Analog high-definition television: Difference between revisions
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{{short description|Analog video broadcast television system}} |
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{{further|History of television}} |
{{further|History of television}} |
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'''Analog high-definition television''' has referred to a variety of [[analog video]] [[broadcast television systems]] with various [[display resolutions]] throughout history. |
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Analog '''high-definition television''' was an [[analog video]] [[broadcast television system]] developed in the 1930s to replace early experimental systems with as few as 12-lines. On 2 November 1936 the [[BBC]] began transmitting the world's first public regular analog high-definition television service from the Victorian [[Alexandra Palace]] in north London.<ref>http://www.teletronic.co.uk/tvera.htm Teletronic – The Television History Site</ref> It therefore claims to be the birthplace of television broadcasting as we know it today. [[John Logie Baird]], [[Philo T. Farnsworth]], and [[Vladimir Zworykin]] had each developed competing TV systems, but resolution was not the issue that separated their substantially different technologies, it was [[Interference proceeding|patent interference]] lawsuits and deployment issues given the tumultuous financial climate of the late 1920s and 1930s. |
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== Before 1940 == |
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Most patents were expiring by the end of World War II leaving no worldwide standard for television. The standards introduced in the early 1950s stayed for over half a century. |
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On 2 November 1936 the [[BBC]] began transmitting the world's first public regular analog "high definition" television service from the Victorian [[Alexandra Palace]] in north London.<ref>http://www.teletronic.co.uk/tvera.htm {{Webarchive|url=https://web.archive.org/web/20110813233820/http://www.teletronic.co.uk/tvera.htm |date=2011-08-13 }} Teletronic – The Television History Site</ref> It therefore claims to be the birthplace of television broadcasting as we know it today. The UK's [[405-line television system|405-line system]] introduced in 1936 was described as "high definition"; however, this was in comparison with the early 30-line (largely) experimental system from the 1920s, and would not be considered high definition by modern standards. |
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(NOTE: Although UK's [[405-line television system|405-line system]] was advertised as "high definition", due to it being higher than low-lined televisions, the picture quality isn't even close to standard definition and there were already higher resolutions available at the time) |
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[[John Logie Baird]], [[Philo T. Farnsworth]], and [[Vladimir Zworykin]] had each developed competing TV systems, but resolution was not the issue that separated their substantially different technologies, it was [[Interference proceeding|patent interference]] lawsuits and deployment issues given the tumultuous financial climate of the late 1920s and 1930s. Most patents were expiring by the end of World War II leaving no worldwide standard for television. The standards introduced in the early 1950s stayed for over half a century. |
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== {{anchor|819-line}} French 819-line system== |
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When [[Europe]] resumed TV transmissions after [[World War II|WWII]] (i.e. in the late 1940s and early 1950s) most countries standardized on a [[576i]] (625-line) television system. The two exceptions were the British [[405-line television system|405-line system]], which had already been introduced in 1936, and the [[France|French]] 819-line system. During the 1940s [[René Barthélemy]] already reached 1015-lines and even 1042-lines. On November 20, 1948, [[François Mitterrand]], the then Secretary of State for Information, decreed a broadcast standard of 819-lines developed by [[Henri de France]]; broadcasting began at the end of 1949 in this definition. |
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== French 819-line system== |
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This was arguably the world's first [[high-definition television system]], and, by today's standards, it could be called 737i (as it had 737-lines active)<ref>Report 308-2 of the XIIth Pleniary Assembly of the CCIR - Characteristics of Monochrome Television Systems</ref> with a maximum theoretical resolution of 408×368 [[line pair]]s (which in digital terms can be expressed as equivalent to 816×736 pixels) with a 4:3 aspect ratio (and thus a slightly wide effective "pixel aspect ratio" of 6:5, square pixel recording needing approx 980×736 instead). It was used only in France by [[TF1]], and in [[Monaco]] by Tele Monte Carlo. However, the theoretical picture quality far exceeded the capabilities of the equipment of its time, and each 819-line channel occupied a wide 14 [[MHz]] of [[VHF]] bandwidth. |
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{{Main|819-line}} |
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819-line was a monochrome TV system developed and used in France<ref name="auto">{{Cite web|url=https://www.redsharknews.com/business/item/471-france-had-a-national-hd-tv-system-in-1949|title=France had a national HD TV system as far back as 1949|first=Andy|last=Stout|website=www.redsharknews.com}}</ref><ref>{{Cite journal|url=https://ieeexplore.ieee.org/document/7265454|archive-url=https://web.archive.org/web/20180616210457/https://ieeexplore.ieee.org/document/7265454/|url-status=dead|archive-date=June 16, 2018|title=The B.B.C. Television Standards Converter|first=T.|last=Worswick|date=March 11, 1959|journal=Journal of the SMPTE|volume=68|issue=3|pages=130–135|via=IEEE Xplore|doi=10.5594/J14437}}</ref> as television broadcast resumed after World War II. Transmissions started in 1949 and were active up to 1985, although limited to France, Belgium and Luxembourg.<ref name="auto1">{{Cite web|url=https://www.transdiffusion.org/2021/02/19/new-television-standards-effect-on-british-television|title=New television standards: effect on British television|first=AUTHOR: Douglas C.|last=Birkinshaw|website=Transdiffusion}}</ref> It is associated with [[CCIR System E]] and [[CCIR System F|F]].<ref name="auto1"/> |
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Despite some attempts to create a color [[SECAM]] version of the 819-line system,<ref name="auto" /> France gradually abandoned the system in favor of the Europe-wide standard of [[CCIR System L|625-lines]] with the final 819-line transmissions taking place in Paris from the [[Eiffel Tower]] on 19 July 1983.<ref>{{Cite web|url=http://larevuedesmedias.ina.fr/histoire-de-la-television-une-exception-francaise|title=Histoire de la télévision : une exception française ?|website=La Revue des Médias}}</ref> [[TMC (TV channel)|Tele Monte Carlo]] in Monaco were the last broadcasters to transmit 819-line television, closing down their transmitter in 1985. |
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By comparison, the modern 720p standard is 1280×720 pixels, of which the 4:3 portion would be 960×720 pixels, while PAL DVDs have a resolution of 720×576 pixels. |
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[[Television channel]]s were arranged as follows: |
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{| class="wikitable" |
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|- |
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! Ch |
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! picture (MHz) |
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! sound (MHz) |
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|- |
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| F2 |
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| 52.40 |
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| 41.25 |
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|- |
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| F4 |
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| 65.55 |
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| 54.40 |
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|- |
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| F5 |
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| 164.00 |
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| 175.15 |
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|- |
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| F6 |
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| 173.40 |
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| 162.25 |
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|- |
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| F7 |
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| 177.15 |
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| 188.30 |
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|- |
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| F8 |
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| 186.55 |
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| 175.40 |
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|- |
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| F8a |
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| 185.25 |
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| 174.10 |
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|- |
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| F9 |
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| 190.30 |
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| 201.45 |
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|- |
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| F10 |
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| 199.70 |
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| 188.55 |
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|- |
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| F11 |
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| 203.45 |
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| 214.60 |
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|- |
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| F12 |
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| 212.85 |
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| 201.70 |
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|} |
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Technical specifications of the [[broadcast television systems]] used with 819-lines. |
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{| class="wikitable" |
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|- |
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! Field frequency |
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! Active picture |
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! Field blanking |
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! No. of broad pulses |
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! Broad pulse width |
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! Line frequency |
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! Front porch |
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! Line sync |
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! Back porch |
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! Active line time |
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! Video/syncs ratio |
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|- |
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| 50 Hz |
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| 737-lines |
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| 41-lines |
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| 1 per field |
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| 20.0 μs |
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| 20475 Hz |
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| 0.5 μs |
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| 2.5 μs |
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| 5.0 μs |
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| 40.8 μs |
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| 70/30 |
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|} |
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{| class="wikitable" |
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|- |
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! System |
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! Lines |
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! Frame rate |
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! Channel bandwidth (in MHz) |
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! Visual bandwidth (in MHz) |
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! Sound offset |
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! Vestigial sideband |
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! Vision mod. |
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! Sound mod. |
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|- |
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| System E |
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| 819 |
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| 25 |
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| 14 |
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| 10 |
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| ±11.15 (Sound carrier separation +11.15 MHz on odd numbered channels, -11.15 MHz on even numbered channels.) |
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| 2.00 |
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| Pos. |
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| AM |
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|- |
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| System F |
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| 819 |
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| 25 |
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| 7 |
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| 5 |
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| +5.5 |
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| 0.75 |
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| Pos. |
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| AM |
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|} |
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System E implementation provided very good (near HDTV) picture quality but with an uneconomical use of bandwidth; a 625/50 signal providing the same clarity as an 819-line image, but matted down 4:3 with the same number of lines, would still need nearly 6 MHz for the vision carrier alone (vs typical 5 to 6 MHz in actual use), and 5 MHz for 525/60 (vs typical 4.2 MHz), although a 405/50 transmission could get away with only 2.5 MHz (typical ''3 MHz'', as [[System A]] made no allowance for the [[Kell factor]] and thus had a "narrow pixel"/"tall line" appearance). Thus even an unusually crisp "standard" definition (or slightly soft 405-line) image only needed half, or even one-quarter the vision bandwidth of the 819-line system to give a "balanced" appearance, despite their lower overall resolution still seeming perfectly clear on the more affordable small-screen receivers often used in the pre-color era. With the usual additions of sound carrier and vestigial sideband the result was a combined signal that demanded approximately two to three times the bandwidth of more moderately specified standards, even when colour was added to them (as the color subcarrier resides ''within'' the luma signal space). |
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System F was an adapted 819-line system used in Belgium and Luxembourg as an answer to this problem, with only half the vision bandwidth and approximately half the sound carrier offset. It allowed French 819-line programming to squeeze into the 7 MHz VHF broadcast channels used in those neighbouring countries, albeit with a substantial loss of horizontal resolution (408×737 effective, with what would now be considered extra-wide 12:5 aspect ratio pixels); although this still offered approximately twice the actual clarity of 405-line System A (twice the lines, roughly the same horizontal definition), the contrast between vertical and horizontal resolution would have made it seem perceptually worse. Use of System F was discontinued in Belgium in February 1968, and in Luxembourg in September 1971. |
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Despite some attempts to create a color [[SECAM]] version of the 819-line system (which would have then also had the highest pre-HDTV colour signal resolution, with lines of FM encoding alternately centred on 8.82 and 8.5 MHz, if arranged similarly to 625-line SECAM), France abandoned it in favor of the Europe-wide standard of 625-lines ([[576i50]]), with the final 819-line transmissions from Paris in 1984. TMC in Monaco were the last broadcasters to transmit 819-line television, closing down their System E transmitter in 1985. |
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However, between 1976 and 1981 when French channel [[TF1]] was switching area by area to the new analog 625-lines UHF network with SECAM color, some transmitters and gapfillers broadcast the 819-line signal in UHF.<ref>TDF:situation des émetteurs au 31 December 1980</ref> When switching to 625-lines, most gapfillers did not change UHF channel (e.g. many gapfillers using this transmission located in French Alps near Grenoble, Mont Salève and Geneva began broadcasting on UHF channel 42, and continue to use this frequency to this day). They were switched to 625-lines in June 1981. |
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==Multiple sub-nyquist sampling Encoding system (MUSE)== |
==Multiple sub-nyquist sampling Encoding system (MUSE)== |
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{{Main|Multiple sub-Nyquist sampling encoding}} |
{{Main|Multiple sub-Nyquist sampling encoding}} |
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Japan had the earliest working HDTV system, with design efforts going back to 1979. The country began broadcasting wideband analog [[high-definition video]] signals in the late 1980s using an interlaced resolution of 1035 or 1080-lines active (''1035i'') |
Japan had the earliest working HDTV system, with design efforts going back to 1979. The country began broadcasting wideband analog [[high-definition video]] signals in the late 1980s using an interlaced resolution of 1035 or 1080-lines active (''1035i'') and 1125-lines total supported by the [[Sony HDVS]] line of equipment. |
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The Japanese system, developed by [[NHK Science & Technology Research Laboratories]] in the 1980s, employed filtering tricks to reduce the original source signal to decrease bandwidth utilization. MUSE was marketed as "Hi-Vision" by NHK. |
The Japanese system, developed by [[NHK Science & Technology Research Laboratories]] in the 1980s, employed filtering tricks to reduce the original source signal to decrease bandwidth utilization. MUSE was marketed as "Hi-Vision" by NHK. Japanese broadcast engineers rejected conventional vestigial sideband broadcasting to allow transmitting a HD signal on a tighter bandwidth. It was decided early on that MUSE would be a satellite broadcast format as Japan economically supports satellite broadcasting. |
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In the typical setup, three picture elements on a line were actually derived from three separate scans. Stationary images were transmitted at full resolution. However, as MUSE lowers the horizontal and vertical resolution of material that varies greatly from frame to frame, moving images were blurred in a manner similar to using 16 mm movie film for HDTV projection. In fact, whole-camera pans would result in a loss of 50% of horizontal resolution. Shadows and multipath still plague this analog frequency modulated transmission mode. |
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* Japanese broadcast engineers rejected conventional vestigial sideband broadcasting. |
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* It was decided early on that MUSE would be a satellite broadcast format as Japan economically supports satellite broadcasting. |
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MUSE's "1125-lines" are an analog measurement, which includes non-video "scan lines" during which a [[Cathode ray tube|CRT]]'s electron beam returns to the top of the screen to begin scanning the next field. Only 1035-lines have picture information.<ref>{{cite book|last1=Lewis|first1=Geoff|title=Communications Technology Handbook|date=1996|isbn=0-240-51461-0|url=https://books.google.com/books?id=rDcqBgAAQBAJ&q=Multiple+sub-nyquist+sampling+Encoding+system&pg=PA376}}</ref> Digital signals count only the lines (rows of pixels) of the picture makeup as there are no other scanning lines (though conversion to an analogue format will introduce them), so NTSC's 525-lines become 480i, and MUSE would be 1035i. |
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In the typical setup, three picture elements on a line were actually derived from three separate scans. Stationary images were transmitted at full resolution. However, as MUSE lowers the horizontal and vertical resolution of material that varies greatly from frame to frame, moving images were blurred in a manner similar to using 16 mm movie film for HDTV projection. In fact, whole-camera pans would result in a loss of 50% of horizontal resolution. |
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Japan has since switched to a digital HDTV system based on [[Integrated Services Digital Broadcasting|ISDB]]; the original MUSE-based BS Satellite channel 9 (NHK BS Hi-vision) ended transmitting on November 30, 2007,<ref>{{cite web|url=http://www.soumu.go.jp/joho_tsusin/eng/Releases/Telecommunications/news060208_3.html|title=MIC(Press Release-Telecom)|website=www.soumu.go.jp|access-date=18 April 2018}}</ref> moving to BS-digital channel 103. |
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MUSE's "1125-lines" are an analog measurement, which includes non-video "scan lines" during which a [[Cathode ray tube|CRT]]'s electron beam returns to the top of the screen to begin scanning the next field. Only 1035-lines have picture information.<ref>{{cite book|last1=Lewis|first1=Geoff|title=Communications Technology Handbook|date=1996|isbn=0-240-51461-0|url=https://books.google.com/books?id=rDcqBgAAQBAJ&pg=PA376&lpg=PA376&dq=Multiple+sub-nyquist+sampling+Encoding+system&source=bl&ots=HZyOOtGCKw&sig=TABBmV7zPusCRyCkbRRNeYV6ccI&hl=en&sa=X&ved=0ahUKEwiE4_iCq6fbAhXvIDQIHeX4BG44FBDoAQg7MAM#v=onepage&q=Multiple%20sub-nyquist%20sampling%20Encoding%20system&f=false}}</ref> Digital signals count only the lines (rows of pixels) of the picture makeup as there are no other scanning lines (though conversion to an analogue format will introduce them), so NTSC's 525-lines become 480i, and MUSE would be 1035i. |
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Shadows and multipath still plague this analog frequency modulated transmission mode. |
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Considering the technological limitations of the time, MUSE was a very cleverly designed analog system. |
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Though Japan has since switched to a digital HDTV system based on [[Integrated Services Digital Broadcasting|ISDB]], the original MUSE-based BS Satellite channel 9 (NHK BS Hi-vision) was still being broadcast {{As of|2007|lc=on}}. It broadcast the same programs as BS-digital channel 103, but transmission ended on November 30, 2007.<ref>{{cite web|url=http://www.soumu.go.jp/joho_tsusin/eng/Releases/Telecommunications/news060208_3.html|title=MIC(Press Release-Telecom)|author=|date=|website=www.soumu.go.jp|accessdate=18 April 2018}}</ref> |
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Subsampling lives on in modern [[MPEG]] systems based on [[JPEG]] coding, as JPEG offers Chroma sub-sampling. High quality HD television has a sampling structure approximating 4:2:1 (Luma : Chroma : Saturation) for reference images (I-Frames), though 4:0.75:0.65 is probably typical for multi-channel delivery. |
Subsampling lives on in modern [[MPEG]] systems based on [[JPEG]] coding, as JPEG offers Chroma sub-sampling. High quality HD television has a sampling structure approximating 4:2:1 (Luma : Chroma : Saturation) for reference images (I-Frames), though 4:0.75:0.65 is probably typical for multi-channel delivery. |
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| Line 160: | Line 33: | ||
{{Main|HD-MAC}} |
{{Main|HD-MAC}} |
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'''HD-MAC''' was a proposed [[television standard]] by the [[European Commission]] |
'''HD-MAC''' was a proposed [[television standard]] by the [[European Commission]] in 1986 (MAC standard). It was an early attempt by the [[European Community|EEC]] to provide [[High-definition television|HDTV]] in [[Europe]]. It was a complex mix of [[analog signal]] ([[Multiplexed Analog Components]]) multiplexed with digital sound. The video signal (1,250 (1,152 visible) lines/50 frames in [[16:9]] aspect ratio) was encoded with a modified [[D2-MAC]] encoder. |
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[[File:Multiplexed Analogue Components transmission (simulation).jpg|300px|right|thumb| HD-MAC test pattern similar to the B-MAC test pattern]] |
[[File:Multiplexed Analogue Components transmission (simulation).jpg|300px|right|thumb| HD-MAC test pattern similar to the B-MAC test pattern]] |
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For the [[1992 Summer Olympics]], experimental HD-MAC broadcasting took place. 100 HD-MAC receivers (in that time, retroprojectors) in Europe were used to test the capabilities of the standard. This project was financed by the [[European Union]] (EU). The PAL-converted signal was used by mainstream broadcasters such as [[Südwestrundfunk|SWR]], [[Bayerischer Rundfunk|BR]] and [[3Sat]]. |
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The HD-MAC standard was abandoned in 1993, and since then all [[European Union|EU]] and |
The HD-MAC standard was abandoned in 1993, and since then all [[European Union|EU]] and [[European Broadcasting Union|EBU]] efforts have focused on the [[Digital Video Broadcasting|DVB]] system (''Digital Video Broadcasting''), which allows both SDTV and HDTV. |
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==See also== |
==See also== |
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| Line 177: | Line 50: | ||
* [[NICAM]]-like audio coding is used in the HD-MAC system. |
* [[NICAM]]-like audio coding is used in the HD-MAC system. |
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* [[Chroma subsampling]] in TV indicated as 4:2:2, 4:1:1 etc... |
* [[Chroma subsampling]] in TV indicated as 4:2:2, 4:1:1 etc... |
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[[Electronovision]], a video tape movie production technique based on the 819-line system. |
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==References== |
==References== |
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| Line 182: | Line 57: | ||
==External links== |
==External links== |
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*http://819lignes.free.fr/index.html Restore operation on a French 1951 TV set (French language only) |
*[http://819lignes.free.fr/index.html 819lignes] Restore operation on a French 1951 TV set (French language only) |
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*[http://tech.ebu.ch/docs/techreview/trev_254-romero.pdf HDTV coverage of the Barcelona Olympic Games] by M. Romero and E. Gavilan ([[EBU]]) |
*[http://tech.ebu.ch/docs/techreview/trev_254-romero.pdf HDTV coverage of the Barcelona Olympic Games] by M. Romero and E. Gavilan ([[EBU]]) |
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*[http://tech.ebu.ch/docs/techreview/trev_254-tejerina.pdf The HDTV demonstrations at the Expo 92] by J.L. Tejerina and F. Visintin ([[EBU]]) |
*[http://tech.ebu.ch/docs/techreview/trev_254-tejerina.pdf The HDTV demonstrations at the Expo 92] by J.L. Tejerina and F. Visintin ([[EBU]]) |
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*[https://web.archive.org/web/20060508053638/http://www.agcom.it/eng/92_38_EEC.htm COUNCIL DIRECTIVE 92/38/EEC] of 11 May 1992. |
*[https://web.archive.org/web/20060508053638/http://www.agcom.it/eng/92_38_EEC.htm COUNCIL DIRECTIVE 92/38/EEC] of 11 May 1992. |
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<br> |
<br /> |
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{{Video formats}} |
{{Video formats}} |
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{{High-definition}} |
{{High-definition}} |
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[[Category:Television technology]] |
[[Category:Television technology]] |
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[[Category:High-definition television]] |
[[Category:High-definition television]] |
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[[Category:History of television]] |
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[[Category:Japanese inventions]] |
[[Category:Japanese inventions]] |
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Revision as of 20:13, 20 August 2024
Analog high-definition television has referred to a variety of analog video broadcast television systems with various display resolutions throughout history.
Before 1940
On 2 November 1936 the BBC began transmitting the world's first public regular analog "high definition" television service from the Victorian Alexandra Palace in north London.[1] It therefore claims to be the birthplace of television broadcasting as we know it today. The UK's 405-line system introduced in 1936 was described as "high definition"; however, this was in comparison with the early 30-line (largely) experimental system from the 1920s, and would not be considered high definition by modern standards.
John Logie Baird, Philo T. Farnsworth, and Vladimir Zworykin had each developed competing TV systems, but resolution was not the issue that separated their substantially different technologies, it was patent interference lawsuits and deployment issues given the tumultuous financial climate of the late 1920s and 1930s. Most patents were expiring by the end of World War II leaving no worldwide standard for television. The standards introduced in the early 1950s stayed for over half a century.
French 819-line system
819-line was a monochrome TV system developed and used in France[2][3] as television broadcast resumed after World War II. Transmissions started in 1949 and were active up to 1985, although limited to France, Belgium and Luxembourg.[4] It is associated with CCIR System E and F.[4]
Despite some attempts to create a color SECAM version of the 819-line system,[2] France gradually abandoned the system in favor of the Europe-wide standard of 625-lines with the final 819-line transmissions taking place in Paris from the Eiffel Tower on 19 July 1983.[5] Tele Monte Carlo in Monaco were the last broadcasters to transmit 819-line television, closing down their transmitter in 1985.
Multiple sub-nyquist sampling Encoding system (MUSE)
Japan had the earliest working HDTV system, with design efforts going back to 1979. The country began broadcasting wideband analog high-definition video signals in the late 1980s using an interlaced resolution of 1035 or 1080-lines active (1035i) and 1125-lines total supported by the Sony HDVS line of equipment.
The Japanese system, developed by NHK Science & Technology Research Laboratories in the 1980s, employed filtering tricks to reduce the original source signal to decrease bandwidth utilization. MUSE was marketed as "Hi-Vision" by NHK. Japanese broadcast engineers rejected conventional vestigial sideband broadcasting to allow transmitting a HD signal on a tighter bandwidth. It was decided early on that MUSE would be a satellite broadcast format as Japan economically supports satellite broadcasting.
In the typical setup, three picture elements on a line were actually derived from three separate scans. Stationary images were transmitted at full resolution. However, as MUSE lowers the horizontal and vertical resolution of material that varies greatly from frame to frame, moving images were blurred in a manner similar to using 16 mm movie film for HDTV projection. In fact, whole-camera pans would result in a loss of 50% of horizontal resolution. Shadows and multipath still plague this analog frequency modulated transmission mode.
MUSE's "1125-lines" are an analog measurement, which includes non-video "scan lines" during which a CRT's electron beam returns to the top of the screen to begin scanning the next field. Only 1035-lines have picture information.[6] Digital signals count only the lines (rows of pixels) of the picture makeup as there are no other scanning lines (though conversion to an analogue format will introduce them), so NTSC's 525-lines become 480i, and MUSE would be 1035i.
Japan has since switched to a digital HDTV system based on ISDB; the original MUSE-based BS Satellite channel 9 (NHK BS Hi-vision) ended transmitting on November 30, 2007,[7] moving to BS-digital channel 103.
Subsampling lives on in modern MPEG systems based on JPEG coding, as JPEG offers Chroma sub-sampling. High quality HD television has a sampling structure approximating 4:2:1 (Luma : Chroma : Saturation) for reference images (I-Frames), though 4:0.75:0.65 is probably typical for multi-channel delivery.
HD-MAC
HD-MAC was a proposed television standard by the European Commission in 1986 (MAC standard). It was an early attempt by the EEC to provide HDTV in Europe. It was a complex mix of analog signal (Multiplexed Analog Components) multiplexed with digital sound. The video signal (1,250 (1,152 visible) lines/50 frames in 16:9 aspect ratio) was encoded with a modified D2-MAC encoder.
For the 1992 Summer Olympics, experimental HD-MAC broadcasting took place. 100 HD-MAC receivers (in that time, retroprojectors) in Europe were used to test the capabilities of the standard. This project was financed by the European Union (EU). The PAL-converted signal was used by mainstream broadcasters such as SWR, BR and 3Sat.
The HD-MAC standard was abandoned in 1993, and since then all EU and EBU efforts have focused on the DVB system (Digital Video Broadcasting), which allows both SDTV and HDTV.
See also
The analog TV systems these systems were meant to replace
Related standards
- NICAM-like audio coding is used in the HD-MAC system.
- Chroma subsampling in TV indicated as 4:2:2, 4:1:1 etc...
Electronovision, a video tape movie production technique based on the 819-line system.
References
- ^ http://www.teletronic.co.uk/tvera.htm Archived 2011-08-13 at the Wayback Machine Teletronic – The Television History Site
- ^ a b Stout, Andy. "France had a national HD TV system as far back as 1949". www.redsharknews.com.
- ^ Worswick, T. (March 11, 1959). "The B.B.C. Television Standards Converter". Journal of the SMPTE. 68 (3): 130–135. doi:10.5594/J14437. Archived from the original on June 16, 2018 – via IEEE Xplore.
- ^ a b Birkinshaw, AUTHOR: Douglas C. "New television standards: effect on British television". Transdiffusion.
- ^ "Histoire de la télévision : une exception française ?". La Revue des Médias.
- ^ Lewis, Geoff (1996). Communications Technology Handbook. ISBN 0-240-51461-0.
- ^ "MIC(Press Release-Telecom)". www.soumu.go.jp. Retrieved 18 April 2018.
External links
- 819lignes Restore operation on a French 1951 TV set (French language only)
- HDTV coverage of the Barcelona Olympic Games by M. Romero and E. Gavilan (EBU)
- The HDTV demonstrations at the Expo 92 by J.L. Tejerina and F. Visintin (EBU)
- European Broadcasting Union
- COUNCIL DIRECTIVE 92/38/EEC of 11 May 1992.