Talk:Beatus Vir (Górecki)

Cut from article

The following was cut from the article. Seems kinda silly to remove it, but I'm not going to be the one to restore it and start an edit war. James470 (talk) 04:08, 17 January 2010 (UTC)

Structural Analysis

Like many other of his compositions, Górecki indicates the performance duration of the Beatus vir. The 33-35 minute-long work has no formal movement division but can be divided into ten sections as follows:

Section 1: mm.1-112 ♩= 84-88

• Marked by persistent E-flat in prima parte of each instrumental grouping
• Choral parts sing two motives: half step (C natural-B natural) or whole step (C natural-D natural)
• Toward the end of first section, in m. 104, the chorus rises to finally include the E-flat; the corresponding motive (E-flat-D natural-C natural-B natural) becomes the material that is used by the Baritone soloist.

Section 2: mm. 113-122 Molto meno mosso

• Marked by dynamic shift to mp from ffff sempre in the first section as well as the harmonic movement from E-flat major to the E-flat-B natural tritone
• Functions as a transition into Section 3

Section 3: mm. 123-164 Lento Sostenuto, Contemplativo ♩= 48

• Persistent C pedal tones with Baritone intoning opening motive built from “Górecki motto” and “Skierkowski’s turn”

Section 4: mm. 165-212 Lento Sostenuto, Contemplativo ♩= 48

• Reprise of Section 3 material, slightly altered. Baritone extension
• Entrance of Chorus (repeats material stated by Baritone)

Section 5: mm. 213-283 Lento cantabile ma pochissimo con moto ♩= 62-64

• Pedal E-flat with first violins, prima parte violi and seconda parte violincelli vacillating between G natural and F natural
• Baritone builds range
• Sempre Avanti

Section 6: mm. 284-380 Ancora piu mosso ♩= 96

• Entrance of Chorus men in unison with Baritone
• Entrance of Chorus women at the octave in m. 319, unison maintained

Section 7: mm. 381-395 Subito Lento

• Subito mp
• Bridge to next section

Section 8: mm. 396-449 Lento, Sostenuto, Contemplativo ♩= 48

• E-flat pedal
• Entrance of Baritone; use of opening material (half step c-b)

Section 9: mm. 450-540 Molto Lento ♩= 40

• Shift from E-flat augmented (now spelled to imply B augmented) to C pedal then to first V-I progression (mm. 465-467)
• Strings repeating chorus

Section 10: mm. 541-561 ♩= 36
Orchestra “turn” leads to intonation of choral ‘Domine’ in winds, keyboard and percussion (E natural, G natural, F-sharp)

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