Yun Shouping (Chinese: 惲壽平; 1633 – 1690), also known as Nantian (Chinese: 南田), was a Chinese calligrapher and painter. He was a major artist of the early Chinese Qing dynasty. Along with the Four Wangs and Wú Lì, he was regarded as one of the "Six Masters" of the Qing period.
Yun Shouping | |
|---|---|
 | |
| Born | 1633 |
| Died | 1690 |
| Style | mogu |
| Movement | Ch'ang-chou school |
Biography
editYun Shouping was born to an impoverished family in Wujin, Jiangsu province. Although he excelled in his classes, his family could not afford for him to attend the civil service examinations. Yun Shouping devoted himself to art. As a child, he composed poetry on lotus blossoms.[1]
Career
editAs an artist, poet, and calligrapher, Yun Shouping has been said to have mastered the three perfections. He is the founder of the Ch'ang-chou school of painting, and he is credited with reviving the popularity of flower paintings.[1] The mogu bird-and-flower motif experienced a resurgence through Yun Shouping's works and school of art.[2]
Yun Shouping was initially a landscape painter, but he was reportedly so impressed by the works of the artist Wang Hui that he abandoned his training in favor of flower, animal, and insect paintings.[1] Yun Shouping has been mistakenly credited with influencing the works of Jiang Tingxi.[3]
Yun was also recognized as a prominent calligrapher, in which he followed the style of Chu Suiliang.[1]
Style
editYun imitated the 11th-century artist Xu Xi's mogu (or 'boneless') method, an approach that tried to express art without rigidly defined outlines and forms. This style became a hallmark of the Yun family's artistic style, and Yun's daughter Bing continued to develop the technique.[4]
Yun's style was vibrant and expressive; he attempted to display the inner vitality and spirit of his subjects in painting. Yun sought inspiration from the past; his Flower and Fruit imitated the style of the masters of the Yuan dynasty. He used strong colors such as reds and purples, which had traditionally been considered gaudy and offensive by Chinese painters.
Gallery
edit
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Lotus Flower Breaking the Surface (出水芙蓉圖), Palace Museum, Beijing -
Magnolias -
Peonies -
Old Trees and Bamboo -
Sunset along Floral Embankment (花隝夕陽圖), Kyoto National Museum -
Tree Peonies, Metropolitan Museum of Art -
Landscapes in the Manner of Song and Yuan Masters, Metropolitan Museum of Art -
Peonies
References
edit- ^ a b c d "Peonies". Archived from the original on 20 August 2003. Retrieved 11 May 2020.
- ^ Xiaofei, Hao (2018), The Inheritance and Development of Contemporary Mogu Flower-bird Painting (PDF)
- ^ Rongrong, Mao (2019), Research on Taiwan Painting Schools in the Qing Dynasty (PDF)
- ^ Lu Haiyang 路海洋 (2013), "毗陵望族恽氏家族文化成就考述" [Discussion of the achievements of the influential family near the mound, the Yun clan], Changzhou Gong Xueyuan Xuebao (Shekeban) (in Chinese), 31 (1): 1–7
Further reading
editExternal links
edit- Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717), an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Yun Shouping (see index)
- Flower and Fruit, now at the Hong Kong Museum of Art
- Peonies at the National Palace Museum of Taiwan
- Peonies at the Smithsonian