Jump to content

Cathedral of Our Lady (Antwerp): Difference between revisions

Coordinates: 51°13′14″N 4°24′02″E / 51.22056°N 4.40056°E / 51.22056; 4.40056
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
mNo edit summary
Monkbot (talk | contribs)
Bots
3,694,069 edits
m Task 20: replace {lang-??} templates with {langx|??} ‹See Tfd› (Replaced 2);
 
(40 intermediate revisions by 29 users not shown)
Line 1: Line 1:
{{Short description|Roman Catholic cathedral in Antwerp, Belgium}}
{{Short description|Roman Catholic cathedral in Antwerp, Belgium}}
{{Other uses|Church of Our Lady (disambiguation)}}
{{Use dmy dates|date=July 2020}}
{{Use dmy dates|date=July 2020}}
{{Infobox religious building
{{Infobox religious building
| building_name = Cathedral of Our Lady
| building_name = Cathedral of Our Lady
| native_name = {{langx|nl|Onze-Lieve-Vrouwekathedraal}}
| image =Antwerp July 2015-1a.jpg
| image =Antwerpen, Liebfrauenkathedrale.jpg
| image_size = 400px
| image_size = 400px
| caption = Cathedral of Our Lady
| caption = Cathedral of Our Lady
Line 43: Line 43:
}}
}}


The '''Cathedral of Our Lady''' ({{lang-nl|Onze-Lieve-Vrouwekathedraal}}) is a [[Roman Catholic]] [[cathedral]] in [[Antwerp]], [[Belgium]]. Today's see of the [[Diocese of Antwerp]] started in 1352 and, although the first stage of construction was ended in 1521, has never been 'completed'. In [[Gothic architecture|Gothic]] style, its architects were [[Jan Appelmans|Jan]] and [[Pieter Appelmans]]. It contains a number of significant works by the [[Baroque]] painter [[Peter Paul Rubens]], as well as paintings by artists such as [[Otto van Veen]], [[Jacob de Backer]] and [[Marten de Vos]].
The '''Cathedral of Our Lady''' ({{langx|nl|Onze-Lieve-Vrouwekathedraal}}) is a [[Roman Catholic]] [[cathedral]] in [[Antwerp]], [[Belgium]]. Today's seat of the [[Diocese of Antwerp]] started in 1352 and, although the first stage of construction was ended in 1521, has never been 'completed'. It was constructed in the [[Gothic architecture|Gothic]] style by architects [[Jan Appelmans|Jan]] and [[Pieter Appelmans]]. It contains a number of significant works by the [[Baroque]] painter [[Peter Paul Rubens]], as well as paintings by artists such as [[Otto van Veen]], [[Jacob de Backer]] and [[Marten de Vos]]. The cathedral is the largest Gothic church in Belgium, with its tower rising 123 meters (404 ft) over the city.


The belfry of the cathedral is included in the [[Belfries of Belgium and France]] entry in the list of [[UNESCO World Heritage Sites]].<ref name = "unesco">{{cite web |url = http://whc.unesco.org/en/list/943 |title= Belfries of Belgium and France |website = UNESCO World Heritage Centre |publisher = United Nations Educational, Scientific, and Cultural Organization |access-date = 5 November 2021}}</ref>
The belfry of the cathedral is included in the [[Belfries of Belgium and France]] entry in the list of [[UNESCO World Heritage Sites]].<ref name = "unesco">{{cite web |url = http://whc.unesco.org/en/list/943 |title= Belfries of Belgium and France |website = UNESCO World Heritage Centre |publisher = United Nations Educational, Scientific, and Cultural Organization |access-date = 5 November 2021}}</ref>
Line 50: Line 50:


===Before 1124===
===Before 1124===
The first Christian missionaries arrived in the 7th century. The first [[parish church]] dedicated to [[Saint Peter]] and [[Paul the Apostle|Saint Paul]] was constructed in the current ''Sint Michielsstraat''. After the [[Viking expansion|Viking raids]] in 836, the church was damaged and restored, and subsequently dedicated to [[Saint Michael]]. In the 10th century, a group of 12 [[Canon (priest)|secular canons]] were connected to this church. They would dedicate all of their time to the [[Liturgy of the Hours]], and mainly opposed the beliefs of the established [[Roman Catholic]] Church. Upon hearing of their dissent behavior, the bishop of the [[Roman Catholic Archdiocese of Cambrai]] (to which Antwerp belonged at the time) then sent [[Norbert of Xanten]] to discipline them. In 1124, Norbert of Xanten convinces 4 of the secular canons to start a [[Premonstratensians|norbertine]] abbey and thus the parish church becomes a [[monastery]] church, known as [[St. Michael's Abbey, Antwerp|St. Michael's Abbey]]. The 8 other secular canons prefer to keep their freedom and move to a different location, a chapel dedicated to Our Lady, the [[Mary, mother of Jesus|Virgin Mary]].<ref>{{cite web |url=https://www.topa.be/nl/antwerp/kerken-in-antwerpen/olv-kathedraal/syllabus/bouwgeschiedenis/|title=De vroegromaanse Onze-Lieve-Vrouwekapel|access-date=2020-04-30}}</ref>
The first Christian missionaries arrived in the 7th century. The first [[parish church]] dedicated to [[Saint Peter]] and [[Paul the Apostle|Saint Paul]] was constructed in the current ''Sint Michielsstraat''. After the [[Viking expansion|Viking raids]] in 836, the church was damaged and restored, and subsequently dedicated to [[Saint Michael]]. In the 10th century, a group of 12 [[Canon (priest)|secular canons]] were connected to this church. They would dedicate all of their time to the [[Liturgy of the Hours]], and mainly opposed the beliefs of the established [[Roman Catholic]] Church. Upon hearing of their dissident behavior, the bishop of the [[Roman Catholic Archdiocese of Cambrai]] (to which Antwerp belonged at the time) then sent [[Norbert of Xanten]] to discipline them. In 1124, Norbert of Xanten convinces 4 of the secular canons to start a [[Premonstratensians|norbertine]] abbey and thus the parish church becomes a [[monastery]] church, known as [[St. Michael's Abbey, Antwerp|St. Michael's Abbey]]. The 8 other secular canons prefer to keep their freedom and move to a different location, a chapel dedicated to Our Lady, the [[Mary, mother of Jesus|Virgin Mary]].<ref>{{cite web |url=https://www.topa.be/nl/antwerp/kerken-in-antwerpen/olv-kathedraal/syllabus/bouwgeschiedenis/|title=De vroegromaanse Onze-Lieve-Vrouwekapel|access-date=2020-04-30}}</ref>


This chapel becomes Antwerp's new parish church, and is located between the Saint Michael residential area, and an older settlement around the area of [[Het Steen]].
This chapel becomes Antwerp's new parish church, and is located between the Saint Michael residential area, and an older settlement around the area of [[Het Steen]].
Line 56: Line 56:
===Our Lady's church===
===Our Lady's church===
Becoming more popular, the chapel is demolished and replaced by a much bigger [[Romanesque architecture|romanesque]] church. The three-aisled nave corresponded in width to the cathedral's current central aisle, the inner and partly the middle aisles. The cloverleaf-shaped eastern section with a full aisle had a width of no less than 42 m. In 1294, the church gets a ''novum opus'' extension, indicating the first signs of [[gothic architecture]].<ref>{{cite web |url=https://www.topa.be/nl/antwerp/kerken-in-antwerpen/olv-kathedraal/syllabus/bouwgeschiedenis/|title=De romaanse Onze-Lieve-Vrouwekerk|access-date=2020-04-30}}</ref>
Becoming more popular, the chapel is demolished and replaced by a much bigger [[Romanesque architecture|romanesque]] church. The three-aisled nave corresponded in width to the cathedral's current central aisle, the inner and partly the middle aisles. The cloverleaf-shaped eastern section with a full aisle had a width of no less than 42 m. In 1294, the church gets a ''novum opus'' extension, indicating the first signs of [[gothic architecture]].<ref>{{cite web |url=https://www.topa.be/nl/antwerp/kerken-in-antwerpen/olv-kathedraal/syllabus/bouwgeschiedenis/|title=De romaanse Onze-Lieve-Vrouwekerk|access-date=2020-04-30}}</ref>

⚫
[[File:Wenceslaus Hollar, Antwerp Cathedral, 1649, NGA 11584.jpg|thumb|left|Wenceslaus Hollar, ''Antwerp Cathedral'', 1649, print in the [[National Gallery of Art]]]]
⚫
[[File:Cathedral of Our Lady (Antwerp) 1800.jpg|thumb|left|180px|Artist vision of the completed cathedral (18th century, after [[Wenceslaus Hollar]], 1649)]] [[File:Frans Hogenberg Bildersturm 1566.jpg|thumb|360px|Print of the destruction in the church, the "signature event" of the [[Beeldenstorm]], 20 August 1566, by [[Frans Hogenberg]]<ref>analysed in Arnade, 146 (quoted); see also [http://www.learner.org/courses/globalart/work/155/index.html Art through time] {{Webarchive|url=https://web.archive.org/web/20160303233518/http://www.learner.org/courses/globalart/work/155/index.html |date=2016-03-03 }}</ref>]] [[File:Cathedral Antwerp July 2015-14a.jpg|thumb|right|200px|Main nave]]


===Our Lady's cathedral and damage===
===Our Lady's cathedral and damage===
⚫
[[File:Wenceslaus Hollar, Antwerp Cathedral, 1649, NGA 11584.jpg|thumb|left|Wenceslaus Hollar, ''Antwerp Cathedral'', 1649, print in the [[National Gallery of Art]]]]
⚫
[[File:Cathedral of Our Lady (Antwerp) 1800.jpg|thumb|180px|Artist vision of the completed cathedral (18th century, after [[Wenceslaus Hollar]], 1649)]] [[File:Beeldenstorm (Iconoclastic Fury) in Antwerpen 1566 Frans Hogenberg.jpg|thumb|Print of the destruction in the church, the "signature event" of the [[Beeldenstorm]], 20 August 1566, by [[Frans Hogenberg]]<ref>analysed in Arnade, 146 (quoted); see also [http://www.learner.org/courses/globalart/work/155/index.html Art through time] {{Webarchive|url=https://web.archive.org/web/20160303233518/http://www.learner.org/courses/globalart/work/155/index.html |date=2016-03-03 }}</ref>]] [[File:Cathedral Antwerp July 2015-14a.jpg|thumb|right|200px|Main nave]]
In 1352, construction was begun on a new Our Lady's church which would become the largest Gothic church in Belgium. In the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of [[Blessed Virgin Mary|Our Lady]] was ready. The south tower reached only as far as the third-string course.
In 1352, construction was begun on a new Our Lady's church which would become the largest Gothic church in Belgium. In the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of [[Blessed Virgin Mary|Our Lady]] was ready. The south tower reached only as far as the third-string course.


During the night of 5–6 October 1533, the new church was largely gutted by fire, however [[Lancelot II of Ursel]] managed to save the building. The completion of the second tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became the cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, following the [[Concordat of 1801]].<ref name="OWFF"/><ref>The bishopric of Antwerp was abolished during this period</ref> During the [[Iconoclasm]] of 20 August 1566 (part of the [[Beeldenstorm]] at the start of the [[Eighty Years' War]]), Protestants destroyed a large part of the cathedral interior. The eye-witness [[Richard Clough]], a Welsh Protestant merchant then in Antwerp, wrote that the cathedral: "looked like a hell, with above 10,000 torches burning, and such a noise as if heaven and earth had got together, with falling of images and beating down of costly works, such sort that the spoil was so great that a man could not well pass through the church. So that in fine [short], I cannot write you in x sheets of paper the strange sight I saw there, organs and all destroyed."<ref>Spicer, 109 (spelling modernized); see also Arnade, 146–148</ref><ref>[http://dutchrevolt.leiden.edu/english/sources/Pages/15660721.aspx Eye-witness Account of Image-breaking at Antwerp], Universiteit Leiden {{webarchive|url=https://archive.today/20120709173750/http://dutchrevolt.leiden.edu/english/sources/Pages/15660721.aspx |date=2012-07-09 }}</ref>
During the night of 5–6 October 1533, the new church was largely gutted by fire; however, [[Lancelot II of Ursel]] managed to save the building. The completion of the second tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became the cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, following the [[Concordat of 1801]].<ref name="OWFF"/><ref>The bishopric of Antwerp was abolished during this period</ref> During the [[Iconoclasm]] of 20 August 1566 (part of the [[Beeldenstorm]] at the start of the [[Eighty Years' War]]), Protestants destroyed a large part of the cathedral interior. The eye-witness [[Richard Clough]], a Welsh Protestant merchant then in Antwerp, wrote that the cathedral: "looked like a hell, with above 10,000 torches burning, and such a noise as if heaven and earth had got together, with falling of images and beating down of costly works, such sort that the spoil was so great that a man could not well pass through the church. So that in fine [short], I cannot write you in x sheets of paper the strange sight I saw there, organs and all destroyed."<ref>Spicer, 109 (spelling modernized); see also Arnade, 146–148</ref><ref>[http://dutchrevolt.leiden.edu/english/sources/Pages/15660721.aspx Eye-witness Account of Image-breaking at Antwerp], Universiteit Leiden {{webarchive|url=https://archive.today/20120709173750/http://dutchrevolt.leiden.edu/english/sources/Pages/15660721.aspx |date=2012-07-09 }}</ref>


Nicolas Sander, an English Catholic exile who was a professor of theology at [[Old University of Louvain|Louvain]], described the destruction in the church:
Nicolas Sander, an English Catholic exile who was a professor of theology at [[Old University of Louvain|Louvain]], described the destruction in the church:
Line 71: Line 70:


In 1794 the [[French Revolution|French revolutionaries]] who conquered the region plundered Our Lady's Cathedral and inflicted serious damage.<ref name="OWFF"/> Around 1798, the French administration intended to demolish the building but after each blow, the cathedral was able to recover. In 1816, various important works of art were returned from Paris, including three Rubens masterpieces. Over the course of the 19th century, the church was completely restored and refurnished.
In 1794 the [[French Revolution|French revolutionaries]] who conquered the region plundered Our Lady's Cathedral and inflicted serious damage.<ref name="OWFF"/> Around 1798, the French administration intended to demolish the building but after each blow, the cathedral was able to recover. In 1816, various important works of art were returned from Paris, including three Rubens masterpieces. Over the course of the 19th century, the church was completely restored and refurnished.

The Cathedral was looted and vandalized in 1914 by German soldiers after the [[Siege of Antwerp (1914)]]. Many of its treasures were taken to Berlin and not returned until after the [[Armistice of 11 November 1918]]


Between 1965 and 1993, a complete restoration took place.<ref name="OWFF"/>
Between 1965 and 1993, a complete restoration took place.<ref name="OWFF"/>


===Musical life===
===Musical life===
At the beginning of the 15th century, the cathedral's choir started developing an active musical life, and as a result, the cathedral's importance in the history of music soon soared. [[Johannes Ockeghem]], one of the most important composers of the 15th century, served here as a vicar-singer in 1443, and so did [[Jacob Obrecht]] between 1492 and 1497. Organists who worked at the cathedral include [[Henry Bredemers]] (1493–1501), who went on to become a teacher to [[Philip I of Castile|Philip the Handsome]]'s children and the renowned English composer [[John Bull (composer)|John Bull]] (1615–1628), who fled to [[Flanders]] from his home country escaping justice. From 1725 to 1731 [[Willem de Fesch]] served as Kapelmeester, followed from 1731 to 1737 by [[Joseph-Hector Fiocco]], and from 1737 by [[André-Joseph Blavier]]. Lesser known but locally important figures, such as [[Jacobus Barbireau]] and [[Andreas Pevernage]], also worked at the cathedral.
At the beginning of the 15th century, the cathedral's choir started developing an active musical life, and as a result, the cathedral's importance in the history of music soon soared. [[Johannes Ockeghem]], one of the most important composers of the 15th century, served here as a vicar-singer in 1443, and so did [[Jacob Obrecht]] between 1492 and 1497. Sixteenth-century choirmasters included Antoine Barbe, Geert van Turnhout, Séverin Cornet, and [[Andreas Pevernage]].<ref>John A. Rice, ''Saint Cecilia in the Renaissance: The Emergence of a Musical Icon (Chicago, 2022).''</ref> Organists who worked at the cathedral include [[Henry Bredemers]] (1493–1501), who went on to become a teacher to [[Philip I of Castile|Philip the Handsome]]'s children and the renowned English composer [[John Bull (composer)|John Bull]] (1615–1628), who fled to [[Flanders]] from his home country escaping justice. From 1725 to 1731 [[Willem de Fesch]] served as Kapelmeester, followed from 1731 to 1737 by [[Joseph-Hector Fiocco]], and from 1737 by [[André-Joseph Blavier]]. Lesser known but locally important figures, such as [[Jacobus Barbireau]] and [[Andreas Pevernage]], also worked at the cathedral.


==Significant architectural details==
==Significant architectural details==
The church's one finished spire is {{convert|123|m|ft}} tall,<ref>{{Cite web|title = Cathedral of Our Lady|url = http://www.visitantwerpen.be/detail/cathedral-of-our-lady-171253|website = www.visitantwerpen.be|access-date = 2016-02-10}}</ref> the tallest [[Steeple (architecture)|church tower]] in the [[Benelux]]. [[Charles V, Holy Roman Emperor]] commented that the spire should be kept under glass, and [[Napoleon I of France|Napoleon]] compared the spire to [[Mechlin lace]].<ref name="world and its people">{{cite book
The church's one finished spire is {{convert|123|meters|ft}} tall,<ref>{{Cite web|title = Cathedral of Our Lady|url = http://www.visitantwerpen.be/detail/cathedral-of-our-lady-171253|website = www.visitantwerpen.be|access-date = 2016-02-10}}</ref> the tallest [[Steeple (architecture)|church tower]] in the [[Benelux]]. [[Charles V, Holy Roman Emperor]] commented that the spire should be kept under glass, and [[Napoleon I of France|Napoleon]] compared the spire to [[Mechlin lace]].<ref name="world and its people">{{cite book
|editor-last = Dunton |editor-first = Larkin |last=Coe |first= Fanny E. |title = The World and Its People
|editor-last = Dunton |editor-first = Larkin |last=Coe |first= Fanny E. |title = The World and Its People
|publisher=Silver, Burdett & Co. |year = 1896 |location= Boston |volume = 9. Book V. ''Modern Europe''
|publisher=Silver, Burdett & Co. |year = 1896 |location= Boston |volume = 9. Book V. ''Modern Europe''
Line 89: Line 90:


==Major works of art==
==Major works of art==
[[File:Stained-glass Antwerp 4.jpg|thumb|left|600px|Three stained-glass windows in the Cathedral of Our Lady, Antwerp. From left to right: Our Lady of Stekske, by Stalins & Janssens, 1878; Saint Ursula and Saint Gaspar, by E. Didron, 1873; and Dedication of the statue of Our Lady of Lourdes by arcebishop Deschamps, by Stalins & Janssens, 1885]]
[[File:Stained-glass Antwerp 4.jpg|thumb|left|600px|Three stained-glass windows in the Cathedral of Our Lady, Antwerp. From left to right: Our Lady of Stekske, by Stalins & Janssens, 1878; Saint Ursula and Saint Gaspar, by E. Didron, 1873; and Dedication of the statue of Our Lady of Lourdes by archbishop Deschamps, by Stalins & Janssens, 1885]]
{{Clear}}
{{Clear}}
The cathedral possesses some major works of art :
The cathedral possesses a number of major works of art :
* The effigy from the [[Tomb of Isabella of Bourbon]]
* ''[[The Elevation of the Cross (Rubens)|The Raising of the Cross]]'' – [[Peter Paul Rubens]]
* ''[[The Elevation of the Cross (Rubens)|The Raising of the Cross]]'' – [[Peter Paul Rubens]]
* ''[[Assumption of the Virgin Mary (Rubens)|Assumption of the Virgin Mary]]'' – [[Peter Paul Rubens]]
* ''[[Assumption of the Virgin Mary (Rubens)|Assumption of the Virgin Mary]]'' – [[Peter Paul Rubens]]
* ''[[The Descent from the Cross (Rubens, 1612-1614)|The Descent from the Cross]]'' – [[Peter Paul Rubens]]
* ''[[The Descent from the Cross (Rubens, 1612–1614)|The Descent from the Cross]]'' – [[Peter Paul Rubens]]
* ''[[Resurrection (Rubens, Antwerp)|The Resurrection of Christ]]'' – [[Peter Paul Rubens]]


Two of these artworks were confiscated by Napoleon and moved to France, ''The Raising of the Cross'' (which was actually the main altar piece of the [[St Walburga]] church) and ''The Descent from the Cross'', but were returned to the cathedral in the 19th century.<ref name="world and its people"/>
Two of these artworks were confiscated by Napoleon and moved to France, ''The Raising of the Cross'' (which was actually the main altar piece of the [[St Walburga]] church) and ''The Descent from the Cross'', but were returned to the cathedral in the 19th century.<ref name="world and its people"/> The Paintings were stolen again by the [[Imperial German Army]] in 1914 and taken to the [[Berlin Palace]] where they were kept until after the [[Armistice of November 11, 1918]] when they were returned.


==Burials==
==Burials==
Line 109: Line 112:
* Aegidius de Brialmont. (+1668) marries to Barbe van Wyck.
* Aegidius de Brialmont. (+1668) marries to Barbe van Wyck.
* Petrus de Vos (+1719), married to Maria Clara Bosschaert.
* Petrus de Vos (+1719), married to Maria Clara Bosschaert.
* [[Goubau family|Alexander I Goubau]], (1540-1614), married to Anna Anthoni.
* [[Goubau family|Alexander I Goubau]], (1540–1614), married to Anna Anthoni.
* Joannes Beerenbroek, (+1761)<ref name=ancien/>{{rp|173}}
* Joannes Beerenbroek, (+1761)<ref name=ancien/>{{rp|173}}
* Hendrik Moens, (+1643): Alderman of Antwerp: married to Maria Fourment, sister of [[Hélène Fourment]].
* Hendrik Moens, (+1643): Alderman of Antwerp: married to Maria Fourment, sister of [[Hélène Fourment]].
Line 158: Line 161:
| style="vertical-align:top;" |
| style="vertical-align:top;" |


* Interior length: {{convert|118|m|ft}}<ref name="OWFF"/>
* Interior length: {{convert|118|m|ft}}<ref name="OWFF"/>
* North tower height:{{convert|123|m|ft}}<ref name="OWFF"/>
* North tower height: {{convert|123|m|ft}}<ref name="OWFF"/>
* South tower height: {{convert|65.3|m|ft}}<ref name="OWFF"/>
* South tower height: {{convert|65.3|m|ft}}<ref name="OWFF"/>
* Central aisle height: {{convert|28|m|ft}}<ref name="OWFF"/>
* Central aisle height: {{convert|28|m|ft}}<ref name="OWFF"/>
Line 165: Line 168:
* Maximum width of the nave: {{convert|53.5|m|ft}}<ref name="OWFF"/>
* Maximum width of the nave: {{convert|53.5|m|ft}}<ref name="OWFF"/>
* Total surface area of the floor: {{convert|8000|m2|ft2}}<ref name="OWFF"/>
* Total surface area of the floor: {{convert|8000|m2|ft2}}<ref name="OWFF"/>
* Surface area of the roof: more than {{convert|10000|m2|ft2}}<ref name="OWFF"/>
* Surface area of the roof: more than {{convert|10000|m2|ft2}}<ref name="OWFF"/>
| style="vertical-align:top;" |
| style="vertical-align:top;" |


Line 180: Line 183:
=== Gallery ===
=== Gallery ===
<gallery class=center>
<gallery class=center>
File:Koorgestoelte, Frans-Andries Durlet, Onze-Lieve-Vrouwekathedraal Antwerpen.jpg|Choir stalls, [[Frans-Andries Durlet]]
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_1.jpg
File:Tenhemelopneming van Maria, Peter Paul Rubens, 16de eeuw, Onze Lieve Vrouwekathedraal Antwerpen, 956.jpg|The Assumption of the Virgin, [[Peter Paul Rubens]]
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_2.jpg
File:De aartshertogin Albrecht en Isabella in aanbidding voor het kruis, Cornelis Cussers, 17de eeuw, Onze-Lieve-Vrouwekathedraal Antwerpen.jpg|The Archdukes Albert and Isabella worshipping the Cross, Cornelis Cussers
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_3.jpg
File:De Kruisoprichting, Peter Paul Rubens, 17de eeuw, Onze-Lieve-Vrouwekathedraal Antwerpen, 947.jpg|The Raising of the Cross, Peter Paul Rubens
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_4.jpg
File:De Kruisafneming, Peter Paul Rubens, 17de eeuw, Onze-Lieve-Vrouwekathedraal Antwerpen, 315.jpg|[[The Descent from the Cross (Rubens, 1612–1614)|''Descent from the Cross'']] triptych, [[Peter Paul Rubens]], 1612–1614
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_5.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_6.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_7.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_8.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_9.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_10.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_11.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_12.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_13.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_14.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_15.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_16.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_17.jpg
imAge:Onze_Lieve_Vrouwekathedraal_Antwerpen_18.jpg
</gallery>
</gallery>

==See also==
* [[List of carillons in Belgium]]
* [[List of tallest structures built before the 20th century]]


==Notes==
==Notes==
Line 214: Line 208:
* [https://web.archive.org/web/20120323155030/http://www.free-jpeg-images.com/content/Belgium/Antwerp/1313168-Towers_of_the_cathedral_Antwerp.html Towers of the Cathedral]
* [https://web.archive.org/web/20120323155030/http://www.free-jpeg-images.com/content/Belgium/Antwerp/1313168-Towers_of_the_cathedral_Antwerp.html Towers of the Cathedral]
* [http://quod.lib.umich.edu/u/ummu2ic/x-ls007873/ls007873 University of Michigan Library Lantern Slide Collection]
* [http://quod.lib.umich.edu/u/ummu2ic/x-ls007873/ls007873 University of Michigan Library Lantern Slide Collection]
⚫
* {{archINFORM|projekte|7282|Cathedral of Our Lady}}
* [http://eng.archinform.net/projekte/7282.htm The web site "archINFORM" has an article on Antwerp Cathedral.]


{{Tallest buildings and structures in Belgium}}
{{Tallest buildings and structures in Belgium}}
{{Catholic Church in Belgium}}

{{Authority control}}
{{Authority control}}


⚫
{{DEFAULTSORT:Cathedral of Our Lady (Antwerp)}}
[[Category:1521 establishments in the Holy Roman Empire]]
[[Category:1521 establishments in the Holy Roman Empire]]
[[Category:16th-century Roman Catholic church buildings in Belgium]]
[[Category:16th-century Roman Catholic church buildings in Belgium]]

Latest revision as of 21:43, 6 November 2024

Cathedral of Our Lady
Dutch: Onze-Lieve-Vrouwekathedraal
Cathedral of Our Lady
Religion
AffiliationCatholic
RegionDiocese of Antwerp
RiteRoman
Ecclesiastical or organizational statusCathedral
LeadershipJohan Bonny
Year consecrated1521
Location
LocationAntwerp
Geographic coordinates51°13′14″N 4°24′02″E / 51.22056°N 4.40056°E / 51.22056; 4.40056
Architecture
Architect(s)Jan and Pieter Appelmans
TypeCathedral
StyleGothic
Groundbreaking1352[1]
Completed1521
Specifications
Direction of façadeW
Capacity25,000
Length120 metres (390 ft)
Width75 metres (246 ft)
Width (nave)53.5 metres (176 ft)
Height (max)123 metres (404 ft)
Website
De Kathedraal
Part ofBelfries of Belgium and France
CriteriaCultural: ii, iv
Reference943-002
Inscription1999 (23rd Session)

The Cathedral of Our Lady (Dutch: Onze-Lieve-Vrouwekathedraal) is a Roman Catholic cathedral in Antwerp, Belgium. Today's seat of the Diocese of Antwerp started in 1352 and, although the first stage of construction was ended in 1521, has never been 'completed'. It was constructed in the Gothic style by architects Jan and Pieter Appelmans. It contains a number of significant works by the Baroque painter Peter Paul Rubens, as well as paintings by artists such as Otto van Veen, Jacob de Backer and Marten de Vos. The cathedral is the largest Gothic church in Belgium, with its tower rising 123 meters (404 ft) over the city.

The belfry of the cathedral is included in the Belfries of Belgium and France entry in the list of UNESCO World Heritage Sites.[2]

History

[edit]

Before 1124

[edit]

The first Christian missionaries arrived in the 7th century. The first parish church dedicated to Saint Peter and Saint Paul was constructed in the current Sint Michielsstraat. After the Viking raids in 836, the church was damaged and restored, and subsequently dedicated to Saint Michael. In the 10th century, a group of 12 secular canons were connected to this church. They would dedicate all of their time to the Liturgy of the Hours, and mainly opposed the beliefs of the established Roman Catholic Church. Upon hearing of their dissident behavior, the bishop of the Roman Catholic Archdiocese of Cambrai (to which Antwerp belonged at the time) then sent Norbert of Xanten to discipline them. In 1124, Norbert of Xanten convinces 4 of the secular canons to start a norbertine abbey and thus the parish church becomes a monastery church, known as St. Michael's Abbey. The 8 other secular canons prefer to keep their freedom and move to a different location, a chapel dedicated to Our Lady, the Virgin Mary.[3]

This chapel becomes Antwerp's new parish church, and is located between the Saint Michael residential area, and an older settlement around the area of Het Steen.

Our Lady's church

[edit]

Becoming more popular, the chapel is demolished and replaced by a much bigger romanesque church. The three-aisled nave corresponded in width to the cathedral's current central aisle, the inner and partly the middle aisles. The cloverleaf-shaped eastern section with a full aisle had a width of no less than 42 m. In 1294, the church gets a novum opus extension, indicating the first signs of gothic architecture.[4]

Our Lady's cathedral and damage

[edit]
Wenceslaus Hollar, Antwerp Cathedral, 1649, print in the National Gallery of Art
Artist vision of the completed cathedral (18th century, after Wenceslaus Hollar, 1649)
Print of the destruction in the church, the "signature event" of the Beeldenstorm, 20 August 1566, by Frans Hogenberg[5]
Main nave

In 1352, construction was begun on a new Our Lady's church which would become the largest Gothic church in Belgium. In the beginning, it was to be provided with two towers of equal height. In 1521, after nearly 170 years, the new church of Our Lady was ready. The south tower reached only as far as the third-string course.

During the night of 5–6 October 1533, the new church was largely gutted by fire; however, Lancelot II of Ursel managed to save the building. The completion of the second tower was therefore delayed, which led to its ultimate postponement. Moreover, the church only became the cathedral of the bishopric of Antwerp in 1559 but lost this title again from 1801 to 1961, following the Concordat of 1801.[1][6] During the Iconoclasm of 20 August 1566 (part of the Beeldenstorm at the start of the Eighty Years' War), Protestants destroyed a large part of the cathedral interior. The eye-witness Richard Clough, a Welsh Protestant merchant then in Antwerp, wrote that the cathedral: "looked like a hell, with above 10,000 torches burning, and such a noise as if heaven and earth had got together, with falling of images and beating down of costly works, such sort that the spoil was so great that a man could not well pass through the church. So that in fine [short], I cannot write you in x sheets of paper the strange sight I saw there, organs and all destroyed."[7][8]

Nicolas Sander, an English Catholic exile who was a professor of theology at Louvain, described the destruction in the church:

... these fresh followers of this new preaching threw down the graven [sculpted] and defaced the painted images, not only of Our Lady but of all others in the town. They tore the curtains, dashed in pieces the carved work of brass and stone, brake the altars, spoilt the clothes and corporesses, wrested the irons, conveyed away or brake the chalices and vestiments, pulled up the brass of the gravestones, not sparing the glass and seats which were made about the pillars of the church for men to sit in. ... the Blessed Sacrament of the altar ... they trod under their feet and (horrible it is to say!) shed their stinking piss upon it ... these false bretheren burned and rent not only all kind of Church books, but, moreover, destroyed whole libraries of books of all sciences and tongues, yea the Holy Scriptures and the ancient fathers, and tore in pieces the maps and charts of the descriptions of countries.[9]

Later, when Antwerp came under Protestant administration in 1581, a number of artistic treasures were once again destroyed, removed or sold. The restoration of Roman Catholic authority came in 1585 with the fall of Antwerp.

In 1794 the French revolutionaries who conquered the region plundered Our Lady's Cathedral and inflicted serious damage.[1] Around 1798, the French administration intended to demolish the building but after each blow, the cathedral was able to recover. In 1816, various important works of art were returned from Paris, including three Rubens masterpieces. Over the course of the 19th century, the church was completely restored and refurnished.

The Cathedral was looted and vandalized in 1914 by German soldiers after the Siege of Antwerp (1914). Many of its treasures were taken to Berlin and not returned until after the Armistice of 11 November 1918

Between 1965 and 1993, a complete restoration took place.[1]

Musical life

[edit]

At the beginning of the 15th century, the cathedral's choir started developing an active musical life, and as a result, the cathedral's importance in the history of music soon soared. Johannes Ockeghem, one of the most important composers of the 15th century, served here as a vicar-singer in 1443, and so did Jacob Obrecht between 1492 and 1497. Sixteenth-century choirmasters included Antoine Barbe, Geert van Turnhout, Séverin Cornet, and Andreas Pevernage.[10] Organists who worked at the cathedral include Henry Bredemers (1493–1501), who went on to become a teacher to Philip the Handsome's children and the renowned English composer John Bull (1615–1628), who fled to Flanders from his home country escaping justice. From 1725 to 1731 Willem de Fesch served as Kapelmeester, followed from 1731 to 1737 by Joseph-Hector Fiocco, and from 1737 by André-Joseph Blavier. Lesser known but locally important figures, such as Jacobus Barbireau and Andreas Pevernage, also worked at the cathedral.

Significant architectural details

[edit]

The church's one finished spire is 123 meters (404 ft) tall,[11] the tallest church tower in the Benelux. Charles V, Holy Roman Emperor commented that the spire should be kept under glass, and Napoleon compared the spire to Mechlin lace.[12] The largest bell in the tower requires 16 bell ringers.[13]

The west portal features statues which include the missionary Saint Willibrord. He is thought to have spent time in Antwerp in the 7th century.

Major works of art

[edit]
Three stained-glass windows in the Cathedral of Our Lady, Antwerp. From left to right: Our Lady of Stekske, by Stalins & Janssens, 1878; Saint Ursula and Saint Gaspar, by E. Didron, 1873; and Dedication of the statue of Our Lady of Lourdes by archbishop Deschamps, by Stalins & Janssens, 1885

The cathedral possesses a number of major works of art :

Two of these artworks were confiscated by Napoleon and moved to France, The Raising of the Cross (which was actually the main altar piece of the St Walburga church) and The Descent from the Cross, but were returned to the cathedral in the 19th century.[12] The Paintings were stolen again by the Imperial German Army in 1914 and taken to the Berlin Palace where they were kept until after the Armistice of November 11, 1918 when they were returned.

Burials

[edit]

Inside the Cathedral some important graves still can be found, amongst them family members of the noble houses of Rubens, Fourment, Goubau, Tucher, Plantin, Moretus, de Borrekens, etc. Some stones were resited there after Saint-Michael's abbey church was lost.[14]

Bishops
Municipal and Grand Almoners of the City
  • Aegidius de Brialmont. (+1668) marries to Barbe van Wyck.
  • Petrus de Vos (+1719), married to Maria Clara Bosschaert.
  • Alexander I Goubau, (1540–1614), married to Anna Anthoni.
  • Joannes Beerenbroek, (+1761)[14]: 173 
  • Hendrik Moens, (+1643): Alderman of Antwerp: married to Maria Fourment, sister of Hélène Fourment.
  • Joannes Placquet, (+1652); married to Anne Vermeulen.
  • Adriaen Stevens, (+1640) married to Maria Bosschaert.[14]: 137 
  • Godefridus Joseph van Paeffenrode, (+1763) Alderman of Antwerp.
  • Embertus Tholinckx.[14]: 141 
  • Ludovic van den Heuvel (+1727), knight and Lord of Calfennes.[14]: 141 
  • Joannes van Colen (+1724), Lord of Burcht.[14]: 41 
Artists
  • Michiel [de] Vri[e]ndt, (+1637), married to Sara Rabat: Panel-maker of P.P. Rubens.[14]: 136 
  • Joannes Cnobbaert (+1637), Son of Michaël; married to Marie de Man; Editor and Publisher.[14]: 132 
  • Simon Jordaens, married to Maria de Bodt.
  • Daniël Faes, (+ 1654), book-Editor; married to Sara de Waele.
  • Abraham Ortelius (+1598), placed after burials inside Saint-Michaels Abbey.[14]: 129 
  • Cornelis de Vos, marr. Susanne Cock, children Joannes Bptiste and Elisabeth
  • Philippus Gallaeus, (+1612), Sculptor, married to Catharina Rollanda.[14]: 130 
  • Peter Verbrugghen, sculptor. Marr. Cornelia Quellinus
  • Jan Wildens, (+1653) marr. Maria Stappaert, niece of Hélène Fourment.
  • Nicolaes Somers, marries to Anne de Winter. Dean of the Silver sculptors.
  • Henricus de Moy, marr. Clara van Gulick,[15] parents in law of Philip I Rubens.
  • Joannes Brantius: iuris conslvltius, married Clara de Moy; parents of Isabella Brant.[14]: 176 
  • Hubert Waelrant
Politicians
  • Michaëllis Cnobbaert (+1623), Alderman, married to Jacominne de Roy.[14]: 132 
  • Alexander vander Goes (+1642), Alderman, married Maria della Faille.[14]: 176 
  • Maol Muire Ó hÚigínn, Archbishop of Tuam in Ireland (1586–1590) – died in Antwerp on his return to Ireland from Rome
  • Maria Goubau, marr. Renald Huygens.
  • Thomas de Prêt (+1653), married to Suzanne Fourmenois.
  • Gaspar Gevartius, Secretary of the City.
  • Jacobis Anthonius de Witte (+1631); royal Councillor and Judge, married to Maria Catharina Mailliart.
  • Jacobus della Faille.
  • Abraham Verspreet (+1638), married to Elisabeth van der Noot; Greffe of the political Council.
  • Henricus Walraevens.
  • Reynier Floris.
  • Bartholomeus Tucher, (+1542); married to Herberta Dens.[14]: 128 
Plantyn family

Facts and figures

[edit]
  • Interior length: 118 metres (387 ft)[1]
  • North tower height: 123 metres (404 ft)[1]
  • South tower height: 65.3 metres (214 ft)[1]
  • Central aisle height: 28 metres (92 ft)[1]
  • Lantern height or crossing-tower where the nave and transepts meet: 43 metres (141 ft)[1]
  • Maximum width of the nave: 53.5 metres (176 ft)[1]
  • Total surface area of the floor: 8,000 square metres (86,000 sq ft)[1]
  • Surface area of the roof: more than 10,000 square metres (110,000 sq ft)[1]
  • Capacity: 2,400 seats. In principle, the cathedral can hold 25,000 people.[1]
  • The cathedral has 7 aisles, 125 pillars and 128 windows (of which 55 are stained-glass).[1]
  • In 1533 there were 57 permanent altars in the cathedral.[1]
  • The nineteenth-century Schyven organ has 90 registers and 5,770 pipes.[1]
  • The cathedral has a carillon with 49 bells.[1]
  • The heaviest bell is Karolus (1507), weighing 6,434 kilograms (14,185 lb).[1]
  • Maintenance of the cathedral costs 1.5 million euros per year.[1]
[edit]

See also

[edit]

Notes

[edit]
  1. ^ a b c d e f g h i j k l m n o p q r s "History". Diocese of Antwerp. Archived from the original on 5 March 2009. Retrieved 3 January 2009.
  2. ^ "Belfries of Belgium and France". UNESCO World Heritage Centre. United Nations Educational, Scientific, and Cultural Organization. Retrieved 5 November 2021.
  3. ^ "De vroegromaanse Onze-Lieve-Vrouwekapel". Retrieved 30 April 2020.
  4. ^ "De romaanse Onze-Lieve-Vrouwekerk". Retrieved 30 April 2020.
  5. ^ analysed in Arnade, 146 (quoted); see also Art through time Archived 2016-03-03 at the Wayback Machine
  6. ^ The bishopric of Antwerp was abolished during this period
  7. ^ Spicer, 109 (spelling modernized); see also Arnade, 146–148
  8. ^ Eye-witness Account of Image-breaking at Antwerp, Universiteit Leiden Archived 2012-07-09 at archive.today
  9. ^ Miola, 58–59, 59 quoted
  10. ^ John A. Rice, Saint Cecilia in the Renaissance: The Emergence of a Musical Icon (Chicago, 2022).
  11. ^ "Cathedral of Our Lady". www.visitantwerpen.be. Retrieved 10 February 2016.
  12. ^ a b Coe, Fanny E. (1896). Dunton, Larkin (ed.). The World and Its People. Vol. 9. Book V. Modern Europe. Boston: Silver, Burdett & Co. p. 164.
  13. ^ Coe, Fanny E. (1896). Dunton, Larkin (ed.). The World and Its People. Vol. 9. Book V. Modern Europe. Boston: Silver, Burdett & Co. p. 165.
  14. ^ a b c d e f g h i j k l m n De Onze-Lieve-Vrouwekathedraal van Antwerpen. Kunstpatrimonium van het Ancien Régime. Brepols. 1996. ISBN 9789056220075.
  15. ^ Antwerpen - Cathedrale Kerk, Volume 1

References

[edit]
[edit]
Wikimedia Commons has media related to Onze-Lieve-Vrouwekathedraal (Antwerp).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Cathedral_of_Our_Lady_(Antwerp)&oldid=1255830924"