Kumasaka: Difference between revisions
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==Legendary background== |
==Legendary background== |
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[[File:NDL-DC 1302763-Tsukioka Yoshitoshi-芳年武者无類 源牛若丸・熊坂長範-明治16-crd.jpg|thumb|The fight between Ushiwakamaru ([[Minamoto no Yoshitune]]) and the bandit chief Kumasaka Chohan in 1174. [[Ukiyo-e]] printed by [[Tsukioka Yoshitoshi]]. ''Warriors Trembling with Courage ''.|upright=1]] |
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The samurai hero, [[Minamoto no Yoshitsune]] - known in his early life as Ushiwaka or Young Bull - had a series of [[David and Goliath]] encounters attributed to him in his youth, one of which concerned repelling a bandit attack led by the robber Kumasaka (a figure sometimes identified as the slayer of Young Bull's mother).<ref>H C McCullough trans, ''Yoshitsune'' (1966) p. 43-4</ref> |
The samurai hero, [[Minamoto no Yoshitsune]] - known in his early life as Ushiwaka or Young Bull - had a series of [[David and Goliath]] encounters attributed to him in his youth, one of which concerned repelling a bandit attack led by the robber Kumasaka (a figure sometimes identified as the slayer of Young Bull's mother).<ref>H C McCullough trans, ''Yoshitsune'' (1966) p. 43-4</ref> |
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[[Category |
[[Category:Noh]] |
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[[Category |
[[Category:Noh plays]] |
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Latest revision as of 17:03, 26 May 2023
Kumasaka (The Robber) is a Noh play from the 15th century attributed by Arthur Waley to Zenchiku Ujinobu, about the notable Heian period bandit Kumasaka no Chohan.
The play takes the form of Mugen Noh - supernatural, or dream-time Noh.[1]
Legendary background
[edit]
The samurai hero, Minamoto no Yoshitsune - known in his early life as Ushiwaka or Young Bull - had a series of David and Goliath encounters attributed to him in his youth, one of which concerned repelling a bandit attack led by the robber Kumasaka (a figure sometimes identified as the slayer of Young Bull's mother).[2]
Plot
[edit]A travelling monk is offered shelter by another, on condition that he prays for an anonymous soul buried by a pine-tree.[3] The traveller is surprised to see a large pike hanging on the cottage wall; and the other uncovers his past as a robber, before vanishing, thereby revealing to the priest that "It was under the shadow of a pine-tree that he had rested".[4]
Thereafter, the robber reappears as the ghost of Kumasaka, and tells the story of his last fight, and of his death at the hands of Ushiwaka, "The wonderful boy...be he ogre or hobgoblin".[5]
Literary associations
[edit]- The play has been seen as a retrospective telling of the last part of the genzai-mono (real-time) play,Eboshi-ori.[6]
- Basho referenced the pine tree associated with Kumasaka in a renga: "a pine in memory/of a bandit/broken by the wind.[7]
See also
[edit]References
[edit]- ^ Kumasaka
- ^ H C McCullough trans, Yoshitsune (1966) p. 43-4
- ^ A Waley, The Noh Plays of Japan (1976) p. 28-9
- ^ A Waley, The Noh Plays of Japan (1976) p. 31
- ^ A Waley, The Noh Plays of Japan (1976) p. 35-6
- ^ H C McCullough trans, Yoshitsune (1966) p. 44
- ^ Haruo Shirane, Traces of Dreams (1998) p. 136