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Rogers Drums

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Rogers Drums is an American multinational drum manufacturer. It was founded in 1849 and originally based in Covington, Ohio. During the twentieth century, their drums enjoyed popularity with musicians spanning from the Dixieland jazz era in the 1920s to classic rock in the 1960s and 1970s, but was particularly associated with big band and swing drummers of the 1940s and 1950s.

Rogers Drums
Company typePrivate
IndustryMusical instruments
Founded1849; 175 years ago (1849) in Farmingdale, NJ
FounderJoseph Rogers
FateMerged to Yamaha Corporation
HeadquartersCovington, Ohio, U.S.
Area served
Worldwide
ProductsDrum kits
Websiterogersdrumsusa.com

History

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The Rogers company was started in 1849 by James Rogers, an Irish immigrant from Dublin to the United States. Rogers started crafting drum heads in Brewster’s Station, New York. A second tannery was established later in Farmingdale, New Jersey, operated by his son Joseph H. Rogers Junior. James Rogers' grandson Cleveland S. Rogers began to manufacture the first "Rogers" drums at the Farmingdale tannery in the 1930s. The first Rogers drums were assembled from shells and hardware of other manufacturers but mounted with Rogers heads.

In 1955, Cleveland Rogers, who had no heirs, sold the Rogers drum company to Henry Grossman. Grossman moved the company to Covington, Ohio, and under his leadership, Rogers moved to the forefront of American drum making for the next decade and a half. Design engineer Joe Thompson and marketing manager Ben Strauss were instrumental in Rogers' success during its golden age from the mid-1950s to the late 1960s. The company's drums were embraced by musicians from the Dixieland movement to the classic rockers of the 1960s and 1970s. However, the manufacturer was most closely associated with the "big band" and swing drummers of the 1940s and 1950s.

The Dyna-Sonic snare drum

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Rogers' "Dyna-Sonic" snare drum featured a number of innovations, such as a unique cradle in which the snare wires were supported.[1][2] This device provided a means by which the longitudinal tension of the snare wires could be adjusted independently of the vertical force holding the snares against the bottom head. As a result, the snares could be tensioned as tightly as the drummer wanted without having to pull the snares against the head so hard they constrained (choked) the head's vibration. This and other innovations (for example, a remarkably shallow—4/1000"—snare bed) made possible by the novel tensioning arrangement gave the drum a relatively crisp and recognizably clear sound. Dyna-Sonics were made from about 1961 until the mid-'80s.[3] The company was bought in 1966 by CBS Musical Instruments,[4] which had also acquired in 1965 Fender Guitars and Rhodes Pianos. The vast majority of Dyna-Sonics had COB (chrome over brass) shells. Only a small number of wood-shell Dyna-Sonics was made during the lifetime of the drum. Pristine models can fetch thousands of dollars on the vintage drum market. Other notable Rogers drums were the Powertone model of snare drums and the Holiday model of tom-toms and bass drums. Fiberglass timpani were also manufactured for a time, named Accu-Sonic.

In addition to its Dyna-Sonic snare drum, Rogers was renowned for its highly-innovative hardware. Much of it was developed by Thompson, including the Swiv-o-Matic line of bass drum pedals, hi-hats, cymbal stands, and tom-tom holders. The cymbal stands and tom-tom holders featured a ball-and-socket tilting mechanism. Even Ludwig drummers like Ringo Starr of The Beatles,[5] Mitch Mitchell of The Jimi Hendrix Experience, and John Bonham of Led Zeppelin used some Swiv-o-Matic hardware items on their kits.[6] Keith Moon used Swiv-o-Matic hardware on his Premier kit.[7]

Neil Peart of RUSH played a Rogers 5"x14" Rogers Dynasonic Snare on Fly by Night, Caress of Steel, 2112 and All The World's A Stage.[8] He also used Rogers hardware, specifically, a single Swiv-o-Matic tom holder on his large Slingerland and Tama drum kits through the mid-1980s in order to position a tom-tom directly over the center of one of his bass drums.[9]

From 1964 until 1975, Rogers shells were 5-ply construction of alternating plies of maple and birch wood with reinforcement rings. From late 1975 until 1978 the shells were made up of 5 alternating plies of maple and birch wood with reinforcement rings. Starting in 1978, Rogers began offering drums with 8-ply shells without reinforcement rings (made by Keller Products, Inc. of Manchester, NH) for its XP-8 line. They marked the beginning of relatively heavy, thick "stadium" shells that favored attack and projection over midrange tonality. These drums were promoted as "the best Rogers drums ever made" and the XP-8 models lived up to that claim.

1976 saw the introduction of "Memriloc" hardware. This innovation was co-developed by Dave Donoho and Roy Burns. It was the first of the super-stable hardware systems and was subsequently copied by most major drum manufacturers in one form or another. Most modern drum hardware evolved from the Rogers Memrilock concept. For the growing European market, Rogers drums were made in the UK by Ajax under license from Rogers USA. The hardware was Rogers, but the drum shells were supplied by Ajax from its UK production. Dave Clark of the Dave Clark Five and Pete York of the Spencer Davis Group were prominent British drummers using Rogers equipment during that era; along with Mick Avory of the Kinks (before switching to Ludwig) and John Steel of The Animals (after switching from Premier).

Shortly after being purchased by CBS in 1966, Rogers drums moved its production in 1969 from Ohio to a Fullerton, CA factory complex, where the American Fender Guitars were also produced.

In 1983, CBS sold Rogers and Fender to a group of individuals who were running the Fender division; the new owners soon after decided to discontinue the Rogers Drums line. Between 1984 and 1998, the Rogers name was owned by Island Music, who manufactured low-cost copies of the famous Big R Rogers drums outside the US.

1998 to present day

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In 1998, the Rogers name was acquired by the Brook Mays Music Company (BMMC) of Dallas, Texas. Jim Rosenthal, then VP Marketing for BMMC, identified the opportunity to purchase the name and revitalize the brand. BMMC began the brand as a low-cost, but high-quality import line of beginner drum sets that were sold exclusively through the company's own chain of music stores. The first kits were manufactured by Peace Drums of Taiwan. The drums sold successfully because many drummers (especially younger ones) wanted Rogers kits and the kits were excellent value. Bill Crowden, son-in-law of Bill Ludwig, was working for BMMC at the time and was brought in to the Dallas office to run Rogers. Together with Jim Rosenthal, they developed the line, using the names of Rogers kits and drums from the '60s. A high-quality line of kits emerged that included maple and birch shells with beavertail lugs and modern double-braced hardware. Sales of Rogers kits across the board for BMMC were extremely successful.[citation needed]

However, in the summer of 2006, BMMC filed for Chapter 11 bankruptcy protection. On August 26, 2006, the Yamaha Corporation of America announced that it had acquired the intellectual property rights to the Rogers Drum Company at the BMMC bankruptcy court-ordered auction. "Opportunities to acquire a well-respected brand that is so treasured by players do not come along every day," said Tom Sumner, Vice President and General Manager of Yamaha's Pro Audio & Combo Division. "We will use our expertise to improve on the Rogers legacy."[10] Yamaha displayed its new Rogers drums at winter NAMM 2007.[11]

In 2013, the rights to Rogers drums were acquired by Joseph Chen, then the president of Dixon Drums. In 2017, Rogers was revived as a manufacturer of high-end handcrafted snare drums, utilizing many of the familiar hardware designs from the 1950s and 1960s.[12] They have reissued a 5-ply maple version of the "Dyna-Sonic" snare drum featuring the "Clock Face" double-rail snare straining device and re-engineered "Bread and Butter" lugs.

Players

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The following players used Rogers drums in whole, or part:

References

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  1. ^ "Vintage View - Rogers Dynasonic". 12 March 2017.
  2. ^ a b "History of the Snare Drum". 6 October 2020.
  3. ^ "Rogers Dyna-Sonic Wood Shell Snare Drum Reissue Review". www.drumcenternh.com.
  4. ^ Reckert, Clare M. (5 April 1966). "C.B.S. MAKES DEAL FOR ROGERS DRUMS; Musical Instrument Maker Third Bought by Network". The New York Times.
  5. ^ "1964 Ludwig Downbeat | Gary Astridge Historian".
  6. ^ "Hardware - Swiv-o-Matic". English Rogers Drums. 2014. Retrieved 4 February 2021.
  7. ^ "The Evolution of the Modern Drum Kit".
  8. ^ "Neil Peart's All the World's a Stage drums". andrewolson.com.
  9. ^ "Neil Peart Ask a Pro - May 1982". andrewolson.com.
  10. ^ "Yamaha Acquires Intellectual Property Rights To Rogers Drums - Yamaha - United States". usa.yamaha.com.
  11. ^ "Rogers Drums reintroduction at NAMM 2007".
  12. ^ "There's a Little Pork Pie Flavor in Every New Rogers Drum". 10 August 2018.
  13. ^ a b http://englishrogersdrums.co.uk/Photos%20Famous%20players.html
  14. ^ http://englishrogersdrums.co.uk/1M%20Pictorial.html
  15. ^ Flans, Robyn. "Mick Fleetwood - The Power of Fleetwood Mac". Modern Drummer. Retrieved September 30, 2018.
  16. ^ "Earl Palmer". 25 October 2016.
  17. ^ Drummer, Modern (28 December 2011). "Marky Ramone: Punk Legend". Modern Drummer Magazine.
  18. ^ "8 Drummers and the Kits that Changed the World". 17 December 2015.
  19. ^ "Neil Peart Fly by Night drums".
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