Eurodance: Difference between revisions

Eurodance
Eurodance
Other names	Euro-NRG; dancefloor;
Stylistic origins	House; Eurodisco; Hi-NRG; trance; new beat; techno; hip hop; hip house; dance-pop;
Cultural origins	1980s, Belgium, Italy, Netherlands, France, Sweden, Denmark, United Kingdom, Germany
Derivative forms	Progressive house; Hard dance; Italo dance; bubblegum dance;
Fusion genres
	Euro reggae; Eurohouse; Eurotrance;
Regional scenes
	Europe; Italy; Belgium; Germany; France; Denmark; Netherlands; Sweden; United Kingdom; United States;
Other topics
	List of artists; Europop; Eurobeat;

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Eurodance (sometimes referred to as Euro-NRG) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of rap, techno and Eurodisco.^[2] This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Eurodance music.^[2]

History

Background

Eurodance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular. By 1987, a German party scene was started, based on the well established Chicago house sound and Belgian new beat. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England.^[6] In 1989, German DJs Westbam and Dr. Motte established the Ufo Club, an illegal party venue, and co-founded the Love Parade.^[7] The parade first occurred in July 1989, when 150 people took to the streets in Berlin.^[8] It was conceived as a political demonstration for peace and international understanding through love and music.^[8] On 19 July 1989, Black Box's single "Ride on Time" was released. The song spent six weeks at No. 1 in the United Kingdom and it was the UK's best-selling single of 1989.^[9] It contained the Korg M1's "house piano"^[10] which can be found in many Eurodance releases. On 27 September 1989, Technotronic's single "Pump Up the Jam" was released. It reached number one in Belgium^[11]^[12] and Spain,^[13] and it popularised the house variant called hip house in Europe.^[14] On 9 November 1989, the Berlin Wall fell; free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established.^[7] East German DJ Paul van Dyk has remarked that the techno-based rave scene was a major force in re-establishing social connections between East and West Germany during the unification period.^[15] In the same year, German producers Michael Münzing and Luca Anzilotti (under the pseudonyms Benito Benites and John "Virgo" Garrett III) formed the Snap! project in Frankfurt. Snap! songs combined imported hip hop and soul vocals adding rhythm by using computer technology and mixing electronic sounds, bass and drums, mainly house music. By doing so a new genre was born: Eurodance.^[16]

Rise and fall

Snap!'s first single, "The Power", released in 1990, reached number one in the Netherlands,^[17]^[18] Spain, Switzerland^[19] and the United Kingdom,^[20] and it helped to raise awareness of the genre within Europe. In the following years, other Eurodance acts formed in Frankfurt, including Jam and Spoon, Intermission and Culture Beat. After the breakthrough single "Rhythm is a Dancer" by Snap! in 1992 (number 1 in 12 countries),^[21]^[22]^[23]^[24]^[25]^[26]^[27]^[28]^[29] new groups started to appear all over Europe, mainly in Belgium, the Netherlands and Italy. From 1992 until the genre's decline in popularity after 1995, the sound became increasingly NRG-oriented, leading to songs raising in B.P.M. up to 150. Some of the genre's defining songs in this period, dubbed as the "golden era" of Eurodance, are "It's My Life" by Dr. Alban in 1992 (number 1 in 8 countries),^[30] "No Limit" by Dutch group 2 Unlimited in 1993 (number 1 in 14 countries, it was Europe's biggest-selling song for 1993),^[31]^[32]^[33] "What Is Love" by Haddaway in the same year (number 1 in 13 countries),^[34]^[35]^[36]^[13]^[37] "Mr. Vain" by Culture Beat also in the same year (number 1 in 13 countries),^[38]^[39]^[37] "Cotton Eye Joe" by Rednex in 1994 (number 1 in 12 countries)^[40]^[41]^[42]^[43] and "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" by Scatman John in the same year (number 1 in 9 countries).^[44]^[45]^[46]^[47]^[48] In the same period, the genre's popularity also expanded further to East Asia, in nations such as Japan, South Korea and Taiwan; towards the end of the golden era also in Russia.^{[citation needed]}

By 1995, Eurodance dominated European charts with 5 singles in the top 10 of the singles charts. Despite its success, many observers within the music industry said that the Eurodance sound had to change or die, and Eurodance producers and singers started to follow different paths and different sounds, such as happy hardcore and house music,^[49] but not all the groups followed this trend immediately. Notably, the group 2 Unlimited wanted to remain within Eurodance sounds in order to remain chartbusters, although the producer De Coster predicted a retreat from a pop-like to a more club-like sound.^[50] After a string of successful Eurodance hits, the producer Nosie Katzmann called angrily the record label because one of the songs dropped at number 26 in the German charts.^[51] Therefore, in the second half of the decade the popularity of Eurodance started to decline. "Scatman's World" by Scatman John was the last major hit of the original Eurodance sound in the Eurochart Hot 100, being number 1 for 3 weeks between late August and early September 1995.^{[citation needed]} Just before that, La Bouche released "Be My Lover", which has sold six million copies worldwide to date.

In the late 1990s, the classic Eurodance sound gradually morphed into progressive house.^[5] Notable examples of successful Eurodance songs of this era are "Coco Jamboo" by German band Mr. President in 1996,^[52]^[53] "Freed from Desire" and "Let a Boy Cry" by Italian singer Gala, "This is Your Night" by Amber and "Bailando" by Paradisio in the same year,^[54]^[55]^[56] "Barbie Girl" by Danish-Norwegian group Aqua in 1997,^[57]^[58] "Boom, Boom, Boom, Boom!!" by Dutch group Vengaboys in 1998,^[59]^[60]^[61] "Blue (Da Ba Dee)" by Italian group Eiffel 65 in 1999^[62]^[63] and "Around the World (La La La La La)" by German group ATC in 2000.^[64]^[65]^[66] Basshunter, Scooter and Cascada saw significant success during the 2000s,^[67]^[68]^[69] however, by the early 2010s, popularity waned, and by about 2012, Eurodance music disappeared almost completely from the majority of European radio airplay.^{[citation needed]}

Definition

The term "Eurodance" gradually became associated with a specific style of European dance music. During its golden years in the mid-1990s, it was referred as "Euro-NRG"; in Europe it was often called "dancefloor".^[70]

While some use a much broader definition of what is considered "Eurodance",^[1] over time, the term particularly came to refer to an NRG-based genre from the 1990s which included a solo vocalist or a rapper/vocalist duet.^[71]

Characteristics of the music

Most Eurodance is characterized by synthesizer riffs, one or more vocals with simple chorus, one or more rap parts, sampling and a drum machine clap beat.^[2]^[72] Sometimes non-rap vocals are used.^[72]

Eurodance often carries a positive, upbeat attitude; the lyrics usually involve issues of love and peace, dancing and partying, or expressing and overcoming difficult emotions. The early to mid-1990s Eurodance vocals were frequently done by a solo vocalist or a mixed rapper-vocalist duet such as the male–female duets of 2 Unlimited, La Bouche and Magic Affair.^[72]^[73]

Many groups used variations of the rapper-vocalist theme, such as a German rapper with American singers (Real McCoy), or the use of reggae rap as in Ice MC and Fun Factory, or combination of rapper and reggae vocalist like in the Life in the Streets album, or scat singing as in Scatman John.^[72] Solo singing artists such as Alexia, Whigfield and DJ BoBo also contributed to the genre. Some acts like the Swedish dance-pop originated group Ace of Base use more pop vocals rather than rap/soul vocals along with Eurodance sound.^[74]^[75] Pop vocals were particularly popular in the late 1990s Eurodance productions. The Swedish group Rednex also introduced American country music elements into the sound.^[76]

Eurodance lyrics are almost always sung in English, regardless of the artist's nationalities.^[72] However, there are cases like in the Belgian group's Paradisio where Spanish lyrics are used along with latin music elements.^[77]^[78]

Almost all Eurodance emphasizes percussion and rhythm. The tempo is typically around 140 beats per minute, but may vary from 110 to 150.^[72]^[79]

Most Eurodance is very melody-driven. Most Eurodance songs are in minor keys, similarly to techno. This, along with positive lyrics, helps contribute to the overall powerful and emotional sound of Eurodance.^[2] Besides the contribution of the female or male vocals, there is often a noticeable use of rapid synthesizer arpeggios.^[2]

Music videos

Eurodance music videos were often seen with dance acts by the main vocals of the songs (or models ad-libbing), often dancing in bright-coloured infinity cove studios or wide, urban spaces (stations, parking garages) with high visual contrast, or in empty nature scenes.

Electronicbeats describes the cliché Eurodance music video as having "strobe-lit rave scenes, pixelated ‘90s computer graphics and, of course, an urban montage: cue the subway stations, streetlights and business commuters". Pump up the Jam's music video is described as having a "colour scheme of brilliant reds, greens and purples in a staggering array of chequered backdrops [...] [It is] a great insight tot the power of music videos on party wardrobes".^[80] Bright, sometimes over-saturated colour schemes were used, with contemporary party clothing or outfits referring to space-age, with videos that were fully or in part using computer-generated imagery elements and effects. Large, sometimes digitally multiplied, dance troupes also frequently featured.

As the music is largely electronically generated, shots of artists in studios or playing at concerts, frequent in videos of other genres, were infrequent.

Popularity

In Europe

From the early to mid-1990s, Eurodance was popular in Europe; the style received extensive airplay on radio stations and television shows, resulting in many singles appearing in the charts. For example, in Italy there were seven singles in the top ten of the chart at the end of May 1995. Technotronic from Belgium had hits with "Pump Up the Jam" and "Get Up" (featuring Ya Kid K).^[81]

By 1996, the popularity of this genre had started to decline. From then, the classic Eurodance sound gradually morphed into progressive house.^[5] By 1997 and towards the end of the millennium house and trance music increased popularity over Eurodance in Europe's commercial, chart-oriented dance records.^[82]^[83]^[84] In the early 2000s, the mainstream music industry in Europe moved away from Eurodance in favour of other styles of dance music such as nu-disco, electro house, dance-pop and R&B.^[85]^[86]

United Kingdom

After Cappella's Gianfranco Bortolotti set up Media Records in Brescia, northern Italy^[87]^[88]^[89] to release his 'commercial European dance music' (a set-up which included fifteen studios featuring various production teams working almost non-stop on a huge number of records) he decided to take the label into other markets and set up a UK office in the UK. Run by Peter Pritchard and featuring many records by Stu Allan's British Eurodance act Clock,^[90] this record company would eventually turn into hard house label Nukleuz (known for its DJ Nation releases).^[91]^[92]

As Media turned into Nukleuz, it would fall to All Around the World Productions to be the label in the 21st Century which was more likely to release Eurodance tracks in the UK than other, with its Clubland TV music channel still having regular blocks of Eurodance videos in 2020^[93]^[94] (though extending its scope to include hits by David Guetta as well as Cascada and Scooter)

North America

Canada

During the 1990s, Eurodance became popular in Canada, which produced its own variant called Candance (although it was mostly referred to as "Eurodance" or "dance music").^[95] Eurodance received significant airplay on radio stations in the Greater Toronto Area such as Power 88.5, Energy 108 and Hot 103.5. Montreal was also a major Eurodance market, with MC Mario's famous radio show on Mix 96, called "Party Mix" and Bouge de là, a popular TV show on MusiquePlus. Eurodance featured prominently on Electric Circus, a dance-party TV show broadcast nationally in English and French versions.^[96] Beginning in mid-1992, Eurodance began to dominate the RPM dance chart in Canada, with acts such as 2 Unlimited, Snap!, Captain Hollywood Project, Culture Beat, Haddaway, Whigfield, each reaching number-one.

From approximately 1992 to 2000, Canadian acts such as Capital Sound, Love Inc., Jacynthe and Emjay had success with the Eurodance sound. The Toronto sound was more pop-oriented, while the Montreal one was more house-oriented.

United States

While Eurodance is well known in major metropolitan areas such as New York City, Los Angeles, Chicago, and Miami, Eurodance did not make as big of an impact in the rest of the country. Exemplifying this is the Eurodance classic "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)", by Scatman John, an American artist; despite topping the charts in multiple European countries and reaching number 3 in the United Kingdom, it only reached as high as "number 60" on the US Hot 100.^[97] Another notable example is the Life in the Streets album, a combined Eurodance music project from American rapper Marky Mark and Caribbean reggae vocalist Prince Ital Joe, which was not released in the United States, but was a huge success in several European countries including singles like "Happy People" and "United" that topped the German charts.^[98]^[99]

A few Eurodance artists including 2 Unlimited, Haddaway, La Bouche and Ace of Base made the Rhythmic Top 40, Top 40 Mainstream and the Billboard Hot 100 during the early to mid-1990s. However, the sound tended to be more house and the rap-oriented artists received airplay. For instance, the German hip-house project Snap!, the Belgian hip-house project Technotronic and the Dutch techno dance project L.A. Style received quite a bit of airplay early on.^[100]

The more Hi-NRG-oriented artists were typically played only during special "mix" shows, and it was often necessary to go to a club to hear Eurodance music. While Eurodance did become popular with club DJs in the United States, radio stations were cautious about playing anything that sounded too much like disco during most of the 1980s and 1990s. By the end of the 1990s, however, some of the later acts such as Italian group Eiffel 65 and Danish group Aqua did receive extensive airplay.

Despite lack of widespread radio play, many Hi-NRG and Eurodance songs are popular at professional sporting events in the United States, especially ice hockey and basketball.^[101]^[102]

Compilation albums, such as the DMA Dance: Eurodance series of compilation albums (1995–1997) from Interhit Records and Dance Music Authority magazine, were popular and helped to define the genre as well as to make it accessible in the U.S. and Canada.^[103]

Hands up

Hands up (also known as handz up! (stylized as HandzUp!) or dancecore in Eastern Europe) is a style of trance music, and a derivation of Eurodance. The genre comes from its name, meaning music that requires listeners to "put their hands up", as well as fitness and danceability.

The genre developed in Germany in the mid- to late 1990s as part of the emerging trance music scene. Representatives of Eurodance such as Starsplash and Mark 'Oh are sometimes regarded as forerunners of hands up. The biggest commercial success was the music until the mid-2000s.^{[clarification needed]}

The synthesizer melodies are often catchy and simple. Often the vocal melody is accompanied by a synthesizer. In contrast to techno, short, high-pitched synthesizer tones are used. Hands up does not rely on the structure of tension build-up, but rather is based on the typical verse-chorus pop music scheme. The main elements are the bassline, drums and a catchy lead sound. A typical stylistic device of hands up is pitched female or resulting feminine vocals, but male vocals are also common. In addition, distorted, autotuned, chopped and repeated spoken phrases are common characteristics.

DJs & groups such as Manian, Rob Mayth, Rocco & Bass-T, DJ Gollum, Scooter, ItaloBrothers, Klubbingman, Discotronic, Ma.Bra., and Megastylez etc. are representative figures of this subgenre in both Germany and around the world.

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EuroDanceHits.com
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@@ Line 4: / Line 4: @@
 {{Infobox music genre
 | name              = Eurodance
-| other_names       = {{hlist|Euro-NRG|Euro-electronica|Euro|dancefloor}}
+| other_names       = {{hlist|Euro-NRG|dancefloor}}
-| stylistic_origins = {{hlist|[[House music|House]]<ref name="allmusic"/>|[[Eurodisco]]<ref name="allmusic guide"/>|[[Hi-NRG]]<ref name="allmusic"/>|[[Trance music|trance]]<ref name="allmusic guide"/>|[[new beat]]|[[techno]]<ref name="RoGPM">{{cite book |last1= Ahlers |last2= Jacke |first1= Michael |first2= Christoph |date= 2017 |title= Perspectives on German Popular Music |url= https://books.google.com/books?id=BjklDwAAQBAJ&q=Perspectives+on+German+Popular+Music |location= London & New York |publisher= Routledge, Taylor & Francis Ltd|page= 113 |isbn= 9781472479624 }}</ref>|[[Hip hop music|hip hop]]<ref name="allmusic guide"/>|[[hip house]]|[[dance-pop]]}}
+| stylistic_origins = {{hlist|[[House music|House]]<ref name="allmusic"/>|[[Eurodisco]]<ref name="allmusic guide"/>|[[Hi-NRG]]<ref name="allmusic"/>|[[Trance music|trance]]<ref name="allmusic guide"/>|[[new beat]]|[[techno]]<ref name="RoGPM">{{cite book |last1= Ahlers |last2= Jacke |first1= Michael |first2= Christoph |date= 2017 |title= Perspectives on German Popular Music |url= https://books.google.com/books?id=BjklDwAAQBAJ&q=Perspectives+on+German+Popular+Music |location= London & New York |publisher= Routledge, Taylor & Francis Ltd |page= 113 |isbn= 9781472479624 |access-date= 31 October 2020 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606212632/https://books.google.com/books?id=BjklDwAAQBAJ&q=Perspectives+on+German+Popular+Music#v=snippet&q=Perspectives%20on%20German%20Popular%20Music&f=false |url-status= live }}</ref>|[[Hip hop music|hip hop]]<ref name="allmusic guide"/>|[[hip house]]|[[dance-pop]]}}
-| cultural_origins  = 1980s, Belgium, Italy, The Netherlands, France, Sweden, Denmark, United Kingdom, Germany<ref>[https://thevinylfactory.com/features/toy-tonics-teutonik-disaster-interview/ German punk to Euro dance] Retrieved 6 July 2022</ref>
+| cultural_origins  = 1980s, Belgium, Italy, Netherlands, France, Sweden, Denmark, United Kingdom, Germany<ref>[https://thevinylfactory.com/features/toy-tonics-teutonik-disaster-interview/ German punk to Euro dance] {{Webarchive|url=https://web.archive.org/web/20220925055541/https://thevinylfactory.com/features/toy-tonics-teutonik-disaster-interview/ |date=25 September 2022 }} Retrieved 6 July 2022</ref>
-| derivatives       = * [[Progressive house]]<ref name="wiph">{{cite web |url=http://www.decodedmagazine.com/what-is-progressive-house-2/ |title=What is Progressive House? |first=Simon |last=Huxtable |date=11 August 2014 |work=Decoded Magazine |quote=It was then that the DJs who used to play what was previously known as Euro dance hi jacked the genre and it mutated into the commercial sound people tend to call Progressive House today.|access-date=14 March 2016 }}</ref>
+| derivatives       = * [[Progressive house]]<ref name="wiph">{{cite web |url=http://www.decodedmagazine.com/what-is-progressive-house-2/ |title=What is Progressive House? |first=Simon |last=Huxtable |date=11 August 2014 |work=Decoded Magazine |quote=It was then that the DJs who used to play what was previously known as Euro dance hi jacked the genre and it mutated into the commercial sound people tend to call Progressive House today. |access-date=14 March 2016 |archive-date=10 March 2016 |archive-url=https://web.archive.org/web/20160310113714/http://www.decodedmagazine.com/what-is-progressive-house-2/ |url-status=live }}</ref>
 * [[Hardcore (electronic dance music genre)#Hard dance|Hard dance]]
 *[[Italo dance]]
@@ Line 16: / Line 16: @@
 * [[Eurohouse]]
 * [[Eurotrance]]
+| regional_scenes   = {{hlist|Europe|Italy|Belgium|Germany|France|Denmark|Netherlands|Sweden|United Kingdom|United States}}
-* Eurotechno
-* Euro hop
-| regional_scenes   = {{hlist|Europe|Italy|Belgium|Germany|France|Denmark|The Netherlands|Sweden|United Kingdom|United States}}
 | other_topics      = *[[List of Eurodance artists|List of artists]]
 *[[Europop]]
@@ Line 24: / Line 22: @@
 | subgenrelist      =
 }}
-'''Eurodance''' (sometimes referred to as '''Euro-NRG''', '''Euro-electronica''' or '''Euro''') is a genre of [[electronic dance music]] that originated in the late 1980s in Europe. It combines many elements of [[Hip hop music|rap]], [[techno]] and [[Eurodisco]].<ref name="allmusic guide"/> This genre of music is heavily influenced by the use of rich vocals, sometimes with [[Rapping|rapped]] verses. This, combined with cutting-edge synthesizers, strong [[Bass (sound)|bass]] [[rhythm]] and melodic [[Hook (music)|hooks]], establishes the core foundation of Eurodance music.<ref name="allmusic guide"/> Since the beginning of the 2010s, eurodance has been somewhat considered a "niche" genre with rare Execution on both radio and TV, but it still has a guaranteed space in dance clubs and in nostalgic shows/tours that many bands renowned songs of this genre currently do, the most famous being "We Love The 90s".
+'''Eurodance''' (sometimes referred to as '''Euro-NRG''') is a genre of [[electronic dance music]] that originated in the late 1980s in Europe. It combines many elements of [[Hip hop music|rap]], [[techno]] and [[Eurodisco]].<ref name="allmusic guide"/> This genre of music is heavily influenced by the use of rich vocals, sometimes with [[Rapping|rapped]] verses. This, combined with cutting-edge synthesizers, strong [[Bass (sound)|bass]] [[rhythm]] and melodic [[Hook (music)|hooks]], establishes the core foundation of Eurodance music.<ref name="allmusic guide"/>
 ==History==
 ===Background===
-Eurodance music originated in the late 1980s in central Europe, especially in Germany, where [[rave]] parties were becoming popular. By 1987, a German party scene was started, based on the well established [[Chicago house]] sound and Belgian [[new beat]]. The following year saw [[acid house]] making a significant impact on popular consciousness in Germany and central Europe as it had in England.<ref>Short [https://www.youtube.com/watch?v=HpC0qlWKb_Q excerpt] from special on German "Tele 5" from 8 December 1988. The show is called "Tanzhouse" hosted by a young Fred Kogel. It includes footage from Hamburg's "Front" with Boris Dlugosch, Kemal Kurum's "Opera House" and the "Prinzenbar".</ref> In 1989, German DJs [[Westbam]] and Dr. Motte established the [[Ufo (Club, Berlin)|Ufo Club]], an illegal party venue, and co-founded the [[Love Parade]].<ref name=ROBB>Robb, D. (2002), Techno in Germany: Its Musical Origins and Cultural Relevance, ''German as a Foreign Language Journal'', No.2, 2002, (p. 134).</ref> The parade first occurred in July 1989, when 150 people took to the streets in [[Berlin]].<ref name=Borneman>John Borneman & Stefan Senders, "Politics without a Head: Is the "Love Parade" a New Form of Political Identification?" ''Cultural Anthropology'' J5(2) 294-31, American Anthropological Association. 2000</ref> It was conceived as a political demonstration for peace and international understanding through love and music.<ref name=Borneman/> On 19 July 1989, [[Black Box (band)|Black Box]]'s single "[[Ride on Time]]" was released. The song spent six weeks at No. 1 in the United Kingdom and it was the UK's best-selling single of 1989.<ref name="BSS">{{cite web|first= Dan |last= Lane |title= The biggest selling singles of every year revealed! (1952-2011) |publisher= [[Official Charts Company]] |url= http://www.officialcharts.com/chart-news/the-biggest-selling-singles-of-every-year-revealed-1952-2011-1720/ |date= 18 November 2012 |access-date= 23 January 2014}}</ref> It contained the [[Korg M1]]'s "house piano"<ref>{{cite web|url=http://planetbotch.blogspot.it/2014/10/the-house-piano-sound-explained.html|title=The House Piano Sound Explained|first=Bob|last=Leggitt|website=planetbotch.blogspot.it|access-date=19 May 2018}}</ref> which can be found in many Eurodance releases. On 27 September 1989, [[Technotronic]]'s single "[[Pump Up the Jam]]" was released. It reached number one in Belgium<ref>{{cite web|url=http://www.ultratop.be/nl/song/7ea/Technotronic-feat.-Felly-Pump-Up-The-Jam|title=Technotronic feat. Felly - Pump Up The Jam|website=ultratop.be|access-date=19 May 2018}}</ref><ref>{{cite web|url=http://top30-2.radio2.be/#/song-info/7619 |title=Pump Up The Jam – TECHNOTRONIC |publisher=[[Top 30]] |quote=Hoogste notering in de top 30 : 1 |access-date=31 January 2014 |language=nl |url-status=dead |archive-url=https://web.archive.org/web/20120409063716/http://top30-2.radio2.be/ |archive-date=9 April 2012 }}</ref> and Spain,<ref name="SP">{{cite book|first= Fernando |last= Salaverri |title= Sólo éxitos: año a año, 1959–2002 |edition= 1st |date= September 2005 |publisher= Fundación Autor-SGAE |location= Spain |isbn= 84-8048-639-2 |language= es}}</ref> and it popularised the house variant called [[hip house]] in Europe.<ref>{{cite web|url=https://books.google.com/books?id=CuD_QHQ-2KEC&q=%22technotronic%22+%22hip+house%22&pg=PA21|title=Spin|date=1 March 1990|publisher=SPIN Media LLC|access-date=19 May 2018|via=Google Books}}</ref> On 9 November 1989, the [[Berlin Wall]] fell; free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established.<ref name="ROBB" /> East German DJ [[Paul van Dyk]] has remarked that the techno-based rave scene was a major force in re-establishing social connections between East and West Germany during the unification period.<ref>Messmer, S. (1998), ''Eierkuchensozialismus'', TAZ, 10 July 1998, (p. 26).</ref> In the same year, German producers Michael Münzing and Luca Anzilotti (under the pseudonyms Benito Benites and John "Virgo" Garrett III) formed the [[Snap!]] project in Frankfurt. Snap! songs combined imported [[Hip hop music|hip hop]] and [[Soul music|soul]] vocals adding rhythm by using computer technology and mixing electronic sounds, bass and drums, mainly [[house music]]. By doing so a new genre was born: Eurodance.<ref>{{cite news |author=<!--Staff writer(s); no by-line.--> |title=Neue Ehrlichkeit. Mit Tanzmusik aus dem Computer feiern zwei Frankfurter Klangbastler weltweit Erfolge. |url=http://magazin.spiegel.de/EpubDelivery/spiegel/pdf/13683412 |format=PDF |newspaper=Der Spiegel |page= 268 |language=DE |date=3 October 1994 |access-date=4 March 2016}}</ref>
+Eurodance music originated in the late 1980s in central Europe, especially in Germany, where [[rave]] parties were becoming popular. By 1987, a German party scene was started, based on the well established [[Chicago house]] sound and Belgian [[new beat]]. The following year saw [[acid house]] making a significant impact on popular consciousness in Germany and central Europe as it had in England.<ref>Short [https://www.youtube.com/watch?v=HpC0qlWKb_Q excerpt] {{Webarchive|url=https://web.archive.org/web/20130303164014/http://www.youtube.com/watch?v=HpC0qlWKb_Q |date=3 March 2013 }} from special on German "Tele 5" from 8 December 1988. The show is called "Tanzhouse" hosted by a young Fred Kogel. It includes footage from Hamburg's "Front" with Boris Dlugosch, Kemal Kurum's "Opera House" and the "Prinzenbar".</ref> In 1989, German DJs [[Westbam]] and Dr. Motte established the [[Ufo (Club, Berlin)|Ufo Club]], an illegal party venue, and co-founded the [[Love Parade]].<ref name=ROBB>Robb, D. (2002), Techno in Germany: Its Musical Origins and Cultural Relevance, ''German as a Foreign Language Journal'', No.2, 2002, (p. 134).</ref> The parade first occurred in July 1989, when 150 people took to the streets in [[Berlin]].<ref name=Borneman>John Borneman & Stefan Senders, "Politics without a Head: Is the "Love Parade" a New Form of Political Identification?" ''Cultural Anthropology'' J5(2) 294-31, American Anthropological Association. 2000</ref> It was conceived as a political demonstration for peace and international understanding through love and music.<ref name=Borneman/> On 19 July 1989, [[Black Box (band)|Black Box]]'s single "[[Ride on Time]]" was released. The song spent six weeks at No. 1 in the United Kingdom and it was the UK's best-selling single of 1989.<ref name="BSS">{{cite web |first= Dan |last= Lane |title= The biggest selling singles of every year revealed! (1952-2011) |publisher= [[Official Charts Company]] |url= http://www.officialcharts.com/chart-news/the-biggest-selling-singles-of-every-year-revealed-1952-2011-1720/ |date= 18 November 2012 |access-date= 23 January 2014 |archive-date= 9 July 2014 |archive-url= https://web.archive.org/web/20140709100702/http://www.officialcharts.com/chart-news/the-biggest-selling-singles-of-every-year-revealed-1952-2011-1720/ |url-status= live }}</ref> It contained the [[Korg M1]]'s "house piano"<ref>{{cite web|url=http://planetbotch.blogspot.it/2014/10/the-house-piano-sound-explained.html|title=The House Piano Sound Explained|first=Bob|last=Leggitt|website=planetbotch.blogspot.it|access-date=19 May 2018|archive-date=20 May 2018|archive-url=https://web.archive.org/web/20180520123833/https://planetbotch.blogspot.it/2014/10/the-house-piano-sound-explained.html|url-status=live}}</ref> which can be found in many Eurodance releases. On 27 September 1989, [[Technotronic]]'s single "[[Pump Up the Jam]]" was released. It reached number one in Belgium<ref>{{cite web|url=http://www.ultratop.be/nl/song/7ea/Technotronic-feat.-Felly-Pump-Up-The-Jam|title=Technotronic feat. Felly - Pump Up The Jam|website=ultratop.be|access-date=19 May 2018|archive-date=5 May 2018|archive-url=https://web.archive.org/web/20180505054143/http://www.ultratop.be/nl/song/7ea/Technotronic-feat.-Felly-Pump-Up-The-Jam|url-status=live}}</ref><ref>{{cite web|url=http://top30-2.radio2.be/#/song-info/7619 |title=Pump Up The Jam – TECHNOTRONIC |publisher=[[Top 30]] |quote=Hoogste notering in de top 30 : 1 |access-date=31 January 2014 |language=nl |url-status=dead |archive-url=https://web.archive.org/web/20120409063716/http://top30-2.radio2.be/ |archive-date=9 April 2012 }}</ref> and Spain,<ref name="SP">{{cite book|first= Fernando |last= Salaverri |title= Sólo éxitos: año a año, 1959–2002 |edition= 1st |date= September 2005 |publisher= Fundación Autor-SGAE |location= Spain |isbn= 84-8048-639-2 |language= es}}</ref> and it popularised the house variant called [[hip house]] in Europe.<ref>{{cite web|url=https://books.google.com/books?id=CuD_QHQ-2KEC&q=%22technotronic%22+%22hip+house%22&pg=PA21|title=Spin|date=1 March 1990|publisher=SPIN Media LLC|access-date=19 May 2018|via=Google Books|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606212625/https://books.google.com/books?id=CuD_QHQ-2KEC&q=%22technotronic%22+%22hip+house%22&pg=PA21#v=snippet&q=%22technotronic%22%20%22hip%20house%22&f=false|url-status=live}}</ref> On 9 November 1989, the [[Berlin Wall]] fell; free underground techno parties mushroomed in East Berlin, and a rave scene comparable to that in the UK was established.<ref name="ROBB" /> East German DJ [[Paul van Dyk]] has remarked that the techno-based rave scene was a major force in re-establishing social connections between East and West Germany during the unification period.<ref>Messmer, S. (1998), ''Eierkuchensozialismus'', TAZ, 10 July 1998, (p. 26).</ref> In the same year, German producers Michael Münzing and Luca Anzilotti (under the pseudonyms Benito Benites and John "Virgo" Garrett III) formed the [[Snap!]] project in Frankfurt. Snap! songs combined imported [[Hip hop music|hip hop]] and [[Soul music|soul]] vocals adding rhythm by using computer technology and mixing electronic sounds, bass and drums, mainly [[house music]]. By doing so a new genre was born: Eurodance.<ref>{{cite news |author=<!--Staff writer(s); no by-line.--> |title=Neue Ehrlichkeit. Mit Tanzmusik aus dem Computer feiern zwei Frankfurter Klangbastler weltweit Erfolge. |url=http://magazin.spiegel.de/EpubDelivery/spiegel/pdf/13683412 |format=PDF |newspaper=Der Spiegel |page=268 |language=DE |date=3 October 1994 |access-date=4 March 2016 |archive-date=7 March 2016 |archive-url=https://web.archive.org/web/20160307191049/http://magazin.spiegel.de/EpubDelivery/spiegel/pdf/13683412 |url-status=live }}</ref>
 ===Rise and fall===
-Snap!'s first single, "[[The Power (Snap! song)|The Power]]", released in 1990, reached number one in the Netherlands,<ref>{{cite web|url=http://www.top40.nl/zoeken?search=Snap+-+The+Power|title=Top 40|website=Top40.nl|access-date=19 May 2018}}</ref><ref>{{cite web|url=http://www.dutchcharts.nl/showitem.asp?interpret=Snap!&titel=The+Power&cat=sr|title=Snap! - The Power|first=Steffen|last=Hung|website=hitparade.ch|access-date=19 May 2018}}</ref> Spain, Switzerland<ref>{{cite web|url=http://www.swisscharts.com/song/Snap!/The-Power-2094|title=Snap! - The Power - swisscharts.com|first=Steffen|last=Hung|website=Swisscharts.com|access-date=19 May 2018}}</ref> and the United Kingdom,<ref>{{cite web|url=https://www.officialcharts.com/charts/singles-chart/19900325/7501/|title=Official Singles Chart Top 100 - Official Charts Company|website=[[Official Charts Company]]|access-date=19 May 2018}}</ref> and it helped to raise awareness of the genre within Europe. In the following years, other Eurodance acts formed in Frankfurt, including [[Jam and Spoon]], [[Intermission (band)|Intermission]] and [[Culture Beat]]. After the breakthrough single "[[Rhythm is a Dancer]]" by [[Snap!]] in 1992 (number 1 in 12 countries),<ref name="lescharts.com: SNAP!-Rhythm Is a Dancer (Chanson)">{{cite web|url=http://lescharts.com/showitem.asp?interpret=Snap!&titel=Rhythm+Is+A+Dancer&cat=s|title=lescharts.com: SNAP!-Rhythm Is a Dancer (Chanson)|publisher=lescharts.com|access-date=15 May 2013}}</ref><ref>{{cite web|url=https://www.offiziellecharts.de/titel-details-2431|title=Offizielle Deutsche Charts > Snap! – Rhythm Is a Dancer (single)|language=de|publisher=GfK Entertainment|access-date=21 March 2016}}</ref><ref>{{cite web|url=http://i.imgur.com/CZUOVAN.jpg|title=The Irish Charts – All there is to know > Search results for 'Rhythm Is a Dancer' (from irishcharts.ie)|publisher=imgur.com|access-date=21 March 2016}}</ref><ref>Israel Top-30: 1 week at No. 1 (07.07.92)</ref><ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-Music-and-Media/90s/1992/MM-1992-06-06.pdf|title=Top 10 Sales in Europe|magazine=[[Music & Media]]|volume=9|issue=23|page=21|date=6 June 1992|access-date=23 November 2019}}</ref><ref>{{cite web |url=http://www.top40.nl/snap/snap-rhythm-is-a-dancer_11237 |title=Media Markt Top 40: Snap! (Rhythm Is a Dancer) |publisher=[[Dutch Top 40]] |language=nl |access-date=15 May 2013 |archive-date=27 April 2014 |archive-url=https://web.archive.org/web/20140427133815/http://www.top40.nl/snap/snap-rhythm-is-a-dancer_11237 |url-status=dead }}</ref><ref>{{cite book |last=Salaverri|first=Fernando|title=Sólo éxitos: año a año, 1959–2002|edition=1st |date=September 2005|publisher=Fundación Autor-SGAE|location=Spain|isbn=84-8048-639-2}}</ref><ref name="Official Charts Company: Snap!">{{cite web|url=http://www.officialcharts.com/artist/9286/snap!/|title=Official Charts > Snap!|publisher=[[Official Charts Company|The Official UK Charts Company]]|access-date=21 March 2016}}</ref><ref>* Zimbabwe. Kimberley, C. ''Zimbabwe: singles chart book''. Harare: C. Kimberley, 2000</ref> new groups started to pop up all over Europe, mainly in Belgium, Netherlands and Italy. From 1992 till the decline of popularity after 1995, the sound became more and more NRG-oriented, leading to songs raising in B.P.M. up to 150. The notable songs which defined the genre in this period, dubbed as the "golden era" of Eurodance, are "[[It's My Life (Dr. Alban song)|It's My Life]]" by [[Dr. Alban]] in 1992 (number 1 in 8 countries),<ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 8 August 1992 |volume= 9 |issue= 32 |page= 14 |url= https://americanradiohistory.com/Archive-Music-and-Media/90s/1992/MM-1992-08-08.pdf}}</ref> "[[No Limit (2 Unlimited song)|No Limit]]" by Dutch group [[2 Unlimited]] in 1993 (number 1 in 14 countries, it was Europe's biggest-selling song for 1993),<ref name="Europe">{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 10 April 1993 |volume= 10 |issue= 15 |page= 24 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-04-10.pdf |access-date= 26 February 2018}}</ref><ref>{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |edition= 1st |publisher= Tammi |isbn= 978-951-1-21053-5 |location= Helsinki |language= fi}}</ref><ref name="HOW">{{cite magazine|title= Hits of the World |url= https://books.google.com/books?id=lREEAAAAMBAJ&pg=PA41 |date= 8 May 1993 |magazine= [[Billboard (magazine)|Billboard]] |volume= 105 |issue= 19 |page= 41 |issn= 0006-2510}}</ref> "[[What Is Love]]" by [[Haddaway]] in the same year (number 1 in 13 countries),<ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 10 July 1993 |volume= 10 |issue= 28 |page= 20 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-07-10.pdf |access-date= 26 February 2018}}</ref><ref>{{cite book|first= Jake |last= Nyman |title= Suomi soi 4: Suuri suomalainen listakirja |edition= 1st |year= 2005 |publisher= Tammi |location= Helsinki |isbn= 951-31-2503-3 |language= fi}}</ref><ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 11 September 1993 |volume= 10 |issue= 37 |page= 14 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-09-11.pdf |access-date= 26 February 2018}}</ref><ref name="SP"/><ref name="Kimberley 2000">{{cite book|first= Chris |last= Kimberley |year= 2000 |title= Zimbabwe : Zimbabwe Singles Chart Book |location= Harare}}</ref> "[[Mr. Vain]]" by [[Culture Beat]] also in the same year (number 1 in 13 countries),<ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 7 August 1993 |volume= 10 |issue= 32 |page= 16 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-08-07.pdf}}</ref><ref>{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |edition= 1st |publisher= Tammi |location= Helsinki |isbn= 978-9-5112-1053-5 |language= fi}}</ref><ref name="Kimberley 2000"/> "[[Cotton Eye Joe (Rednex song)|Cotton Eye Joe]]" by [[Rednex]] in 1994 (number 1 in 12 countries)<ref>{{cite book|title=Billboard October 29, 1994|magazine=[[Billboard (magazine)|Billboard]]|url=https://books.google.com/books?id=YQgEAAAAMBAJ&q=Billboard%20%22denmark%22%20%22ifpi%2Fnielsen%22%201994&pg=PA59|access-date=1 December 2010|date=29 October 1994}}</ref><ref name="FIN">{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |language= fi |edition= 1st |publisher= Tammi |isbn= 978-951-1-21053-5 |location= Helsinki}}</ref><ref name="Dutch">{{cite web |url=http://www.top40.nl/pdf/Top%20100/top%20100%20-%201994.pdf |title=Single top 100 over 1994 |publisher=Top40 |language=nl |access-date=17 April 2010}}</ref><ref>{{cite web|url=http://www.officialcharts.com/charts/scottish-singles-chart/19950101/41/|title=Scottish Singles Chart 01 January 1995 - 07 January 1995|publisher=[[Official Charts Company]]|access-date=16 January 2018}}</ref> and "[[Scatman (Ski-Ba-Bop-Ba-Dop-Bop)]]" by [[Scatman John]] in the same year (number 1 in 9 countries).<ref>{{cite book|title=Billboard 25 March 1995|magazine=[[Billboard (magazine)|Billboard]]|url=https://archive.org/details/bub_gb_7AsEAAAAMBAJ|quote=hits of the world.|access-date=1 December 2010|date=25 March 1995|publisher=Nielsen Business Media }}</ref><ref>{{Cite web|url=https://books.google.com/books?id=1AsEAAAAMBAJ&q=hits+of+the+world|title=Billboard|date=27 May 1995|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books}}</ref><ref name="Lescharts">"Scatman (Ski Ba Bop Ba Dop Bop)", in various singles charts [http://lescharts.com/showitem.asp?interpret=Scatman+John&titel=Scatman+%28Ski%2DBa%2DBop%2DBa%2DDop%2DBop%29&cat=s Lescharts.com] (Retrieved 6 February 2008)</ref><ref>Irish Single Chart [http://www.irishcharts.ie/search/placement Irishcharts.ie] (Retrieved 7 April 2008)</ref><ref>{{Cite web|url=https://books.google.com/books?id=vAsEAAAAMBAJ&q=dreams+2+brothers+on+the+4th+floor+spain&pg=PA68|title=Billboard|date=13 May 1995|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books}}</ref> In the same period the popularity of the genre also expanded further to East Asia, in nations such as Japan, South Korea and Taiwan; towards the end of the golden era also in Russia.{{citation needed|date=January 2022}}
+Snap!'s first single, "[[The Power (Snap! song)|The Power]]", released in 1990, reached number one in the Netherlands,<ref>{{cite web|url=http://www.top40.nl/zoeken?search=Snap+-+The+Power|title=Top 40|website=Top40.nl|access-date=19 May 2018|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606212632/https://www.top40.nl/|url-status=live}}</ref><ref>{{cite web|url=http://www.dutchcharts.nl/showitem.asp?interpret=Snap!&titel=The+Power&cat=sr|title=Snap! - The Power|first=Steffen|last=Hung|website=hitparade.ch|access-date=19 May 2018|archive-date=9 September 2017|archive-url=https://web.archive.org/web/20170909095822/http://www.dutchcharts.nl/showitem.asp?interpret=Snap!&titel=The+Power&cat=sr|url-status=live}}</ref> Spain, Switzerland<ref>{{cite web|url=http://www.swisscharts.com/song/Snap!/The-Power-2094|title=Snap! - The Power - swisscharts.com|first=Steffen|last=Hung|website=Swisscharts.com|access-date=19 May 2018|archive-date=27 November 2017|archive-url=https://web.archive.org/web/20171127140331/http://swisscharts.com/song/Snap!/The-Power-2094|url-status=live}}</ref> and the United Kingdom,<ref>{{cite web|url=https://www.officialcharts.com/charts/singles-chart/19900325/7501/|title=Official Singles Chart Top 100 - Official Charts Company|website=[[Official Charts Company]]|access-date=19 May 2018|archive-date=20 February 2018|archive-url=https://web.archive.org/web/20180220114239/http://www.officialcharts.com/charts/singles-chart/19900325/7501/|url-status=live}}</ref> and it helped to raise awareness of the genre within Europe. In the following years, other Eurodance acts formed in Frankfurt, including [[Jam and Spoon]], [[Intermission (band)|Intermission]] and [[Culture Beat]]. After the breakthrough single "[[Rhythm is a Dancer]]" by [[Snap!]] in 1992 (number 1 in 12 countries),<ref name="lescharts.com: SNAP!-Rhythm Is a Dancer (Chanson)">{{cite web|url=http://lescharts.com/showitem.asp?interpret=Snap!&titel=Rhythm+Is+A+Dancer&cat=s|title=lescharts.com: SNAP!-Rhythm Is a Dancer (Chanson)|publisher=lescharts.com|access-date=15 May 2013|archive-date=3 November 2012|archive-url=https://web.archive.org/web/20121103121327/http://lescharts.com/showitem.asp?interpret=Snap%21&titel=Rhythm+Is+A+Dancer&cat=s|url-status=live}}</ref><ref>{{cite web|url=https://www.offiziellecharts.de/titel-details-2431|title=Offizielle Deutsche Charts > Snap! – Rhythm Is a Dancer (single)|language=de|publisher=GfK Entertainment|access-date=21 March 2016|archive-date=29 April 2016|archive-url=https://web.archive.org/web/20160429234218/https://www.offiziellecharts.de/titel-details-2431|url-status=live}}</ref><ref>{{cite web|url=http://i.imgur.com/CZUOVAN.jpg|title=The Irish Charts – All there is to know > Search results for 'Rhythm Is a Dancer' (from irishcharts.ie)|publisher=imgur.com|access-date=21 March 2016|archive-date=2 April 2016|archive-url=https://web.archive.org/web/20160402005750/http://i.imgur.com/CZUOVAN.jpg|url-status=live}}</ref><ref>Israel Top-30: 1 week at No. 1 (07.07.92)</ref><ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-Music-and-Media/90s/1992/MM-1992-06-06.pdf|title=Top 10 Sales in Europe|magazine=[[Music & Media]]|volume=9|issue=23|page=21|date=6 June 1992|access-date=23 November 2019|archive-date=18 March 2023|archive-url=https://web.archive.org/web/20230318041209/https://worldradiohistory.com/UK/Music-and-Media/90s/1992/MM-1992-06-06.pdf|url-status=live}}</ref><ref>{{cite web |url=http://www.top40.nl/snap/snap-rhythm-is-a-dancer_11237 |title=Media Markt Top 40: Snap! (Rhythm Is a Dancer) |publisher=[[Dutch Top 40]] |language=nl |access-date=15 May 2013 |archive-date=27 April 2014 |archive-url=https://web.archive.org/web/20140427133815/http://www.top40.nl/snap/snap-rhythm-is-a-dancer_11237 |url-status=dead }}</ref><ref>{{cite book |last=Salaverri|first=Fernando|title=Sólo éxitos: año a año, 1959–2002|edition=1st |date=September 2005|publisher=Fundación Autor-SGAE|location=Spain|isbn=84-8048-639-2}}</ref><ref name="Official Charts Company: Snap!">{{cite web|url=http://www.officialcharts.com/artist/9286/snap!/|title=Official Charts > Snap!|publisher=[[Official Charts Company|The Official UK Charts Company]]|access-date=21 March 2016|archive-date=6 April 2016|archive-url=https://web.archive.org/web/20160406111804/http://www.officialcharts.com/artist/9286/snap!/|url-status=live}}</ref><ref>* Zimbabwe. Kimberley, C. ''Zimbabwe: singles chart book''. Harare: C. Kimberley, 2000</ref> new groups started to appear all over Europe, mainly in Belgium, the Netherlands and Italy. From 1992 until the genre's decline in popularity after 1995, the sound became increasingly NRG-oriented, leading to songs raising in B.P.M. up to 150. Some of the genre's defining songs in this period, dubbed as the "golden era" of Eurodance, are "[[It's My Life (Dr. Alban song)|It's My Life]]" by [[Dr. Alban]] in 1992 (number 1 in 8 countries),<ref>{{cite magazine |title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 8 August 1992 |volume= 9 |issue= 32 |page= 14 |url= https://americanradiohistory.com/Archive-Music-and-Media/90s/1992/MM-1992-08-08.pdf |access-date= 25 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213037/https://americanradiohistory.com/Archive-Music-and-Media/90s/1992/MM-1992-08-08.pdf |url-status= live }}</ref> "[[No Limit (2 Unlimited song)|No Limit]]" by Dutch group [[2 Unlimited]] in 1993 (number 1 in 14 countries, it was Europe's biggest-selling song for 1993),<ref name="Europe">{{cite magazine |title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 10 April 1993 |volume= 10 |issue= 15 |page= 24 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-04-10.pdf |access-date= 26 February 2018 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213036/http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-04-10.pdf |url-status= live }}</ref><ref>{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |edition= 1st |publisher= Tammi |isbn= 978-951-1-21053-5 |location= Helsinki |language= fi}}</ref><ref name="HOW">{{cite magazine|title= Hits of the World |url= https://books.google.com/books?id=lREEAAAAMBAJ&pg=PA41 |date= 8 May 1993 |magazine= [[Billboard (magazine)|Billboard]] |volume= 105 |issue= 19 |page= 41 |issn= 0006-2510}}</ref> "[[What Is Love]]" by [[Haddaway]] in the same year (number 1 in 13 countries),<ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 10 July 1993 |volume= 10 |issue= 28 |page= 20 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-07-10.pdf |access-date= 26 February 2018}}</ref><ref>{{cite book|first= Jake |last= Nyman |title= Suomi soi 4: Suuri suomalainen listakirja |edition= 1st |year= 2005 |publisher= Tammi |location= Helsinki |isbn= 951-31-2503-3 |language= fi}}</ref><ref>{{cite magazine|title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 11 September 1993 |volume= 10 |issue= 37 |page= 14 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-09-11.pdf |access-date= 26 February 2018}}</ref><ref name="SP"/><ref name="Kimberley 2000">{{cite book|first= Chris |last= Kimberley |year= 2000 |title= Zimbabwe : Zimbabwe Singles Chart Book |location= Harare}}</ref> "[[Mr. Vain]]" by [[Culture Beat]] also in the same year (number 1 in 13 countries),<ref>{{cite magazine |title= Top 10 Sales in Europe |magazine= [[Music & Media]] |date= 7 August 1993 |volume= 10 |issue= 32 |page= 16 |url= http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-08-07.pdf |access-date= 25 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213037/http://www.americanradiohistory.com/Archive-Music-and-Media/90s/1993/MM-1993-08-07.pdf |url-status= live }}</ref><ref>{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |edition= 1st |publisher= Tammi |location= Helsinki |isbn= 978-9-5112-1053-5 |language= fi}}</ref><ref name="Kimberley 2000"/> "[[Cotton Eye Joe (Rednex song)|Cotton Eye Joe]]" by [[Rednex]] in 1994 (number 1 in 12 countries)<ref>{{cite book|title=Billboard October 29, 1994|magazine=[[Billboard (magazine)|Billboard]]|url=https://books.google.com/books?id=YQgEAAAAMBAJ&q=Billboard%20%22denmark%22%20%22ifpi%2Fnielsen%22%201994&pg=PA59|access-date=1 December 2010|date=29 October 1994|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606213048/https://books.google.com/books?id=YQgEAAAAMBAJ&q=Billboard%20%22denmark%22%20%22ifpi%2Fnielsen%22%201994&pg=PA59#v=snippet&q=Billboard%20%22denmark%22%20%22ifpi%2Fnielsen%22%201994&f=false|url-status=live}}</ref><ref name="FIN">{{cite book|first= Timo |last= Pennanen |year= 2006 |title= Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 |language= fi |edition= 1st |publisher= Tammi |isbn= 978-951-1-21053-5 |location= Helsinki}}</ref><ref name="Dutch">{{cite web |url=http://www.top40.nl/pdf/Top%20100/top%20100%20-%201994.pdf |title=Single top 100 over 1994 |publisher=Top40 |language=nl |access-date=17 April 2010 |archive-date=6 December 2011 |archive-url=https://web.archive.org/web/20111206111019/http://top40.nl/pdf/Top%20100/top%20100%20-%201994.pdf |url-status=live }}</ref><ref>{{cite web|url=http://www.officialcharts.com/charts/scottish-singles-chart/19950101/41/|title=Scottish Singles Chart 01 January 1995 - 07 January 1995|publisher=[[Official Charts Company]]|access-date=16 January 2018|archive-date=15 June 2018|archive-url=https://web.archive.org/web/20180615214642/http://www.officialcharts.com/charts/scottish-singles-chart/19950101/41/|url-status=live}}</ref> and "[[Scatman (Ski-Ba-Bop-Ba-Dop-Bop)]]" by [[Scatman John]] in the same year (number 1 in 9 countries).<ref>{{cite book|title=Billboard 25 March 1995|magazine=[[Billboard (magazine)|Billboard]]|url=https://archive.org/details/bub_gb_7AsEAAAAMBAJ|quote=hits of the world.|access-date=1 December 2010|date=25 March 1995|publisher=Nielsen Business Media }}</ref><ref>{{Cite web|url=https://books.google.com/books?id=1AsEAAAAMBAJ&q=hits+of+the+world|title=Billboard|date=27 May 1995|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books}}</ref><ref name="Lescharts">"Scatman (Ski Ba Bop Ba Dop Bop)", in various singles charts [http://lescharts.com/showitem.asp?interpret=Scatman+John&titel=Scatman+%28Ski%2DBa%2DBop%2DBa%2DDop%2DBop%29&cat=s Lescharts.com] {{Webarchive|url=https://web.archive.org/web/20191128130640/https://lescharts.com/showitem.asp?interpret=Scatman%20John&titel=Scatman%20%28Ski-Ba-Bop-Ba-Dop-Bop%29&cat=s |date=28 November 2019 }} (Retrieved 6 February 2008)</ref><ref>Irish Single Chart [http://www.irishcharts.ie/search/placement Irishcharts.ie] {{Webarchive|url=https://web.archive.org/web/20220326112752/http://irishcharts.ie/search/placement |date=26 March 2022 }} (Retrieved 7 April 2008)</ref><ref>{{Cite web|url=https://books.google.com/books?id=vAsEAAAAMBAJ&q=dreams+2+brothers+on+the+4th+floor+spain&pg=PA68|title=Billboard|date=13 May 1995|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606213040/https://books.google.com/books?id=vAsEAAAAMBAJ&q=dreams+2+brothers+on+the+4th+floor+spain&pg=PA68#v=snippet&q=dreams%202%20brothers%20on%20the%204th%20floor%20spain&f=false|url-status=live}}</ref> In the same period, the genre's popularity also expanded further to East Asia, in nations such as Japan, South Korea and Taiwan; towards the end of the golden era also in Russia.{{citation needed|date=January 2022}}
-By 1995, Eurodance dominated European charts with 5 singles in the top 10 of the singles charts. Despite its success, many observers within the music industry said that the Eurodance sound had to change or die, and Eurodance producers and singers started to follow different paths and different sounds, such as [[happy hardcore]] and house music,<ref name="Billboard">{{cite magazine|title=Dance offshots vie for Eurodance dominance |magazine= Billboard |date= 24 June 1995 |page= 82 |url=https://books.google.com/books?id=zwsEAAAAMBAJ&q=eurodance+1995+billboard&pg=PA82|access-date=25 November 2019}}</ref> but not all the groups followed this trend immediately. Notably, the group [[2 Unlimited]] wanted to remain within Eurodance sounds in order to remain chartbusters, although the producer De Coster predicted a retreat from a pop-like to a more [[Club music|club-like]] sound.<ref name="2 Unlimited - Billboard">{{cite magazine |magazine= Billboard |date= 9 March 1996 |page= 29 |url=https://books.google.com/books?id=TA8EAAAAMBAJ&q=eurodance+billboard&pg=PA34|title=2 Unlimited - Chartbusters |access-date=25 November 2019}}</ref> Nevertheless, in the second half of the decade the popularity of Eurodance started to decline, and "[[Scatman's World]]" by [[Scatman John]] was the last major hit of the original Eurodance sound in the [[Eurochart Hot 100]], being number 1 for 3 weeks between late August and early September 1995.{{citation needed|date=January 2022}}
+By 1995, Eurodance dominated European charts with 5 singles in the top 10 of the singles charts. Despite its success, many observers within the music industry said that the Eurodance sound had to change or die, and Eurodance producers and singers started to follow different paths and different sounds, such as [[happy hardcore]] and house music,<ref name="Billboard">{{cite magazine |title= Dance offshots vie for Eurodance dominance |magazine= Billboard |date= 24 June 1995 |page= 82 |url= https://books.google.com/books?id=zwsEAAAAMBAJ&q=eurodance+1995+billboard&pg=PA82 |access-date= 25 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213238/https://books.google.com/books?id=zwsEAAAAMBAJ&q=eurodance+1995+billboard&pg=PA82#v=snippet&q=eurodance%201995%20billboard&f=false |url-status= live }}</ref> but not all the groups followed this trend immediately. Notably, the group [[2 Unlimited]] wanted to remain within Eurodance sounds in order to remain chartbusters, although the producer De Coster predicted a retreat from a pop-like to a more [[Club music|club-like]] sound.<ref name="2 Unlimited - Billboard">{{cite magazine |magazine= Billboard |date= 9 March 1996 |page= 29 |url= https://books.google.com/books?id=TA8EAAAAMBAJ&q=eurodance+billboard&pg=PA34 |title= 2 Unlimited - Chartbusters |access-date= 25 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213248/https://books.google.com/books?id=TA8EAAAAMBAJ&q=eurodance+billboard&pg=PA34#v=snippet&q=eurodance%20billboard&f=false |url-status= live }}</ref> After a string of successful Eurodance hits, the producer [[Nosie Katzmann]] called angrily the record label because one of the songs dropped at number 26 in the German charts.<ref>Pump Up the Jam: Heroes of Eurodance (2014) - documentary</ref> Therefore, in the second half of the decade the popularity of Eurodance started to decline. "[[Scatman's World]]" by [[Scatman John]] was the last major hit of the original Eurodance sound in the [[Eurochart Hot 100]], being number 1 for 3 weeks between late August and early September 1995.{{citation needed|date=January 2022}} Just before that, [[La Bouche]] released "[[Be My Lover (La Bouche song)|Be My Lover]]", which has sold six million copies worldwide to date.
-In late 1990s the classic Eurodance sound gradually morphed into [[progressive house]].<ref name="wiph">{{cite web |url=http://www.decodedmagazine.com/what-is-progressive-house-2/ |title=What is Progressive House? |first=Simon |last=Huxtable |date=11 August 2014 |work=Decoded Magazine |quote=It was then that the DJs who used to play what was previously known as Euro dance hi jacked the genre and it mutated into the commercial sound people tend to call Progressive House today.|access-date=14 March 2016 }}</ref> Notable examples of successful Eurodance songs of this era are "[[Coco Jamboo]]" by German band [[Mr. President (band)|Mr. President]] in 1996,<ref>"Coco Jamboo", in various Singles Chart [http://lescharts.com/showitem.asp?interpret=Mr.+President&titel=Coco+Jamboo&cat=s Lescharts.com]</ref><ref>{{cite web|url=https://books.google.com/books?id=vwkEAAAAMBAJ&q=mr+president+coco+jambo&pg=PA69|title=Billboard|date=28 September 1996|publisher=Nielsen Business Media, Inc.|access-date=27 November 2019|via=Google Books}}</ref> "[[Freed from Desire]]" and "[[Let a Boy Cry]]" by Italian singer [[Gala (singer)|Gala]], "[[This_Is_Your_Night_(Amber_song)|This is Your Night]]" by [[Amber (Dutch singer)|Amber]] and "[[Bailando (Paradisio song)|Bailando]]" by [[Paradisio]] in the same year,<ref>{{cite web |title= Premiere: Gala – Freed From Desire (Torus Coolstep Mix) |work= Dummy Mag |access-date= 27 November 2019 |url= http://www.dummymag.com/new-music/premiere-stream-gala-freed-from-desire-torus-coolstep-mix |archive-date= 29 November 2014 |archive-url= https://web.archive.org/web/20141129034803/http://www.dummymag.com/new-music/premiere-stream-gala-freed-from-desire-torus-coolstep-mix |url-status= dead }}</ref><ref>{{cite magazine|title= Hits of the World |magazine= Billboard |date= 28 December 1996 |page= 51 |url= https://books.google.com/books?id=sQkEAAAAMBAJ&q=%22freed+from+desire+gala%22+%22eurochart%22&pg=RA1-PA51 |issn= 0006-2510}}</ref><ref>{{Cite web|url=https://books.google.com/books?id=IQ8EAAAAMBAJ&q=gala+let+a+boy+cry+&pg=RA1-PA49|title=Billboard|date=3 May 1997|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books}}</ref> "[[Barbie Girl]]" by Danish-Norwegian group [[Aqua (band)|Aqua]] in 1997,<ref>{{Cite web|url=http://www.allmusic.com/album/aquarium-mw0000595470|title=Aquarium – Aqua {{!}} Songs, Reviews, Credits {{!}} AllMusic|website=AllMusic|access-date=27 November 2019}}</ref><ref>{{Cite web|url=https://www.powerstation.net.nz/shows/aqua-greatest-hits-tour-oct-2014|title=Aqua Greatest Hits Tour {{!}} The Powerstation|website=Powerstation.net.nz|access-date=27 November 2019}}</ref> "[[Boom, Boom, Boom, Boom!!]]" by Dutch group [[Vengaboys]] in 1998,<ref>{{Cite web|url=https://www.bbc.co.uk/music/artists/90c7177f-4be5-413d-aabd-d228934c2b9b|title=Vengaboys|website=Bbc.co.uk|access-date=27 November 2019}}</ref><ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-Music-and-Media/90s/1998/MM-1998-11-28.pdf|title=Music & Media: Top National Sellers|volume=15|issue=48|page=15|date=28 November 1998|access-date=27 November 2019|magazine=[[Music & Media]]}}</ref><ref>{{cite web|url=https://www.officialcharts.com/charts/singles-chart/19990620/7501/|title=Official UK Singles Chart Top 100, 20 June 1999 - 26 June 1999|publisher=[[Official Charts Company]]|access-date=27 November 2019}}</ref> "[[Blue (Da Ba Dee)]]" by Italian group [[Eiffel 65]] in 1999<ref>{{cite news |url= http://jam.canoe.ca/Music/Artists/E/Eiffel_65/2000/03/25/pf-744854.html |title= Forgotten song became hit for Eiffel 65 |work= [[Canoe.ca]] |date= 25 March 2000 |first= Lisa |last= Wilton |access-date=27 November 2019 |archive-url= https://archive.today/20140330020626/http://jam.canoe.ca/Music/Artists/E/Eiffel_65/2000/03/25/pf-744854.html |archive-date= 30 March 2014 |url-status= usurped }}</ref><ref>{{cite magazine|title= Italian threesome Eifel 65 is on a 'Blue' streak with international hit |magazine= Billboard |date= 22 January 2000 |page= 114 |url=https://books.google.com/books?id=sA0EAAAAMBAJ&q=blue+da+ba+dee+october+1998&pg=PA114|access-date=27 November 2019}}</ref> and "[[Around the World (La La La La La)]]" by German group [[A Touch of Class (band)|ATC]] in 2000.<ref>{{Cite web|url=https://www.allmusic.com/album/planet-pop-mw0000624846|title=ATC – Planet Pop AllMusic|website=AllMusic|access-date=27 November 2019}}</ref><ref>{{cite web|url=http://www.swisscharts.com/song/ATC/Around-The-World-(La-La-La-La-La)-4329|title=ATC - Around The World (La La La La La)|access-date=27 November 2019}}</ref><ref>{{cite magazine|title= Reviews & Previews |magazine= Billboard |date= 27 January 2001 |page= 28 |url= https://books.google.com/books?id=dhMEAAAAMBAJ&q=%22Around+the+World+%28La+La+La+La+La%29%22&pg=PA28 |issn= 0006-2510|access-date=27 November 2019}}</ref> [[Basshunter]], [[Scooter (band)|Scooter]] and [[Cascada]] saw significant success during the 2000s,<ref>{{Cite web |last=Balls |first=David |date=15 February 2009 |title=September: 'Can't Get Over' |url=http://www.digitalspy.com/music/single-reviews/a146434/september-cant-get-over-146434/ |access-date=12 August 2022 |website=Digital Spy |language=en-GB}}</ref><ref>{{Cite web |title=Basshunter - Music Charts |url=https://acharts.co/artist/basshunter#songs |access-date=12 August 2022 |website=acharts.co}}</ref><ref>{{Cite web |title=Cascada - Music Charts |url=https://acharts.co/artist/cascada#songs |access-date=12 August 2022 |website=acharts.co}}</ref> however, by the early 2010s, popularity waned, and by about 2012, Eurodance music disappeared almost completely from the majority of European radio airplay.{{citation needed|date=January 2022}}
+In the late 1990s, the classic Eurodance sound gradually morphed into [[progressive house]].<ref name="wiph"/> Notable examples of successful Eurodance songs of this era are "[[Coco Jamboo]]" by German band [[Mr. President (band)|Mr. President]] in 1996,<ref>"Coco Jamboo", in various Singles Chart [http://lescharts.com/showitem.asp?interpret=Mr.+President&titel=Coco+Jamboo&cat=s Lescharts.com] {{Webarchive|url=https://web.archive.org/web/20171015150340/http://lescharts.com/showitem.asp?interpret=Mr.+President&titel=Coco+Jamboo&cat=s |date=15 October 2017 }}</ref><ref>{{cite web|url=https://books.google.com/books?id=vwkEAAAAMBAJ&q=mr+president+coco+jambo&pg=PA69|title=Billboard|date=28 September 1996|publisher=Nielsen Business Media, Inc.|access-date=27 November 2019|via=Google Books|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606213242/https://books.google.com/books?id=vwkEAAAAMBAJ&q=mr+president+coco+jambo&pg=PA69#v=onepage&q=mr%20president%20coco%20jambo&f=false|url-status=live}}</ref> "[[Freed from Desire]]" and "[[Let a Boy Cry]]" by Italian singer [[Gala (singer)|Gala]], "[[This_Is_Your_Night_(Amber_song)|This is Your Night]]" by [[Amber (Dutch singer)|Amber]] and "[[Bailando (Paradisio song)|Bailando]]" by [[Paradisio]] in the same year,<ref>{{cite web |title= Premiere: Gala – Freed From Desire (Torus Coolstep Mix) |work= Dummy Mag |access-date= 27 November 2019 |url= http://www.dummymag.com/new-music/premiere-stream-gala-freed-from-desire-torus-coolstep-mix |archive-date= 29 November 2014 |archive-url= https://web.archive.org/web/20141129034803/http://www.dummymag.com/new-music/premiere-stream-gala-freed-from-desire-torus-coolstep-mix |url-status= dead }}</ref><ref>{{cite magazine |title= Hits of the World |magazine= Billboard |date= 28 December 1996 |page= 51 |url= https://books.google.com/books?id=sQkEAAAAMBAJ&q=%22freed+from+desire+gala%22+%22eurochart%22&pg=RA1-PA51 |issn= 0006-2510 |access-date= 31 October 2020 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213305/https://books.google.com/books?id=sQkEAAAAMBAJ&q=%22freed+from+desire+gala%22+%22eurochart%22&pg=RA1-PA51#v=snippet&q=%22freed%20from%20desire%20gala%22%20%22eurochart%22&f=false |url-status= live }}</ref><ref>{{Cite web|url=https://books.google.com/books?id=IQ8EAAAAMBAJ&q=gala+let+a+boy+cry+&pg=RA1-PA49|title=Billboard|date=3 May 1997|publisher=Nielsen Business Media, Inc.|access-date=7 January 2021|via=Google Books|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606213242/https://books.google.com/books?id=IQ8EAAAAMBAJ&q=gala+let+a+boy+cry+&pg=RA1-PA49#v=snippet&q=gala%20let%20a%20boy%20cry&f=false|url-status=live}}</ref> "[[Barbie Girl]]" by Danish-Norwegian group [[Aqua (band)|Aqua]] in 1997,<ref>{{Cite web|url=http://www.allmusic.com/album/aquarium-mw0000595470|title=Aquarium – Aqua {{!}} Songs, Reviews, Credits {{!}} AllMusic|website=AllMusic|access-date=27 November 2019|archive-date=7 March 2023|archive-url=https://web.archive.org/web/20230307103842/https://www.allmusic.com/album/aquarium-mw0000595470|url-status=live}}</ref><ref>{{Cite web|url=https://www.powerstation.net.nz/shows/aqua-greatest-hits-tour-oct-2014|title=Aqua Greatest Hits Tour {{!}} The Powerstation|website=Powerstation.net.nz|access-date=27 November 2019|archive-date=26 January 2015|archive-url=https://web.archive.org/web/20150126045304/https://www.powerstation.net.nz/shows/aqua-greatest-hits-tour-oct-2014|url-status=live}}</ref> "[[Boom, Boom, Boom, Boom!!]]" by Dutch group [[Vengaboys]] in 1998,<ref>{{Cite web|url=https://www.bbc.co.uk/music/artists/90c7177f-4be5-413d-aabd-d228934c2b9b|title=Vengaboys|website=Bbc.co.uk|access-date=27 November 2019|archive-date=12 October 2019|archive-url=https://web.archive.org/web/20191012083636/https://www.bbc.co.uk/music/artists/90c7177f-4be5-413d-aabd-d228934c2b9b|url-status=live}}</ref><ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-Music-and-Media/90s/1998/MM-1998-11-28.pdf|title=Music & Media: Top National Sellers|volume=15|issue=48|page=15|date=28 November 1998|access-date=27 November 2019|magazine=[[Music & Media]]|archive-date=6 June 2024|archive-url=https://web.archive.org/web/20240606213242/https://www.americanradiohistory.com/Archive-Music-and-Media/90s/1998/MM-1998-11-28.pdf|url-status=live}}</ref><ref>{{cite web|url=https://www.officialcharts.com/charts/singles-chart/19990620/7501/|title=Official UK Singles Chart Top 100, 20 June 1999 - 26 June 1999|publisher=[[Official Charts Company]]|access-date=27 November 2019|archive-date=31 October 2020|archive-url=https://web.archive.org/web/20201031162731/https://www.officialcharts.com/charts/singles-chart/19990620/7501/|url-status=live}}</ref> "[[Blue (Da Ba Dee)]]" by Italian group [[Eiffel 65]] in 1999<ref>{{cite news |url= http://jam.canoe.ca/Music/Artists/E/Eiffel_65/2000/03/25/pf-744854.html |title= Forgotten song became hit for Eiffel 65 |work= [[Canoe.ca]] |date= 25 March 2000 |first= Lisa |last= Wilton |access-date=27 November 2019 |archive-url= https://archive.today/20140330020626/http://jam.canoe.ca/Music/Artists/E/Eiffel_65/2000/03/25/pf-744854.html |archive-date= 30 March 2014 |url-status= usurped }}</ref><ref>{{cite magazine |title= Italian threesome Eifel 65 is on a 'Blue' streak with international hit |magazine= Billboard |date= 22 January 2000 |page= 114 |url= https://books.google.com/books?id=sA0EAAAAMBAJ&q=blue+da+ba+dee+october+1998&pg=PA114 |access-date= 27 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606213247/https://books.google.com/books?id=sA0EAAAAMBAJ&q=blue+da+ba+dee+october+1998&pg=PA114#v=snippet&q=blue%20da%20ba%20dee%20october%201998&f=false |url-status= live }}</ref> and "[[Around the World (La La La La La)]]" by German group [[A Touch of Class (band)|ATC]] in 2000.<ref>{{Cite web|url=https://www.allmusic.com/album/planet-pop-mw0000624846|title=ATC – Planet Pop AllMusic|website=AllMusic|access-date=27 November 2019|archive-date=15 November 2021|archive-url=https://web.archive.org/web/20211115214639/https://www.allmusic.com/album/planet-pop-mw0000624846|url-status=live}}</ref><ref>{{cite web|url=http://www.swisscharts.com/song/ATC/Around-The-World-(La-La-La-La-La)-4329|title=ATC - Around The World (La La La La La)|access-date=27 November 2019|archive-date=5 November 2019|archive-url=https://web.archive.org/web/20191105140045/http://www.swisscharts.com/song/ATC/Around-The-World-(La-La-La-La-La)-4329|url-status=live}}</ref><ref>{{cite magazine |title= Reviews & Previews |magazine= Billboard |date= 27 January 2001 |page= 28 |url= https://books.google.com/books?id=dhMEAAAAMBAJ&q=%22Around+the+World+%28La+La+La+La+La%29%22&pg=PA28 |issn= 0006-2510 |access-date= 27 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606214048/https://books.google.com/books?id=dhMEAAAAMBAJ&q=%22Around+the+World+%28La+La+La+La+La%29%22&pg=PA28#v=snippet&q=%22Around%20the%20World%20(La%20La%20La%20La%20La)%22&f=false |url-status= live }}</ref> [[Basshunter]], [[Scooter (band)|Scooter]] and [[Cascada]] saw significant success during the 2000s,<ref>{{Cite web |last=Balls |first=David |date=15 February 2009 |title=September: 'Can't Get Over' |url=http://www.digitalspy.com/music/single-reviews/a146434/september-cant-get-over-146434/ |access-date=12 August 2022 |website=Digital Spy |language=en-GB}}</ref><ref>{{Cite web |title=Basshunter - Music Charts |url=https://acharts.co/artist/basshunter#songs |access-date=12 August 2022 |website=acharts.co |archive-date=12 August 2022 |archive-url=https://web.archive.org/web/20220812070024/https://acharts.co/artist/basshunter#songs |url-status=live }}</ref><ref>{{Cite web |title=Cascada - Music Charts |url=https://acharts.co/artist/cascada#songs |access-date=12 August 2022 |website=acharts.co |archive-date=16 October 2022 |archive-url=https://web.archive.org/web/20221016002527/https://acharts.co/artist/cascada#songs |url-status=live }}</ref> however, by the early 2010s, popularity waned, and by about 2012, Eurodance music disappeared almost completely from the majority of European radio airplay.{{citation needed|date=January 2022}}
 ==Definition==
-The term "Eurodance" gradually became associated with a specific style of European dance music. During its golden years in the mid-1990s, it was referred as "Euro-NRG"; in Europe it was often called "dancefloor".<ref>{{cite web|url=https://eurodancemag.blogspot.com/2015/09/xtension-stay-the-night.html?m=1|title=New single from german eurodance/dancefloor project X-Tension is finally out|publisher=eurodancemag}}</ref>
+The term "Eurodance" gradually became associated with a specific style of European dance music. During its golden years in the mid-1990s, it was referred as "Euro-NRG"; in Europe it was often called "dancefloor".<ref>{{cite web|url=https://eurodancemag.blogspot.com/2015/09/xtension-stay-the-night.html?m=1|title=New single from german eurodance/dancefloor project X-Tension is finally out|publisher=eurodancemag|access-date=9 March 2019|archive-date=3 August 2021|archive-url=https://web.archive.org/web/20210803142105/https://eurodancemag.blogspot.com/2015/09/xtension-stay-the-night.html?m=1|url-status=live}}</ref>
 While some use a much broader definition of what is considered "Eurodance",<ref name="allmusic">{{cite web|title=Euro-Dance Music Genre Overview|url=http://www.allmusic.com/style/euro-dance-ma0000005013|website=AllMusic|publisher=Complex Media|access-date=12 November 2008|url-status=live|archive-url=https://web.archive.org/web/20170717012122/http://www.allmusic.com/style/euro-dance-ma0000005013|archive-date=17 July 2017}}</ref> over time, the term particularly came to refer to an NRG-based genre from the 1990s which included a solo vocalist or a rapper/vocalist duet.<ref>{{Cite web |url=http://dancemusic.about.com/od/top10lists/tp/Top10Eurodance.htm |title=Top 10 - Eurodance Artists |access-date=29 November 2007 |archive-date=15 June 2011 |archive-url=https://web.archive.org/web/20110615003327/http://dancemusic.about.com/od/top10lists/tp/Top10Eurodance.htm |url-status=dead }}</ref>
 ==Characteristics of the music==
-Most Eurodance is characterized by synthesizer riffs, one or more vocals with simple chorus, one or more rap parts, [[sampling (music)|sampling]] and a drum machine clap beat.<ref name="allmusic guide">{{cite book |author=Bogdanov, Vladimir |title=All Music Guide to Electronica: The Definitive Guide to Electronic Music |edition=4 |year=2001 |publisher=Backbeat Books |isbn=978-0879306281 |pages=[https://archive.org/details/allmusicguidetoe00vlad/page/ x] |url-access=registration |url=https://archive.org/details/allmusicguidetoe00vlad/page/ }}</ref><ref name="eurodom">{{cite magazine|date=24 June 1995|title=Eurodance Dominates Charts 06/24/95|magazine=[[Billboard (magazine)|Billboard]]}}</ref> Sometimes non-rap vocals are used.<ref name="eurodom"/> [[Giorgio Moroder]], [[Donna Summer]], and [[Silver Convention]] were early examples of pre Eurodance musicians. Swedish pop group [[ABBA]] gained disco hits such as "Gimme Gimme Gimme", "Summer Night City", and "Voulez-Vous".<ref>[https://www.allmusic.com/album/voulez-vous-mw0000318368 ABBA Voulez-Vous] Retrieved 9 July 2022</ref>
+Most Eurodance is characterized by synthesizer riffs, one or more vocals with simple chorus, one or more rap parts, [[sampling (music)|sampling]] and a drum machine clap beat.<ref name="allmusic guide">{{cite book |author=Bogdanov, Vladimir |title=All Music Guide to Electronica: The Definitive Guide to Electronic Music |edition=4 |year=2001 |publisher=Backbeat Books |isbn=978-0879306281 |pages=[https://archive.org/details/allmusicguidetoe00vlad/page/ x] |url-access=registration |url=https://archive.org/details/allmusicguidetoe00vlad/page/ }}</ref><ref name="eurodom">{{cite magazine|date=24 June 1995|title=Eurodance Dominates Charts 06/24/95|magazine=[[Billboard (magazine)|Billboard]]}}</ref> Sometimes non-rap vocals are used.<ref name="eurodom"/>
 Eurodance often carries a positive, upbeat attitude; the lyrics usually involve issues of love and peace, dancing and partying, or expressing and overcoming difficult emotions. The early to mid-1990s Eurodance vocals were frequently done by a solo vocalist or a mixed rapper-vocalist duet such as the male–female duets of [[2 Unlimited]], [[La Bouche]] and [[Magic Affair]].<ref name="eurodom"/><ref name="S3">{{cite web|title= Dance! Dance! Dance! |website= Side3 |date= 22 September 2011 |url= http://www.side3.no/dance-dance-dance/3234902.html |access-date= 28 November 2019 |archive-url= https://web.archive.org/web/20140407083703/http://www.side3.no/dance-dance-dance/3234902.html |archive-date= 7 April 2014 |language= no}}</ref>
-Many groups used variations of the rapper-vocalist theme, such as a German rapper with American singers ([[Real McCoy (band)|Real McCoy]]), or the use of [[reggae]] rap as in [[Ice MC]] and [[Fun Factory (band)|Fun Factory]], or combination of rapper and reggae vocalist like in the ''[[Life in the Streets]]'' album, or [[scat singing]] as in [[Scatman John]].<ref name="eurodom"/> Solo singing artists such as [[Alessia Aquilani|Alexia]], [[Whigfield]] and [[DJ BoBo]] also contributed to the genre. Some acts like the Swedish [[dance-pop]] originated group [[Ace of Base]] use more pop vocals rather than rap/soul vocals along with Eurodance sound.<ref>{{cite news|first= Erin K. |last= Thompson |title= An Incomplete History of Swedish Pop Geniuses |date= 13 October 2010 |newspaper= [[Seattle Weekly]] |url= http://www.seattleweekly.com/2010-10-13/music/an-incomplete-history-of-swedish-pop-geniuses/ |access-date= 29 November 2019}}</ref><ref name="BS">{{cite journal|first= Jens |last= Bauszus |title= Sogar Britney Spears wurde in Stockholm entdeckt |journal= [[Focus (German magazine)|Focus]] |url= http://www.focus.de/kultur/musik/tid-25334/schwedens-neuester-popexport-tove-styrke-warum-uns-die-schweden-musikalisch-so-ueberlegen-sind-auch-britney-spears-wurde-in-stockholm-entdeckt_aid_726793.html |date= 28 March 2012 |access-date= 29 November 2019 |language= de}}</ref> Pop vocals were particularly popular in the late 1990s Eurodance productions. The Swedish group [[Rednex]] also introduced American [[country music]] elements into the sound.<ref name="Rednex">{{cite magazine |magazine= Billboard |date= 27 May 1995 |page= 113 |url=https://books.google.com/books?id=1AsEAAAAMBAJ&q=rednex+country&pg=PA5|title=Rednex's Country Farce Is Big For Jive |access-date=29 November 2019}}</ref>
+Many groups used variations of the rapper-vocalist theme, such as a German rapper with American singers ([[Real McCoy (band)|Real McCoy]]), or the use of [[reggae]] rap as in [[Ice MC]] and [[Fun Factory (band)|Fun Factory]], or combination of rapper and reggae vocalist like in the ''[[Life in the Streets]]'' album, or [[scat singing]] as in [[Scatman John]].<ref name="eurodom"/> Solo singing artists such as [[Alessia Aquilani|Alexia]], [[Whigfield]] and [[DJ BoBo]] also contributed to the genre. Some acts like the Swedish [[dance-pop]] originated group [[Ace of Base]] use more pop vocals rather than rap/soul vocals along with Eurodance sound.<ref>{{cite news |first= Erin K. |last= Thompson |title= An Incomplete History of Swedish Pop Geniuses |date= 13 October 2010 |newspaper= [[Seattle Weekly]] |url= http://www.seattleweekly.com/2010-10-13/music/an-incomplete-history-of-swedish-pop-geniuses/ |access-date= 29 November 2019 |archive-date= 2 July 2015 |archive-url= https://web.archive.org/web/20150702101100/http://www.seattleweekly.com/2010-10-13/music/an-incomplete-history-of-swedish-pop-geniuses/ |url-status= live }}</ref><ref name="BS">{{cite journal |first= Jens |last= Bauszus |title= Sogar Britney Spears wurde in Stockholm entdeckt |journal= [[Focus (German magazine)|Focus]] |url= http://www.focus.de/kultur/musik/tid-25334/schwedens-neuester-popexport-tove-styrke-warum-uns-die-schweden-musikalisch-so-ueberlegen-sind-auch-britney-spears-wurde-in-stockholm-entdeckt_aid_726793.html |date= 28 March 2012 |access-date= 29 November 2019 |language= de |archive-date= 30 July 2020 |archive-url= https://web.archive.org/web/20200730142533/https://www.focus.de/kultur/musik/tid-25334/schwedens-neuester-popexport-tove-styrke-warum-uns-die-schweden-musikalisch-so-ueberlegen-sind-auch-britney-spears-wurde-in-stockholm-entdeckt_aid_726793.html |url-status= live }}</ref> Pop vocals were particularly popular in the late 1990s Eurodance productions. The Swedish group [[Rednex]] also introduced American [[country music]] elements into the sound.<ref name="Rednex">{{cite magazine |magazine= Billboard |date= 27 May 1995 |page= 113 |url= https://books.google.com/books?id=1AsEAAAAMBAJ&q=rednex+country&pg=PA5 |title= Rednex's Country Farce Is Big For Jive |access-date= 29 November 2019 |archive-date= 6 June 2024 |archive-url= https://web.archive.org/web/20240606214058/https://books.google.com/books?id=1AsEAAAAMBAJ&q=rednex+country&pg=PA5#v=snippet&q=rednex%20country&f=false |url-status= live }}</ref>
-Eurodance lyrics are almost always sung in English, regardless of the artist's nationalities.<ref name="eurodom"/> However, there are cases like in the Belgian group's [[Paradisio]] where Spanish lyrics are used along with [[latin music]] elements.<ref>{{cite web|title=Paradisio biography|url=https://www.allmusic.com/artist/paradisio-mn0000015941|website=[[AllMusic]]|access-date=29 November 2019}}</ref><ref>{{cite web|title=Paradisio biography|url=http://paradisiobailando.com/biography.html|website=paradisiobailando.com |access-date=29 November 2019}}</ref>
+Eurodance lyrics are almost always sung in English, regardless of the artist's nationalities.<ref name="eurodom"/> However, there are cases like in the Belgian group's [[Paradisio]] where Spanish lyrics are used along with [[latin music]] elements.<ref>{{cite web|title=Paradisio biography|url=https://www.allmusic.com/artist/paradisio-mn0000015941|website=[[AllMusic]]|access-date=29 November 2019|archive-date=25 August 2021|archive-url=https://web.archive.org/web/20210825033039/https://www.allmusic.com/artist/paradisio-mn0000015941|url-status=live}}</ref><ref>{{cite web|title=Paradisio biography|url=http://paradisiobailando.com/biography.html|website=paradisiobailando.com|access-date=29 November 2019|archive-date=16 June 2019|archive-url=https://web.archive.org/web/20190616054044/http://www.paradisiobailando.com/biography.html|url-status=live}}</ref>
 Almost all Eurodance emphasizes percussion and rhythm. The tempo is typically around 140 [[beats per minute]], but may vary from 110 to 150.<ref name="eurodom"/><ref>{{cite web|url=http://karine.sanche.free.fr/faqs.htm#what |title=The Eurodance Encyclopaedia - FAQs |date=17 October 2013 |url-status=bot: unknown |archive-url=https://web.archive.org/web/20131017065801/http://karine.sanche.free.fr/faqs.htm#what |archive-date=17 October 2013 }}</ref>
@@ Line 58: / Line 56: @@
 Eurodance [[music video]]s were often seen with dance acts by the main vocals of the songs (or models ad-libbing), often dancing in bright-coloured [[infinity cove]] studios or wide, urban spaces (stations, parking garages) with high visual contrast, or in empty nature scenes.
-Electronicbeats describes the cliché Eurodance music video as having "strobe-lit rave scenes, pixelated ‘90s computer graphics and, of course, an urban montage: cue the subway stations, streetlights and business commuters". [[Pump up the Jam]]'s music video is described as having a "colour scheme of brilliant reds, greens and purples in a staggering array of chequered backdrops [...] [It is] a great insight tot the power of music videos on party wardrobes".<ref>{{cite web |title=Rhythm Is A Dancer: 10 Eurodance Videos From The Heyday Of '90s Commercial Rave |url=https://www.electronicbeats.net/the-feed/10-eurodance-videos/ |website=electronic beats |date=3 May 2018 |access-date=1 August 2023}}</ref> Bright, sometimes over-saturated colour schemes were used, with contemporary party clothing or outfits referring to [[space-age]], such as in [[Kylie Minogue]]'s [[Can't Get You Out of My Head]], with videos that were fully or in part using [[Computer-generated imagery]] elements and effects.
+Electronicbeats describes the cliché Eurodance music video as having "strobe-lit rave scenes, pixelated ‘90s computer graphics and, of course, an urban montage: cue the subway stations, streetlights and business commuters". [[Pump up the Jam]]'s music video is described as having a "colour scheme of brilliant reds, greens and purples in a staggering array of chequered backdrops [...] [It is] a great insight tot the power of music videos on party wardrobes".<ref>{{cite web |title=Rhythm Is A Dancer: 10 Eurodance Videos From The Heyday Of '90s Commercial Rave |url=https://www.electronicbeats.net/the-feed/10-eurodance-videos/ |website=electronic beats |date=3 May 2018 |access-date=1 August 2023 |archive-date=25 September 2023 |archive-url=https://web.archive.org/web/20230925061909/https://www.electronicbeats.net/the-feed/10-eurodance-videos/ |url-status=live }}</ref> Bright, sometimes over-saturated colour schemes were used, with contemporary party clothing or outfits referring to [[space-age]], with videos that were fully or in part using [[computer-generated imagery]] elements and effects.
-Large, sometimes digitally multiplied, [[dance troupe]]s also frequently feature, such as in [[Destination Calabria]].
+Large, sometimes digitally multiplied, [[dance troupe]]s also frequently featured.
 As the music is largely electronically generated, shots of artists in studios or playing at concerts, frequent in videos of other genres, were infrequent.
@@ Line 66: / Line 64: @@
 ===In Europe===
 [[File:Pandora (artist).JPG|thumb|[[Pandora (singer)|Pandora]] in [[Karlstad]], Sweden, in 2004]]
-From the early to mid-1990s, Eurodance was popular in Europe; the style received extensive airplay on radio stations and television shows, resulting in many singles appearing in the charts. For example, in Italy there were seven singles in the top ten of the chart at the end of May 1995. Technotronic from Belgium had hits with "Pump Up the Jam" and "Get Up" (featuring Ya Kid K).<ref>[https://www.officialcharts.com/artist/26486/technotronic/  TECHNOTRONIC full Official Chart History] Retrieved 5 July 2022</ref>
+From the early to mid-1990s, Eurodance was popular in Europe; the style received extensive airplay on radio stations and television shows, resulting in many singles appearing in the charts. For example, in Italy there were seven singles in the top ten of the chart at the end of May 1995. Technotronic from Belgium had hits with "Pump Up the Jam" and "Get Up" (featuring Ya Kid K).<ref>[https://www.officialcharts.com/artist/26486/technotronic/  TECHNOTRONIC full Official Chart History] {{Webarchive|url=https://web.archive.org/web/20230524134914/https://www.officialcharts.com/artist/26486/technotronic/ |date=24 May 2023 }} Retrieved 5 July 2022</ref>
-By 1996, the popularity of this genre had started to decline. From then, the classic Eurodance sound gradually morphed into [[progressive house]].<ref name="wiph"/> By 1997 and towards the end of the millennium [[House music|house]] and [[Trance music|trance]] music increased popularity over Eurodance in Europe's commercial, chart-oriented dance records.<ref>{{cite web|url=http://www.toucanmusic.co.uk/articles/trance.html|title=A history of trance music|first=John|last=M.|access-date=29 November 2019|archive-url=https://web.archive.org/web/20121226184520/http://www.toucanmusic.co.uk/articles/trance.html|archive-date=26 December 2012|url-status=dead}}</ref><ref name="AMProgTrance">{{cite web|title=Progressive Trance|url=http://www.allmusic.com/style/progressive-trance-ma0000011914|website=[[AllMusic]]}}</ref><ref>{{cite web|url=http://www.clubglow.com/dj-news/is-trance-dead/|title=Is Trance Dead?|publisher= clubglow.com|date=1 May 2012 |access-date=29 November 2019}}</ref> In the early 2000s, the mainstream music industry in Europe moved away from Eurodance in favour of other styles of dance music such as [[nu-disco]], [[electro house]], [[dance-pop]] and [[Contemporary R&B|R&B]].<ref>{{cite web|title=Electro House|url=http://thedancemusicguide.com/electro-house|website=Beat Explorers' Dance Music Guide|quote=Electro House rose to prominence in the early to mid 2000s as a heavier alternative to other house subgenres that were prevalent at the time.|url-status=dead|archive-url=https://archive.today/20150615061216/http://thedancemusicguide.com/electro-house|archive-date=15 June 2015}}</ref><ref>{{cite web|title=Andy Kellman's 100 Favorite Charting R&B Singles of 2000-2009|last=Kellman |first=Andy |url=http://www.allmusic.com/blog/post/andy-kellmans-100-favorite-charting-rb-singles-of-2000-2009 |website=AllMusic|date=17 January 2011}}</ref> During the [[1990s]] and [[2000s]], eurodance was very popular in Germany, and it was responsible for revealing several renowned bands in the genre. However, it was in Italy where the genre was most produced.
+By 1996, the popularity of this genre had started to decline. From then, the classic Eurodance sound gradually morphed into [[progressive house]].<ref name="wiph"/> By 1997 and towards the end of the millennium [[House music|house]] and [[Trance music|trance]] music increased popularity over Eurodance in Europe's commercial, chart-oriented dance records.<ref>{{cite web|url=http://www.toucanmusic.co.uk/articles/trance.html|title=A history of trance music|first=John|last=M.|access-date=29 November 2019|archive-url=https://web.archive.org/web/20121226184520/http://www.toucanmusic.co.uk/articles/trance.html|archive-date=26 December 2012|url-status=dead}}</ref><ref name="AMProgTrance">{{cite web|title=Progressive Trance|url=http://www.allmusic.com/style/progressive-trance-ma0000011914|website=[[AllMusic]]|access-date=29 November 2019|archive-date=17 April 2019|archive-url=https://web.archive.org/web/20190417061108/https://www.allmusic.com/style/progressive-trance-ma0000011914|url-status=live}}</ref><ref>{{cite web|url=http://www.clubglow.com/dj-news/is-trance-dead/|title=Is Trance Dead?|publisher=clubglow.com|date=1 May 2012|access-date=29 November 2019|archive-date=3 May 2012|archive-url=https://web.archive.org/web/20120503120200/http://www.clubglow.com/dj-news/is-trance-dead/|url-status=live}}</ref> In the early 2000s, the mainstream music industry in Europe moved away from Eurodance in favour of other styles of dance music such as [[nu-disco]], [[electro house]], [[dance-pop]] and [[Contemporary R&B|R&B]].<ref>{{cite web|title=Electro House|url=http://thedancemusicguide.com/electro-house|website=Beat Explorers' Dance Music Guide|quote=Electro House rose to prominence in the early to mid 2000s as a heavier alternative to other house subgenres that were prevalent at the time.|url-status=dead|archive-url=https://archive.today/20150615061216/http://thedancemusicguide.com/electro-house|archive-date=15 June 2015}}</ref><ref>{{cite web|title=Andy Kellman's 100 Favorite Charting R&B Singles of 2000-2009|last=Kellman|first=Andy|url=http://www.allmusic.com/blog/post/andy-kellmans-100-favorite-charting-rb-singles-of-2000-2009|website=AllMusic|date=17 January 2011|access-date=8 March 2016|archive-date=22 April 2019|archive-url=https://web.archive.org/web/20190422215100/https://www.allmusic.com/blog/post/andy-kellmans-100-favorite-charting-rb-singles-of-2000-2009|url-status=live}}</ref>
 ====United Kingdom====
-After [[Cappella (band)|Cappella's]] [[Gianfranco Bortolotti]] set up Media Records in Brescia, northern Italy<ref>{{Cite web|url=http://www.mediarecords.dance/about-us/|title=About Us|website=Mediarecords.dance|access-date=7 January 2021}}</ref><ref>{{Cite web|url=https://www.richtvx.com/interview-with-gianfranco-bortolotti/|title=Interview with Gianfranco Bortolotti|website=Richtvx.com|date=7 July 2020|access-date=7 January 2021}}</ref><ref>{{Cite web|url=https://ra.co/labels/9741|title=Media Records · Record label ⟋ RA|website=Resident Advisor|access-date=7 January 2021}}</ref> to release his 'commercial European dance music' (a set-up which included fifteen studios featuring various production teams working almost non-stop on a huge number of records) he decided to take the label into other markets and set up a UK office in the UK. Run by Peter Pritchard and featuring many records by [[Stu Allan|Stu Allan's]] British Eurodance act [[Clock (dance act)|Clock]],<ref>{{Cite web|url=https://www.officialcharts.com/artist/29364/clock/|title=CLOCK &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021}}</ref> this record company would eventually turn into hard house label [[Nukleuz]] (known for its DJ Nation releases).<ref>{{Cite web|url=https://www.officialcharts.com/artist/646/dj-nation/|title=DJ NATION &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021}}</ref><ref>{{Cite web|url=https://www.officialcharts.com/artist/12601/nukleuz-djs/|title=NUKLEUZ DJ'S &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021}}</ref>
+After [[Cappella (band)|Cappella's]] [[Gianfranco Bortolotti]] set up Media Records in Brescia, northern Italy<ref>{{Cite web|url=http://www.mediarecords.dance/about-us/|title=About Us|website=Mediarecords.dance|access-date=7 January 2021|archive-date=17 January 2021|archive-url=https://web.archive.org/web/20210117150320/http://www.mediarecords.dance/about-us/|url-status=live}}</ref><ref>{{Cite web|url=https://www.richtvx.com/interview-with-gianfranco-bortolotti/|title=Interview with Gianfranco Bortolotti|website=Richtvx.com|date=7 July 2020|access-date=7 January 2021|archive-date=17 January 2021|archive-url=https://web.archive.org/web/20210117094512/https://www.richtvx.com/interview-with-gianfranco-bortolotti/|url-status=live}}</ref><ref>{{Cite web|url=https://ra.co/labels/9741|title=Media Records · Record label ⟋ RA|website=Resident Advisor|access-date=7 January 2021|archive-date=26 November 2022|archive-url=https://web.archive.org/web/20221126230740/https://ra.co/labels/9741|url-status=live}}</ref> to release his 'commercial European dance music' (a set-up which included fifteen studios featuring various production teams working almost non-stop on a huge number of records) he decided to take the label into other markets and set up a UK office in the UK. Run by Peter Pritchard and featuring many records by [[Stu Allan|Stu Allan's]] British Eurodance act [[Clock (dance act)|Clock]],<ref>{{Cite web|url=https://www.officialcharts.com/artist/29364/clock/|title=CLOCK &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021|archive-date=29 November 2020|archive-url=https://web.archive.org/web/20201129095043/https://www.officialcharts.com/artist/29364/clock/|url-status=live}}</ref> this record company would eventually turn into hard house label [[Nukleuz]] (known for its DJ Nation releases).<ref>{{Cite web|url=https://www.officialcharts.com/artist/646/dj-nation/|title=DJ NATION &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021|archive-date=18 October 2020|archive-url=https://web.archive.org/web/20201018225545/https://www.officialcharts.com/artist/646/dj-nation/|url-status=live}}</ref><ref>{{Cite web|url=https://www.officialcharts.com/artist/12601/nukleuz-djs/|title=NUKLEUZ DJ'S &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|access-date=7 January 2021|archive-date=25 September 2023|archive-url=https://web.archive.org/web/20230925062935/https://www.officialcharts.com/artist/12601/nukleuz-djs/|url-status=live}}</ref>
-As Media turned into Nukleuz, it would fall to [[All Around the World Productions]] to be the label in the 21st Century which was more likely to release Eurodance tracks in the UK than other, with its [[Clubland TV]] music channel still having regular blocks of Eurodance videos in 2020<ref>{{Cite web|url=https://www.tvguide.co.uk/mobile/channellisting.asp?ch=1269#451931293|title=Clubland TV TV Listings - TVGuide.co.uk|website=www.tvguide.co.uk}}</ref><ref>{{Cite web|url=https://tvepg.eu/en/united_kingdom/channel/clubland_tv|title=Clubland TV - TVEpg.eu - United Kingdom|website=Tvepg.eu|access-date=7 January 2021}}</ref> (though extending its scope to include hits by David Guetta as well as [[Cascada]] and [[Scooter (band)|Scooter]])
+As Media turned into Nukleuz, it would fall to [[All Around the World Productions]] to be the label in the 21st Century which was more likely to release Eurodance tracks in the UK than other, with its [[Clubland TV]] music channel still having regular blocks of Eurodance videos in 2020<ref>{{Cite web|url=https://www.tvguide.co.uk/mobile/channellisting.asp?ch=1269#451931293|title=Clubland TV TV Listings - TVGuide.co.uk|website=www.tvguide.co.uk|access-date=30 November 2020|archive-date=2 March 2021|archive-url=https://web.archive.org/web/20210302103938/https://www.tvguide.co.uk/mobile/channellisting.asp?ch=1269#451931293|url-status=live}}</ref><ref>{{Cite web|url=https://tvepg.eu/en/united_kingdom/channel/clubland_tv|title=Clubland TV - TVEpg.eu - United Kingdom|website=Tvepg.eu|access-date=7 January 2021}}</ref> (though extending its scope to include hits by David Guetta as well as [[Cascada]] and [[Scooter (band)|Scooter]])
 ===North America===
 ====Canada====
-During the 1990s, Eurodance became popular in Canada, which produced its own variant called Candance (although it was mostly referred to as "Eurodance" or "dance music").<ref>{{cite web|author=Dart, Chris|date=24 February 2015|url=https://www.cbcmusic.ca/posts/11874/emjay-love-inc-and-beyond-remembering-canadian-eur|title=Emjay, Love Inc. and beyond: remembering Canadian Eurodance|publisher=[[Canadian Broadcasting Corporation|CBC]]|access-date=21 May 2018}}</ref> Eurodance received significant airplay on radio stations in the [[Greater Toronto Area]] such as [[CKDX-FM|Power 88.5]], [[CING-FM|Energy 108]] and [[CIDC-FM|Hot 103.5]]. Montreal was also a major Eurodance market, with [[MC Mario]]'s famous radio show on [[CJFM-FM|Mix 96]], called "Party Mix" and ''Bouge de là'', a popular TV show on [[MusiquePlus]]. Eurodance featured prominently on ''[[Electric Circus]]'', a dance-party TV show broadcast nationally in English and French versions.<ref>{{cite news |last1=Teitel |first1=Emma |title=Is Kiesza trolling us? |url=https://macleans.ca/culture/arts/so-long-bros/ |access-date=19 December 2023 |work=Macleans.ca |date=19 July 2014}}</ref> Beginning in mid-1992, Eurodance began to dominate the ''[[RPM (magazine)|RPM]]'' [[Canadian dance chart|dance chart]] in Canada, with acts such as [[2 Unlimited]], [[Snap!]], [[Captain Hollywood Project]], [[Culture Beat]], [[Haddaway]], [[Whigfield]], each reaching number-one.
+During the 1990s, Eurodance became popular in Canada, which produced its own variant called Candance (although it was mostly referred to as "Eurodance" or "dance music").<ref>{{cite web|author=Dart, Chris|date=24 February 2015|url=https://www.cbcmusic.ca/posts/11874/emjay-love-inc-and-beyond-remembering-canadian-eur|title=Emjay, Love Inc. and beyond: remembering Canadian Eurodance|publisher=[[Canadian Broadcasting Corporation|CBC]]|access-date=21 May 2018|archive-date=18 February 2018|archive-url=https://web.archive.org/web/20180218024312/http://www.cbcmusic.ca/posts/11874/emjay-love-inc-and-beyond-remembering-canadian-eur|url-status=live}}</ref> Eurodance received significant airplay on radio stations in the [[Greater Toronto Area]] such as [[CKDX-FM|Power 88.5]], [[CING-FM|Energy 108]] and [[CIDC-FM|Hot 103.5]]. Montreal was also a major Eurodance market, with [[MC Mario]]'s famous radio show on [[CJFM-FM|Mix 96]], called "Party Mix" and ''Bouge de là'', a popular TV show on [[MusiquePlus]]. Eurodance featured prominently on ''[[Electric Circus]]'', a dance-party TV show broadcast nationally in English and French versions.<ref>{{cite news |last1=Teitel |first1=Emma |title=Is Kiesza trolling us? |url=https://macleans.ca/culture/arts/so-long-bros/ |access-date=19 December 2023 |work=Macleans.ca |date=19 July 2014 |archive-date=19 December 2023 |archive-url=https://web.archive.org/web/20231219191325/https://macleans.ca/culture/arts/so-long-bros/ |url-status=live }}</ref> Beginning in mid-1992, Eurodance began to dominate the ''[[RPM (magazine)|RPM]]'' [[Canadian dance chart|dance chart]] in Canada, with acts such as [[2 Unlimited]], [[Snap!]], [[Captain Hollywood Project]], [[Culture Beat]], [[Haddaway]], [[Whigfield]], each reaching number-one.
 From approximately 1992 to 2000, Canadian acts such as [[Capital Sound]], [[Love Inc. (group)|Love Inc.]], [[Jacynthe Millette-Bilodeau|Jacynthe]] and [[Emjay]] had success with the Eurodance sound. The Toronto sound was more pop-oriented, while the Montreal one was more house-oriented.
 ====United States====
-While Eurodance is well known in major metropolitan areas such as New York City, Los Angeles, Chicago, and Miami, Eurodance did not make as big of an impact in the rest of the country. Exemplifying this is the Eurodance classic "[[Scatman (Ski-Ba-Bop-Ba-Dop-Bop)]]", by [[Scatman John]], an American artist; despite topping the charts in multiple European countries and reaching number 3 in the United Kingdom, it only reached as high as "number 60" on the US [[Billboard Hot 100|Hot 100]].<ref>Billboard [{{AllMusic|class=artist|id=p168223/charts-awards/billboard-singles|pure_url=yes}} Allmusic.com] (Retrieved 9 July 2014)</ref> Another notable example is the ''[[Life in the Streets]]'' album, a combined Eurodance music project from American rapper [[Mark Wahlberg|Marky Mark]] and Caribbean reggae vocalist [[Prince Ital Joe]], which was not released in the United States, but was a huge success in several European countries including singles like "Happy People" and "[[United (Prince Ital Joe and Marky Mark song)|United]]" that topped the German charts.<ref>{{cite news |first=Wolfgang |last=Spahr |title= Hitmakers '94| url=https://books.google.com/books?id=ZwgEAAAAMBAJ | location=New York |newspaper = Billboard magazine |page=54 | publisher =Nielsen Business Media, Inc |issn=0006-2510 |date=3 December 1994 |access-date=4 March 2006}}</ref><ref>{{cite web|title=Prince Ital Joe |url=http://www.chartsurfer.de/artist/prince-ital-joe/songs-nnpn.html| access-date=4 March 2006}}</ref>
+While Eurodance is well known in major metropolitan areas such as New York City, Los Angeles, Chicago, and Miami, Eurodance did not make as big of an impact in the rest of the country. Exemplifying this is the Eurodance classic "[[Scatman (Ski-Ba-Bop-Ba-Dop-Bop)]]", by [[Scatman John]], an American artist; despite topping the charts in multiple European countries and reaching number 3 in the United Kingdom, it only reached as high as "number 60" on the US [[Billboard Hot 100|Hot 100]].<ref>Billboard [{{AllMusic|class=artist|id=p168223/charts-awards/billboard-singles|pure_url=yes}} Allmusic.com] (Retrieved 9 July 2014)</ref> Another notable example is the ''[[Life in the Streets]]'' album, a combined Eurodance music project from American rapper [[Mark Wahlberg|Marky Mark]] and Caribbean reggae vocalist [[Prince Ital Joe]], which was not released in the United States, but was a huge success in several European countries including singles like "Happy People" and "[[United (Prince Ital Joe and Marky Mark song)|United]]" that topped the German charts.<ref>{{cite news |first=Wolfgang |last=Spahr |title=Hitmakers '94 |url=https://books.google.com/books?id=ZwgEAAAAMBAJ |location=New York |newspaper=Billboard magazine |page=54 |publisher=Nielsen Business Media, Inc |issn=0006-2510 |date=3 December 1994 |access-date=4 March 2006 |archive-date=6 June 2024 |archive-url=https://web.archive.org/web/20240606213807/https://books.google.com/books?id=ZwgEAAAAMBAJ |url-status=live }}</ref><ref>{{cite web |title=Prince Ital Joe |url=http://www.chartsurfer.de/artist/prince-ital-joe/songs-nnpn.html |access-date=4 March 2006 |archive-date=5 March 2016 |archive-url=https://web.archive.org/web/20160305013127/http://www.chartsurfer.de/artist/prince-ital-joe/songs-nnpn.html |url-status=live }}</ref>
-A few Eurodance artists including [[2 Unlimited]], [[Haddaway]], [[La Bouche]] and [[Ace of Base]] made the [[Rhythmic Top 40]], [[Top 40 Mainstream]] and the [[Billboard Hot 100|''Billboard'' Hot 100]] during the early to mid-1990s. However, the sound tended to be more house and the rap-oriented artists received airplay. For instance, the German [[hip-house]] project [[Snap!]], the Belgian hip-house project [[Technotronic]] and the Dutch [[techno]] dance project [[L.A. Style]] received quite a bit of airplay early on.<ref>{{Cite web|url=http://www.billboard.com/artist/279645/snap/chart?f=305|title=Snap! - Chart history |website=Billboard.com|access-date=7 January 2021}}</ref>
+A few Eurodance artists including [[2 Unlimited]], [[Haddaway]], [[La Bouche]] and [[Ace of Base]] made the [[Rhythmic Top 40]], [[Top 40 Mainstream]] and the [[Billboard Hot 100|''Billboard'' Hot 100]] during the early to mid-1990s. However, the sound tended to be more house and the rap-oriented artists received airplay. For instance, the German [[hip-house]] project [[Snap!]], the Belgian hip-house project [[Technotronic]] and the Dutch [[techno]] dance project [[L.A. Style]] received quite a bit of airplay early on.<ref>{{Cite web|url=http://www.billboard.com/artist/279645/snap/chart?f=305|title=Snap! - Chart history|website=Billboard.com|access-date=7 January 2021|archive-date=13 May 2016|archive-url=https://web.archive.org/web/20160513083332/http://www.billboard.com/artist/279645/snap/chart?f=305|url-status=live}}</ref>
 The more [[Hi-NRG]]-oriented artists were typically played only during special "mix" shows, and it was often necessary to go to a club to hear Eurodance music. While Eurodance did become popular with club DJs in the United States, radio stations were cautious about playing anything that sounded too much like disco during most of the 1980s and 1990s. By the end of the 1990s, however, some of the later acts such as Italian group [[Eiffel 65]] and Danish group [[Aqua (band)|Aqua]] did receive extensive airplay.
-Despite lack of widespread radio play, many Hi-NRG and Eurodance songs are popular at professional sporting events in the United States, especially [[ice hockey]] and basketball.<ref>{{Cite web|url=http://www.bu.edu/articles/2015/nightlife-trivia-night-at-shake-shack-harvard-square/|title=Quizzo Trivia Night at Shake Shack &#124; BU Today|website=Boston University|access-date=7 January 2021}}</ref><ref>{{cite web|url=http://eurochannel.com/en/2-Unlimited-Belgium.html|title=2 Unlimited - Belgium}}</ref>
+Despite lack of widespread radio play, many Hi-NRG and Eurodance songs are popular at professional sporting events in the United States, especially [[ice hockey]] and basketball.<ref>{{Cite web|url=http://www.bu.edu/articles/2015/nightlife-trivia-night-at-shake-shack-harvard-square/|title=Quizzo Trivia Night at Shake Shack &#124; BU Today|website=Boston University|access-date=7 January 2021|archive-date=19 January 2021|archive-url=https://web.archive.org/web/20210119082015/http://www.bu.edu/articles/2015/nightlife-trivia-night-at-shake-shack-harvard-square/|url-status=live}}</ref><ref>{{cite web|url=http://eurochannel.com/en/2-Unlimited-Belgium.html|title=2 Unlimited - Belgium|access-date=5 April 2016|archive-date=24 July 2019|archive-url=https://web.archive.org/web/20190724111733/http://eurochannel.com/en/2-Unlimited-Belgium.html|url-status=live}}</ref>
 Compilation albums, such as the ''DMA Dance: Eurodance'' series of compilation albums (1995–1997) from Interhit Records and ''[[DMA (magazine)|Dance Music Authority]]'' magazine, were popular and helped to define the genre as well as to make it accessible in the U.S. and Canada.<ref>{{cite journal | last =Gajarsky | first =Bob | title =Review: Various Artists, DMA Dance Volume 3 | journal =Consumable Online | issue =109 | location =Hoboken, NJ | date =19 May 1997 | url =http://westnet.com/consumable/1997/05.19/reveurod.html <!-- http://www.westnet.com/consumable/1997/05.19/c970519.txt text digest version --> | url-status =dead | archive-url =https://web.archive.org/web/20070630003830/http://www.westnet.com/consumable/1997/05.19/reveurod.html | archive-date =30 June 2007 }}</ref>
-== Hands Up ==
+== Hands up ==
-'''Hands Up''' (also known as '''handz up!''' (stylized as HandzUp!) or '''dancecore''' in [[Eastern Europe]]) is a style of [[trance music]], and a derivation of Eurodance. The genre comes from its name, meaning music that requires listeners to "put their hands up", as well as fitness and danceability.
+'''Hands up''' (also known as '''handz up!''' (stylized as HandzUp!) or '''dancecore''' in [[Eastern Europe]]) is a style of [[trance music]], and a derivation of Eurodance. The genre comes from its name, meaning music that requires listeners to "put their hands up", as well as fitness and danceability.
-The genre developed in Germany in the mid- to late 1990s as part of the emerging trance music scene. Representatives of Eurodance such as Starsplash and [[Marko Albrecht|Mark 'Oh]] are sometimes regarded as forerunners of Hands Up. The biggest commercial success was the music until the mid-2000s.{{Clarify|date=September 2022}}
+The genre developed in Germany in the mid- to late 1990s as part of the emerging trance music scene. Representatives of Eurodance such as Starsplash and [[Marko Albrecht|Mark 'Oh]] are sometimes regarded as forerunners of hands up. The biggest commercial success was the music until the mid-2000s.{{Clarify|date=September 2022}}
-The synthesizer melodies are often catchy and simple. Often the vocal melody is accompanied by a synthesizer. In contrast to techno, short, high-pitched synthesizer tones are used. Hands Up does not rely on the structure of tension build-up, but rather is based on the typical verse-chorus pop music scheme. The main elements are the [[bassline]], drums and a catchy lead sound. A typical stylistic device of Hands Up is pitched female or resulting feminine vocals, but male vocals are also common. In addition, distorted, autotuned, chopped and repeated spoken phrases are common characteristics.
+The synthesizer melodies are often catchy and simple. Often the vocal melody is accompanied by a synthesizer. In contrast to techno, short, high-pitched synthesizer tones are used. Hands up does not rely on the structure of tension build-up, but rather is based on the typical verse-chorus pop music scheme. The main elements are the [[bassline]], drums and a catchy lead sound. A typical stylistic device of hands up is pitched female or resulting feminine vocals, but male vocals are also common. In addition, distorted, autotuned, chopped and repeated spoken phrases are common characteristics.
+DJs & groups such as [[Manian]], Rob Mayth, Rocco & Bass-T, DJ Gollum, [[Scooter (band)|Scooter]], [[ItaloBrothers]], [[Klubbingman]], [[Discotronic]], Ma.Bra., and Megastylez etc. are representative figures of this subgenre in both Germany and around the world.
 ==See also==