Enrique Alférez: Difference between revisions
Cat-a-lot: Copying from Category:American male sculptors to Category:American sculptors |
|||
Line 30: | Line 30: | ||
[[Category:20th-century American sculptors]] |
[[Category:20th-century American sculptors]] |
||
[[Category:American male sculptors]] |
[[Category:American male sculptors]] |
||
[[Category:American sculptors]] |
|||
{{US-sculptor-stub}} |
{{US-sculptor-stub}} |
Revision as of 05:36, 25 October 2017
This article needs additional citations for verification. (September 2014) |
Enrique Alférez (1901–1999) was Mexican-born Louisiana artist, best known as a sculptor in the art deco style.
The son of a sculptor, young Enrique spent some time in the army of Pancho Villa in the Mexican Revolution before coming to the United States. He studied with Lorado Taft in Chicago, Illinois in the 1920s, then from 1929 on lived in New Orleans, Louisiana. His sculptures and reliefs adorn many parks, buildings, and landmarks in New Orleans and south Louisiana. In a Works Progress Administration program, he created many sculptures for City Park. He created the statue "Molly Marine" which is the very first statue in the United States of a woman in military uniform.[1][2]
Alférez painted an official portrait of Huey P. Long (who, Alfarez revealed decades later, he loathed).
His fountain at New Orleans Lakefront Airport is a well known local landmark. He made reliefs for a number of buildings, including the Charity Hospital Building in New Orleans and the Palmolive Building in Chicago.
Alférez remained active into his later years, both as a working artist and an art teacher. In 1993, he appeared in a PBS American Experience documentary entitled "The Hunt for Pancho Villa".
See also
Enrique Alférez in this bio-documentary
References
See also