombonist [[John Fedchock]], and that group appeared at Visiones in [[Greenwich Village]].<ref>{{cite magazine |last=Friedwald|first=Will|url=https://ew.com/article/1996/07/12/maria-schneider-writes-dynamic-jazz/|title=Maria Schneider writes dynamic jazz|date=July 12, 1996|magazine=Entertainment Weekly|access-date=November 24, 2018}}</ref><ref>
In 1988, Schneider formed her first band in collaboration with jazz trombonist [[John Fedchock]], her husband at the time, and that group appeared at Visiones in [[Greenwich Village]].<ref>{{cite magazine |last=Friedwald |first=Will |url=https://ew.com/article/1996/07/12/maria-schneider-writes-dynamic-jazz/ |title=Maria Schneider writes dynamic jazz |date=July 12, 1996 |magazine=Entertainment Weekly |access-date=November 24, 2018}}</ref><ref>{{cite magazine |last=Woolfe |first=Zachary |url=https://www.nytimes.com/2013/04/14/magazine/how-maria-schneider-reinvented-the-classical-sound.html |title=Prairie Jazz Companion |date=April 12, 2013 |magazine=New York Times Sunday Magazine |access-date=November 24, 2018}}</ref> Both that group and her marriage would dissolve, but Schneider followed up in 1992 by forming the Maria Schneider Jazz Orchestra, which would appear weekly at Visiones from 1993 until the venue closed in 1998. Albums by the group have been released as by the Maria Schneider Orchestra since 2000.
{{cite magazine|last=Woolfe|first=Zachary|url=https://www.nytimes.com/2013/04/14/magazine/how-maria-schneider-reinvented-the-classical-sound.html|title=Prairie Jazz Companion|date=April 12, 2013|magazine=New York Times Sunday Magazine|access-date=November 24, 2018}}</ref> Both that group and her marriage would dissolve, but Schneider followed up in 1992 by forming the Maria Schneider Jazz Orchestra, which would appear weekly at Visiones from 1993 until the venue closed in 1998. Albums by the group have been released as by the Maria Schneider Orchestra since 2000.


From 2005 through 2019, the Maria Schneider Orchestra performed an annual Thanksgiving week-long gig at the [[Jazz Standard]] in [[New York City]].<ref>{{cite web|last=Kaplan|first=Fred|url=https://www.stereophile.com/content/maria-schneiders-jazz-orchestra-thanksgiving-week-jazz-standard|title=Maria Schneider's Jazz Orchestra: Thanksgiving Week at the Jazz Standard|date=November 23, 2017|website=www.stereophile.com|access-date=November 24, 2018}}</ref> The orchestra has also performed at jazz festivals and concert halls in Europe, South America, and Asia. Schneider has performed with over 80 groups in over 30 countries and has taught at universities worldwide. In 2013, she received an honorary doctorate from the University of Minnesota.
From 2005 through 2019, the Maria Schneider Orchestra performed an annual Thanksgiving week-long gig at the [[Jazz Standard (jazz club)|Jazz Standard]] in [[New York City]].<ref>{{cite web |last=Kaplan |first=Fred |url=https://www.stereophile.com/content/maria-schneiders-jazz-orchestra-thanksgiving-week-jazz-standard |title=Maria Schneider's Jazz Orchestra: Thanksgiving Week at the Jazz Standard |date=November 23, 2017 |website=www.stereophile.com |access-date=November 24, 2018}}</ref> The orchestra has also performed at jazz festivals and concert halls in Europe, South America, and Asia. Schneider has performed with over 80 groups in over 30 countries and has taught at universities worldwide. In 2013, she received an honorary doctorate from the University of Minnesota.


Although three of the orchestra's albums had been previously nominated, Schneider's ''[[Concert in the Garden]]'' (2004) was the first to win a [[Grammy Award]]. It was also the first such award-winning album produced by [[ArtistShare]], a [[Fan-funded music|fan funded]] platform that has (as of 2017) received 30 Grammy Award nominations and 10 Grammy Award wins.<ref>{{cite web|url=https://www.artistshare.com/v4/about|title=ArtistShare: about us|website=artistshare.com|access-date= February 24, 2018}}</ref>
Although three of the orchestra's albums had been previously nominated, Schneider's ''[[Concert in the Garden]]'' (2004) was the first to win a [[Grammy Award]]. It was also the first such award-winning album produced by [[ArtistShare]], a [[Fan-funded music|fan funded]] platform that has (as of 2017) received 30 Grammy Award nominations and 10 Grammy Award wins.<ref>{{cite web |url=https://www.artistshare.com/v4/about |title=ArtistShare: about us |website=artistshare.com |access-date=February 24, 2018}}</ref>


Aside from her jazz orchestral works, Schneider's ''[[Winter Morning Walks]]'' (2013) album featured soprano [[Dawn Upshaw]], the [[Saint Paul, Minnesota|Saint Paul]] and [[Australian Chamber Orchestra]]s, bassist Jay Anderson, pianist [[Frank Kimbrough]], and multi-instrumentalist [[Scott Robinson (jazz musician)|Scott Robinson]]. The album accompanied poetry written by U.S. Poet Laureate [[Ted Kooser]] and was funded by ArtistShare. It won Schneider a [[Grammy Award]] for [[Best Classical Contemporary Composition]]. Dawn Upshaw also won a Grammy for her vocal performance, while the [[Grammy Award for Best Engineered Album, Classical]] award went to David Frost, Tim Martyn, and Brian Losch.<ref name="56th Grammys"/>
Aside from her jazz orchestral works, Schneider's ''[[Winter Morning Walks]]'' (2013) album featured soprano [[Dawn Upshaw]], the [[Saint Paul, Minnesota|Saint Paul]] and [[Australian Chamber Orchestra]]s, bassist Jay Anderson, pianist [[Frank Kimbrough]], and multi-instrumentalist [[Scott Robinson (jazz musician)|Scott Robinson]]. The album accompanied poetry written by U.S. Poet Laureate [[Ted Kooser]] and was funded by ArtistShare. It won Schneider a [[Grammy Award]] for [[Best Classical Contemporary Composition]]. Dawn Upshaw also won a Grammy for her vocal performance, while the [[Grammy Award for Best Engineered Album, Classical]] award went to David Frost, Tim Martyn, and Brian Losch.<ref name="56th Grammys"/>


==Advocacy for musicians==
==Advocacy for musicians==
Schneider has been a strong advocate for musicians' rights and copyright.<ref name="Protecting">{{cite web|last1=Schneider|first1=Maria|title=Protecting the Power of Music – JazzTimes|url=https://jazztimes.com/news/maria-schneider-protecting-power-music/|website=JazzTimes|access-date=June 4, 2017|date=January 20, 2017}}</ref> She has testified before Congress, and has been asked to participate in several [[round table (discussion)|round tables]] conducted by the [[United States Copyright Office]]. Schneider has been outspoken against [[YouTube]] and so-called "[[freemium]]" streaming models. She has published several open letters and white papers on these topics.
Schneider has been a strong advocate for musicians' rights and copyright.<ref name="Protecting">{{cite web |last1=Schneider |first1=Maria |title=Protecting the Power of Music – JazzTimes |url=https://jazztimes.com/news/maria-schneider-protecting-power-music/ |website=JazzTimes |access-date=June 4, 2017 |date=January 20, 2017}}</ref> She has testified before Congress, and has been asked to participate in several [[round table (discussion)|round tables]] conducted by the [[United States Copyright Office]]. Schneider has been outspoken against [[YouTube]] and so-called "[[freemium]]" streaming models. She has published several open letters and white papers on these topics.


Schneider has been a board member of the [[National Academy of Recording Arts & Sciences]] for the New York local chapter and has been involved in many of the NARAS advocacy initiatives, including Grammys on the Hill. In April 2014, on behalf of NARAS, Schneider testified on Section 512 of Section 17 before the House [[United States House Judiciary Subcommittee on Courts, Intellectual Property and the Internet|Subcommittee on Courts, Intellectual Property and the Internet]].<ref name="House">{{cite web|last1=Schneider|first1=Maria|title=Section 512 of Title 17 – House Judiciary Committee|url=https://judiciary.house.gov/hearing/section-512-of-title-17/|website=House Judiciary Committee|access-date=June 4, 2017|date=March 13, 2014}}</ref>
Schneider has been a board member of the [[National Academy of Recording Arts & Sciences]] for the New York local chapter and has been involved in many of the NARAS advocacy initiatives, including Grammys on the Hill. In April 2014, on behalf of NARAS, Schneider testified on Section 512 of Section 17 before the House [[United States House Judiciary Subcommittee on Courts, Intellectual Property and the Internet|Subcommittee on Courts, Intellectual Property and the Internet]].<ref name="House">{{cite web |last1=Schneider |first1=Maria |title=Section 512 of Title 17 – House Judiciary Committee |url=https://judiciary.house.gov/hearing/section-512-of-title-17/ |website=House Judiciary Committee |access-date=June 4, 2017 |date=March 13, 2014}}</ref>


Schneider's advocacy against [[Big data ethics|big data]] companies and their impact on music, culture and privacy is reflected in some of her compositions of the late 2010s, including pieces entitled "Data Lords", commissioned by the U.S. Library of Congress (2016);<ref>{{Cite web|url=https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7401|title=Maria Schneider on "Data Lords" Webcast {{!}} Library of Congress|date=April 15, 2016|website=www.loc.gov|others=Schneider, Maria|access-date=June 29, 2017}}</ref> "Don't Be Evil";<ref>{{cite web|date=November 29, 2017|title=Things That Caught My Eye: Maria Schneider|url=http://columbiajournal.org/things-caught-eye-maria-schneider-alex-dabertin/|website=Columbia Journal|access-date=November 25, 2018}}</ref> and "Sputnik". Several of these compositions appeared on the 2020 album ''[[Data Lords]]''.
Schneider's advocacy against [[Big data ethics|big data]] companies and their impact on music, culture and privacy is reflected in some of her compositions of the late 2010s, including pieces entitled "Data Lords", commissioned by the U.S. Library of Congress (2016);<ref>{{Cite web |url=https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7401 |title=Maria Schneider on "Data Lords" Webcast |publisher=Library of Congress |date=April 15, 2016 |website=www.loc.gov |first=Larry |last=Appelbaum |others=Schneider, Maria |access-date=November 6, 2022}}</ref> "Don't Be Evil";<ref>{{cite web |date=November 29, 2017 |title=Things That Caught My Eye: Maria Schneider |url=http://columbiajournal.org/things-caught-eye-maria-schneider-alex-dabertin/ |website=Columbia Journal |access-date=November 25, 2018}}</ref> and "Sputnik". Several of these compositions appeared on the 2020 album ''[[Data Lords]]''.


=== Class action lawsuit against YouTube ===
=== Class action lawsuit against YouTube ===
On July 2, 2020, Maria Schneider filed a class action lawsuit with Pirate Monitor Ltd. against YouTube arguing that smaller copyright holders are unable to access YouTube's Content ID system which would allow them to publish, monetize, and block infringing material. Schneider and Pirate Monitor claimed that they and other small copyright rights holders were denied access to Content ID, leaving them only the options of self-policing or ignoring infringement of their own property. They also argued that Content ID's weak punishments encourage repeat infringement and that YouTube did not qualify for DMCA safe harbor.<ref>{{Cite web|title=YouTube Hit With Class Action Lawsuit Over Copyright Enforcement, Repeat Infringer Policy * TorrentFreak|url=https://torrentfreak.com/youtube-hit-with-class-action-lawsuit-over-copyright-enforcement-repeat-infringer-policy-200703/|access-date=2021-04-27|language=en}}</ref><ref>[https://torrentfreak.com/images/5-20-cv-04423-Schneider-v-YouTube-complaint-200702.pdf CLASS ACTION COMPLAINT] (PDF). ''Torentfreak''. July 2, 2020, section 9, 11, 14</ref>
On July 2, 2020, Maria Schneider filed a class action lawsuit with Pirate Monitor Ltd. against YouTube arguing that smaller copyright holders are unable to access YouTube's Content ID system which would allow them to publish, monetize, and block infringing material. Schneider and Pirate Monitor claimed that they and other small copyright rights holders were denied access to Content ID, leaving them only the options of self-policing or ignoring infringement of their own property. They also argued that Content ID's weak punishments encourage repeat infringement and that YouTube did not qualify for DMCA safe harbor.<ref>{{Cite web |title=YouTube Hit With Class Action Lawsuit Over Copyright Enforcement, Repeat Infringer Policy |website=TorrentFreak |url=https://torrentfreak.com/youtube-hit-with-class-action-lawsuit-over-copyright-enforcement-repeat-infringer-policy-200703/ |access-date=2021-04-27 |language=en}}</ref><ref>{{cite web |url=https://torrentfreak.com/images/5-20-cv-04423-Schneider-v-YouTube-complaint-200702.pdf |title=Class Action Complaint |date=Jul 2, 2020 |website=TorrentFreak |pages=section 9, 11, 14}}</ref>

[[File:Maria Schneider DSC0128.jpg|thumb|384x384px|Maria Schneider, TD Canada Trust Toronto Jazz Festival]]
[[File:Maria Schneider DSC0128.jpg|thumb|384x384px|Schneider at TD Canada Trust Toronto Jazz Festival, 2009]]
⚫
Pirate Monitor Ltd voluntarily withdrew from the class action lawsuit on March 8, 2021, while Maria Schneider continued with the case.<ref>{{Cite web|title=Pirate Monitor Exits YouTube Class Action Piracy Lawsuit, Maria Schneider Persists * TorrentFreak|url=https://torrentfreak.com/pirate-monitor-exits-youtube-class-action-piracy-lawsuit-maria-schneider-persists-210309/|access-date=2021-04-27|language=en}}</ref><ref>[https://torrentfreak.com/images/3-20-cv-04423-Schneider-v-YouTube-voluntary-dismissal-210308.pdf PLAINTIFF PIRATE MONITOR LTD’S VOLUNTARY DISMISSAL PURSUANT TO STIPULATION UNDER FRCP 41(a)(1)(A)(ii)] (PDF). ''TorentFreak''. 8 March 2021.</ref>

⚫
Pirate Monitor Ltd voluntarily withdrew from the class action lawsuit on March 8, 2021, while Maria Schneider continued with the case.<ref>{{Cite web |title=Pirate Monitor Exits YouTube Class Action Piracy Lawsuit, Maria Schneider Persists |website=TorrentFreak |url=https://torrentfreak.com/pirate-monitor-exits-youtube-class-action-piracy-lawsuit-maria-schneider-persists-210309/ |access-date=2021-04-27 |language=en}}</ref><ref>{{cite web |url=https://torrentfreak.com/images/3-20-cv-04423-Schneider-v-YouTube-voluntary-dismissal-210308.pdf |title=Plaintiff Pirate Monitor Ltd's Voluntary Dismissal Pursuant to Stipulation Under FRCP 41(a)(1)(A)(ii) |website=TorrentFreak |date=March 8, 2021}}</ref> The case was dismissed in June 2023 before going to trial.<ref name="guardian202402">{{Cite web|first=Hugh|last=Morris| website =The Guardian|date=February 15, 2024|
url=https://www.theguardian.com/music/2024/feb/15/jazz-composer-maria-schneider-david-bowie-cracked-me-maybe-not-in-a-good-way|title=Jazz composer Maria Schneider: 'David Bowie cracked me – maybe not in a good way' }}</ref>


==Personal life==
==Personal life==
Schneider is an avid birdwatcher<ref>{{Cite web|url=http://www.newportthisweek.com/news/2017-08-03/Nature/Grammy_Winner_Also_Avid_Bird_Watcher.html|title=Grammy Winner Also Avid Bird Watcher|date=August 23, 2017|website=www.newportthisweek.com|access-date=May 28, 2018}}</ref> and enlisted band members to contribute bird calls to "Cerulean Skies" on her album ''[[Sky Blue (Maria Schneider album)|Sky Blue]]''.<ref>{{Cite news|url=http://www.radioswissjazz.ch/en/music-database/musician/44555d415f5583ac61f2f922191acd2ead400/biography|title=Radio Swiss Jazz – Music database – Musician|access-date=March 24, 2018|language=en}}</ref> Other bird-related songs on her albums include "Waxwing" on ''[[Coming About (album)|Coming About]]'', "Bird Count" on ''[[Days of Wine and Roses - Live at the Jazz Standard]]'', and "Arbiters of Evolution" on ''[[The Thompson Fields]]''.
Schneider is an avid birdwatcher<ref>{{Cite web |url=http://www.newportthisweek.com/news/2017-08-03/Nature/Grammy_Winner_Also_Avid_Bird_Watcher.html |title=Grammy Winner Also Avid Bird Watcher |date=August 23, 2017 |website=www.newportthisweek.com |access-date=May 28, 2018}}</ref> and enlisted band members to contribute bird calls to "Cerulean Skies" on her album ''[[Sky Blue (Maria Schneider album)|Sky Blue]]''.<ref>{{Cite news |url=http://www.radioswissjazz.ch/en/music-database/musician/44555d415f5583ac61f2f922191acd2ead400/biography |title=Radio Swiss Jazz – Music database – Musician |access-date=March 24, 2018 |language=en}}</ref> Other bird-related songs on her albums include "Waxwing" on ''[[Coming About (album)|Coming About]]'', "Bird Count" on ''[[Days of Wine and Roses - Live at the Jazz Standard]]'', and "Arbiters of Evolution" on ''[[The Thompson Fields]]''.


==Awards and honors==
==Awards and honors==
* Best Composer, Best Arranger, Best Big Band, ''[[DownBeat]]'' magazine Annual Critics' Poll, 2006–2012; 2016<ref name="DownBeat">"[http://www.downbeat.com/default.asp?sect=cpollindex The DownBeat Critics Poll Archive]", ''Downbeat.com''</ref>
* Best Composer, Best Arranger, Best Big Band, ''[[DownBeat]]'' magazine Annual Critics' Poll, 2006–2012; 2016<ref name="DownBeat">"[http://www.downbeat.com/default.asp?sect=cpollindex The DownBeat Critics Poll Archive]", ''Downbeat.com''</ref>
* Jazz Album of the Year, Composer of the Year, Arranger of the Year, Large Jazz Ensemble of the Year, [[Jazz Journalists Association]], 2005<ref name="JJA" />
* Jazz Album of the Year, Composer of the Year, Arranger of the Year, Large Jazz Ensemble of the Year, [[Jazz Journalists Association]], 2005<ref name="JJA" />
* [[Grammy Award for Best Large Jazz Ensemble Album]], ''[[Concert in the Garden]]'', 2004<ref>{{cite web|url=https://www.grammy.com/nominees/search?artist=%22maria+schneider%22&field_nominee_work_value=Concert+in+the+Garden&year=2004&genre=16|title=2004 Grammy Award Winners – Jazz|publisher=[[The Recording Academy]]}}</ref>
* [[Grammy Award for Best Large Jazz Ensemble Album]], ''[[Concert in the Garden]]'', 2004<ref>{{cite web |url=https://www.grammy.com/nominees/search?artist=%22maria+schneider%22&field_nominee_work_value=Concert+in+the+Garden&year=2004&genre=16 |title=2004 Grammy Award Winners – Jazz |publisher=[[The Recording Academy]]}}</ref>
* [[Grammy Award for Best Instrumental Composition]], "Cerulean Skies", 2007<ref name="50th Grammys" />
* [[Grammy Award for Best Instrumental Composition]], "Cerulean Skies", 2007<ref name="50th Grammys" />
* [[Grammy Award for Best Classical Contemporary Composition]], ''Winter Morning Walks'', 2013<ref>{{cite web|url=https://www.grammy.com/nominees/search?artist=%22maria+schneider%22&field_nominee_work_value=Winter+Morning+Walks&year=2013&genre=5|title=2013 Grammy Award Winners – Classical|publisher=The Recording Academy}}</ref>
* [[Grammy Award for Best Classical Contemporary Composition]], ''Winter Morning Walks'', 2013<ref>{{cite web |url=https://www.grammy.com/nominees/search?artist=%22maria+schneider%22&field_nominee_work_value=Winter+Morning+Walks&year=2013&genre=5 |title=2013 Grammy Award Winners – Classical |publisher=The Recording Academy}}</ref>
* [[Grammy Award for Best Large Jazz Ensemble Album]], ''[[The Thompson Fields]]'', 2015<ref>{{cite web|url=http://www.grammy.com/nominees/search?artist=&field_nominee_work_value=&year=2015&genre=16|title=2015 Grammy Award Winners – Jazz|publisher=The Recording Academy|access-date=September 13, 2016}}</ref>
* [[Grammy Award for Best Large Jazz Ensemble Album]], ''[[The Thompson Fields]]'', 2015<ref>{{cite web |url=http://www.grammy.com/nominees/search?artist=&field_nominee_work_value=&year=2015&genre=16 |title=2015 Grammy Award Winners – Jazz |publisher=The Recording Academy |access-date=September 13, 2016}}</ref>
* [[Grammy Award for Best Arrangement, Instrumental and Vocals]], "[[Sue (Or in a Season of Crime)]]" (David Bowie) from ''[[Nothing Has Changed]]'' 2015<ref>{{cite web|url=https://www.grammy.com/nominees/search?artist=maria+schneider&field_nominee_work_value=Sue+%28Or+in+a+Season+of+Crime%29&year=2015&genre=2|title=2015 Grammy Award Winners – Arranging|publisher=The Recording Academy}}</ref>
* [[Grammy Award for Best Arrangement, Instrumental and Vocals]], "[[Sue (Or in a Season of Crime)]]" (David Bowie) from ''[[Nothing Has Changed]]'' 2015<ref>{{cite web |url=https://www.grammy.com/nominees/search?artist=maria+schneider&field_nominee_work_value=Sue+%28Or+in+a+Season+of+Crime%29&year=2015&genre=2 |title=2015 Grammy Award Winners – Arranging |publisher=The Recording Academy}}</ref>
* 2019 NEA Jazz Masters Fellowship<ref>{{cite web|url=https://www.arts.gov/news/2018/national-endowment-arts-announces-newest-recipients-nation%E2%80%99s-highest-honor-jazz|title=National Endowment for the Arts Announces Newest Recipients of Nation's Highest Honor in Jazz|publisher=[[National Endowment for the Arts|NEA]]|access-date=July 11, 2018}}</ref>
* 2019 NEA Jazz Masters Fellowship<ref>{{cite web |url=https://www.arts.gov/news/2018/national-endowment-arts-announces-newest-recipients-nation%E2%80%99s-highest-honor-jazz |title=National Endowment for the Arts Announces Newest Recipients of Nation's Highest Honor in Jazz |publisher=[[National Endowment for the Arts|NEA]] |access-date=July 11, 2018}}</ref>
*''Concert in the Garden'' was inducted into the [[National Recording Registry]] in 2019<ref>{{cite web | url=https://www.loc.gov/item/prn-20-023/national-recording-registry-class-produces-ultimate-stay-at-home-playlist/2020-03-25/ | title=National Recording Registry Class Produces Ultimate 'Stay at Home' Playlist | work=Library of Congress | date=March 25, 2020 | access-date=March 25, 2020}}</ref><ref>[https://variety.com/2020/music/news/national-recording-registry-dr-dre-mister-rogers-cheap-trick-1203544272/ National Recording Registry Inducts Classics by Dr. Dre, Mister Rogers, Cheap Trick — Variety]</ref>
*''Concert in the Garden'' was inducted into the [[National Recording Registry]] in 2019<ref>{{cite web |url=https://www.loc.gov/item/prn-20-023/national-recording-registry-class-produces-ultimate-stay-at-home-playlist/2020-03-25/ |title=National Recording Registry Class Produces Ultimate 'Stay at Home' Playlist | website =Library of Congress |date=March 25, 2020 |access-date=March 25, 2020}}</ref><ref>[https://variety.com/2020/music/news/national-recording-registry-dr-dre-mister-rogers-cheap-trick-1203544272/ National Recording Registry Inducts Classics by Dr. Dre, Mister Rogers, Cheap Trick — Variety]</ref>
*[[Grammy Award for Best Instrumental Composition]], "Sputnik", 2020<ref name="2020grammys">{{Cite web|date=2021-03-14|title=63rd Annual GRAMMY Awards|url=https://www.grammy.com/grammys/awards/63rd-annual-grammy-awards-2020|access-date=2021-03-15|website=GRAMMY.com|language=en}}</ref>
*[[Grammy Award for Best Instrumental Composition]], "Sputnik", 2020<ref name="2020grammys">{{Cite web |date=March 14, 2021 |title=63rd Annual GRAMMY Awards |url=https://www.grammy.com/grammys/awards/63rd-annual-grammy-awards-2020 |access-date=March 15, 2021 |website=GRAMMY.com |language=en}}</ref>
*[[Grammy Award for Best Large Jazz Ensemble Album]], ''Data Lords,'' 2020<ref name="2020grammys" />
*[[Grammy Award for Best Large Jazz Ensemble Album]], ''Data Lords,'' 2020<ref name="2020grammys" />
* Finalist for the [[Pulitzer Prize in Music]] for ''Data Lords'', 2021<ref>{{cite news |last=Espeland |first= Pamela |date=June 15, 2021 |title=Pulitzers with Minnesota ties; Stone Arch Bridge Festival returns |url=https://www.minnpost.com/artscape/2021/06/pulitzers-with-minnesota-ties-stone-arch-bridge-festival-returns/?hilite=%22maria+schneider%22 |work=MinnPost.com |location=Minneapolis, Minnesota |access-date=November 2, 2022}}</ref>
* Finalist for the [[Pulitzer Prize in Music]] for ''Data Lords'', 2021<ref>{{cite news |last=Espeland |first=Pamela |date=June 15, 2021 |title=Pulitzers with Minnesota ties; Stone Arch Bridge Festival returns |url=https://www.minnpost.com/artscape/2021/06/pulitzers-with-minnesota-ties-stone-arch-bridge-festival-returns/?hilite=%22maria+schneider%22 |work=MinnPost.com |location=Minneapolis, Minnesota |access-date=November 2, 2022}}</ref>
* Elected member of the [[American Academy of Arts and Letters]], 2023<ref name="aaalmember">{{cite web|url=https://artsandletters.org/pressrelease/2023-newly-elected-members/| website =American Academy of Arts and Letters|title=2023 Newly Elected Members|date=February 21, 2023}}</ref>


==Discography==
==Discography==
Line 73: Line 73:
* ''[[Sky Blue (Maria Schneider album)|Sky Blue]]'' (ArtistShare, 2007)
* ''[[Sky Blue (Maria Schneider album)|Sky Blue]]'' (ArtistShare, 2007)
* ''[[Winter Morning Walks]]'' (ArtistShare, 2013)
* ''[[Winter Morning Walks]]'' (ArtistShare, 2013)
* ''[[The Thompson Fields]]'' (ArtistShare, 2015)<ref name="Hewett">{{cite web|last1=Hewett|first1=Ivan|title=Maria Schneider Orchestra, The Thompson Fields|url=https://www.telegraph.co.uk/culture/music/worldfolkandjazz/11665542/Maria-Schneider-Orchestra-The-Thompson-Fields-album-review.html|website=The Telegraph|access-date= November 27, 2017|date=June 11, 2015}}</ref><ref name="AM discog">{{cite web|title=Maria Schneider {{!}} Album Discography|url=https://www.allmusic.com/artist/maria-schneider-mn0000269285/discography|website=AllMusic|access-date= November 27, 2017}}</ref>
* ''[[The Thompson Fields]]'' (ArtistShare, 2015)<ref name="Hewett">{{cite web |last1=Hewett |first1=Ivan |title=Maria Schneider Orchestra, The Thompson Fields |url=https://www.telegraph.co.uk/culture/music/worldfolkandjazz/11665542/Maria-Schneider-Orchestra-The-Thompson-Fields-album-review.html |website=The Telegraph |access-date=November 27, 2017 |date=June 11, 2015}}</ref><ref name="AM discog">{{cite web |title=Maria Schneider {{!}} Album Discography |url=https://www.allmusic.com/artist/maria-schneider-mn0000269285/discography |website=AllMusic |access-date=November 27, 2017}}</ref>
* ''[[Data Lords]]'' (ArtistShare, 2020)
* ''[[Data Lords]]'' (ArtistShare, 2020)
* ''Decades'' (ArtistShare, 2024)


==References==
==References==
Line 119: Line 120:
[[Category:American jazz bandleaders]]
[[Category:American jazz bandleaders]]
[[Category:American jazz composers]]
[[Category:American jazz composers]]
[[Category:Women jazz composers]]
[[Category:American women jazz composers]]
[[Category:American music arrangers]]
[[Category:American music arrangers]]
[[Category:Big band bandleaders]]
[[Category:Big band bandleaders]]

Latest revision as of 14:06, 30 October 2024

Maria Schneider
Schneider at the North Sea Jazz Festival, Rotterdam, 2008
Schneider at the North Sea Jazz Festival, Rotterdam, 2008
Background information
Birth nameMaria Lynn Schneider
Born (1960-11-27) November 27, 1960 (age 63)
Windom, Minnesota, U.S.
GenresJazz, big band, avant-garde, contemporary classical
Occupation(s)Composer, bandleader, musician
InstrumentPiano
Years active1980s–present
LabelsEnja, ArtistShare
Websitewww.mariaschneider.com
Schneider at TD Canada Trust Toronto Jazz Festival, 2009

Maria Lynn Schneider (born November 27, 1960) is an American composer and jazz orchestra leader who has won multiple Grammy Awards.[1][2][3][4][5][6]

Biography

[edit]

Born in Windom, Minnesota, Schneider studied music theory and composition at the University of Minnesota, graduating in 1983, then earned a master's degree in Music in 1985 from the Eastman School of Music, studying for one year as well at the University of Miami. After leaving Eastman, she was hired by Gil Evans as his copyist and assistant.[7]

She collaborated with Evans for the next few years, working with him on music for a tour with Sting and assisting him as he scored the film The Color of Money. Before she became one of the most acclaimed composers and bandleaders of her generation, Schneider received an NEA Apprenticeship Grant to study with Bob Brookmeyer in 1985.[8]

In 1988, Schneider formed her first band in collaboration with jazz trombonist John Fedchock, her husband at the time, and that group appeared at Visiones in Greenwich Village.[9][10] Both that group and her marriage would dissolve, but Schneider followed up in 1992 by forming the Maria Schneider Jazz Orchestra, which would appear weekly at Visiones from 1993 until the venue closed in 1998. Albums by the group have been released as by the Maria Schneider Orchestra since 2000.

From 2005 through 2019, the Maria Schneider Orchestra performed an annual Thanksgiving week-long gig at the Jazz Standard in New York City.[11] The orchestra has also performed at jazz festivals and concert halls in Europe, South America, and Asia. Schneider has performed with over 80 groups in over 30 countries and has taught at universities worldwide. In 2013, she received an honorary doctorate from the University of Minnesota.

Although three of the orchestra's albums had been previously nominated, Schneider's Concert in the Garden (2004) was the first to win a Grammy Award. It was also the first such award-winning album produced by ArtistShare, a fan funded platform that has (as of 2017) received 30 Grammy Award nominations and 10 Grammy Award wins.[12]

Aside from her jazz orchestral works, Schneider's Winter Morning Walks (2013) album featured soprano Dawn Upshaw, the Saint Paul and Australian Chamber Orchestras, bassist Jay Anderson, pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. The album accompanied poetry written by U.S. Poet Laureate Ted Kooser and was funded by ArtistShare. It won Schneider a Grammy Award for Best Classical Contemporary Composition. Dawn Upshaw also won a Grammy for her vocal performance, while the Grammy Award for Best Engineered Album, Classical award went to David Frost, Tim Martyn, and Brian Losch.[13]

Advocacy for musicians

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Schneider has been a strong advocate for musicians' rights and copyright.[14] She has testified before Congress, and has been asked to participate in several round tables conducted by the United States Copyright Office. Schneider has been outspoken against YouTube and so-called "freemium" streaming models. She has published several open letters and white papers on these topics.

Schneider has been a board member of the National Academy of Recording Arts & Sciences for the New York local chapter and has been involved in many of the NARAS advocacy initiatives, including Grammys on the Hill. In April 2014, on behalf of NARAS, Schneider testified on Section 512 of Section 17 before the House Subcommittee on Courts, Intellectual Property and the Internet.[15]

Schneider's advocacy against big data companies and their impact on music, culture and privacy is reflected in some of her compositions of the late 2010s, including pieces entitled "Data Lords", commissioned by the U.S. Library of Congress (2016);[16] "Don't Be Evil";[17] and "Sputnik". Several of these compositions appeared on the 2020 album Data Lords.

Class action lawsuit against YouTube

[edit]

On July 2, 2020, Maria Schneider filed a class action lawsuit with Pirate Monitor Ltd. against YouTube arguing that smaller copyright holders are unable to access YouTube's Content ID system which would allow them to publish, monetize, and block infringing material. Schneider and Pirate Monitor claimed that they and other small copyright rights holders were denied access to Content ID, leaving them only the options of self-policing or ignoring infringement of their own property. They also argued that Content ID's weak punishments encourage repeat infringement and that YouTube did not qualify for DMCA safe harbor.[18][19]

Schneider at TD Canada Trust Toronto Jazz Festival, 2009

Pirate Monitor Ltd voluntarily withdrew from the class action lawsuit on March 8, 2021, while Maria Schneider continued with the case.[20][21] The case was dismissed in June 2023 before going to trial.[22]

Personal life

[edit]

Schneider is an avid birdwatcher[23] and enlisted band members to contribute bird calls to "Cerulean Skies" on her album Sky Blue.[24] Other bird-related songs on her albums include "Waxwing" on Coming About, "Bird Count" on Days of Wine and Roses - Live at the Jazz Standard, and "Arbiters of Evolution" on The Thompson Fields.

Awards and honors

[edit]

Discography

[edit]

References

[edit]
  1. ^ All Music Guide to Jazz, San Francisco: Miller Freeman, Inc. (1996), Backbeat Books (2002)
       2nd ed., ed. by Michael Erlewine (1996); OCLC 35201244
       4th ed., ed. by Vladimir Bogdanov, Chris Woodstra, & Stephen Thomas Erlewine (2002); OCLC 50477109
  2. ^ Baker's Biographical Dictionary of Musicians, Ninth edition, edited by Laura Kuhn, New York: Schirmer Books, Vol 5 (of 6) (2001); OCLC 44972043
  3. ^ The Billboard Illustrated Encyclopedia of Jazz and Blues, edited by Howard Mandel, New York: Billboard Books (2005); OCLC 61771061
  4. ^ Biography Index, New York: H.W. Wilson Co.; OCLC 8264686; ISSN 0006-3053
       Vol. 18: September 1992 – August 1993 (1993); OCLC 59569808
       Vol. 22: September 1996 – August 1997 (1997)
       Vol. 27: September 2001 – August 2002 (2002); OCLC 865173264
       Vol. 30: September 2004 – August 2005 (2005)
       Vol. 31: September 2005 – August 2006 (2006)
  5. ^ Contemporary Musicians. Profiles of the people in music. Volume 48. Detroit: Thomson Gale (2004) (biography contains portrait); OCLC 19730669; ISSN 1044-2197
  6. ^ The New Grove Dictionary of Jazz, Second edition, Vol. 3 (of 3 three), edited by Barry Kernfeld, London: Macmillan Publishers (2002); OCLC 46956628
  7. ^ Big Bands & Great Ballrooms: American is Dancing ... Again, by Jack Behrens and John C. Behrens, AuthorHouse (self-published), p. 155 (2006); OCLC 80936539
  8. ^ "Celebration: Remembering—A Tribute to Bob Brookmeyer". NewMusicBox. December 23, 2011. Retrieved March 24, 2018.
  9. ^ Friedwald, Will (July 12, 1996). "Maria Schneider writes dynamic jazz". Entertainment Weekly. Retrieved November 24, 2018.
  10. ^ Woolfe, Zachary (April 12, 2013). "Prairie Jazz Companion". New York Times Sunday Magazine. Retrieved November 24, 2018.
  11. ^ Kaplan, Fred (November 23, 2017). "Maria Schneider's Jazz Orchestra: Thanksgiving Week at the Jazz Standard". www.stereophile.com. Retrieved November 24, 2018.
  12. ^ "ArtistShare: about us". artistshare.com. Retrieved February 24, 2018.
  13. ^ 56th Annual Grammy Awards Winners & Nominees, January 27, 2014
  14. ^ Schneider, Maria (January 20, 2017). "Protecting the Power of Music – JazzTimes". JazzTimes. Retrieved June 4, 2017.
  15. ^ Schneider, Maria (March 13, 2014). "Section 512 of Title 17 – House Judiciary Committee". House Judiciary Committee. Retrieved June 4, 2017.
  16. ^ Appelbaum, Larry (April 15, 2016). "Maria Schneider on "Data Lords" Webcast". www.loc.gov. Schneider, Maria. Library of Congress. Retrieved November 6, 2022.
  17. ^ "Things That Caught My Eye: Maria Schneider". Columbia Journal. November 29, 2017. Retrieved November 25, 2018.
  18. ^ "YouTube Hit With Class Action Lawsuit Over Copyright Enforcement, Repeat Infringer Policy". TorrentFreak. Retrieved April 27, 2021.
  19. ^ "Class Action Complaint" (PDF). TorrentFreak. July 2, 2020. pp. section 9, 11, 14.
  20. ^ "Pirate Monitor Exits YouTube Class Action Piracy Lawsuit, Maria Schneider Persists". TorrentFreak. Retrieved April 27, 2021.
  21. ^ "Plaintiff Pirate Monitor Ltd's Voluntary Dismissal Pursuant to Stipulation Under FRCP 41(a)(1)(A)(ii)" (PDF). TorrentFreak. March 8, 2021.
  22. ^ Morris, Hugh (February 15, 2024). "Jazz composer Maria Schneider: 'David Bowie cracked me – maybe not in a good way'". The Guardian.
  23. ^ "Grammy Winner Also Avid Bird Watcher". www.newportthisweek.com. August 23, 2017. Retrieved May 28, 2018.
  24. ^ "Radio Swiss Jazz – Music database – Musician". Retrieved March 24, 2018.
  25. ^ "The DownBeat Critics Poll Archive", Downbeat.com
  26. ^ 2005 Jazz Journalists Association Jazz Awards, @ jazzhouse.org
  27. ^ "2004 Grammy Award Winners – Jazz". The Recording Academy.
  28. ^ 50th Annual Grammy Awards Winners, @ Grammy.com
  29. ^ "2013 Grammy Award Winners – Classical". The Recording Academy.
  30. ^ "2015 Grammy Award Winners – Jazz". The Recording Academy. Retrieved September 13, 2016.
  31. ^ "2015 Grammy Award Winners – Arranging". The Recording Academy.
  32. ^ "National Endowment for the Arts Announces Newest Recipients of Nation's Highest Honor in Jazz". NEA. Retrieved July 11, 2018.
  33. ^ "National Recording Registry Class Produces Ultimate 'Stay at Home' Playlist". Library of Congress. March 25, 2020. Retrieved March 25, 2020.
  34. ^ National Recording Registry Inducts Classics by Dr. Dre, Mister Rogers, Cheap Trick — Variety
  35. ^ a b "63rd Annual GRAMMY Awards". GRAMMY.com. March 14, 2021. Retrieved March 15, 2021.
  36. ^ Espeland, Pamela (June 15, 2021). "Pulitzers with Minnesota ties; Stone Arch Bridge Festival returns". MinnPost.com. Minneapolis, Minnesota. Retrieved November 2, 2022.
  37. ^ "2023 Newly Elected Members". American Academy of Arts and Letters. February 21, 2023.
  38. ^ Hewett, Ivan (June 11, 2015). "Maria Schneider Orchestra, The Thompson Fields". The Telegraph. Retrieved November 27, 2017.
  39. ^ "Maria Schneider | Album Discography". AllMusic. Retrieved November 27, 2017.
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